❌

Normal view

The Dink Premieres on Apple TV With Pickleball Chaos

By: Hannah
24 July 2026 at 22:10

The Dink is now streaming on Apple TV, bringing pickleball rivalries, family tension and a star-filled ensemble to the platform in a new feature from Apple Original Films.

Jake Johnson leads the sports comedy as Dusty Boyd, a former tennis prodigy whose career has been reduced to coaching unruly children at the suburban country club operated by his father, Chuck, played by Ed Harris.

Dusty remains desperate to earn Chuck approval and supports his campaign against the pickleball players moving into the club. That loyalty becomes harder to maintain when an old injury prevents Dusty from continuing to play tennis and forces him to try the sport he has spent years dismissing.

Mary Steenburgen stars as Candace, the pickleball player who helps Dusty discover that the smaller court and plastic ball may offer more competition, community and personal meaning than he expected.

The official trailer previews the increasingly absurd conflict as Dusty moves from mocking pickleball to treating it with the same intensity that once defined his tennis ambitions.

A smiling woman with long blonde hair stands next to a bearded man in a dark jacket. They appear happy and are standing indoors in a warmly lit room, reminiscent of a cozy scene from an Apple TV series.
Image Credit: Apple Inc.

The Dink Turns Pickleball Into a Personal Crisis

The Dink uses the cultural rivalry between tennis and pickleball as the foundation for a familiar but effective underdog story.

Dusty has built his identity around a sport that no longer provides the future he imagined. Coaching children keeps him close to tennis, but it also becomes a daily reminder of the professional career that never reached its expected destination.

Chuck makes that disappointment more difficult to escape. He treats tennis as a tradition worthy of protection and pickleball as an invasion threatening the character of his club. Dusty supports that view partly because opposing the new sport offers another chance to remain aligned with his father.

The injury breaks that arrangement. Dusty can either accept that his competitive life has changed or continue defending a version of himself that no longer exists.

Pickleball gives the movie an accessible way to explore that conflict. The sport has grown rapidly across the United States, attracting recreational players, professional tournaments, celebrity investors and frequent arguments over shared tennis courts.

That expansion has created a real cultural divide. Longtime tennis players sometimes view pickleball as an easier imitation occupying spaces built for their sport. Pickleball players respond that its accessibility, social atmosphere and shorter learning curve are precisely why it has become so popular.

The movie exaggerates those attitudes without requiring viewers to understand tournament rules or follow professional pickleball. Dusty resistance is easy to recognize because the dispute is ultimately about status, pride and adapting when another generation changes the environment.

Johnson brings the frustrated comic rhythm that made his work in New Girl and Self Reliance distinctive. Dusty can recognize the ridiculousness surrounding him while remaining too emotionally invested to step away from it.

A man in a black shirt and cap smiles while speaking to a group at an outdoor tennis court during The Dink premiere. Several people stand behind him, listening, with trees and umbrellas visible in the background, celebrating the event featured on Apple TV.
Image Credit: Apple Inc.

A Cast Ready for Sports-Comedy Disorder

Ed Harris gives Chuck the kind of dramatic intensity that can make an argument about pickleball sound like a defense of national values.

The performance works because Harris does not need to treat the character as an obvious joke. Chuck absolute seriousness turns court access, club traditions and Dusty choices into matters of personal betrayal.

Steenburgen provides a warmer presence as Candace, whose interest in pickleball is connected to friendship and personal renewal rather than institutional rivalry. Her character gives Dusty an alternative to the approval he has spent years seeking from his father.

The supporting cast adds several different styles of comedy. Chloe Fineman appears as Marisa, while Patton Oswalt, Chris Parnell and Aaron Chen populate the club with characters capable of pushing the central rivalry into increasingly strange territory.

Ben Stiller appears in the movie while also serving as a producer through Red Hour Films. His involvement creates an immediate connection to the broad sports comedies of the 2000s, particularly stories in which an underestimated activity becomes an arena for oversized ambition.

Former tennis champion Andy Roddick also appears, bringing part of Dusty competitive past directly into the story. John McEnroe joins the collection of tennis personalities willing to participate in a movie built around the sport losing territory to pickleball.

The appearances allow The Dink to make fun of tennis culture without presenting it as an invented stereotype. The athletes understand the rivalry and can participate in the joke while giving the movie a recognizable connection to professional competition.

