Gabriel Basso is joining Julia Garner in Apple TV’s Guilty Creatures, adding another series regular to the upcoming true-crime thriller. Based on Mikita Brottman’s nonfiction book, the adaptation explores a Florida murder and the years of secrecy that followed. Basso’s character has not yet been identified in the casting coverage.
Radio Times reported the casting on October 21, identifying Basso as a series regular. The actor is known for playing Peter Sutherland in Netflix’s The Night Agent, giving the Apple TV project a lead performer already familiar to thriller audiences.
For viewers familiar with Basso through The Night Agent, the project introduces a different kind of thriller premise: a story concerned with a murder’s prolonged psychological consequences and the relationships surrounding it.
Basso Joins an Expanding Ensemble
Basso joins previously announced series regulars Garner, Lewis Pullman, and Maddie Hasson. Mary-Louise Parker is attached in a recurring role.
Those distinctions establish the actors’ reported involvement without revealing how the adaptation will distribute the story among them. Basso’s casting does not yet identify which person he will portray or how his character connects to the central relationship.
That leaves a meaningful part of the announcement open. A recognizable actor can bring an audience to a project, but the character description will provide a clearer indication of what this particular role asks of him.
Garner’s involvement extends beyond acting: she is also an executive producer, and the project was developed through Tomorrow Studios’ first-look arrangement with her production company, Alma Margo. Basso’s addition expands the cast of a series whose lead performer is also involved behind the camera.
Image Credit: Getty Images
The Story Begins With a Florida Disappearance
The source material is Brottman’s nonfiction book, Guilty Creatures: Sex, God, and Murder in Tallahassee, Florida.
Published in July 2024 by Atria/One Signal Publishers, the book gives interested viewers a way to explore the underlying case before the adaptation arrives. It is a nonfiction account, so reading it will reveal events that the television series may choose to introduce gradually.
According to the publisher’s description, the book examines the relationships between Mike and Denise Williams and their longtime friends Brian and Kathy Winchester. Their shared lives were disrupted when Mike disappeared during a hunting trip on Lake Seminole on December 16, 2000.
The account follows the suspicions that developed afterward, including Brian’s subsequent marriage to Denise, and the long path toward uncovering what happened.
Brottman’s background also helps explain the book’s emphasis. Simon & Schuster identifies her as a writer and psychoanalyst, and describes the work as an examination of the psychology of people living with responsibility for a killing.
That provides context for the adaptation’s premise without establishing exactly how the television version will organize events. The book’s chronology, perspective, and emphasis may be reshaped for the screen.
Apple Has Positioned the Series Around Guilt and Secrecy
Apple officially announced Guilty Creatures on July 6. Its description centers on an adulterous relationship, a murder, and the emotional burden carried by two religious lovers over 18 years.
The premise gives the series a different emphasis from a straightforward search for a culprit. It creates room to examine the gap between public identity and private knowledge, and how a shared secret can influence a relationship over time.
That is the dramatic potential of the announced material, rather than an assessment of finished episodes. Casting news cannot establish the eventual balance between investigation, domestic drama, and psychological suspense.
It does, however, explain why the supporting ensemble matters. A story spanning years of concealed wrongdoing depends partly on the people around its central figures: what they notice, what they believe, and how their understanding changes.
Image Credit: AppleMagazine
Craig Gillespie Leads the Creative Team
Apple’s official series announcement names Craig Gillespie as director and executive producer, with Stuart Zicherman serving as showrunner and executive producer. Sarah DeLappe is adapting the book for television.
Tomorrow Studios is producing the series. The project was developed through its first-look arrangements with Garner’s Alma Margo and Gillespie’s Fortunate Jack Productions. Brottman is also an executive producer.
Gillespie’s previous credits include I, Tonya and Pam & Tommy, while DeLappe wrote Bodies Bodies Bodies. Zicherman’s credits include The Shrink Next Door and The Americans. Those backgrounds offer viewers a more concrete introduction to the filmmakers shaping the adaptation’s tone, writing, and direction.
A Premiere Date Is Still Unannounced
The casting reports do not provide a premiere date for Guilty Creatures. Basso’s addition should therefore be understood as a production update, rather than evidence that the series is approaching an imminent streaming release.
For viewers following the project, the next useful details will be character announcements and Apple’s release plans. The ensemble is becoming clearer, while the adaptation’s precise shape—and when audiences will be able to watch it—remains to be revealed.
The streaming service reported a 12 percent increase in quarterly revenue, but acknowledged that stagnant viewership, particularly in the U.S. and Canada, was a major concern.
