Segundo as fontes consultadas pelo veículo, a decisão de Aniston foi motivada por conflitos de agenda. Elas também afirmaram que a série segue em produção e que os roteiros dos episódios estão em desenvolvimento ativo.
Anunciada pelo serviço de streaming em julho do ano passado, a série promete trazer, ao longo de dez episódios, um relato comovente e hilário das lutas de McCurdy como ex-atriz mirim, enquanto lida com a sua mãe autoritária e dominadora.
Como comentamos na época, Aniston estava escalada para interpretar justamente a mãe da autora do livro, além de assinar como produtora executiva pela Echo Films. Ela, no entanto, não é a única a se despedir do projeto, já que Jason Reitman (creditado originalmente como diretor) abandonou a série poucos meses após o seu anúncio por conta de divergências criativas com McCurdy, segundo informações do Puck.
Desenvolvida pelo Apple Studios como uma comédia dramática, “I’m Glad My Mom Died” é produzida, escrita e apresentada por McCurdy e Ari Katcher. Sharon Horgan e Stacy Greenberg pela Merman; Dani Gorin, Tom Ackerley e Josey McNamara pela LuckyChap; bem como Jerrod Carmichael e Erica Kay integram a equipe de produtores executivos.
O Apple TV está disponível no aplicativo Apple TV em mais de 100 países e regiões, seja em iPhones, iPads, Apple TVs, Macs, dispositivos Android, smart TVs ou online — além de também estar em aparelhos como Roku, Amazon Fire TV, Chromecast com Google TV, consoles PlayStation e Xbox. O serviço custa R$29,90 por mês, com um período de teste gratuito de 7 dias. Por tempo limitado, quem comprar e ativar um novo iPhone, iPad, Apple TV ou Mac ganha 3 meses do Apple TV. Ele também faz parte do pacote de assinaturas da empresa, o Apple One.
NOTA DE TRANSPARÊNCIA: O MacMagazine recebe uma pequena comissão sobre vendas concluídas por meio de links deste post, mas você, como consumidor, não paga nada mais pelos produtos/serviços usando os nossos links de afiliado.
In Nasdaq trading today, shares of Apple Inc. (AAPL) rose $0.48 to $333.74 to hit a new all-time closing high. Apple’s all-time intraday high was also set today at $334.98.
Apple’s 52-week low stands at $201.50.
Today’s trading volume for AAPL shares was 63,196,563 versus Apple’s average trading volume of 54,686,906 shares.
Apple’s PE Ratio currently stands at 40.40.
Apple currently has a market value of $4.902 trillion, making it the world’s second-most valuable company.
The top five U.S. publicly-traded companies, based on market value:
MacDailyNews Take: To the moon, Alice. To the moon!
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In Nasdaq trading today, shares of Apple Inc. (AAPL) rose $5.76 to $333.26 to hit a new all-time closing high. Apple’s all-time intraday high was also set today at $334.68.
Apple’s 52-week low stands at $201.50.
Today’s trading volume for AAPL shares was 59,624,981 versus Apple’s average trading volume of 54,664,537 shares.
Apple’s PE Ratio currently stands at 40.40.
Apple currently has a market value of $4.895 trillion, making it the world’s second-most valuable company.
The top five U.S. publicly-traded companies, based on market value:
Please help support MacDailyNews — and enjoy subscriber-only articles, comments, chat, and more — by subscribing to our Substack: macdailynews.substack.com. Thank you!
In Nasdaq trading today, shares of Apple Inc. (AAPL) rose $12.64 to $327.50 to hit a new all-time closing high. Apple’s all-time intraday high was also set today at $328.72.
Apple’s 52-week low stands at $201.50.
Today’s trading volume for AAPL shares was 58,741,821 versus Apple’s average trading volume of 54,375,570 shares.
Apple’s PE Ratio currently stands at 39.70.
Apple currently has a market value of $4.810 trillion, making it the world’s second-most valuable company.
The top five U.S. publicly-traded companies, based on market value:
MacDailyNews Take: Gaudy (yet still woefully undervalued)! To the moon, Alice. To the moon!
Please help support MacDailyNews — and enjoy subscriber-only articles, comments, chat, and more — by subscribing to our Substack: macdailynews.substack.com. Thank you!