Josh Greenbaum directs from a screenplay by Sean Clements. Greenbaum previously directed Barb and Star Go to Vista Del Mar and the documentary Will & Harper, demonstrating an interest in unusual personalities whose comic journeys contain more sincerity than their premises initially suggest.

Clements brings experience from television comedy, including Workaholics, helping the film maintain an ensemble rhythm rather than depending entirely on pickleball references.

Two people stand on a tennis court, smiling and holding pickleball paddles as if ready for a fun match that could belong in an Apple TV scene. The woman wears a sun hat and light blue shirt, while the man—who bears a resemblance to Ben Stiller—sports a dark jacket and headband. There’s a net and green background behind them, evoking the fresh style of an.
Image Credit: Apple Inc.

Apple Original Films Finds a Lighter Release

Apple acquired worldwide distribution rights to The Dink in August 2025, adding the project to a film catalog that moves between major dramas, action productions, documentaries and mainstream entertainment.

The movie offers a deliberately lighter summer release than many of the prestige projects associated with Apple Original Films. Its appeal depends on character chemistry, physical comedy and a sport already producing arguments in clubs and neighborhoods across the country.

That approach gives Apple TV a feature capable of reaching viewers who may not be looking for another complex series or franchise commitment. The story is contained, the conflict is immediately understandable and the cast combines familiar performers from several generations of comedy and drama.

The Dink also arrives as Apple TV continues developing a broader identity for its movie catalog. Award recognition remains part of the strategy, but accessible comedies can give subscribers a different reason to open the service on a weekend.

The film held its global premiere in Los Angeles on July 20, with Johnson, Harris, Steenburgen, Fineman, Aaron Chen, Greenbaum and Clements attending the event at Westfield Century City.

Johnson also serves as a producer alongside Stiller, John Lesher, Rob Paris and Mike Witherill. That position gives the lead actor a larger role in shaping a comedy built closely around his familiar ability to play disappointed men attempting improbable reinvention.

The timing could also help the film benefit from growing curiosity around pickleball. Viewers who already play will recognize the sport competitive personalities and social appeal, while skeptics may find Dusty hostility uncomfortably familiar.

The Dink runs for one hour and 42 minutes and carries a PG-13 rating for strong language and sexual material. It is available exclusively to Apple TV subscribers through the Apple TV app.

A man's face, wearing a blue headband, is surrounded by a large number of green pickleballs with holes—a playful scene reminiscent of The Dink premiere from Apple Original Films.
Image Credit: Apple Inc.

The post The Dink Premieres on Apple TV With Pickleball Chaos appeared first on AppleMagazine.

This is the world's most advanced robotic servicing satellite—that we know about

24 July 2026 at 16:23

A spacecraft fitted with two flexible robotic arms is on the way to geosynchronous orbit after launching earlier this week on a SpaceX Falcon 9 rocket, kicking off a planned decade-long mission to open new frontiers in satellite servicing.

The Mission Robotic Vehicle, owned and built by Northrop Grumman, rocketed into orbit from Cape Canaveral Space Force Station in Florida on Tuesday. Three small propulsion pods, each functioning as standalone spacecraft, accompanied the MRV aboard the Falcon 9 rocket.

The Falcon 9 deployed all four payloads within about an hour of liftoff. It will take about a year for the satellites to maneuver from their initial elliptical drop-off orbit into a circular orbit more than 22,000 miles (nearly 36,000 kilometers) over the equator. At this altitude, the MRV and the three Mission Extension Pods (MEPs) will travel in lockstep with Earth's rotation, operating in the same kind of orbit as numerous civilian and military communications satellites, missile warning platforms, and a growing number of spy satellites.

Read full article

Comments

© US Navy/Sarah Peterson

This is the world's most advanced robotic servicing satellite—that we know about

24 July 2026 at 16:23

A spacecraft fitted with two flexible robotic arms is on the way to geosynchronous orbit after launching earlier this week on a SpaceX Falcon 9 rocket, kicking off a planned decade-long mission to open new frontiers in satellite servicing.

The Mission Robotic Vehicle, owned and built by Northrop Grumman, rocketed into orbit from Cape Canaveral Space Force Station in Florida on Tuesday. Three small propulsion pods, each functioning as standalone spacecraft, accompanied the MRV aboard the Falcon 9 rocket.

