Widow’s Bay has turned its first season into one of the most decorated comedy debuts in Emmy history, collecting 14 awards at the 78th Primetime Emmy Awards and giving Apple TV its biggest awards performance for a single series this year.

The comedy-horror series won Outstanding Comedy Series alongside major acting, writing, directing, casting, cinematography, music, production design, and sound honors. Its 14 victories also set a record for the most Emmy wins by a comedy series in a single season, surpassing the benchmark established by The Studio a year earlier.

The sweep came after Widow’s Bay entered the awards cycle with 19 nominations. Apple finished the 2026 Emmys with 29 awards overall, with Widow’s Bay accounting for nearly half of the total.

Widow’s Bay dominates the major Emmy categories

Matthew Rhys won Outstanding Lead Actor in a Comedy Series for his performance as Mayor Tom Loftis, the well-intentioned but frequently overwhelmed leader of a remote New England island community.

Kate O’Flynn won Outstanding Supporting Actress in a Comedy Series, while Stephen Root took Outstanding Supporting Actor. Betty Gilpin had already secured Outstanding Guest Actress during the Creative Arts Emmys.

Creator Katie Dippold won Outstanding Writing for a Comedy Series for the premiere episode, while Hiro Murai received Outstanding Directing for a Comedy Series. The Television Academy also recognized Murai as the first Asian director to win the comedy directing category.

Those awards gave the show victories across nearly every major creative discipline involved in building the series. Widow’s Bay also received Emmys for production design, casting, cinematography, original dramatic score, music supervision, sound editing, and sound mixing.

The breadth of the wins is notable because the show was not carried solely by one high-profile performance or writing prize. Acting, directing, writing, visual design, music, and technical execution all received separate recognition.

Apple says Widow’s Bay also earned more performance awards than any other series at the 2026 Emmys.

Widow’s Bay found a distinctive balance between horror and comedy

Created by Dippold, Widow’s Bay follows Tom Loftis as he tries to transform an isolated island town into a viable tourist destination despite warnings from residents that the community is cursed.

The premise initially plays on civic frustration and small-town politics. The island has unreliable connectivity, a skeptical population, and a mayor determined to prove that local superstition is holding economic development back. As visitors begin to arrive, the supernatural stories that Loftis has dismissed start becoming harder to explain away.

That structure allows the series to operate as both a character comedy and a genuine horror story rather than treating supernatural events simply as setups for jokes.

Dippold, whose earlier work includes The Heat and Ghostbusters, serves as creator, showrunner, writer, and executive producer. Murai, known for visually distinctive television work including Atlanta, directs and executive produces.

The executive-producing team also includes Carver Karaszewski, Claudia Shin, and Rhys.

Apple and Television Academy records list Apple Studios and Chum Films among the production companies behind the series. The directing roster extends beyond Murai to Ti West, Sam Donovan, and Andrew DeYoung.

The main cast includes Rhys, O’Flynn, Root, Kingston Rumi Southwick, Kevin Carroll, and Dale Dickey.

A debut season becomes an awards benchmark

Widow’s Bay premiered globally on Apple TV on April 29, 2026. The first two episodes were released together before the remaining episodes arrived weekly.

Its Emmy performance places the series alongside a growing run of Apple comedies that have performed strongly with Television Academy voters.

Ted Lasso previously won Outstanding Comedy Series, followed by The Studio in 2025. Widow’s Bay gives Apple consecutive wins in the category and its fourth Outstanding Comedy Series victory across the past six Emmy ceremonies.

Apple also became the most awarded network at the 2026 Emmys with 29 wins. Pluribus contributed six, including awards for Rhea Seehorn and creator Vince Gilligan, while Margo’s Got Money Troubles and Palm Royale each received three.

Slow Horses won for directing, and Mr. Scorsese received Outstanding Documentary or Nonfiction Series.

For Widow’s Bay itself, the 14-win total is especially significant because this is the show’s freshman season. The Television Academy confirmed six of those awards during the main September 14 telecast, while eight had already been announced during the Creative Arts ceremonies.