In Nasdaq trading today, shares of Apple Inc. (AAPL) rose $1.99 to $317.31 to hit a new all-time closing high. Apple’s all-time intraday high was also set today at $323.45.
Apple’s 52-week low stands at $201.50.
Today’s trading volume for AAPL shares was 41,376,714 versus Apple’s average trading volume of 54,682,654 shares.
Apple’s PE Ratio currently stands at 38.42.
Apple currently has a market value of $4.660 trillion, making it the world’s second-most valuable company.
The top five U.S. publicly-traded companies, based on market value:
MacDailyNews Take: To the moon, Alice. To the moon!
Please help support MacDailyNews — and enjoy subscriber-only articles, comments, chat, and more — by subscribing to our Substack: macdailynews.substack.com. Thank you!
Após atingir três valores recordes só nesta semana, as ações da Apple [$AAPL] mantiveram a ascensão nesta sexta-feira e, graças a uma alta de 0,14%, elas valem agora US$333,74 — US$0,48 a mais do que o valor registrado ontem e um novo recorde histórico.
Já o pico do pregão foi de US$334,98, o que também representa um recorde em relação ao penúltimo valor máximo registrado (US$334,68).
Com relação ao ranking das empresas de capital aberto mais valiosas do mundo, a Apple segue na segunda posição, agora com um market cap de US$4,902 trilhões. Porém, algo interessante aconteceu hoje: ela ultrapassou brevemente a NVIDIA [$NVDA] durante o pregão, assumindo a posição de empresa mais valiosa do mundo por algum tempo; no fechamento da Nasdaq, porém, ela acabou voltando ao segundo lugar.
Isso foi facilitado após mais um dia de queda nas ações da fabricante de GPUs (o segundo seguido), desta vez de -2,21%, o que fez com que os papéis da empresa fechassem valendo US$202,81. Já o market cap está agora em US$4,912 trilhões — ou seja, apenas US$10 bilhões a mais do que o da Apple.
A Alphabet [$GOOG], empresa-mãe do Google, segue na terceira posição desse ranking, agora um market cap de US$4,224 trilhões. Assim como a NVIDIA, as ações da gigante de Mountain View também recuaram hoje, fechando o dia valendo US$346,12 (-2,17%).
The United States Department of War (DOW) released its latest collection of imagery and other materials related to unidentified anomalous phenomena (UAP) on Friday.
The fourth official release under what the DOW has dubbed the Presidential Unsealing and Reporting System for UAP Encounters (PURSUE), the latest tranche of files includes several new previously unseen U.S. military videos depicting unidentified aerial objects acquired by the Pentagon’s All-domain Anomaly Resolution Office (AARO).
“Today, the Department of War is publishing the fourth release of declassified and historical Unidentified Anomalous Phenomena (UAP) files as part of the Presidential Unsealing and Reporting System for UAP Encounters (PURSUE),” said Assistant to the Secretary of War for Public Affairs and Chief Pentagon Spokesman Sean Parnell in a statement.
“The collection continues to be housed on WAR.GOV/UFO, and the Department will release additional files on a rolling basis,” Parnell said.
As with previous releases, the new videos leave much to the imagination; in most cases, they show small blurry objects captured with multi-sensor electro-optical targeting capabilities from fighter aircraft or UAVs, and in some cases, imaging systems on board civilian aircraft. In addition to the new imagery, several historical documents from as early as the 1940s were included with the release, the majority of which were previously made available in past releases by various U.S. government agencies.
Here is a look at a few key takeaways from the latest batch in the Pentagon’s ongoing release of UAP-related materials.
A Deeper Look at the Latest PURSUE UAP File Release
One series of historical NASA images included with the new PURSUE release originates from the 1996 STS-80 mission. The entry on the DOW’s site, “NASA-UAP-D030, STS-80 Unidentified Object Image 1, 1996,” features photographs obtained by astronauts aboard the Space Shuttle Columbia at the time, which convey a small triangular or cone-shaped object.
“During STS-80, between November 19 and December 7, 1996, astronauts aboard Space Shuttle Columbia captured a series of three images of an unidentified object in low-Earth orbit. In the first photograph, the object is visible near the center of the frame, to the right of the limb of the Earth,” a caption accompanying one of the images states at the DOW website.