The Falcon 9 deployed all four payloads within about an hour of liftoff. It will take about a year for the satellites to maneuver from their initial elliptical drop-off orbit into a circular orbit more than 22,000 miles (nearly 36,000 kilometers) over the equator. At this altitude, the MRV and the three Mission Extension Pods (MEPs) will travel in lockstep with Earth's rotation, operating in the same kind of orbit as numerous civilian and military communications satellites, missile warning platforms, and a growing number of spy satellites.

Read full article

Comments

© US Navy/Sarah Peterson

This is the world's most advanced robotic servicing satellite—that we know about

24 July 2026 at 16:23

A spacecraft fitted with two flexible robotic arms is on the way to geosynchronous orbit after launching earlier this week on a SpaceX Falcon 9 rocket, kicking off a planned decade-long mission to open new frontiers in satellite servicing.

The Mission Robotic Vehicle, owned and built by Northrop Grumman, rocketed into orbit from Cape Canaveral Space Force Station in Florida on Tuesday. Three small propulsion pods, each functioning as standalone spacecraft, accompanied the MRV aboard the Falcon 9 rocket.

The Falcon 9 deployed all four payloads within about an hour of liftoff. It will take about a year for the satellites to maneuver from their initial elliptical drop-off orbit into a circular orbit more than 22,000 miles (nearly 36,000 kilometers) over the equator. At this altitude, the MRV and the three Mission Extension Pods (MEPs) will travel in lockstep with Earth's rotation, operating in the same kind of orbit as numerous civilian and military communications satellites, missile warning platforms, and a growing number of spy satellites.

Read full article

Comments

© US Navy/Sarah Peterson

NASA programs feel effects of workforce reductions

23 July 2026 at 22:31
Isaacman at Ames

More than two dozen major NASA projects say they have been affected by the loss of a fifth of NASA’s civil servant workforce in the last year.

The post NASA programs feel effects of workforce reductions appeared first on SpaceNews.

Hugs May Be an Ancient Peacekeeping Tool, Ape Study Suggests

22 July 2026 at 20:01
Examples of bonobo and chimpanzee reassurance behaviors. Image credit: Z. Clay / J.S. Brooker.

In a new study of chimpanzees (Pan troglodytes) and bonobos (Pan paniscus), scientists found that embraces, touches and other reassuring gestures before competition for food were linked to more peaceful sharing, suggesting the roots of human social touch stretch back at least six million years.

The post Hugs May Be an Ancient Peacekeeping Tool, Ape Study Suggests appeared first on Sci.News: Breaking Science News.

Northrop adds to charges on Vulcan solid rocket motor program

21 July 2026 at 20:40

Northrop Grumman took another charge for the solid rocket boosters it provides for the Vulcan Centaur and suggested updated motors might not be ready until the end of the year.

The post Northrop adds to charges on Vulcan solid rocket motor program appeared first on SpaceNews.

Apple TV pickleball comedy ‘The Dink’ delivers the laughs – SF Chronicle

21 July 2026 at 20:00
Apple's TV's "The Dink.
Apple’s TV’s “The Dink.

In Apple TV’s new movie, “The Dink,” washed-up former tennis prodigy Dusty Boyd (Jake Johnson) has been reduced to coaching unruly children at his father Chuck’s (Ed Harris) suburban country club. Desperate for his father’s approval, Dusty blindly supports Chuck’s vendetta against the new craze taking over the club: pickleball. But when Dusty reaggravates an old injury, taking away his ability to play tennis, he resorts to the unthinkable in the name of rehab. He not only tries pickleball, but, thanks in part to his enchanting new partner, Candace (Mary Steenburgen), he finds himself actually enjoying it. Torn between two worlds, Dusty is forced to finally face the ghosts of his past athletic failures, including his childhood nemesis, Andy Roddick (Andy Roddick). Ultimately, Dusty is drawn into a desperate battle for the future of the club, his father’s affection and his very identity.

“The Dink” is a laugh-out-loud underdog story from producer Ben Stiller (“Dodgeball”), directed by Josh Greenbaum (“Barb and Star Go to Vista Del Mar”) from a script written by Sean Clements (“Workaholics”). The all-star cast includes Patton Oswalt, Chloe Fineman, Chris Parnell, and Aaron Chen, with Andy Roddick and Ben Stiller.

