MSPs vote for strict environmental impact assessments and will delay decisions until national strategy is developed
Holyrood has voted to pause planning applications for all new AI datacentres for up to a year until the Scottish government has developed a national strategy.
On Wednesday, MSPs backed a Scottish Labour motion to halt new schemes for up to 12 months while rules on hyperscale datacentres are developed in what could be a blow to the British government’s AI strategy.
Reach, which also owns Express, makes decision because of ‘mammoth shift’ in how audiences seek out content
The publisher of the Mirror and Express newspapers is to cut a further 220 editorial jobs as it adapts to a dramatic fall in online traffic while readers increasingly turn to summaries generated by artificial intelligence.
Reach, which also owns scores of online brands and regional titles including the Manchester Evening News, the Birmingham Mail and the Liverpool Echo, said the latest cuts were necessary to cope with a “mammoth shift” in how audiences seek out content.
US vice-president’s comments come as former Anthropic researcher revisits recent claim AI could destroy humanity
The US vice-president has dismissed calls for global regulation of AI safety risks, telling companies creating the most advanced models: “If you’re building Frankenstein, stop.”
In remarks addressed towards Dario Amodei, the co-founder of Anthropic who has called on Washington DC to coordinate control of AI systems, including with China, JD Vance said: “If you’re gonna create Frankenstein, don’t come to the government and say we need regulation.”
Trump and Republicans want companies to regulate themselves. It’s a dereliction of duty that will make AI less safe
It is hard to get Sam Altman, Elon Musk and Dario Amodei to agree on much. But over the weekend, all three AI company CEOs called for AI development to slow down in the face of growing, alarming risks. Their employees are sounding the siren too, with one researcher publicly quitting and accusing OpenAI and Anthropic of “gambling with our lives”.
The combination of dire warnings from insiders and growing real-world evidence of rogue AIs should, in a sane world, lead to government action. Instead, Donald Trump and the Republican leadership have their heads in the sand.
In today’s newsletter: It is hard to tell fact from fiction when it comes to AI. What is really going on – and what should the government do about it?
Good morning. As a general rule, it pays to be suspicious of any gigantic company that claims it’s developing a tool capable of destroying humanity. But in recent days, a number of warnings from the AI industry have suggested that even tech insiders are starting to worry about what they have unleashed.
In a lofty essay published on Saturday, Dario Amodei, the founder of Anthropic (the company behind Claude), argued that tech companies need to “slow” the pace at which they’re developing the newest and most sophisticated AI models.
Lucy Letby | Three babies might have survived if hospital had acted upon concerns over Lucy Letby, an inquiry has found. Lady Justice Thirlwall condemned the ‘complete failure’ to protect babies on neonatal unit at Countess of Chester hospital.
UK politics | The leader of Reform UK in Wales stood down after arrest on suspicion of assault. Dan Thomas, a former Tory councillor, was elected to Senedd as leader of the opposition in May.
AI | The progressive senator Bernie Sanders and rightwing strategist Steve Bannon have called for restrictions on artificial intelligence (AI) but offered competing visions for what they termed a “cold war” with China.
UK news | Young people in Rotherham face a local jobs market with the fewest suitable opportunities in Britain, according to a report that warns stark regional divisions are fuelling a crisis in youth work.
Defence | John Healey is in talks with the Canadian government about joining a new global defence bank intended to help allies rearm to counter mounting security threats, just weeks after Rachel Reeves rejected the move.
Anthropic, the AI company behind the large language model Claude, has done a deal to lease the site of its first Australian datacentre in western Queensland.
The $31.9bn datacentre will be the largest of its kind in Australia, according to planning documents.
We examine claims and counterclaims about the risks and calls to slow down the pace of AI development
There have been some shocking claims in recent days about AI safety: we face a 10% chance of doom; AIs are worse than nukes; a “botnet” threatens the entire internet; it’s all a big tech psyop.
Below, we look at six claims and reactions to them.
Modern cars are fitted with features like autonomous emergency braking and fatigue monitoring. But do they support motorists or drive them to distraction?
This new car I’m test-driving boasts all the latest bells and whistles – or, rather, beeps and bings. Peer sideways for too long checking traffic and the car emits an irritating sound. Should I take a hand off the wheel to scratch an ear, I’m admonished with a strident beep.
When the car determines it’s too near a white line, it tugs the wheel against my hands and brakes as a car slows ahead. Its haptic “buttons” feel like fingers pressing back – as if an invisible presence has its hands and feet on the controls: a ghost in the machine I’m inside.