It is unclear what the object in the photograph may be, although it is worth noting that several observations of allegedly unusual phenomena occurred during STS-80, which included the imagery captured of grainy luminous shapes from the spacecraft’s backward-facing cameras. The most common interpretation of these objects is that they were ice particles outgassed from the spacecraft, whose highly reflective surfaces could produce the optical effects captured from the space shuttle’s cameras, especially in such low-light conditions.
DOW-UAP-PR030, Unresolved UAP Report, Middle East, 2023: In this video, “Two areas of contrast transit the sensor field-of-view. The first enters the field-of-view from the bottom right and exits from the top edge of the frame. The second, relatively smaller area of contrast enters from the top and exits the bottom of the frame.”
The unusual shape of the object first seen entering the frame from the bottom of the screen could potentially be the result of a sensor artifact, similar to past videos released by the DOW, where the starlike appearance of refraction spikes emanating from an object (as also seen in this example from the most recent release) had been misinterpreted by some as being the literal shape of the alleged UAP.
DOW-UAP-PR108, Unresolved UAP Report, Western United States, 2020: This footage, reportedly collected over the Western United States in 2020, is notable (if for no other reason) due to its similarity to the famous “Tic Tac” imagery from 2004, captured by F/A-18 pilot Chad Underwood off the Baja California coast. Apart from that superficial similarity in appearance, the footage—like others from recent PURSUE releases—provides little additional context, and it is unclear what the object (seen below) may be.
Still frame from the DOW’s “DOW-UAP-PR108, Unresolved UAP Report, Western United States, 2020” video, included in the most recent PURSUE release number four (Image Credit: DOW).
Several other examples of imagery included with the fourth PURSUE release depict objects apparently engaging in flight at high speeds, such as an object appearing in “DOW-UAP-PR112, Unresolved UAP Report, Eastern United States, 2019” where the observer reportedly described the object in question as exhibiting “flight characteristics unlike anything [the observer] had seen in 28 years for the U.S. Air Force and U.S. Navy.”
Other objects appearing in videos included with the newest release, such as the UAP in “DOW-UAP-PR116, Unresolved UAP Report, Atlantic Ocean, 2020,” include descriptions from the observer that note an object with a “darker, maroonish color, approximately 12-15 feet in height” that was “travel[ing] with the wind,” did not “maneuver or change direction,” and appearing similar to a “large, somewhat deformed balloon.”
Still frame from video of an object included with the latest PURSUE 04 release, which appears most consistent with a balloon or cluster of similar inflatable objects (Image Credit: DOW).
We would have to agree with the witnesses’ assessment in the case: the flight dynamics of the object in the accompanying video (seen above) are indeed very consistent with an inflatable object, albeit possessing an odd shape (it is also possible this object may be a cluster of smaller balloons). The same can be said of other examples in the new releases, where, in some instances, dangling payloads beneath what are obviously balloons are clearly discernible in the purported “UAP” videos.
Clarity Remains Elusive, but More Releases to Follow
To date, none of the videos or other documentation made available at the DOW website as part of its PURSUE releases provides clear examples of any objects attributable to unknown aircraft, or objects exhibiting unusual or advanced technologies.
In his statement on Friday, Parnell said the DOW and its agency partners “are actively working on the next release of UAP files,” which can be expected to appear on the DOW website in the coming weeks. In the meantime, all of the existing four releases of UAP imagery and documentation can be found on the DOW’s PURSUE page.
Micah Hanks is the Editor-in-Chief and Co-Founder of The Debrief. A longtime reporter on science, defense, and technology with a focus on space and astronomy, he can be reached atmicah@thedebrief.org. Follow him on X @MicahHanks, and at micahhanks.com.
Using the Karl G. Jansky Very Large Array (VLA) s and the Five-hundred-meter Aperture Spherical Radio Telescope (FAST), astronomers have created the sharpest-ever radio maps of neutral hydrogen around the Orion Nebula.
