Apple TV has released the first trailer for “The Dynasty: UConn Huskies,” an upcoming sports documentary series about the historic rise of the University of Connecticut women’s basketball program. The preview brings together championship footage, private locker-room moments, archival clips and interviews with some of the biggest players in UConn history. What is The Dynasty: […]
Depois de já termos publicado vários vídeos sobre as novidades do iOS 27, chegou a vez de começarmos a cobertura em vídeo do macOS Golden Gate 27 em nosso canal. E não tem jeito melhor de abrir essa série do que falando sobre a mudança mais aguardada do sistema: a Siri AI.
Neste primeiro vídeo, mostramos como funciona o novo app da Siri, os ajustes de voz disponíveis, as melhorias na busca do Spotlight, os recursos da Inteligência Visual a partir de screenshots e as ferramentas de escrita e revisão de texto integradas ao sistema.
Embora costume dar mais foco aos seus próprios sistemas operacionais, a Apple também lança esporadicamente recursos para as versões de seus aplicativos em plataformas concorrentes, como o Android.
O aplicativo Apple TV, por exemplo, está ganhando widgets para a tela inicial do Android — o que permite que usuários acessem ou visualizem informações sem precisar abrir o aplicativo.
Além dessa novidade, o aplicativo também está ganhando suporte ao recurso “Continue Assistindo” (“Continue Watching”) no sistema operacional do Google, juntando-se a outras tantas plataformas de streaming populares do mercado.
A novidade, semelhante ao recurso disponível no aplicativo Apple TV nas plataformas da Maçã, permite continuar assistindo a produções a partir do hub unificado de serviços de streaming do sistema operacional.
Ainda na seara dos updates, o 9to5Google revelou que o Apple Music também está sendo atualizado no sistema concorrente, agora com suporte ao compartilhamento via WhatsApp.
Doze títulos não acontecem por acaso. Conheça por dentro um dos programas mais prestigiados do basquete universitário. A Dinastia: #UConnHuskies — 21 de agosto na Apple TV.
“The Dynasty: UConn Huskies” narra a ascensão do programa mais dominante na história do basquete universitário nos Estados Unidos. Com entrevistas exclusivas com a equipe campeã nacional de 2025 e participações de figuras do basquete da UConn, a série explora a busca pela excelência, as expectativas que acompanham o sucesso duradouro e as pessoas que mantiveram esse padrão ao longo das gerações.
A série reflete sobre o legado que construiu o programa e oferece um olhar raro de bastidores sobre as jogadoras que dão continuidade a essa história, por meio de conversas aprofundadas com técnicos, atletas, ex-jogadoras, rivais e jornalistas de várias gerações do basquete da UConn, incluindo KK Arnold, Auriemma, Sue Bird, Paige Bueckers, Jim Calhoun, Swin Cash, Chris Dailey, Mickie DeMoss, Jana El Alfy, Jamelle Elliott, Azzi Fudd, Jeff Goldberg, Sally Jenkins, Steve Kerr, Rebecca Lobo, Jackie MacMullan, Maya Moore, Alexa Philippou, Shea Ralph, Semeka Randall, Jennifer Rizzotti, Breanna Stewart, Sarah Strong, Diana Taurasi e Tamika Williams-Jeter.
O Apple TV está disponível no aplicativo Apple TV em mais de 100 países e regiões, seja em iPhones, iPads, Apple TVs, Macs, dispositivos Android, smart TVs ou online — além de também estar em aparelhos como Roku, Amazon Fire TV, Chromecast com Google TV, consoles PlayStation e Xbox. O serviço custa R$29,90 por mês, com um período de teste gratuito de 7 dias. Por tempo limitado, quem comprar e ativar um novo iPhone, iPad, Apple TV ou Mac ganha 3 meses do Apple TV. Ele também faz parte do pacote de assinaturas da empresa, o Apple One.
NOTA DE TRANSPARÊNCIA: O MacMagazine recebe uma pequena comissão sobre vendas concluídas por meio de links deste post, mas você, como consumidor, não paga nada mais pelos produtos/serviços usando os nossos links de afiliado.