Carla Meyer for the San Francisco Chronicle:
‎

In the consistently funny Apple TV movie “The Dink,” Jake Johnson does Will Ferrell better than Ferrell.

A broad, intentionally stupid sports comedy centered on pickleball, “The Dink” pays homage to the ‘00s sub-subgenre that included the gems “Dodgeball” and “Talladega Nights” and duds “Blades of Glory” and “Semi-Pro,” themselves all spiritual descendants of “Caddyshack” (1980).

Ferrell, star of three aforementioned movies, returned to the well recently for his Netflix series “The Hawk.” But “The Dink” is the superior product, largely because of Johnson (“New Girl,” “Minx”), the thinking person’s ne’er-do-well…

Such full commitment to risky comedic asides evokes “Barb and Star,” the sublimely dumb 2021 Kristen Wiig comedy that was released on VOD rather than in theaters because of the pandemic. A cult favorite at the time, it has picked up critical steam since.

Despite a plot that goes in and out of consciousness and a 102-minute runtime that approaches bloat, “The Dink” matches “Barb and Star” in laughs per scene, and eventually, a sense of hopefulness.

‎
MacDailyNews Take: Sounds like another hit for Apple TV!

MacDailyNews Note: Apple TV is available on the Apple TV app in over 100 countries and regions, on over 1 billion screens, including iPhone, iPad, Apple TV 4K, Apple Vision Pro, Mac, popular smart TVs from Samsung, LG, Sony, VIZIO, TCL and others, Roku and Amazon Fire TV devices, Chromecast with Google TV, PlayStation and Xbox gaming consoles, and at tv.apple.com, for $12.99 per month with a seven-day free trial for new subscribers. For a limited time, customers who purchase and activate a new iPhone, iPad, Apple TV 4K or Mac can enjoy three months of Apple TV for free.

Watch on Apple TV


‎
Please help support MacDailyNews — and enjoy subscriber-only articles, comments, chat, and more — by subscribing to our Substack: macdailynews.substack.com. Thank you!

Support MacDailyNews at no extra cost to you by using this link to shop at Amazon.

The post Apple TV pickleball comedy ‘The Dink’ delivers the laughs – SF Chronicle appeared first on MacDailyNews.

Scientists May Have Finally Solved the Mystery of How and Why Hannibal Took War Elephants Across the Alps

21 July 2026 at 14:03

More than 2,200 years Hannibal launched one of recorded history’s most daring military campaigns, leading roughly 46,000 soldiers and 37 war elephants across the towering Alps between modern-day France and Italy to invade the Roman Republic. Now, researchers believe they may have uncovered a surprising clue to one of antiquity’s greatest military mysteries.

For generations, historians have debated exactly which Alpine pass Hannibal used during his legendary crossing in 218 BC before descending into Italy and launching a campaign that brought Rome to the brink of defeat during the Second Punic War.

Any equally enduring mystery has been why the legendary Carthaginian general would burden his army with 37 war elephants, each weighing roughly three tons (about 6,600 pounds), while attempting one of the most difficult mountain crossings in military history?

A new study published in the Proceedings of the National Academy of Sciences suggests those two mysteries may actually be connected.

Rather than relying entirely on ancient accounts, particularly those of the Greek historian Polybius, or on geology and topography, researchers analyzed the energy required for Hannibal’s soldiers, horses, and elephants to traverse four leading candidate routes through the Alps.

Their findings show that the notoriously difficult Col de la Traversette was actually the most energy-efficient crossing—and that the elephants, far from being a crippling liability, may have been better suited for the journey as opposed to either the soldiers or the horses accompanying them.

The discovery provides a new perspective on one of history’s greatest military feats, suggesting that the biological limits of both humans and animals may help explain not only where Hannibal crossed the Alps, but why he believed his extraordinary gamble could succeed.

“Our analysis of the energy landscape challenging the army suggests that the Col de la Traversette would have been the shortest and energetically most efficient route,” researchers write. “In which case, driven by the aim to minimize the energy costs of the crossing, he would have chosen the Traversette route.”

War Elephants
Map showing Hannibal’s route from Spain across the Alps into Italy during the Second Punic War. New research suggests the Col de la Traversette offered the most energy-efficient crossing for his army and its famous war elephants. (Image Source: Wikimedia Commons/Pinpin)

Hannibal’s campaign remains one of history’s most astonishing logistical achievements. After marching roughly 620 miles (1,000 kilometers) from Spain, his force reached the Alps with approximately 46,000 soldiers and 37 war elephants.