In February 2026, President Trump directed the U.S. government to release documents on UFOs, UAPs, and alien life. Questions arise about the nature of these phenomena, ranging from interdimensional entities to possible deceptions involving spiritual beings, echoing long-standing debates on extraterrestrial existence and their implications for faith.
The fascinating behind-the-scenes story of the exploits of the first team of private astronauts to cross the Kármán line is finally being told.
A newly released documentary film, “Beyond Blue Sky: The Untold Story of the First Private Astronauts,” now available on Apple TV and Amazon Prime, reveals the award-winning accomplishment and includes firsthand testimony from the pilots and engineers who made the inaugural private astronaut space flights possible.
The film also includes one of the two record-setting astronauts, U.S. Navy combat veteran Brian Binnie, sharing an unusual, life-altering experience for the first time on screen, an event that he credits for inspiring him to continue after a crushing setback almost ended his dreams of flying to space.
A Private Astronaut’s Failure and a UAP Encounter
In an email to The Debrief, documentary filmmaker Kevin Curran noted that his Emmy-nominated crew, “with a proven space pedigree,” including chronicling milestones of Blue Origin, SpaceX, Astrobotic, and NASA, was able to capture “razor’s-edge supersonic test flight footage” to reveal the story of the first team of private astronauts to join the small group of humans to have ventured into space.
Along the way, the documentary depicts the team’s successes and failures in their pursuit of reaching space for the first time—and then doing so two more times with extra ballast—to win a $10 million prize.
Although Binnie, a Princeton-educated aeronautical engineer and 20-year Navy pilot, would typically seem like the obvious choice for the award-winning space attempt, a difficult crash landing on the first rocket-powered test flight of the program had Binnie doubting whether he would get another opportunity to pilot SpaceShipOne for the remaining five test flights.
Image Credit: Beyond Blue Sky, Kevin Curran
As incredible as the team’s historic accomplishments were, Curran told The Debrief that the story took an unexpected, but inspiring turn when Binnie revealed an out-of-this-world encounter that he credited with inspiring him to recover from that setback and ultimately make the historic flight.
“The rest of the documentary is pretty incredible/riveting, I think, but [Binnie’s] story makes it so topical right now with the Pentagon’s release of UAP files,” Curran told The Debrief.
“I Turned Around Expecting to See Them Behind Me”
According to Curran, his team had no idea about Binnie’s encounter when they started filming. As the ebullient filmmaker noted, the team was about six weeks into production on a film that he says “we thought would simply be an untold, feel-good story involving perseverance and redemption within the birth of private spaceflight.” Then, while the cameras rolled, Binnie made his revelation.
Although Curran notes that the pilot had previously confided in “dozens of people within the aerospace and test flight world over the years about his extreme close encounter,” this was the first time the veteran of 33 combat missions had “courageously” shared his experience on-screen.
Documentary film director Kevin Curran has taken protecting Brian Binnie’s legacy personally. Image Credit: Kevin Curran.
“Like any good story, it simply became more fascinating the more we pulled on the thread,” Curran told The Debrief.
The tale began on December 17, 2003, when Binnie successfully piloted SpaceShipOne to nearly 68,000 feet on its first rocket-powered test flight, a critical early accomplishment that made him the first pilot to go supersonic in a privately funded vehicle. However, the flight ended in an extremely rough landing that damaged the craft’s landing gear, wing, and fuselage, putting Binnie’s future as one of three test pilots of SpaceShipOne in doubt.
“After the crash, the 47-year-old Binnie faced the reality that he may never fly the spaceship again on the remaining five test flights of the program,” a summary emailed to The Debrief explains.
Six days after the hard landing, Binnie was awake one morning at around 4 a.m., unable to sleep comfortably in his bed. Then, according to the astronaut’s account, he noticed that “bright lights were coming through my window blinds. I rose, opened the window blinds to find that daylight had manifested in my backyard.” The decorated Navy veteran noted that while his backyard was illuminated, everything else he looked at was dark.
Binnie (above) is shown at his home. Image Credit: Focus on the Signal LLC, Kevin Curran.
The next part of Binnie’s story details the presence of around a dozen translucent, glowing “orbs” he said he could perceive within the lit area. However, the pilot recalled, the orbs did not seem bright enough to account for the inordinately bright light illuminating his backyard. During his on-screen recollection, the award-winning pilot also details the movement of the orbs, including two of them approaching him from approximately 50 feet away, passing through his bedroom window, and entering his chest.