Most planetary scientists will tell you the heyday of Venus exploration was more than a generation ago. That is about to change.
Two NASA missions are on track to launch to Venus in the early 2030s. The first, known as the Deep Atmosphere Venus Investigation of Noble gases, Chemistry, and Imaging (DAVINCI), is now scheduled for launch in December 2030, a year earlier than previously planned. DAVINCI will send a parachute-assisted descent probe through the atmosphere of Venus, returning the first direct images of the planet's surface since 1982. A second mission, Venus Emissivity, Radio science, InSAR, Topography, And Spectroscopy (VERITAS), will follow with a launch in November 2032 to map the Venusian surface by radar from orbit.
The European Space Agency is building another orbiter, Envision, for launch to Venus in 2032. The Venus armada might get started as soon as next year, when Rocket Lab aims to launch a privately funded probe to search for signs of organic material in the planet's clouds.
Most planetary scientists will tell you the heyday of Venus exploration was more than a generation ago. That is about to change.
Two NASA missions are on track to launch to Venus in the early 2030s. The first, known as the Deep Atmosphere Venus Investigation of Noble gases, Chemistry, and Imaging (DAVINCI), is now scheduled for launch in December 2030, a year earlier than previously planned. DAVINCI will send a parachute-assisted descent probe through the atmosphere of Venus, returning the first direct images of the planet's surface since 1982. A second mission, Venus Emissivity, Radio science, InSAR, Topography, And Spectroscopy (VERITAS), will follow with a launch in November 2032 to map the Venusian surface by radar from orbit.
The European Space Agency is building another orbiter, Envision, for launch to Venus in 2032. The Venus armada might get started as soon as next year, when Rocket Lab aims to launch a privately funded probe to search for signs of organic material in the planet's clouds.
In a slight detour from their regular topics Charlotte Henry and Chuck Joiner discuss the iPhone 18 Pro, the upcoming iPhone Duo experience, and the challenges of managing Apple subscriptions. Turning back to television, they explore Apple’s new London music venue, upcoming holiday programming featuring Snoopy and Peanuts, and research revealing Apple’s emphasis on scripted entertainment. The discussion examines how Apple’s quality-focused streaming strategy distinguishes it from competitors like Netflix, Disney+, and HBO Max with plenty of examples.
Major TV networks were notified on Friday that the department was examining whether they violated antitrust laws when they suspended pool coverage of President Trump.
An artist’s concept of JAXA’s (Japan Aerospace Exploration Agency) Martian Moons eXploration (MMX) spacecraft at Mars.
Credit: JAXA
Media are invited to join NASA for a media teleconference at 4 p.m. EDT, Thursday, Oct. 15, to preview the agency’s contributions to JAXA’s (Japan Aerospace Exploration Agency) Martian Moons eXploration (MMX) mission. The mission is scheduled to launch from JAXA’s Tanegashima Space Center in Japan on Monday, Oct. 19 EDT (Tuesday, Oct. 20 JST).
Audio of the media teleconference will stream on the agency’s website at:
Participants in the briefing, who will provide an overview of the mission and NASA’s contributions, include:
Lindsay Hays, acting director, Planetary Science Division, NASA Headquarters in Washington
Tom Statler, MMX program executive and scientist, Planetary Science Division, NASA Headquarters
David Lawrence, MEGANE (Mars-moon Exploration with Gamma-rays and Neutrons) principal investigator, Johns Hopkins Applied Physics Laboratory
Kris Zacny, vice president, Blue Origin’s Honeybee Robotics
Media interested in participating by phone must RSVP no later than two hours prior to the start of the teleconference to Molly Wasser at molly.l.wasser@nasa.gov. A copy of NASA’s media accreditation policy is online.
The MMX spacecraft will arrive at Mars in August 2027 to begin its survey of the Red Planet’s two moons, Phobos and Deimos. After surveying Phobos in detail, the spacecraft will collect a sample of the moon’s surface no earlier than December 2028 and deliver it to Earth in 2031. NASA’s contributions to the mission include the MEGANE gamma-ray and neutron spectrometer, the spacecraft’s surface sampler mechanism, and communications and navigation support from the agency’s Deep Space Network, as well as funding United States scientists participating on the MMX science team.
