Com apenas um episódio disponível até o momento, a quarta temporada de “Ted Lasso” ganhou mais um trailer, exibindo um pouco daquilo que está por vir nos nove episódios restantes, os quais serão lançados às quartas-feiras, até o dia 7 de outubro.
O material dá destaque à Alice Chilton (interpretada por Tanya Reynolds), auxiliar técnica ao lado do Treinador Beard (interpretado por Brendan Hunt), quando Lasso assume o comando da comissão técnica de um time de futebol feminino.
Ele é reproduzido logo antes do primeiro episódio da nova temporada. Confira:
A quarta temporada tem como foco um desafio inédito na carreira de Ted: o comando das Lady Greyhounds, que integram o time feminino do AFC Richmond, ainda na segunda divisão inglesa. Os episódios mostram o treinador testando a capacidade da equipe de tomar riscos e encarar desafios simplesmente inimagináveis.
No momento, “Ted Lasso” ocupa o primeiro lugar do Top 10 de séries do Apple TV no Brasil, demonstrando a força da produção no país.
O Apple TV está disponível no aplicativo Apple TV em mais de 100 países e regiões, seja em iPhones, iPads, Apple TVs, Macs, dispositivos Android, smart TVs ou online — além de também estar em aparelhos como Roku, Amazon Fire TV, Chromecast com Google TV, consoles PlayStation e Xbox. O serviço custa R$29,90 por mês, com um período de teste gratuito de 7 dias. Por tempo limitado, quem comprar e ativar um novo iPhone, iPad, Apple TV ou Mac ganha 3 meses do Apple TV. Ele também faz parte do pacote de assinaturas da empresa, o Apple One.
NOTA DE TRANSPARÊNCIA: O MacMagazine recebe uma pequena comissão sobre vendas concluídas por meio de links deste post, mas você, como consumidor, não paga nada mais pelos produtos/serviços usando os nossos links de afiliado.
The fourth season of “Ted Lasso” premieres Wednesday, August 5 on Apple TV.
“Ted Lasso” is back for a fourth season on Apple TV after a three-year hiatus, but does the feel-good football comedy still have its magic?
The Independent’s review takes a critical look at the return, arguing that the new series—centered on Ted coaching AFC Richmond’s women’s team—feels largely unnecessary and commercially driven, recycling familiar beats while struggling to match the charm and heart of the series’ first two seasons.
Several much-loved characters have departed the series (Mohammed’s Nate, Phil Dunster’s Jamie Tartt, most of the men’s team players, and, of course, the late Anthony Head as Rebecca’s nemesis Rupert), which means an influx of new faces to replace them…
Despite all this upheaval, the show’s creator, Bill Lawrence, and key cast do a good job of making it still feel like Ted Lasso. But it also feels pointless. And cynical. “Last time I hired you for all the wrong reasons,” Rebecca tells Ted, and she approaches him for the new gig. “This time I absolutely want to hire you for all the right ones.” But even though there is an attempt at some broad feminist commentary and critique… it really feels like the show has wasted the earned conclusion of its arc in pursuit of more episodes, more revenue, more Emmys. Sudeikis continues to be charming, [Juno] Temple is a highlight as the mischievous Keeley, and [Tanya] Reynolds brings plenty of new deadpan charisma – yet the return, after three years, feels a bit flat…
The acting, while effective, is often hamstrung by sentimentalism, which pushes it into hammy (and a painfully stilted Jill Scott cameo makes Chris Powell look like Laurence Olivier). And while the show has always been gently amusing rather than laugh-out-loud funny, this new series does feel acutely short of gags…
The show was about bringing some… touchy-feely shmaltz and exposing it to the rough winds of Premier League football. Can you be an eternal optimist on a cold, rainy night in Stoke? Having answered that question, the show has nowhere to go but limp on like an ageing striker whose powers are fading before their eyes.
MacDailyNews Take: Cue the sad trombone.
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Tanya Reynolds and Jason Sudeikis in “Ted Lasso” season four, premiering summer 2026 on Apple TV.
In “Ted Lasso” season four, the series shifts its focus to AFC Richmond’s women’s team — and introduces its most significant new character yet: Alice, the sharp-edged assistant coach played by English actress Tanya Reynolds.
In this Hollywood Reporter interview, Reynolds opens up about landing the role (despite never having seen the show or kicked a soccer ball), her Zoom offer from Jason Sudeikis, and playing a former player turned coach who’s “brittle and spiky on the outside but… quite wobbly” inside as she learns vulnerability and finds her coaching voice.