The crossing reportedly took just 15 days despite hostile tribes, steep mountain passes, early winter conditions, and severe supply challenges. Only about half of the army survived the journey, although enough elephants reached Italy to participate in the Battle of the Trebia shortly afterward.

Researchers examined four leading candidate routes through the Alps by estimating the total energy required for each member of Hannibal’s expedition, including the soldiers, horses, and elephants accompanying them.

Rather than asking which mountain pass best matches ancient historical accounts, the researchers examined four leading candidate routes through the Alps, calculating the energy required for every member of Hannibal’s expedition—including his soldiers, horses, and war elephants.

Using models that consider elevation changes and the metabolic costs of climbing and descending, they calculated the total energy expenditure for men, horses, and elephants across each candidate route. The results consistently favored the Col de la Traversette.

The researchers estimate the entire army would have expended approximately 5.42 terajoules of energy along that route. By comparison, taking the Col du Clapier—long considered by many historians to be the strongest candidate—would have required roughly 16% more energy.

Even the second-best alternative would have demanded 11% more. A chart in the paper compares the cumulative energy costs of each route, showing the Traversette path retaining the lowest overall expenditure despite its dramatic elevation profile.

Although Hannibal obviously lacked modern mathematical models, the researchers suggest he likely had an instinctive insight into terrain developed through years of campaigning.

“Although Hannibal would not have had such accurate estimates, he may have had a qualitative understanding of the ranking of the possible routes,” researchers note.  

Perhaps the study’s most fascinating insights concern the elephants themselves.

Modern elephants require enormous quantities of food simply to maintain their body weight. Wild African elephants typically spend around 14 hours each day feeding, while a three-ton adult may consume roughly 440 pounds (200 kilos) of forage daily. Those requirements become even more daunting in mountainous terrain, where every climb increases energy demands.

The researchers estimate that each elephant would have expended an additional 1.53 gigajoules of energy simply from traversing the Col de la Traversette beyond its normal metabolic requirements. Replacing that energy through feeding alone would have required roughly five to six extra hours of foraging every day during the crossing.

That simply was not realistic.

Instead, the team concludes that Hannibal’s elephants almost certainly survived by drawing heavily on stored body fat rather than replacing the calories they were burning. Even then, the elephants appear to have been surprisingly well-suited for the journey.

According to the analysis, each elephant would have lost only about 4% of its body fat reserves during the Traversee crossing. Horses, by contrast, were estimated to lose around 11%, while surviving soldiers may have lost approximately 19% of their stored fat. Even on less efficient routes, the additional burden fell disproportionately on the men and horses rather than the elephants.

That finding helps explain an apparent historical paradox.

For generations, historians have wondered why Hannibal would risk bringing massive elephants across one of Europe’s most formidable mountain ranges. This new study argues that, biologically, elephants may actually have handled the journey better than many of the humans accompanying them.

Modern biomechanical research has shown that elephants move like a four-wheel-drive vehicle, enabling them to navigate difficult terrain more effectively than many might expect. Their large fat reserves also provided an energy buffer unavailable to exhausted soldiers.

“We may assume that Hannibal knew, after having traveled with elephants and their handlers through Spain and Southern France, that his elephants would struggle less than his men to make the crossing,” researchers note.

Researchers argue that the greatest challenge facing Carthage’s war elephants came after they crossed the Alps, not during the journey itself.

Once in Italy, Hannibal found himself deep inside enemy territory with no secure supply lines, making it extraordinarily difficult to replenish the elephants’ depleted energy reserves. Historical evidence suggests his army was forced to raid the surrounding countryside extensively to feed both its soldiers and animals.

Although the elephants survived the Alpine crossing, researchers say the enormous logistical burden of keeping them fed may have ultimately sealed their fate.

“The fact that all but one elephant died in the following winter might be indicative of Hannibal’s decision to stop attending to the energy needs of such costly pieces of military equipment when already under severe energetic constraints,” the researchers write.

The researchers suggest the elephants’ greatest value may have reached beyond their battlefield role. Simply bringing dozens of war elephants across the Alps would have delivered a powerful psychological advantage, both by surprising Roman forces and by demonstrating the extraordinary reach of Hannibal’s army.