The MEGANE instrument was developed by Johns Hopkins Applied Physics Laboratory. Honeybee Robotics, a Blue Origin company, developed the spacecraft’s pneumatic sampler mechanism. NASA’s contributions to the MMX mission were funded by the agency’s Discovery Program, which provides frequent flight opportunities for high-value, focused planetary science investigations. The Discovery Program is managed by NASA’s Marshall Space Flight Center in Huntsville, Alabama, for the agency’s Science Mission Directorate in Washington.
For more information about the MMX mission, visit:
A discussion of smart TV privacy examines reports of LG televisions collecting viewing data, whether TVs should ever be connected to the internet, and when firmware updates are worthwhile. The MacVoices Live! panel also considers hotel TV privacy, Microsoft’s increasingly pervasive Copilot strategy and organizational changes, and the enduring influence of Star Trek technology on real-world innovation.
Widow’s Bay has turned its first season into one of the most decorated comedy debuts in Emmy history, collecting 14 awards at the 78th Primetime Emmy Awards and giving Apple TV its biggest awards performance for a single series this year.
The comedy-horror series won Outstanding Comedy Series alongside major acting, writing, directing, casting, cinematography, music, production design, and sound honors. Its 14 victories also set a record for the most Emmy wins by a comedy series in a single season, surpassing the benchmark established by The Studio a year earlier.
The sweep came after Widow’s Bay entered the awards cycle with 19 nominations. Apple finished the 2026 Emmys with 29 awards overall, with Widow’s Bay accounting for nearly half of the total.
Image Credit: Apple Inc.
Widow’s Bay dominates the major Emmy categories
Matthew Rhys won Outstanding Lead Actor in a Comedy Series for his performance as Mayor Tom Loftis, the well-intentioned but frequently overwhelmed leader of a remote New England island community.
Kate O’Flynn won Outstanding Supporting Actress in a Comedy Series, while Stephen Root took Outstanding Supporting Actor. Betty Gilpin had already secured Outstanding Guest Actress during the Creative Arts Emmys.
Creator Katie Dippold won Outstanding Writing for a Comedy Series for the premiere episode, while Hiro Murai received Outstanding Directing for a Comedy Series. The Television Academy also recognized Murai as the first Asian director to win the comedy directing category.
Those awards gave the show victories across nearly every major creative discipline involved in building the series. Widow’s Bay also received Emmys for production design, casting, cinematography, original dramatic score, music supervision, sound editing, and sound mixing.
The breadth of the wins is notable because the show was not carried solely by one high-profile performance or writing prize. Acting, directing, writing, visual design, music, and technical execution all received separate recognition.
Apple says Widow’s Bay also earned more performance awards than any other series at the 2026 Emmys.
Widow’s Bay found a distinctive balance between horror and comedy
Created by Dippold, Widow’s Bay follows Tom Loftis as he tries to transform an isolated island town into a viable tourist destination despite warnings from residents that the community is cursed.
The premise initially plays on civic frustration and small-town politics. The island has unreliable connectivity, a skeptical population, and a mayor determined to prove that local superstition is holding economic development back. As visitors begin to arrive, the supernatural stories that Loftis has dismissed start becoming harder to explain away.
That structure allows the series to operate as both a character comedy and a genuine horror story rather than treating supernatural events simply as setups for jokes.
Dippold, whose earlier work includes The Heat and Ghostbusters, serves as creator, showrunner, writer, and executive producer. Murai, known for visually distinctive television work including Atlanta, directs and executive produces.
The executive-producing team also includes Carver Karaszewski, Claudia Shin, and Rhys.
Apple and Television Academy records list Apple Studios and Chum Films among the production companies behind the series. The directing roster extends beyond Murai to Ti West, Sam Donovan, and Andrew DeYoung.
The main cast includes Rhys, O’Flynn, Root, Kingston Rumi Southwick, Kevin Carroll, and Dale Dickey.
Image Credit: Apple Inc.
A debut season becomes an awards benchmark
Widow’s Bay premiered globally on Apple TV on April 29, 2026. The first two episodes were released together before the remaining episodes arrived weekly.
Its Emmy performance places the series alongside a growing run of Apple comedies that have performed strongly with Television Academy voters.
Ted Lasso previously won Outstanding Comedy Series, followed by The Studio in 2025. Widow’s Bay gives Apple consecutive wins in the category and its fourth Outstanding Comedy Series victory across the past six Emmy ceremonies.
Apple also became the most awarded network at the 2026 Emmys with 29 wins. Pluribus contributed six, including awards for Rhea Seehorn and creator Vince Gilligan, while Margo’s Got Money Troubles and Palm Royale each received three.