The horror comedy show Widow’s Bay is officially the most popular Emmy-nominated series among American streaming audiences right now. The Apple show easily claimed the top spot in viewer interest during this awards season. According to recent streaming data, it completely outpaced other heavily nominated shows in pure viewer engagement. It achieved this high rank […]
Apple TV has confirmed the release date for Stillwater season 5, giving families another collection of gentle stories focused on emotions, friendship, and everyday challenges. The animated series will return globally on Friday, August 21, 2026, with all five new episodes arriving together. The new season continues the award-winning story of siblings Karl, Addy, and […]
Acapulco Imagen Awards recognition has given Apple TV’s bilingual comedy one more victory after its fourth and final season. The series leads the 41st Annual Imagen Awards with 13 nominations, placing its cast, directors, music team and production among the year’s most celebrated examples of Latino creative work.
The Imagen Foundation announced the nominations Thursday as part of its annual program recognizing Latino talent and representation across film, television, music, documentaries and digital media. Acapulco received more nominations than any other series, including recognition for Best Comedy Series and multiple acting and directing performances.
The awards organization also announced that actor, filmmaker, producer and musician Andy Garcia will receive its Lifetime Achievement Award. Garcia is separately nominated for his supporting performance in Landman, giving the ceremony another connection between a career-spanning honor and current screen work.
For Apple TV, the nominations extend the life of a series that completed its run in September 2025. Acapulco may have checked out of Las Colinas, but the Imagen Awards are giving the resort one more crowded week.
Acapulco Imagen Awards Reach Across the Production
The 13 nominations show how widely the Imagen Foundation recognized the series rather than concentrating only on its lead actors.
Acapulco is nominated for Best Comedy Series, while Oscar Almengor and Santiago Limón both received Best Director nominations. Javier Nuño and Joe Rodríguez were recognized for Best Music Supervision for Film or Television.
Enrique Arrizon and Camila Perez are both nominated in the Best Actor — Comedy category. Although the category name uses “Actor,” the Imagen Foundation placed performers of different genders together in the 2026 comedy field.
The supporting categories gave Acapulco an especially strong presence. Eugenio Derbez, Fernando Carsa, Carlos Corona and Cristo Fernández received Best Supporting Actor — Comedy nominations. Vanessa Bauche and Keyla Monterroso Mejia are nominated for Best Supporting Actress — Comedy.
That distribution reflects the ensemble structure that allowed Acapulco to run for four seasons. The series used Máximo Gallardo’s memories as its entry point, but Las Colinas worked because the hotel was filled with characters whose ambitions, friendships and disasters could carry stories of their own.
The show’s visual identity often received attention first. Its bright colors, resort setting and polished 1980s design made it easy to recognize within seconds. The Imagen nominations reach beyond that appearance and recognize the performances, direction and music that gave the setting its emotional rhythm.
Image Credit: Apple Inc.
A Final Season That Kept the Ensemble Moving
The fourth season returned to Las Colinas with two connected timelines. In the present day, Máximo worked to restore the hotel before its reopening. In 1986, his younger self tried to protect Las Colinas after a competing resort claimed the top position in Acapulco’s annual hotel rankings.
That structure allowed the series to close the distance between the ambitious young employee played by Arrizon and the successful older man played by Derbez. The final episodes had to complete character relationships, resolve the hotel’s future and explain how youthful choices shaped the life Máximo later built.
The Imagen nominations suggest the final season avoided becoming a farewell built only around nostalgia. Its actors remained competitive across several categories, and both nominated directors received recognition for guiding individual parts of the closing chapter.
Acapulco also maintained its bilingual identity throughout the run. English and Spanish were not treated as occasional flavor or a translation exercise. They reflected the characters, workplace and cultural setting. That helped the series reach an international audience without removing the Mexican identity at its center.
For Apple TV, that combination provided a comedy that could travel globally while remaining tied to a specific place and community.