But that advantage may have been short-lived. Once the initial shock passed, the enormous cost of feeding and upkeep of the animals deep inside enemy territory may have exceeded their military usefulness.

Taken together, the evidence suggests that the same biological realities that influenced Hannibal’s choice of route may also have determined the fate of his most famous weapons.

“Perhaps he counted on the elephants to provide an important, tactical element of surprise in the first battles against the Romans,” the researchers write. “In addition, he may have expected that his war elephants would awe and help recruit to his side the Celts of Northern Italy, who were known to be hostile to Rome.”

“After these first encounters, the elephants might have lost their military value,” the team adds.  

The paper, “Energy costs of Hannibal’s alpine crossing,” by Emilio Bertia and Fritz Vollrath, appeared in Proceedings of the National Academy of Sciences.

Tim McMillan is a retired law enforcement executive, investigative reporter and co-founder of The Debrief. His writing typically focuses on defense, national security, the Intelligence Community and topics related to psychology. You can follow Tim on Twitter: @LtTimMcMillan.  Tim can be reached by email: tim@thedebrief.org or through encrypted email: LtTimMcMillan@protonmail.com 

Jennifer Aniston deixa futura série do Apple TV baseada em livro de Jennette McCurdy

23 July 2026 at 20:54

Informações do TMZ dão conta de que a atriz Jennifer Aniston deixou o elenco da vindoura série do Apple TV inspirada em “Estou Feliz Que Minha Mãe Morreu” (“I’m Glad My Mom Died”), aclamado livro de memórias da atriz de “iCarly” Jennette McCurdy.

Segundo as fontes consultadas pelo veículo, a decisão de Aniston foi motivada por conflitos de agenda. Elas também afirmaram que a série segue em produção e que os roteiros dos episódios estão em desenvolvimento ativo.

Anunciada pelo serviço de streaming em julho do ano passado, a série promete trazer, ao longo de dez episódios, um relato comovente e hilário das lutas de McCurdy como ex-atriz mirim, enquanto lida com a sua mãe autoritária e dominadora.

Como comentamos na época, Aniston estava escalada para interpretar justamente a mãe da autora do livro, além de assinar como produtora executiva pela Echo Films. Ela, no entanto, não é a única a se despedir do projeto, já que Jason Reitman (creditado originalmente como diretor) abandonou a série poucos meses após o seu anúncio por conta de divergências criativas com McCurdy, segundo informações do Puck.

Desenvolvida pelo Apple Studios como uma comédia dramática, “I’m Glad My Mom Died” é produzida, escrita e apresentada por McCurdy e Ari Katcher. Sharon Horgan e Stacy Greenberg pela Merman; Dani Gorin, Tom Ackerley e Josey McNamara pela LuckyChap; bem como Jerrod Carmichael e Erica Kay integram a equipe de produtores executivos.

Aniston, vale lembrar, estrela o sucesso “The Morning Show” — série do Apple TV que, como ficamos sabendo mais cedo, será encerrada após sua quinta temporada, prevista para 2027.

O Apple TV está disponível no aplicativo Apple TV em mais de 100 países e regiões, seja em iPhones, iPads, Apple TVs, Macs, dispositivos Android, smart TVs ou online — além de também estar em aparelhos como Roku, Amazon Fire TV, Chromecast com Google TV, consoles PlayStation e Xbox. O serviço custa R$29,90 por mês, com um período de teste gratuito de 7 dias. Por tempo limitado, quem comprar e ativar um novo iPhone, iPad, Apple TV ou Mac ganha 3 meses do Apple TV. Ele também faz parte do pacote de assinaturas da empresa, o Apple One.

NOTA DE TRANSPARÊNCIA: O MacMagazine recebe uma pequena comissão sobre vendas concluídas por meio de links deste post, mas você, como consumidor, não paga nada mais pelos produtos/serviços usando os nossos links de afiliado.

Quinta e última temporada de “The Morning Show”, do Apple TV, estreará em 2027

23 July 2026 at 18:14

Primeira série original lançada globalmente pelo Apple TV, “The Morning Show” chegará ao fim com sua quinta temporada, conforme anunciou hoje o serviço de streaming da Maçã em comunicado para a imprensa.

O retorno da produção, que conta com Reese Witherspoon e Jennifer Aniston como protagonistas e produtoras executivas, está marcado para o ano que vem, com boa parte do elenco já conhecido e algumas adições.