Slow Horses won for directing, and Mr. Scorsese received Outstanding Documentary or Nonfiction Series.
For Widow’s Bay itself, the 14-win total is especially significant because this is the show’s freshman season. The Television Academy confirmed six of those awards during the main September 14 telecast, while eight had already been announced during the Creative Arts ceremonies.
The combination took Widow’s Bay beyond The Studio’s previous record for a debut comedy and established a new single-season high for the category.
Matthew Rhys adds another unusual Emmy milestone
Rhys had an especially unusual night beyond his Widow’s Bay victory.
In addition to winning Lead Actor in a Comedy Series, he received another lead-actor Emmy for Netflix’s The Beast in Me in the limited or anthology series or movie category, making him the first performer to win two lead acting awards in different categories during the same Emmy year.
His Widow’s Bay performance is deliberately restrained compared with the increasingly strange circumstances surrounding Loftis. Rather than treating the island’s supernatural events as an invitation to broaden the comedy, Rhys largely plays the mayor as someone trying to maintain a rational civic response while the situation deteriorates.
That tonal approach runs through the rest of the production. Root and O’Flynn’s supporting performances received individual recognition, while Murai’s directing and Dippold’s writing awards reinforced how closely the series depends on maintaining tension without losing its comic rhythm.
All 10 episodes of the first season are currently available to stream on Apple TV. With the Emmy campaign complete, the show now carries a benchmark that future comedy debuts will be measured against: 14 awards from 19 nominations, capped by Outstanding Comedy Series and wins across nearly every part of the production.
A zoomed-in view of the Moon made from images from NASA’s Lunar Reconnaissance Orbiter Camera. (More information at the bottom of article.)
Credits: NASA Goddard/Intuitive Machines/Robert Wagner
It started as a routine data-quality check. But as Robert Wagner, a scientist with NASA’s Lunar Reconnaissance Orbiter (LRO), scanned a giant Moon map on his computer screen, an unusually large bright spot circled by a dark halo caught his eye, as it implied that surface material in that area had been shaken up.
“I just stopped, dropped everything, and started looking into what that spot was,” said Wagner, an image-processing specialist from Intuitive Machines who works with data from the Lunar Reconnaissance Orbiter Camera (LROC) system.
By comparing before and after images of the Moon, Wagner realized he had discovered the largest, newly formed crater ever found in the solar system, as scientists reported Wednesday in Science Advances. This discovery highlights the value of NASA’s Moon orbiter data in studying a dynamic landscape as the agency advances a sustained human presence and expanded scientific and commercial activity on the Moon.
A zoomed-in view of McGetchin crater, circled on the left, next to a “before” image on the right. The panel on the left is made from images captured by NASA’s Lunar Reconnaissance Orbiter Wide-Angle Camera in summer 2025; the right panel was made from images taken in spring 2011. The white spot is not the crater itself, but rather material flung out of the crater, which formed when a rock, possibly this size of a three- to six‑story building, crashed into the Moon between April 11 and May 22, 2024 – a once-in-a-century event, as scientists reported on Sept. 15, 2026, in a pair of papers in Science Advances. The area shown in the images is 38 miles wide.
NASA Goddard/Intuitive Machines/Robert Wagner
Officially named McGetchin after pioneering lunar scientist Tom McGetchin, the crater formed on the Moon’s eastern edge sometime between April 11 and May 22, 2024, after a comet or asteroid the size of a three- to six-story building hit the surface.
The crash left a crater, 728 feet wide, that spans the length of two football fields. And at 141 feet deep, the crater could fit three vertically stacked yellow school buses.
Scientists estimate that an impact of this magnitude happens on the Moon about once in a century or even longer.
Moon takes some hits
For more than 17 years, LRO has been circling the Moon and using its seven instruments to map the topography, surface composition, temperature, and radiation environment there. The spacecraft’s team has identified at least 1,000 new impact craters throughout the mission and flagged 100,000 more surface changes from an object smashing into the Moon or from the debris that flung out after.
With no atmosphere to slow them or burn them up, space rocks and other objects easily reach the lunar surface. Most are much smaller compared to the object that carved out McGetchin crater. The smallest craters scientists can distinguish from LRO images are about 30 feet wide, the length of a three-story building laid on its side, made by rocks about 43 inches wide, the size of a monster-truck tire. Scientists estimate that impacts of this scale produce about 140 new craters across the Moon each year. But most new ones are made by microscopic projectiles that leave holes too small to identify in orbital images.