Unlike the women cast as the AFC Richmond players, who had to audition as actors as well as athletes, Reynold’s soccer know-how was far less relevant. Still, she requested a follow-up Zoom with Sudeikis to make sure he was aware of her lack of athleticism. “I got really paranoid because the thought of me playing a coach is quite hilarious to anyone who knows me,” she says. “I was like, ‘Listen, man, you’ve not met me but I’m not this character. I can give it a go, but I’ve never kicked a ball in my life.’ And Jason just was very Ted Lasso about it, like, ‘Well, I think you are.'”
Over time, she got comfortable, but not without some early nerves. “For the returning cast, they know their characters inside out — but for us, we were still figuring out who we were,” she says, though she did get plenty of pep talks from Lasso vets like Temple and Waddingham. And to Reynolds’ delight, as the writers got to know her and her voice better, they started to write to her, which, she jokes, is why the character became less bulldog and more chihuahua over time. Still, none of it was easy.
MacDailyNews Take: As we’ve written before, after season three, we approach season four warily, especially as its subject matter is ripe for treacly preaching if handled ham-handedly by those in charge of Lasso‘s third season train wreck. Here’s the official season four trailer:
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Chegou hoje ao Apple TV o primeiro episódio da quarta temporada de “Ted Lasso”, série aclamada do serviço estrelada por Jason Sudeikis. Dividida em dez episódios, os nove capítulos remanescentes chegarão ao catálogo do streaming da Maçã todas as quartas-feiras, até o dia 7 de outubro.
A nova temporada se concentra em um novo momento na trajetória de Ted: ele retorna a Richmond para comandar um time de futebol feminino da segunda divisão inglesa. Com o desenrolar da história, ele e a sua equipe aprenderão a arriscar antes de possuírem todas as respostas, encarando desafios até então inimagináveis.
Com o roteiro de Sarah Walker, Phoebe Walsh (que também são creditadas como produtoras), Goldstein (que também é produtor), Julia Lindon e Dylan Marron (que exerce também a função de editor de roteiro), a produção executiva fica a cargo de Joe Kelly, Jane Becker, Jamie Lee e Bill Wrubel — além de Goldstein, Hunt e Walsh. O vencedor do Emmy Jack Burditt também assume esse posto na nova temporada.
O Apple TV está disponível no aplicativo Apple TV em mais de 100 países e regiões, seja em iPhones, iPads, Apple TVs, Macs, dispositivos Android, smart TVs ou online — além de também estar em aparelhos como Roku, Amazon Fire TV, Chromecast com Google TV, consoles PlayStation e Xbox. O serviço custa R$29,90 por mês, com um período de teste gratuito de 7 dias. Por tempo limitado, quem comprar e ativar um novo iPhone, iPad, Apple TV ou Mac ganha 3 meses do Apple TV. Ele também faz parte do pacote de assinaturas da empresa, o Apple One.
NOTA DE TRANSPARÊNCIA: O MacMagazine recebe uma pequena comissão sobre vendas concluídas por meio de links deste post, mas você, como consumidor, não paga nada mais pelos produtos/serviços usando os nossos links de afiliado.
O Apple TV divulgou hoje o aguardado trailer da quarta temporada de “Ted Lasso”, cujo primeiro episódio estreará no dia 5 de agosto (quarta-feira da semana que vem).
Com um total de dez episódios, os nove capítulos remanescentes chegarão ao catálogo do streaming da Maçã às quartas-feiras, até o dia 7 de outubro.
Eis o trailer:
E também a versão dublada em português do Brasil:
Tim Cook, CEO 1Chief executive officer, ou diretor executivo. da Apple, também compartilhou o trailer no X:
Welcome home, Ted! Can’t wait to cheer on the Lady Greyhounds in the new season! https://t.co/g3w8xk0tFF
Bem-vindo de volta, Ted! Mal posso esperar para torcer pelas Lady Greyhounds na nova temporada! – É bom estar de volta. #TedLasso retorna em 5 de agosto.
Estrelada por Jason Sudeikis, a nova temporada segue com o foco em Ted, que retorna a Richmond para enfrentar o seu maior desafio até aqui: comandar um time feminino da segunda divisão do futebol inglês. Com o desenrolar da história, ele e a equipe aprendem a arriscar antes de terem todas as respostas, encarando desafios que até então pareciam inimagináveis.
O roteiro é assinado por Sarah Walker e Phoebe Walsh (que também são creditadas como produtoras), ao lado de Goldstein (que também é produtor), Julia Lindon e Dylan Marron (que exerce também a função de editor de roteiro). Além de Walker, Goldstein, Hunt e Walsh, a produção executiva é assinada por Joe Kelly, Jane Becker, Jamie Lee e Bill Wrubel. O vencedor do Emmy Jack Burditt também chega para a nova temporada.