Retornarão Billy Crudup, Mark Duplass, Nestor Carbonell, Karen Pittman, Greta Lee, Nicole Beharie e Jon Hamm. Jeff Daniels, Reneé Rapp, Jesse Williams, Sean Hayes, Lizzy Caplan e outros nomes chegarão para completar o time.

Divulgação/Apple

Ao longo de suas quatro temporadas, “The Morning Show” já foi indicada a diversas premiações (vencendo algumas delas) e debateu temas como a pandemia de COVID-19 e assédio, tendo como pano de fundo os bastidores do telejornalismo.

Além das protagonistas, Charlotte Stoudt (também showrunner), Mimi Leder (também diretora), Michael Ellenberg, Lauren Neustadter, Kristin Hahn, Zander Lehmann e Micah Schraft serão produtores executivos.

O Apple TV está disponível no aplicativo Apple TV em mais de 100 países e regiões, seja em iPhones, iPads, Apple TVs, Macs, dispositivos Android, smart TVs ou online — além de também estar em aparelhos como Roku, Amazon Fire TV, Chromecast com Google TV, consoles PlayStation e Xbox. O serviço custa R$29,90 por mês, com um período de teste gratuito de 7 dias. Por tempo limitado, quem comprar e ativar um novo iPhone, iPad, Apple TV ou Mac ganha 3 meses do Apple TV. Ele também faz parte do pacote de assinaturas da empresa, o Apple One.

NOTA DE TRANSPARÊNCIA: O MacMagazine recebe uma pequena comissão sobre vendas concluídas por meio de links deste post, mas você, como consumidor, não paga nada mais pelos produtos/serviços usando os nossos links de afiliado.

Benicio del Toro se junta a Ben Stiller em “Protective Custody”, do Apple TV

22 July 2026 at 19:29

O Apple TV anunciou hoje que o ator Benicio del Toro fará sua estreia em um papel de destaque na série de comédia “Protective Custody”, futura produção estrelada e produzida por Ben Stiller que foi anunciada em maio deste ano.

A produção girará em torno de um financista desacreditado acusado de fraude em larga escala e colocado sob custódia. Na cadeia, ele se verá obrigado a lidar com a política da prisão, recuperar sua reputação e enfrentar as consequências de seus atos enquanto aguarda o julgamento.

Benicio Del Toro is set to make his leading comedy series debut on Apple TV.

Also starring and executive produced by Ben Stiller, and hailing from Emmy Award-winner Mike Judge, Emmy Award-winner Steve Hely and Dave King, comes a new series about a disgraced financier navigating… pic.twitter.com/3rglVYsR7C

— Apple TV (@AppleTV) July 22, 2026

“Protective Custody” também marcará o reencontro entre del Toro e Stiller, que já colaboraram na minissérie “Escape at Dannemora”. A produção marca, ainda, a estreia de Stiller como protagonista em uma série de comédia roteirizada, fora do formato de esquetes.

A produção será comandada por Steve Hely, Dave King e pelo diretor Mike Judge — que também serão roteiristas e showrunners. A produção executiva será de Stiller, John Lesher, Ben Silverman, Howard Owens, Rodney Ferrell, Michael Rotenberg, Oly Obst e Nanette Burstein.

O Apple TV está disponível no aplicativo Apple TV em mais de 100 países e regiões, seja em iPhones, iPads, Apple TVs, Macs, dispositivos Android, smart TVs ou online — além de também estar em aparelhos como Roku, Amazon Fire TV, Chromecast com Google TV, consoles PlayStation e Xbox. O serviço custa R$29,90 por mês, com um período de teste gratuito de 7 dias. Por tempo limitado, quem comprar e ativar um novo iPhone, iPad, Apple TV ou Mac ganha 3 meses do Apple TV. Ele também faz parte do pacote de assinaturas da empresa, o Apple One.

NOTA DE TRANSPARÊNCIA: O MacMagazine recebe uma pequena comissão sobre vendas concluídas por meio de links deste post, mas você, como consumidor, não paga nada mais pelos produtos/serviços usando os nossos links de afiliado.

Apple poderá lançar programa de assinatura de iPhones, iPads, Macs e Apple Watches em breve

21 July 2026 at 17:12

De acordo com informações da Bloomberg, a Apple lançará na próxima semana o “Apple Upgrade”, um serviço de assinatura que incluirá iPhones, iPads, Macs e até mesmo Apple Watches.