With its numerous instruments, the spacecraft can observe changes to the lunar surface that aren’t apparent in the LROC images alone. After the crater was discovered, scientists working with LRO’s thermal instrument, Diviner, made follow-up observations of the site. They found a 4-mile-wide area around the crater that is about 16 degrees Fahrenheit cooler at night than its surroundings.
This animated image set shows an area on the eastern limb of the Moon before and after McGetchin crater formed there sometime between April 11 and May 22, 2024. The post-impact image was constructed using data taken by NASA’s Lunar Reconnaissance Orbiter (LRO) thermal instrument, Diviner, between Nov. 15, 2025, and Feb. 18, 2026, after scientists discovered the crater in visible-light images taken by LRO’s Wide-Angle Camera. Pre-impact temperatures are from the Diviner Global High-Resolution Mosaics (GHRM). The crater formed on the Moon after a comet or asteroid, possibly the size of a six-story building, hit the surface in a rare, once-in-a-century collision. The dark blue strip that flashes into view reveals a 4-mile-wide “cold spot” around the crater that is about 16 degrees Fahrenheit cooler at night than its surroundings. This cooling happens because an impact fluffs up regolith around a crater, making it less dense and therefore less able to retain heat. Scientists on the Diviner team reported this finding in a paper published on Sept. 16, 2026, in Science Advances. The red and yellow spots indicate areas typically associated with rocks excavated by long-ago impacts which, though still at cryogenic temperatures like their surroundings, remain slightly warmer at night.
NASA Goddard/UCLA/JHU APL
Reporting in a second paper Wednesday in the same journal, researchers say that the cooling happens because the impact fluffs up the regolith around the crater, making it less dense and therefore less able to retain heat.
The large extent of this “cold spot” is striking, scientists say, because it shows that impacts can modify the Moon’s surface far beyond the crater itself. These physical changes could affect how rover wheels interact with the surface, for instance.
A global view of the Moon made by stitching together hundreds of images from the Wide-Angle Camera aboard NASA’s Lunar Reconnaissance Orbiter (LRO). Robert Wagner, image processing specialist for LRO, made this map using two sets of mages taken several years apart. He used a software designed to highlight any changes between the two sets. Anything that stayed the same turned gray; anything different showed up as bright or dark patches. A black arrow just left of center points to McGetchin crater.
NASA Goddard/Intuitive Machines/Robert Wagner
Road to discovery
The LROC system collects images from about 60 miles above the Moon as LRO loops from pole to pole. The system includes two cameras that capture high‑resolution black‑and‑white images and one camera for moderate‑resolution multispectral images. Over the years and thousands of passes, scientists have built maps detailed enough to spot not only new craters, but also landslides, landers, seismic faults, and even hints of lava tubes.
LROC scientists regularly analyze close-up images of small portions of the Moon’s surface taken by the Narrow-Angle Camera. Using these images, they look for changes that are typically less than 30 feet across. But every few years the team searches for large (wider than 150 feet) features by creating global Moon maps and comparing them to older versions.
An overhead, close-up view of McGetchin crater that was taken on Dec. 5, 2025, by NASA’s Lunar Reconnaissance Orbiter (LRO) Narrow-Angle Camera (NAC). After the crater was discovered on Oct. 24, 2025, in global images from LRO’s Wide-Angle Camera, which captures broad views with pixels the size of American football fields, scientists turned to the NAC, which takes much sharper views at about 3 feet per pixel. The NAC images, taken as LRO flew over the impact site again, revealed the crater size, shape, and how the surrounding terrain was affected by the impact that carved McGetchin. The image covers an area that’s ¾ mile wide.
NASA Goddard/Intuitive Machines
This view from the side (55° away from straight down) towards the east, covers an area of the Moon that’s about 1.5 miles wide. It was taken by NASA’s Lunar Reconnaissance Orbiter Narrow-Angle Camera on March 3, 2026.
NASA Goddard/Intuitive Machines
That’s what Wagner was doing on Oct. 24, 2025, when he came across McGetchin. Using images from LROC’s Wide-Angle Camera, which captures broad views with pixels the size of football fields, he stacked hundreds of “before” and “after” frames with software designed to highlight change. Anything that stayed the same turned gray while anything different showed up as bright or dark patches.
While the process sounds straightforward, spotting real craters requires a lot of manual work. The software flags every tiny shift in lighting or shadow, generating hundreds of false alarms. For this reason, Wagner typically verifies the software, looking for small fuzzy halos around pixel‑wide bright points, which indicate splashes of regolith around a new crater.
