When it comes to the "silly money" category of lenses, they are typically those ridiculously long prime lenses that make your arms ache just by looking at them. They provide incredible image quality but lack the versatility of a zoom. Enter the Canon RF 100-300mm f/2.8L IS USM: With a constant f/2.8 aperture throughout the entire 100-300mm focal range, this lens is a serious contender for wildlife pros and sports photographers.

Of course, at an eye-watering $10,500, it's not for everyone. It's not even for "many people"; it's for a select few who either have serious money lying around or make serious money from photography, where a lens of this caliber would be a sensible investment. Still, we took it for a test drive to see just how much better the performance is compared to the more reasonably priced wildlife zoom lenses.

Canon RF 100-300mm f/2.8L IS USM: Design

• Weight is surprisingly manageable
• Internal zoom
• Solid and sturdy build quality

Although its weight is comparable to that of the much cheaper SIGMA 60-600mm Sport lens we tested recently, this lens from Canon is actually the lightest f/2.8 300mm lens on the market. And because the zoom is internal, the weight distribution feels much more manageable in the smaller package than it does on a lens that extends. (But that’s not to say our arms weren’t aching the following day).

It's also dust- and weather-resistant, which we’d expect on a lens that's this expensive. It's solid and sturdy with a plethora of lens coatings to eliminate glare and ghosting, and it feels every bit the professional-grade Canon L lens you would want.

It comes with plenty of buttons and switches on the barrel, including the standard AF/MF switch, focus limiter and IS on/off. It has another switch to choose between three stabilization modes (mode 1 for static subjects, mode 2 for panning and mode 3 for tracking erratic moving subjects).

The final switch is a focus preset button, which enables you to pre-focus on a certain spot where you expect the action to be, then switch back and forth as you're shooting. Alternatively, you can set this switch to L-Fn to utilize it as a programmable function button instead.

This lens isn't expensive because it introduces any revolutionary build features. It's expensive because Canon has combined every premium design element — internal zoom, magnesium construction, professional weather sealing, compact packaging and meticulous engineering into a lens that is designed to meet the needs of professional photographers.

Canon RF 100-300mm f/2.8L IS USM: Performance

• Outstanding image quality
• Basically no image defects
• Beautiful bokeh

Image quality is, unsurprisingly, absolutely beautiful. The shots we took are razor-sharp and clean with basically no defects whatsoever. There's a tiny bit of distortion, which is easily corrected in Lightroom (and wouldn't be detectable unless you were directly comparing the before/afters), but the images have no chromatic aberration or vignetting at all.

This lens shows every strand of fur or feather and effortlessly captures the moment perfectly every time. The bokeh is soft and creamy thanks to the constant f/2.8 aperture, which beautifully isolates the subject and blurs out distracting background elements.

We took images at f/2.8, f/4, f/5.6, f/8 and f/11 at 100mm, 200mm and 300mm to see how the lens performs across a variety of settings. Looking at the center portion of our test chart shots, the sharpest images are f/5.6 at 100mm, f/2.8 at 200mm and f/2.8 at 300mm. At 100mm, our f/2.8, f/4 and f/5.6 shots were all of similar quality in terms of central sharpness, but f/5.6 has the edge when it comes to contrast.

Those same three apertures were also very similar at 200mm, but in this instance, f/2.8 has the edge. At 300mm, there was a significant drop in contrast between f/2.8 and f/4, but both images were of similar sharpness. Unsurprisingly, the corners were sharpest towards the f/8 range, but wildlife photography rarely ever calls for sharpness across the entire frame, so the softer corners at f/2.8 - f/5.6 aren't a dealbreaker.

Canon RF 100-300mm f/2.8L IS USM: Functionality

• Constant f/2.8 aperture throughout the whole zoom range
• 5.5 stops of image stabilization
• Versatile focal length and teleconverter compatibility

A big selling point with this type of lens is the constant f/2.8 aperture throughout the entire focal range — and this is a common feature with many lenses at this price range. The wide aperture allows for faster shutter speeds, which is ideal for capturing sharp images of fast-moving wildlife or sports photography, and the wide aperture also increases light intake in low-light situations, like photographing animals at dawn or dusk or indoor sports.

Although the 100-300mm focal length wouldn't be the best choice for photographing small birds or distant subjects, it provides a good focal range to cover many other types of wildlife, like equine or safari photography, as well as a variety of indoor sports. While it's not the biggest zoom range on offer, it eliminates the need to switch between lenses while on a shoot.

This, in turn, means faster reactions to changing scenes, less chance of missing shots when the subject moves unexpectedly and better protection from dust and rain due to less swapping. Plus, when paired with the Canon 1.4x teleconverter, this lens becomes a 140-420mm f/4, and a 200-600mm f/5.6 with the 2x extender, opening up the possibilities even further.

With the lens's 5.5 stops of image stabilization (which increases to 6 stops when paired with EOS R cameras with IBIS), this lens has no trouble following fast-moving subjects smoothly and efficiently — which is useful for both image quality and viewfinder steadiness.

Should you buy the Canon RF 100-300mm f/2.8L IS USM?

It feels counterintuitive to give this lens 5 stars but say "no, don't buy it," and it's not that we're saying "don't buy it," but as good as this lens is, it's quite niche, and we are finding it hard to justify the price compared to other setups from Canon.