Apple TV Earns Recognition Beyond One Series
Acapulco delivered Apple TV’s largest Imagen Awards presence, but it was not the service’s only nominated production.
Pluribus received a nomination for Best Drama Series, while Carlos-Manuel Vesga was nominated for Best Supporting Actor — Drama. The Morning Show earned nominations for director Miguel Arteta and supporting actor Nestor Carbonell.
Peter Dager of Stick joined Carbonell in the supporting comedy category, while Mariana Treviño received a Best Supporting Actress — Comedy nomination for the same series. Isabella Gomez was recognized for Shrinking, and Aimee Carrero received a nomination for Your Friends & Neighbors.
Apple’s animated series also appeared in the youth category, with WondLa and Wonder Pets: In the City both nominated for Best Youth Programming. Harvey Guillén received a Best Voice-Over Actor nomination for Shape Island.
The broader list reinforces Apple TV’s ability to attract Latino performers and creators across genres rather than through one designated cultural title. Drama, workplace comedy, animation and mystery all contributed to the service’s presence.
Acapulco remains the centerpiece because its 13 nominations represent recognition of an entire production, not a single breakout performance.
Image Credit: Apple Inc.
Andy Garcia Receives a Career Honor
Andy Garcia’s Lifetime Achievement Award gives the ceremony a different scale. His career has moved through major studio films, independent productions, television, directing, producing and music over several decades.
Garcia became widely known through films including The Untouchables, Internal Affairs, The Godfather Part III and Ocean’s Eleven. His performance as Vincent Mancini in The Godfather Part III earned him an Academy Award nomination, while later roles allowed him to move between crime drama, comedy, family stories and television.
His Imagen recognition also reflects a career shaped by Cuban American identity without limiting him to one type of role. Garcia has frequently spoken about cultural representation, creative ownership and the difficulty of bringing Latino-centered stories through the traditional Hollywood system.
The Lifetime Achievement Award arrives while Garcia remains active rather than functioning as a retirement tribute. His nomination for Landman places him directly inside the current awards field he is being asked to help represent.
That combination suits the Imagen Foundation’s mission. The honor recognizes longevity, but it also connects Garcia’s career with the actors, directors and producers building the next generation of Latino entertainment.
A Strong Farewell for Las Colinas
Acapulco ended after four seasons, which makes the scale of its Imagen recognition especially satisfying. The series did not need a fifth season announcement to extend its cultural presence. Its final production year generated enough work to lead an entire awards field.
The show also leaves Apple TV with a useful model for international programming. Acapulco was local without being narrow, bilingual without turning language into a gimmick and colorful without allowing its visual style to replace character development.
Its 13 nominations cover the exact areas that sustained that model: acting, direction, music and the series as a whole. The result is less like one last souvenir from Las Colinas and more like a full luggage cart.
Winners of the 41st Annual Imagen Awards will be announced during the ceremony in August. Acapulco will arrive with the largest number of chances, while Andy Garcia receives an honor that extends far beyond one performance or season.
The hotel may have closed its final television chapter, but the Imagen Awards have found 13 reasons to reopen the doors.
Going forward, Apple TV hardware is now essentially dead. Last month, Apple raised the price of its Apple TV 4K Wi-Fi (64GB) from $129 to $199, while the Apple TV 4K Wi-Fi + Ethernet (128GB) now costs $249, up from $169. That’s a major increase for hardware that hasn’t changed since its 2022 debut…. I don’t envision anyone in the market spending $200 on a streaming device.
Leaving aside Rayburn’s bizarre complaints in his post about Apple TV audio format support (which reflects nothing I’ve seen and sounds more like a user grinding a personal axe), this is a classic example of something we don’t see around these parts much anymore: The market share argument.
Apple’s strategies used to be attacked by the market share argument all the time. The premise is this: If you don’t have market share, nothing else matters. You could be making a profit. You could be serving a nice niche audience that is happy with your product. You could, in fact, be servicing your own lucrative ecosystem rather than focusing on competing with companies that are happy to race to the bottom.