Spanning hundreds of pixels, McGetchin stood out immediately. “It was by far the most obvious impact debris pattern I’ve ever seen in one of these images,” Wagner said.
After his discovery, scientists turned to the Narrow-Angle Camera, which takes much sharper views at about 3 feet per pixel. This camera’s close-up images, taken as LRO flew over the impact site again, revealed the crater size, shape, and how the surrounding terrain was affected. These images also helped researchers estimate the size and force of the rock fragment that formed the new crater, details that are expected to appear in a future paper.
Banner image caption: A zoomed-in view of the Moon, with debris around McGetchin crater visible as a white spot circled by a dark halo just right of center of the image (marked with black arrows). This is the view that Robert Wagner saw on Oct. 24, 2025, during a routine data-quality check. Wagner is an image processing specialist for NASA’s Lunar Reconnaissance Orbiter Camera, a system of three cameras. Using images from the Wide-Angle Camera (WAC), which captures broad views with pixels the size of American football fields, he stacked hundreds of images captured by WAC over the last several years with software designed to highlight change. Anything that stayed the same is gray; anything that changed showed up as bright or dark patches. The stripes in the image are due to slight changes in lighting between the older and newer images. This image composite shows an area of the Moon approximately 900 miles across.
About the Author
Lonnie Shekhtman
Senior Science Writer
Shekhtman helps communicate NASA planetary science to the world through news and feature stories on NASA.gov, videos for NASA+ and YouTube, and by working with the media. She reports on lunar and Mars science and exploration; NASA's search for life; missions to Venus, Titan, and Jupiter's Trojan asteroids; and many other topics related to NASA's exploration of our solar system and beyond.
Scientists discovered a crater on the Moon that formed sometime between April 11 and May 22, 2024, after a comet or asteroid the size of a three- to six-story building hit the surface.
The crash left a crater, 728 feet wide, that spans the length of two football fields. And at 141 feet deep, the crater could fit three vertically stacked yellow school buses.
A zoomed-in view of the Moon made from images from NASA’s Lunar Reconnaissance Orbiter Camera. (More information at the bottom of article.)
Credits: NASA Goddard/Intuitive Machines/Robert Wagner
It started as a routine data-quality check. But as Robert Wagner, a scientist with NASA’s Lunar Reconnaissance Orbiter (LRO), scanned a giant Moon map on his computer screen, an unusually large bright spot circled by a dark halo caught his eye, as it implied that surface material in that area had been shaken up.
“I just stopped, dropped everything, and started looking into what that spot was,” said Wagner, an image-processing specialist from Intuitive Machines who works with data from the Lunar Reconnaissance Orbiter Camera (LROC) system.
By comparing before and after images of the Moon, Wagner realized he had discovered the largest, newly formed crater ever found in the solar system, as scientists reported Wednesday in Science Advances. This discovery highlights the value of NASA’s Moon orbiter data in studying a dynamic landscape as the agency advances a sustained human presence and expanded scientific and commercial activity on the Moon.
A zoomed-in view of McGetchin crater, circled on the left, next to a “before” image on the right. The panel on the left is made from images captured by NASA’s Lunar Reconnaissance Orbiter Wide-Angle Camera in summer 2025; the right panel was made from images taken in spring 2011. The white spot is not the crater itself, but rather material flung out of the crater, which formed when a rock, possibly this size of a three- to six‑story building, crashed into the Moon between April 11 and May 22, 2024 – a once-in-a-century event, as scientists reported on Sept. 15, 2026, in a pair of papers in Science Advances. The area shown in the images is 38 miles wide.
NASA Goddard/Intuitive Machines/Robert Wagner
Officially named McGetchin after pioneering lunar scientist Tom McGetchin, the crater formed on the Moon’s eastern edge sometime between April 11 and May 22, 2024, after a comet or asteroid the size of a three- to six-story building hit the surface.
The crash left a crater, 728 feet wide, that spans the length of two football fields. And at 141 feet deep, the crater could fit three vertically stacked yellow school buses.
Scientists estimate that an impact of this magnitude happens on the Moon about once in a century or even longer.
Moon takes some hits
For more than 17 years, LRO has been circling the Moon and using its seven instruments to map the topography, surface composition, temperature, and radiation environment there. The spacecraft’s team has identified at least 1,000 new impact craters throughout the mission and flagged 100,000 more surface changes from an object smashing into the Moon or from the debris that flung out after.