The combination took Widow’s Bay beyond The Studio’s previous record for a debut comedy and established a new single-season high for the category.

Matthew Rhys adds another unusual Emmy milestone

Rhys had an especially unusual night beyond his Widow’s Bay victory.

In addition to winning Lead Actor in a Comedy Series, he received another lead-actor Emmy for Netflix’s The Beast in Me in the limited or anthology series or movie category, making him the first performer to win two lead acting awards in different categories during the same Emmy year.

His Widow’s Bay performance is deliberately restrained compared with the increasingly strange circumstances surrounding Loftis. Rather than treating the island’s supernatural events as an invitation to broaden the comedy, Rhys largely plays the mayor as someone trying to maintain a rational civic response while the situation deteriorates.

That tonal approach runs through the rest of the production. Root and O’Flynn’s supporting performances received individual recognition, while Murai’s directing and Dippold’s writing awards reinforced how closely the series depends on maintaining tension without losing its comic rhythm.

All 10 episodes of the first season are currently available to stream on Apple TV. With the Emmy campaign complete, the show now carries a benchmark that future comedy debuts will be measured against: 14 awards from 19 nominations, capped by Outstanding Comedy Series and wins across nearly every part of the production.

The post Widow’s Bay makes Emmy history with 14 wins in its first season appeared first on AppleMagazine.

It started as a routine data-quality check. But as Robert Wagner, a scientist with NASA’s Lunar Reconnaissance Orbiter (LRO), scanned a giant Moon map on his computer screen, an unusually large bright spot circled by a dark halo caught his eye, as it implied that surface material in that area had been shaken up.

“I just stopped, dropped everything, and started looking into what that spot was,” said Wagner, an image-processing specialist from Intuitive Machines who works with data from the Lunar Reconnaissance Orbiter Camera (LROC) system.

By comparing before and after images of the Moon, Wagner realized he had discovered the largest, newly formed crater ever found in the solar system, as scientists reported Wednesday in Science Advances. This discovery highlights the value of NASA’s Moon orbiter data in studying a dynamic landscape as the agency advances a sustained human presence and expanded scientific and commercial activity on the Moon.

Officially named McGetchin after pioneering lunar scientist Tom McGetchin, the crater formed on the Moon’s eastern edge sometime between April 11 and May 22, 2024, after a comet or asteroid the size of a three- to six-story building hit the surface.
 
The crash left a crater, 728 feet wide, that spans the length of two football fields. And at 141 feet deep, the crater could fit three vertically stacked yellow school buses.
 
Scientists estimate that an impact of this magnitude happens on the Moon about once in a century or even longer.

Moon takes some hits

For more than 17 years, LRO has been circling the Moon and using its seven instruments to map the topography, surface composition, temperature, and radiation environment there. The spacecraft’s team has identified at least 1,000 new impact craters throughout the mission and flagged 100,000 more surface changes from an object smashing into the Moon or from the debris that flung out after.

With no atmosphere to slow them or burn them up, space rocks and other objects easily reach the lunar surface. Most are much smaller compared to the object that carved out McGetchin crater. The smallest craters scientists can distinguish from LRO images are about 30 feet wide, the length of a three-story building laid on its side, made by rocks about 43 inches wide, the size of a monster-truck tire. Scientists estimate that impacts of this scale produce about 140 new craters across the Moon each year. But most new ones are made by microscopic projectiles that leave holes too small to identify in orbital images.

With its numerous instruments, the spacecraft can observe changes to the lunar surface that aren’t apparent in the LROC images alone. After the crater was discovered, scientists working with LRO’s thermal instrument, Diviner, made follow-up observations of the site. They found a 4-mile-wide area around the crater that is about 16 degrees Fahrenheit cooler at night than its surroundings.

Reporting in a second paper Wednesday in the same journal, researchers say that the cooling happens because the impact fluffs up the regolith around the crater, making it less dense and therefore less able to retain heat.