Or as Rayburn puts it:
Of course, Apple has never competed on price and has shocked many by refusing to compete in the living room. Apple prioritizes the premium experience of its tvOS platform over low-margin hardware without home-screen ads and promoted content.
So the Apple TV is dead because of the (admittedly ridiculous) recent price hikes… but also, Apple has always “refuse[d] to compete in the living room” and made the heinous decision of prioritizing a “premium experience” over cheap boxes stuffed with ads and paid marketing. Apple TV was always mostly dead, because Apple has never deigned to make a $20 streaming stick infested with ads, but this price hike is the final stake in the heart?
Okay.
I have always been frustrated with the price of Apple’s TV box. And it’s ridiculous now—those are prices that should only be applied to brand-new models with great functionality, not to stale years-old hardware. But Apple’s competition in this market is selling $20 sticks at Walmart. They’re monetizing through TV licensing deals and aggressive user tracking, including logging everything you watch so that it can be used to profile you.
As for Apple not being competitive, the Apple TV used to start at $129, and the Roku Ultra is $100, so in the premium segment where Apple plays, they weren’t that far off. Now they’re twice as expensive, which is rough.
In his post, Rayburn concedes that “A small minority of users might purchase the hardware to stay in the Apple ecosystem, but that won’t increase Apple’s market share.” His point is that market share matters for TV streaming boxes because streamers won’t ultimately bother to support the platform at all if nobody’s using it.
I think that’s poor analysis, because I’m positive Apple TV owners are more engaged with their devices and probably have extremely favorable demographics compared to the users of a $20 streaming stick. Also, those streamers will be building iOS apps anyway, at which point it feels like tvOS apps just aren’t far enough removed. In fact, some streamers like building apps for tvOS because they can show off advanced features (like on-device multiview) that cheap boxes just can’t handle.
I came across Rayburn’s post via this post from Janko Roettgers, which is all about installing custom home screens to Android TV boxes. Why would you do that? Roettgers writes:
Monet is just one of a number of home screen replacements (or launchers, as they’re called among Android enthusiasts) that takes cues from Apple TV to bring a new sense of minimalism to Google’s streaming platform. Most of these launchers do away with the endless rows of content recommendations, the big hero images that try to get you hooked on the latest TV shows, and the increasing amount of ads and sponsored content.
“Honestly, the stock Google TV launcher [keeps] getting worse,” [Monet developer Nico] Klein says. “It’s clunky and full of ads. It actively gets in the way of what users are trying to do. You have to fight your way through a jungle of menus just to get where you actually want to go, it’s just not intuitive.”
Apple TV has plenty of reasons to keep on living. But it sure would be nice if Apple would show the product some attention beyond the massive price increases. Attention like new hardware, OS improvements, and (eventually) a price that makes it less of a hard sell to people who are desperate to escape the garbage of all the other streamer-box platforms.
My Apple TV has started yelling at me. Or at the very least, the Disney+ app on the Apple TV is now clamoring for my attention.
It used to be that when I fired up Disney Plus on my Apple TV, I could browse for something to watch in relative peace. But at some point, an update must have come along that caused the app to break its previously inviolable vow of silence. Because now, when I hover over the thumbnail for a particular movie or show, a preview starts to autoplay.
It doesn’t matter if it’s the latest Avatar picture or something from Pixar or even a Hulu original that now lives in Disney’s app — one moment of hesitation, and a preview plays until I move on to the next thumbnail and the cycle begins anew. New season of The Bear? Preview. An Indiana Jones picture? Preview. X-Men ’97? A particularly angering preview that doesn’t even feature Gambit, for crying out loud.
Disney’s Apple TV app is not alone in blasting previews whether I want them or not. In the land of streaming services, you are dealing with an attention economy, and the purveyors of streaming apps have decided the only way to command that attention is to shout as loud as possible. Hence, nearly every app from every streaming service of note turns on auto-playing previews by default, no matter how you feel about them.