With no atmosphere to slow them or burn them up, space rocks and other objects easily reach the lunar surface. Most are much smaller compared to the object that carved out McGetchin crater. The smallest craters scientists can distinguish from LRO images are about 30 feet wide, the length of a three-story building laid on its side, made by rocks about 43 inches wide, the size of a monster-truck tire. Scientists estimate that impacts of this scale produce about 140 new craters across the Moon each year. But most new ones are made by microscopic projectiles that leave holes too small to identify in orbital images.
With its numerous instruments, the spacecraft can observe changes to the lunar surface that aren’t apparent in the LROC images alone. After the crater was discovered, scientists working with LRO’s thermal instrument, Diviner, made follow-up observations of the site. They found a 4-mile-wide area around the crater that is about 16 degrees Fahrenheit cooler at night than its surroundings.
This animated image set shows an area on the eastern limb of the Moon before and after McGetchin crater formed there sometime between April 11 and May 22, 2024. The post-impact image was constructed using data taken by NASA’s Lunar Reconnaissance Orbiter (LRO) thermal instrument, Diviner, between Nov. 15, 2025, and Feb. 18, 2026, after scientists discovered the crater in visible-light images taken by LRO’s Wide-Angle Camera. Pre-impact temperatures are from the Diviner Global High-Resolution Mosaics (GHRM). The crater formed on the Moon after a comet or asteroid, possibly the size of a six-story building, hit the surface in a rare, once-in-a-century collision. The dark blue strip that flashes into view reveals a 4-mile-wide “cold spot” around the crater that is about 16 degrees Fahrenheit cooler at night than its surroundings. This cooling happens because an impact fluffs up regolith around a crater, making it less dense and therefore less able to retain heat. Scientists on the Diviner team reported this finding in a paper published on Sept. 16, 2026, in Science Advances. The red and yellow spots indicate areas typically associated with rocks excavated by long-ago impacts which, though still at cryogenic temperatures like their surroundings, remain slightly warmer at night.
NASA Goddard/UCLA/JHU APL
Reporting in a second paper Wednesday in the same journal, researchers say that the cooling happens because the impact fluffs up the regolith around the crater, making it less dense and therefore less able to retain heat.
The large extent of this “cold spot” is striking, scientists say, because it shows that impacts can modify the Moon’s surface far beyond the crater itself. These physical changes could affect how rover wheels interact with the surface, for instance.
A global view of the Moon made by stitching together hundreds of images from the Wide-Angle Camera aboard NASA’s Lunar Reconnaissance Orbiter (LRO). Robert Wagner, image processing specialist for LRO, made this map using two sets of mages taken several years apart. He used a software designed to highlight any changes between the two sets. Anything that stayed the same turned gray; anything different showed up as bright or dark patches. A black arrow just left of center points to McGetchin crater.
NASA Goddard/Intuitive Machines/Robert Wagner
Road to discovery
The LROC system collects images from about 60 miles above the Moon as LRO loops from pole to pole. The system includes two cameras that capture high‑resolution black‑and‑white images and one camera for moderate‑resolution multispectral images. Over the years and thousands of passes, scientists have built maps detailed enough to spot not only new craters, but also landslides, landers, seismic faults, and even hints of lava tubes.
LROC scientists regularly analyze close-up images of small portions of the Moon’s surface taken by the Narrow-Angle Camera. Using these images, they look for changes that are typically less than 30 feet across. But every few years the team searches for large (wider than 150 feet) features by creating global Moon maps and comparing them to older versions.
An overhead, close-up view of McGetchin crater that was taken on Dec. 5, 2025, by NASA’s Lunar Reconnaissance Orbiter (LRO) Narrow-Angle Camera (NAC). After the crater was discovered on Oct. 24, 2025, in global images from LRO’s Wide-Angle Camera, which captures broad views with pixels the size of American football fields, scientists turned to the NAC, which takes much sharper views at about 3 feet per pixel. The NAC images, taken as LRO flew over the impact site again, revealed the crater size, shape, and how the surrounding terrain was affected by the impact that carved McGetchin. The image covers an area that’s ¾ mile wide.
NASA Goddard/Intuitive Machines
This view from the side (55° away from straight down) towards the east, covers an area of the Moon that’s about 1.5 miles wide. It was taken by NASA’s Lunar Reconnaissance Orbiter Narrow-Angle Camera on March 3, 2026.
NASA Goddard/Intuitive Machines
That’s what Wagner was doing on Oct. 24, 2025, when he came across McGetchin. Using images from LROC’s Wide-Angle Camera, which captures broad views with pixels the size of football fields, he stacked hundreds of “before” and “after” frames with software designed to highlight change. Anything that stayed the same turned gray while anything different showed up as bright or dark patches.