The large extent of this “cold spot” is striking, scientists say, because it shows that impacts can modify the Moon’s surface far beyond the crater itself. These physical changes could affect how rover wheels interact with the surface, for instance.

Road to discovery

The LROC system collects images from about 60 miles above the Moon as LRO loops from pole to pole. The system includes two cameras that capture high‑resolution black‑and‑white images and one camera for moderate‑resolution multispectral images. Over the years and thousands of passes, scientists have built maps detailed enough to spot not only new craters, but also landslides, landers, seismic faults, and even hints of lava tubes.

LROC scientists regularly analyze close-up images of small portions of the Moon’s surface taken by the Narrow-Angle Camera. Using these images, they look for changes that are typically less than 30 feet across. But every few years the team searches for large (wider than 150 feet) features by creating global Moon maps and comparing them to older versions.

That’s what Wagner was doing on Oct. 24, 2025, when he came across McGetchin. Using images from LROC’s Wide-Angle Camera, which captures broad views with pixels the size of football fields, he stacked hundreds of “before” and “after” frames with software designed to highlight change. Anything that stayed the same turned gray while anything different showed up as bright or dark patches.

While the process sounds straightforward, spotting real craters requires a lot of manual work. The software flags every tiny shift in lighting or shadow, generating hundreds of false alarms. For this reason, Wagner typically verifies the software, looking for small fuzzy halos around pixel‑wide bright points, which indicate splashes of regolith around a new crater.

Spanning hundreds of pixels, McGetchin stood out immediately. “It was by far the most obvious impact debris pattern I’ve ever seen in one of these images,” Wagner said.

After his discovery, scientists turned to the Narrow-Angle Camera, which takes much sharper views at about 3 feet per pixel. This camera’s close-up images, taken as LRO flew over the impact site again, revealed the crater size, shape, and how the surrounding terrain was affected. These images also helped researchers estimate the size and force of the rock fragment that formed the new crater, details that are expected to appear in a future paper.

Banner image caption: A zoomed-in view of the Moon, with debris around McGetchin crater visible as a white spot circled by a dark halo just right of center of the image (marked with black arrows). This is the view that Robert Wagner saw on Oct. 24, 2025, during a routine data-quality check. Wagner is an image processing specialist for NASA’s Lunar Reconnaissance Orbiter Camera, a system of three cameras. Using images from the Wide-Angle Camera (WAC), which captures broad views with pixels the size of American football fields, he stacked hundreds of images captured by WAC over the last several years with software designed to highlight change. Anything that stayed the same is gray; anything that changed showed up as bright or dark patches. The stripes in the image are due to slight changes in lighting between the older and newer images. This image composite shows an area of the Moon approximately 900 miles across.

The post NASA’s Moon Orbiter Spots New, ‘Once-in-Century’ Moon Crater appeared first on NASA Science.

It started as a routine data-quality check. But as Robert Wagner, a scientist with NASA’s Lunar Reconnaissance Orbiter (LRO), scanned a giant Moon map on his computer screen, an unusually large bright spot circled by a dark halo caught his eye, as it implied that surface material in that area had been shaken up.

“I just stopped, dropped everything, and started looking into what that spot was,” said Wagner, an image-processing specialist from Intuitive Machines who works with data from the Lunar Reconnaissance Orbiter Camera (LROC) system.

By comparing before and after images of the Moon, Wagner realized he had discovered the largest, newly formed crater ever found in the solar system, as scientists reported Wednesday in Science Advances. This discovery highlights the value of NASA’s Moon orbiter data in studying a dynamic landscape as the agency advances a sustained human presence and expanded scientific and commercial activity on the Moon.

Officially named McGetchin after pioneering lunar scientist Tom McGetchin, the crater formed on the Moon’s eastern edge sometime between April 11 and May 22, 2024, after a comet or asteroid the size of a three- to six-story building hit the surface.
 
The crash left a crater, 728 feet wide, that spans the length of two football fields. And at 141 feet deep, the crater could fit three vertically stacked yellow school buses.
 
Scientists estimate that an impact of this magnitude happens on the Moon about once in a century or even longer.