Currently, this lens is the only way to get 300mm at f/2.8 (unless you get a used EF 300mm f/2.8L IS II USM and an EF-EOS R adapter), so unless you really need to shoot between 200-300mm at f/2.8 and have the money to do so, there are more sensible options that either save money or give you more value.

For example, you could buy an R1 and a used EF 300mm f/2.8L lens with an adapter for around the same price as this 100-300mm lens. And if you find good deals, you could even add the Canon RF 70-200mm f/2.8L IS II USM to that lineup with a teleconverter. The only advantage the 100-300mm would then have is that you wouldn't need to change lenses — but is that worth such a steep price?

If this lens isn't for you

The Canon EOS R6 III is Canon's newest full-frame camera. We absolutely loved the R6 II when we reviewed it, and the Mark III's improved 32.5MP resolution, 7K video capability and CFexpress compatibility build on that strong foundation to take this camera from the beginner and enthusiast level straight into the serious intermediate camera category.

We primarily tested it for wildlife photography with Canon's 100-300mm f/2.8L IS USM lens, but the R6 III is such an impressive all-rounder, it can easily turn its hand to astrophotography, sports or event photography, too.

Canon EOS R6 III: Design

• Comfortable grip to accommodate larger lenses
• Identical layout to previous model
• One SD card slot, one CFexpress card slot

Existing Canon users will feel right at home with the Canon EOS R6 III, as the build and button layout are nearly identical to the R6 II, and similar to many other R-series bodies. We tested the R6 III with the Canon RF 100-300mm f/2.8L IS USM lens and found it comfortable to get a good grip on, and it feels satisfying in the hand, especially when paired with bigger lenses.

The LCD screen and viewfinder are exactly the same as the Mark II, but there are a couple of small differences elsewhere in the design. The R6 III now has a CFexpress Type B card slot as well as an SD card slot, allowing for faster workflows and data transfer. However, considering this camera sits in the more intermediate level, we have to question whether two SD slots would be more useful for the majority of users, especially because CFexpress cards are more expensive. Plus, we used fast SD cards during our tests and encountered no problems at all with the write speed or buffer.

Canon EOS R6 III: Performance

• An absolute joy for wildlife photography
• 32.5MP sensor is a very welcome improvement over the Mark II
• Autofocus and subject detection are accurate and sticky

The Canon EOS R6 III features more advanced AI-powered autofocus, which enables it to track people, animals and vehicles more easily compared with the Mark II. When we were photographing animals at a zoo, the autofocus was generally very good, although there were a few occasions when the camera got confused. The focus jumped between the giraffe’s eyes, nostrils and ossicones, and the camera couldn’t quite figure out what to focus on, even when the animal was facing towards the camera with the eyes in view. There were also a few unfortunate occasions when the camera would find and track an "eye" on the — how do we put this — wrong end of the animal. Generally, though, it was fast and accurate.

In our review of the previous model, the Canon EOS R6 II, we said, "Considering it's the next step up from the Canon EOS R8, we'd hoped for a bump in resolution. Matching the 32.5MP resolution of the crop-sensor Canon R7 would have given the R6 II an even sweeter spot between the R8 and the 45MP powerhouse Canon EOS R5 II." It seems Canon was listening, as the 32.5MP sensor in the Canon EOS R6 III sits perfectly between the beginner and professional lineups. The images are clean, detailed and not too noisy, making this camera a compelling choice for photographic styles that require excellent resolution without excessive noise.

Canon EOS R6 III: Functionality

• Canon claims battery life allows for around 620 shots (CIPA) — we took around 6,000
• Blackout-free burst shooting up to 40FPS
• Pre-continuous shooting

For wildlife photography, blackout-free shooting enables you to follow the subject a lot easier as it's moving, to ensure you can keep the subject centered and maintain your composition. What's more, with the R6 III, you can shoot up to a massive 40 frames per second (FPS) blackout-free, which is perfect for fast-moving wildlife. (Keep in mind, this means you need to hone your timing to avoid the "spray and pray" method and end up with tons of photos of the exact same moment). This is one feature of a wildlife camera that makes a big difference.

The R6 III also features pre-continuous shooting, where it'll record up to 20 frames (approx 0.5 seconds) before the shutter is fully pressed — another useful feature for wildlife and sports photographers who need to capture fleeting moments.

The Mark III uses the upgraded LP-E6P battery, shared with the R5 II, which offers significantly more shots per charge than the LP-E6NH in the R6 II. That said, it means that if you're upgrading from a different Canon model, your current spare batteries won't work in the R6 III, so you'll need to invest in a few spares. However, we managed to get more than 6,000 photos without having to swap out the battery, so you won't need to worry about the battery running out unless you're shooting all day for multiple days.

Should you buy the Canon EOS R6 III?

We can confidently say: yes, you should buy it. It seems to tick all the boxes for a lot of shooting scenarios, whether it's your main wildlife camera or a backup body for weddings. The 32.5MP sensor produces beautiful images with minimal noise and accurate color reproduction; it's lightning fast with a 40FPS burst speed and can capture up to 7K 60p video. However, if you're looking for a more serious pro-level camera, perhaps opt for the R1 or R3 instead.

If this camera isn't for you