O Apple TV está disponível no aplicativo Apple TV em mais de 100 países e regiões, seja em iPhones, iPads, Apple TVs, Macs, dispositivos Android, smart TVs ou online — além de também estar em aparelhos como Roku, Amazon Fire TV, Chromecast com Google TV, consoles PlayStation e Xbox. O serviço custa R$29,90 por mês, com um período de teste gratuito de 7 dias. Por tempo limitado, quem comprar e ativar um novo iPhone, iPad, Apple TV ou Mac ganha 3 meses do Apple TV. Ele também faz parte do pacote de assinaturas da empresa, o Apple One.
NOTA DE TRANSPARÊNCIA: O MacMagazine recebe uma pequena comissão sobre vendas concluídas por meio de links deste post, mas você, como consumidor, não paga nada mais pelos produtos/serviços usando os nossos links de afiliado.
Brendan Hunt, Jason Sudeikis, and Tanya Reynolds in “Ted Lasso” season four, premiering Wednesday, August 5 on Apple TV.
“Ted Lasso” arrived on Apple TV in 2020 as a refreshing antidote to cynicism: a kind-hearted American football coach (Jason Sudeikis) takes over a struggling English Premier League football (soccer) team, winning over skeptics with optimism, biscuits, and “believe” signs. Seasons 1 and 2 delivered sharp comedy, genuine emotional depth, and broad appeal, earning Emmys and a devoted fanbase. Then came Season 3 in 2023. Many viewers felt the show shifted from feel-good underdog story to something heavier on messaging and virtue-signaling.
What Went Wrong in Season 3?
Critics gave Season 3 a solid 81% on Rotten Tomatoes, but audience scores dipped, with notable backlash. Common complaints included scattered storytelling with longer episodes that spread focus across too many characters and subplots, diluting the core team dynamic. The gentle humor gave way to heavier lectures on topics like sexuality, gender dynamics, and social issues. Storylines involving multiple LGBTQ+ characters and identity themes often felt shoehorned in, prioritizing virtue-signaling over organic character growth. Some scenes started feeling like after-school specials rather than natural extensions of the show’s wholesome spirit.
Jason Sudeikis has pushed back against the criticism, suggesting detractors “don’t have imaginations” or lack curiosity. That’s a fair creative defense (series do evolve over time), but it didn’t win over fans who felt the series abandoned its original charm for contemporary posturing.
Season 4 Setup: Promising or Risky?
Season 4 premieres August 5, 2026, on Apple TV. Ted returns to Richmond to coach a second-division women’s football team. Promotional materials suggest more of the signature warmth, with returning favorites like Rebecca (Hannah Waddingham), Roy Kent (Brett Goldstein), Keeley (Juno Temple), and Coach Beard, plus new cast members. The logline emphasizes “leaping before they look” and taking chances.
Potential red flags for “woke disaster” concerns:
• The premise itself — Ted coaching women — invites explorations of gender, empowerment, and male-female dynamics. Given Season 3’s direction, there’s a real risk of heavy-handed messaging around feminism and identity politics in sports.
• Hollywood’s track record shows many comedies have struggled when prioritizing social commentary over laughs.
• Creative team continuity from Season 3 raises questions about whether the virtue-signaling elements will persist or intensify.
Reasons for optimism:
• The women’s team angle could deliver fresh comedy with non-traditional football coaching, team rivalries, and Ted’s positivity clashing with new personalities, without needing to shoehorn in ideological crutches.
• The core strength of the show has always been relationships and personal growth. If the focus stays on believable character arcs (unlike Keely’s in Season 3, for example), it can recapture Season 1 magic.
• The three-year gap since Season 3 might reset expectations and allow a return to form.
The Bigger Picture
“Ted Lasso” succeeded initially because it was not another lecture. It celebrated kindness, resilience, and community without alienating viewers. Many topics aren’t inherently bad where it fits naturally, but when it feels like agenda first and entertainment second, the formula breaks. Season 3 proved that strong performances couldn’t fully mask the sense that the show was trying way too hard to be “important.”
MacDailyNews Take: Season 4 doesn’t have to repeat Season 3’s mistakes. A women’s team offers rich comedic territory without mandating sermons. If the writers trust the audience and prioritize funny, heartfelt stories over checking boxes, it could be a strong return. If they treat it as another vehicle for cultural commentary, the “woke disaster” label may stick.
Ultimately, we’ll know soon enough. Ted’s mantra, “Believe,” applies here, too. But belief works best when earned through great TV, not imposed. August 5th will tell. Fingers crossed the biscuits are fresh and the lectures are light.
Please help support MacDailyNews — and enjoy subscriber-only articles, comments, chat, and more — by subscribing to our Substack: macdailynews.substack.com. Thank you!
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