Moon takes some hits

For more than 17 years, LRO has been circling the Moon and using its seven instruments to map the topography, surface composition, temperature, and radiation environment there. The spacecraft’s team has identified at least 1,000 new impact craters throughout the mission and flagged 100,000 more surface changes from an object smashing into the Moon or from the debris that flung out after.

With no atmosphere to slow them or burn them up, space rocks and other objects easily reach the lunar surface. Most are much smaller compared to the object that carved out McGetchin crater. The smallest craters scientists can distinguish from LRO images are about 30 feet wide, the length of a three-story building laid on its side, made by rocks about 43 inches wide, the size of a monster-truck tire. Scientists estimate that impacts of this scale produce about 140 new craters across the Moon each year. But most new ones are made by microscopic projectiles that leave holes too small to identify in orbital images.

With its numerous instruments, the spacecraft can observe changes to the lunar surface that aren’t apparent in the LROC images alone. After the crater was discovered, scientists working with LRO’s thermal instrument, Diviner, made follow-up observations of the site. They found a 4-mile-wide area around the crater that is about 16 degrees Fahrenheit cooler at night than its surroundings.

Reporting in a second paper Wednesday in the same journal, researchers say that the cooling happens because the impact fluffs up the regolith around the crater, making it less dense and therefore less able to retain heat.

The large extent of this “cold spot” is striking, scientists say, because it shows that impacts can modify the Moon’s surface far beyond the crater itself. These physical changes could affect how rover wheels interact with the surface, for instance.

Road to discovery

The LROC system collects images from about 60 miles above the Moon as LRO loops from pole to pole. The system includes two cameras that capture high‑resolution black‑and‑white images and one camera for moderate‑resolution multispectral images. Over the years and thousands of passes, scientists have built maps detailed enough to spot not only new craters, but also landslides, landers, seismic faults, and even hints of lava tubes.

LROC scientists regularly analyze close-up images of small portions of the Moon’s surface taken by the Narrow-Angle Camera. Using these images, they look for changes that are typically less than 30 feet across. But every few years the team searches for large (wider than 150 feet) features by creating global Moon maps and comparing them to older versions.

That’s what Wagner was doing on Oct. 24, 2025, when he came across McGetchin. Using images from LROC’s Wide-Angle Camera, which captures broad views with pixels the size of football fields, he stacked hundreds of “before” and “after” frames with software designed to highlight change. Anything that stayed the same turned gray while anything different showed up as bright or dark patches.

While the process sounds straightforward, spotting real craters requires a lot of manual work. The software flags every tiny shift in lighting or shadow, generating hundreds of false alarms. For this reason, Wagner typically verifies the software, looking for small fuzzy halos around pixel‑wide bright points, which indicate splashes of regolith around a new crater.

Spanning hundreds of pixels, McGetchin stood out immediately. “It was by far the most obvious impact debris pattern I’ve ever seen in one of these images,” Wagner said.

After his discovery, scientists turned to the Narrow-Angle Camera, which takes much sharper views at about 3 feet per pixel. This camera’s close-up images, taken as LRO flew over the impact site again, revealed the crater size, shape, and how the surrounding terrain was affected. These images also helped researchers estimate the size and force of the rock fragment that formed the new crater, details that are expected to appear in a future paper.

Banner image caption: A zoomed-in view of the Moon, with debris around McGetchin crater visible as a white spot circled by a dark halo just right of center of the image (marked with black arrows). This is the view that Robert Wagner saw on Oct. 24, 2025, during a routine data-quality check. Wagner is an image processing specialist for NASA’s Lunar Reconnaissance Orbiter Camera, a system of three cameras. Using images from the Wide-Angle Camera (WAC), which captures broad views with pixels the size of American football fields, he stacked hundreds of images captured by WAC over the last several years with software designed to highlight change. Anything that stayed the same is gray; anything that changed showed up as bright or dark patches. The stripes in the image are due to slight changes in lighting between the older and newer images. This image composite shows an area of the Moon approximately 900 miles across.