The rise of AI-generated tributes and bots for ‘talking’ to the dead has experts concerned more people will grieve in isolation
Tributes rolled in after the death of Dolly Parton last month. Jack White performed Jolene at a London gig. Kesha sang Old Flames (Can’t Hold a Candle to You), a single her mother wrote for the country music titan. Even Pitbull stopped his Madison Square Garden show to memorialize Parton and all the other “powerful women” in the crowd. But one of the strangest – and most viral – eulogies did not come from a celebrity. It did not even come from a person.
Run Jolene, at just under five minutes, is an earworm of a country song, containing all the cliches of the genre: twangy singer, banjo licks, corny lyrics. Those lyrics concern Jolene, the fictional romantic rival made infamous by Parton. “Somebody better warn Jolene / Dolly’s coming through those gates,” the voice croons. “Run Jolene / Girl you better move your feet.”
Looking for a new iPhone or a good deal on a refurbished one? Samuel Gibbs has tested and rated Apple’s smartphones, including the best for camera quality and battery life
The best iPhone may be the one you already own. There’s generally no need to buy a fresh phone just because new models have been released, as hardware updates are broadly iterative, adding small bits to an already accomplished package. But if you do want a replacement handset, whether new or refurbished, here are the best devices of the current crop of Apple smartphones.
Many other smartphones are available besides the iPhone, but if you’re an Apple user and don’t fancy switching to Android, there are still a few choices to make. Whether your priority is the longest battery life, the best camera, the biggest screen or simply the optimal balance of features and price, there’s more to choose from in the Apple ecosystem than you may expect.
The distinctively British RPG is returning courtesy of the makers of Forza Horizon – with comedy talent such as Richard Ayoade and Natasia Demetriou voicing sweary characters. We had our first play and spoke to its developer
When Playground Games was founded in 2010, its objective was straightforward: to make the best cars in video games. Operating out of an unassuming white building in Leamington Spa, the studio sought to challenge Gran Turismo with its critically acclaimed British racing alternative: the acclaimed free-roaming Forza Horizon series. Yet as the team grew, so did their ambitions. Now they are making the most intriguing British fantasy game we have seen in many years.
For those who have never ventured into Albion, Fable is a quintessentially British role playing game. Created by Lionhead Studios for the original Xbox in 2004, it boasted cheeky charm alongside world-altering player choices, and its droll writing was brought to life in later iterations by national treasures such as Stephen Fry and Simon Pegg. Thanks to its unique blend of farce and fantasy, Fable grew into a globally beloved franchise – before Microsoft unceremoniously shuttered Lionhead in 2016, after mandating that the studio turn its star series into a multiplayer game. The result, Fable Legends, was never released.
From Stephen Hawking to Jacob Coxon’s viral Anthropic resignation, fears that AI could threaten humanity have shaken the industry without stopping its pursuit
Before an Anthropic researcher resigned and declared human extinction imminent last week, tech leaders and scientists had sounded the alarm about a superintelligent AI ending humanity for over a decade.
The development of artificial intelligence “could spell the end of the human race”, warned professor and astrophysicist Stephen Hawking in 2014 – a little less than a decade before the public got its hands on the generative AI features of the original version of ChatGPT.
New laws coming into force this week aim to streamline age checks although old-style plastic IDs will still be allowed
Younger drinkers in England and Wales will be able to prove their age with a digital ID starting this week as new laws give pubs, off-licences, nightclubs and restaurants the right to use biometric scanning technology to check customers are over 18.
Customers will be able to download software that scans their faces into their own phone to generate a QR code proving their age based on a stored proof of age. Other tech under consideration as part of the government push to digitise age verification for alcohol sales include a device which scans the veins in a drinker’s finger to verify their age. That system has not yet been approved for use.
It was the fastest-growing emoji in 2025 – but if you’re older than 16, it has probably passed you by. Now, just as twentysomethings are catching up, it’s over
In the 2025 hit Netflix show Adolescence, DI Luke Bascombe’s 13-year-old son, Adam, has to explain to his father the way his generation use heart emojis. “Red means love, purple: horny, yellow: ‘I’m interested, are you interested?’, pink: ‘I’m interested but not in sex,’ orange: ‘You’re going to be fine,’” he explains. “It all has a meaning. Everything has a meaning.”