“I turned around expecting to see them behind me, but they weren’t there,” he said.
Binnie described the pre-dawn experience as “the most incredible thing I ever witnessed.”
The Impact on Binnie and the Documentary Crew
When discussing the impact that the unusual experience had on him, Binnie told Curran’s team that he initially searched for a conventional explanation. With advanced engineering degrees and a 20-year Navy career that led him to become both a test pilot and manager of the SpaceShipOne program, he was well accustomed to evaluating unusual observations. However, after exhausting all prosaic possibilities, the trained scientist, pilot, and observer ultimately concluded that the mysterious glowing orbs represented an intelligent phenomenon that had somehow allowed him to perceive them.
“It gave me hope that I had a purpose, and that purpose was to not simply take defeat, but was to pick myself up and continue,” Binnie told the documentarian.
After what the team calls “a bizarre series of events” that offered Binnie a second chance to pilot SpaceShipOne, the newly reinvigorated aviator boarded the craft’s final flight on October 4, 2004. During the launch phase, when the pilot and craft are hauled to a high latitude by the mothership, White Knight, Binnie said he once again reflected on the apparent UAP experience, including how he felt the orbs had given him an intangible drive to complete his mission and make history.
White Knight prepares to carry SpaceShipOne to space. Image Credit: Dave Moore.
By the time the flight was complete, winning both the Collier and Ansari XPRIZE, Curran said the accomplishment proved that a team of “renegade geniuses” could achieve a NASA-level feat for a fraction of the space agency’s typical cost. As far as the late pilot’s unusual UAP encounter, Curran credits Binnie’s courage for sharing his experience with UAPs, while also noting the effect the man’s retelling had on him and his crew.
Brian Confided in Colleagues for Years, But This is His First Filmed Account
“One thing I wish to clarify, in the event it matters, is that I believe Brian’s story,” Curran told The Debrief, while once again citing the combat veteran’s impressive credentials.
The documentarian also noted that there has been a stigma around the UAP subject for a long time, and that Binnie “was really brave to come out to me in 2020 before any of the House Oversight Committee testimonies or recent releases by the Pentagon.”
Brian confided in only a few aerospace colleagues about the experience for many years, and even learned of another astronaut with a similar experience, but the story’s inclusion in the film was the first time he shared it on record before passing away.
“I simply want to protect Brian Binnie’s memory and surviving family, as he was always kind to me, inspiring, and I’m proud to have called him a friend,” Curran concluded.
The project “is dedicated to the memory of test pilots Brian Binnie and Mike Melvill, the first two private astronauts who had the courage to fly stick-and-rudder to space,” the documentary team states.
“Thankfully, they shared their extraordinary stories on camera before they were lost forever in the Mojave sand,” the team concludes.
Christopher Plain is a Science Fiction and Fantasy novelist and Head Science Writer at The Debrief. Follow and connect with him on X, learn about his books at plainfiction.com, or email him directly at christopher@thedebrief.org.
A team of researchers at Cornell University has uncovered a surprising problem in a promising class of materials known as hybrid perovskites. The discovery could help scientists build better materials for future technologies, including solar cells, energy-harvesting devices, and advanced electronics. Hybrid perovskites have attracted enormous interest in recent years because they are efficient at […]
I further develop "spiritual physics" to explore the dynamics of UFOs, linking their behavior to concepts of exotic energy and matter. By applying Newtonian kinematics and imaginary numbers, the model suggests UFOs harness unseen energy and achieve incredible speeds. The interplay between real and imaginary mass could explain their elusive movements.
NASA’s safety advisers say that while the agency and Boeing make progress in addressing problems with the CST-100 Starliner, it could be up to a year before it flies again.
The Snapchat maker is spinning off yet another internal unit. Dotmo will be composed of current Snap staff who are leaving the social media company to focus on AI video development.
Snap vient de dévoiler « le premier ordinateur portatif conçu pour le monde réel ». Autrement dit, des lunettes de réalité augmentée. La firme envisage déjà un monde où ses Specs remplacent complètement les téléphones portables.
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