While the process sounds straightforward, spotting real craters requires a lot of manual work. The software flags every tiny shift in lighting or shadow, generating hundreds of false alarms. For this reason, Wagner typically verifies the software, looking for small fuzzy halos around pixel‑wide bright points, which indicate splashes of regolith around a new crater.
Spanning hundreds of pixels, McGetchin stood out immediately. “It was by far the most obvious impact debris pattern I’ve ever seen in one of these images,” Wagner said.
After his discovery, scientists turned to the Narrow-Angle Camera, which takes much sharper views at about 3 feet per pixel. This camera’s close-up images, taken as LRO flew over the impact site again, revealed the crater size, shape, and how the surrounding terrain was affected. These images also helped researchers estimate the size and force of the rock fragment that formed the new crater, details that are expected to appear in a future paper.
Banner image caption: A zoomed-in view of the Moon, with debris around McGetchin crater visible as a white spot circled by a dark halo just right of center of the image (marked with black arrows). This is the view that Robert Wagner saw on Oct. 24, 2025, during a routine data-quality check. Wagner is an image processing specialist for NASA’s Lunar Reconnaissance Orbiter Camera, a system of three cameras. Using images from the Wide-Angle Camera (WAC), which captures broad views with pixels the size of American football fields, he stacked hundreds of images captured by WAC over the last several years with software designed to highlight change. Anything that stayed the same is gray; anything that changed showed up as bright or dark patches. The stripes in the image are due to slight changes in lighting between the older and newer images. This image composite shows an area of the Moon approximately 900 miles across.
About the Author
Lonnie Shekhtman
Senior Science Writer
Shekhtman helps communicate NASA planetary science to the world through news and feature stories on NASA.gov, videos for NASA+ and YouTube, and by working with the media. She reports on lunar and Mars science and exploration; NASA’s search for life; missions to Venus, Titan, and Jupiter’s Trojan asteroids; and many other topics related to NASA’s exploration of our solar system and beyond.
Scientists discovered a crater on the Moon that formed sometime between April 11 and May 22, 2024, after a comet or asteroid the size of a three- to six-story building hit the surface.
The crash left a crater, 728 feet wide, that spans the length of two football fields. And at 141 feet deep, the crater could fit three vertically stacked yellow school buses.
The European Space Agency is moving "full steam ahead" with development of a robotic mission to Venus after NASA officials determined they were unlikely to fulfill a commitment to provide a US-built radar instrument for the spacecraft, the mission's project scientist said.
The European orbiter, named Envision, will map the Venusian surface at 10 times higher resolution than the last radar mission sent to Venus by NASA in the 1990s. The planet is enshrouded in a blanket of thick clouds of sulfuric acid, rendering its mysterious surface unseen by optical cameras in orbit. Radar is the most effective way to penetrate the clouds of Venus to reveal the terrain below, and scientists will use Envision to look for signs of active volcanism.
NASA and ESA signed a memorandum of understanding in 2024 outlining their partnership on Envision. NASA agreed to supply a US-made synthetic aperture radar instrument, Envision's primary means of mapping the surface of Venus, along with providing tracking and communications support through NASA's Deep Space Network. In exchange, ESA would include US researchers on Envision's science team. Europe would build the Envision spacecraft and the rest of its science instruments and provide the launch on an Ariane 6 rocket.
The European Space Agency is moving "full steam ahead" with development of a robotic mission to Venus after NASA officials determined they were unlikely to fulfill a commitment to provide a US-built radar instrument for the spacecraft, the mission's project scientist said.
The European orbiter, named Envision, will map the Venusian surface at 10 times higher resolution than the last radar mission sent to Venus by NASA in the 1990s. The planet is enshrouded in a blanket of thick clouds of sulfuric acid, rendering its mysterious surface unseen by optical cameras in orbit. Radar is the most effective way to penetrate the clouds of Venus to reveal the terrain below, and scientists will use Envision to look for signs of active volcanism.
NASA and ESA signed a memorandum of understanding in 2024 outlining their partnership on Envision. NASA agreed to supply a US-made synthetic aperture radar instrument, Envision's primary means of mapping the surface of Venus, along with providing tracking and communications support through NASA's Deep Space Network. In exchange, ESA would include US researchers on Envision's science team. Europe would build the Envision spacecraft and the rest of its science instruments and provide the launch on an Ariane 6 rocket.
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