And those meanings are constantly evolving. Take the skull (), for example, which has come to be used as a reaction for finding something funny – a visual shorthand for the slang phrase: “I’m dead.” Or the wilting rose () which was, according to Google data analysed by the New York Times, the fastest-growing emoji in terms of popularity in 2025 – and was the 93rd most used. That the previously obscure wilting rose is now in the top 100 emojis is thanks to generation Alpha (those born between 2010 and 2024), who use it in place of the broken heart emoji () to signify sadness, or ironically, to suggest mock-heartbreak.
The subversive bacchanal for San Francisco’s eccentric underground is ageing out amid an influx of the super-rich
Burning Man, the infamous arts festival in the Nevada desert, turned 40 this year, and it’s showing some distinct signs of middle age.
It’s not just the tech billionaires who show up to party, the chartered flights straight to the desert or the HBO documentary about behind-the-scenes power struggles. The tens of thousands of people who assemble each year to create a tent city in the wilderness appear to be growing older, and it doesn’t seem that they’re being replaced by as many younger “burners”, as festival participants are called.
Would you hand in your phone at the door in exchange for a free bottle of wine? One restaurateur has tried that – and there are now many other gambits that are encouraging us to connect
Name: Phone bans.
Age: Their provenance is considerable; their time is now.
We must stop companies from allowing AI to self-improve into an uncontrollable level of intelligence
Major AI lab CEOs advocated for slowing the pace of AI development this weekend. They are right to be concerned: the field runs an extremely dangerous race towards superintelligent AI. We can and should be demanding that our governments protect us from the catastrophe of out-of-control AI.
This July, OpenAI’s AI swarm of 700 agentsbroke containment to hack Hugging Face, a multi-billion dollar company. OpenAI didn’t tell the AIs to hack that company, but the AIs had different priorities: cheating on the unrelated challenge OpenAI gave them. AI researchers call this a “misalignment” between what OpenAI wanted and what the AI actually prioritized.
From a cappy-cafe owner in Japan to an escaped capybara in the UK, this homespun film takes the temperature of an international obsession
One of Midlands-based film-maker Sharon Walia’s previous works was The Keepers of the Pigs, proudly described on her production company’s website as “the first ever documentary about guinea pigs”. So it makes zoological sense that her latest film takes on capybaras, guinea pigs’ ridiculously cute semi-aquatic cousins that are indigenous to Latin America, and relatively recently became ubiquitous on social media in memes and short films alike. As glimpsed here, there was even a capybara in the recent Academy Award-winning animated feature Flow, some pro-cappy boosterism that captured the creatures’ chill vibe and snuffly sweetness.
Walia’s celebration of the species stays on script, rejoicing in the animals’ natural geniality, friendliness to other species in their natural habitat, and their compelling, remunerative charm that seems to have bolstered the fortunes of several animal attractions around the world.
Three little letters - bnb-side’s name is a play on the local b-side arts festival, but Silicon Valley colossus sees threat to global brand
In one corner is bnb-side, a six-room bed and breakfast on the Isle of Portland – a tiny wedge of limestone tied by a narrow ribbon of shingle to the Dorset coast – that was created to help secure the future of the rock’s much-loved arts festival, b-side.
On the other is Airbnb, the San Francisco-based booking colossus. The battle between them is over the three little letters they share.
Digital-age Australian psychodrama tracks the shut-in mania of dangerously disaffected male fan, but doesn’t get inside his mind
If the parasocial phenomenon is a kind of hell, then Max Wren, protagonist of this Australian digital-age psychodrama, resides in the ninth circle. Self-barricading in a basement room surrounded by screens, working on a documentary about the object of his disaffection (an enigmatic influencer called Lenore), this obsessive shut-in makes Eminem’s Stan look like the Dalai Lama. Touching on subjects including the attention economy, the male gaze, and incel isolation and misogyny, director David Ward feels both Max and Lenore’s pain. But his ungainly debut film doesn’t fully transcend its stage origins to capture the splintered headspace of the terminally online.
Like films about fictional pop stars that feature unconvincing music, it doesn’t help that the quickfire résumé of Lenore’s career only half-conveys her magnetism. A one-time beauty influencer called Veronica Brand, she later graduates to more extreme performance art-type stunts, such as livestreaming her miscarriage; a move that, spliced without her knowledge into a children’s TV broadcast, forced her into hiding. But this performative vulnerability, including hints of her abusive dad, apparently won her legions of OnlyFans-style acolytes. Not just Max, but also his colleague Sam (Sam Macdonald), a brash interloper outraged to find he was nothing special to Lenore and who turns up at Max’s door offering exclusive footage of her.
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