Desenvolvida em parceria com a empresa financeira Klarna Group Plc, a iniciativa será disponibilizada primeiro apenas nos Estados Unidos — tanto em lojas físicas da Maçã quanto na Apple Store Online.

Assim como outros programas do tipo, o “Apple Upgrade” permitirá que os usuários quitem o dispositivo antecipadamente durante o contrato, façam um upgrade para um modelo mais recente antes do fim da assinatura ou fiquem com o aparelho ao final do período de locação. Ainda segundo as informações, é possível que taxas adicionais sejam cobradas em casos específicos.

Mais precisamente, aluguéis de iPhones e Apple Watches terão uma duração de 24 meses, enquanto Macs e iPads poderão ser usados por 36 meses. Sujeito a uma análise de crédito antes da contratação do serviço, o usuário sempre poderá devolver o seu aparelho ao final do período de locação.

A Bloomberg disse ainda que o plano da Maçã é divulgar o “Apple Upgrade” como uma forma de realizar pagamentos menores do que os oferecidos por programas de financiamento tradicionais. Além disso, ela estaria se preparando para descontinuar o iPhone Upgrade Program e a modalidade de financiamento tradicional para abrir espaço para a nova oferta.

Ao contrário do iPhone Upgrade Program, no entanto, o “Apple Upgrade” não incluirá o AppleCare; dispositivos de entrada — como o Apple Watch SE 3, o iPad (A16 Bionic), o iPhone 16 e o MacBook Neo — não estarão disponíveis no novo programa; por fim, usuários corporativos e estudantes também ficarão de fora da brincadeira.

Rumorado há alguns anos — e supostamente cancelado internamente pela companhia no final de 2024 — o “Apple Upgrade” chegará pouco tempo depois de a Apple aumentar os preços de vários de seus produtos em decorrência da crise de DRAM 1Dynamic random access memory, ou memória dinâmica de acesso aleatório., provocada pela alta demanda por chips de memória no mercado de inteligência artificial.

Notas de rodapé

  • 1
    Dynamic random access memory, ou memória dinâmica de acesso aleatório.

“iPhone 20 Pro Max” poderá chegar com tela de quase 7 polegadas

21 July 2026 at 13:24

Fontes da cadeia de suprimentos dão conta de que a Apple estaria avaliando a utilização de uma tela maior para o iPhone — de quase 7 polegadas, mais especificamente — em um futuro próximo.

A informação veio do leaker Digital Chat Station, o qual comentou na rede social chinesa Weibo que o tamanho físico do novo painel seria de exatas 6,96 polegadas. Ele especula que essa ampliação deverá acontecer no “iPhone 20 Pro Max”, a versão maior da edição comemorativa de 20 anos da linha, marcada para chegar em 2027, sucedendo o “iPhone 18 Pro Max”.

Caso o rumor se confirme, esse se tornará o maior painel já utilizado em um iPhone (embora a diferença em relação às 6,86″ do iPhone 17 Pro Max seja pequena), número suficiente para que o arredondamento das campanhas publicitárias da Apple dê conta de uma tela de 7″. 

A proposta dos modelos comemorativos de 20 anos, conforme especulam vários insiders, é de uma tela sem intervenções, com bordas curvas. Segundo Mark Gurman, da Bloomberg, esses novos iPhones deverão contar com um chip “A21” de 2 nanômetros, que poderá estar presente ainda na segunda geração do iPhone dobrável. Resta a dúvida se a Apple pulará a linha “iPhone 19” e seguirá direto com o “20” (ou “XX”), como fez com os iPhones 8/8 Plus e o iPhone X, em 2017.

iPhone 17 Pro Max

Cores: prateado, laranja-cósmico ou azul-intenso
Armazenamento: 256GB, 512GB, 1TB ou 2TB
R$ 10.499,00
R$ 12.499,00

iPhone 17 Pro

Cores: prateado, laranja-cósmico ou azul-intenso
Armazenamento: 256GB, 512GB ou 1TB
R$ 9.777,77
R$ 11.499,00

NOTA DE TRANSPARÊNCIA: O MacMagazine recebe uma pequena comissão sobre vendas concluídas por meio de links deste post, mas você, como consumidor, não paga nada mais pelos produtos/serviços usando os nossos links de afiliado.

via MacRumors

❌