And make no mistake — I feel that auto-playing just about anything is an assault on my senses. When I am trying to decide what to watch, I want to pause on a thumbnail and maybe glance at the information a bit without having to hastily scroll away once audio and video playback begin. Maybe I want to have a conversation with a family member about whether this is a program we both might enjoy without having to shout over some Na’Vi chittering at me about some sort of trouble brewing on Pandora.
The good news is that Apple TV apps have a setting for turning off autoplay previews so that you can go back to browsing through a streaming catalog in blessed silence. But there’s bad news, too — each app seemingly puts that setting in a completely different place, and it’s up to you to hunt down where that might be.
Should Apple impose some order on tvOS apps and require some degree of standardization when it comes to autoplay settings? Or should it go one step further and tell developers not to turn on that feature by default so as to spare the eardrums of paying customers? It’s not for me to say, even though the answer is emphatically yes to both questions.
But I fear my wisdom will fall upon deaf ears — and not just because they’ve already been deafened by all those autoplaying previews. So instead, I can do the next best thing, which is share the hard-won knowledge I have on how to turn off autoplay features in all the big streaming apps that might be living on your Apple TV.
Please don’t thank me. The silence is reward enough.
Apple TV
Apple’s TV app will start to preview content from the Apple TV streaming service if you let it. That’s certainly Apple’s right, but maybe I don’t want to hear about Your Friends and Neighbors each time I launch Apple’s app.
To make Apple TV shut up about the new season of Ted Lasso, go to the Settings app and select Accessibility, followed by Motion. Toggling off Auto-Play Video previews should, in Apple’s words, control whether you allow “video content to auto-play in apps like TV.” In my experience, though, the only app this setting seems to control is TV itself. For third-party apps, you’ll need to dive into settings on your own.
Tubi, HBO Max, but not really Paramount+
Tubi has among the easiest autoplay settings to disable, which is good because it also has the most annoying autoplay behavior. Tubi not only starts to play a preview if you momentarily pause while browsing through its vast library, but if you let that preview reach its conclusion, the movie or show will immediately start playing. For heaven’s sake, Tubi, your entire raison d’etre is to let me comb through the back alleys of your content to let me find something obscure to watch — stop ruining this for me!
Anyhow, with Tubi, all you have to do is head to the app’s settings where you select Video. There, you can disable autoplay to your heart’s content. See? Simple.
The story is similar for HBO Max and Paramount+—sort of. On HBO Max, choose Settings and then under the Playback tab, you can turn off a whole variety of autoplay features. In Paramount+, the Settings icon is hidden at the far bottom left of the screen, but if you just keep moving down through the side menu, you will end up selecting the Settings icon and can get where you need to go. All the Autoplay settings are under the Video tab.
Unfortunately, while Paramount+ will let you turn off “autoplay video,” that setting does not stop previews from autoplaying. Instead of letting you do that, Paramount+ gives you the option of holding down the center button on any preview to enter an “immersive preview mode” where they made the whole plane out of the preview. Frankly, yet another reason to give anything with Paramount’s imprimatur on it a wide berth.
Netflix
If Tubi is the easiest app for managing autoplay annoyances, then Netflix may be the worst. That’s because you can’t do it from the app on your Apple TV.
Instead, you need to head to Netflix in your web browser of choice, where you select your profile icon, followed by Account. From there, you select Edit Settings followed by Playback Settings followed once more by Autoplay Controls. There’s a box called Autoplay Preview While Browsing on All Devices — uncheck that and make sure to save your preference. Autoplay should be just a filthy memory the next time you access Netflix on your Apple TV.
Peacock and Disney Plus
I’m lumping these two services together because they put their autoplay controls in the exact same place. That’s not to say that the setting is easy to find, though, as both Peacock and Disney do a bang-up job hiding the control where you would least expect to find it.
In either app, go to the screen with your account profiles and click on the edit icon for the one you want to adjust. On Peacock, under Autoplay Preferences, you’ll see a toggle for Autoplay Trailers. For Disney, the Playback and Language Settings section has Background Video and Background Audio toggles; turning off the former takes care of both, while adjusting just the latter means that video previews will play silently.
Does the fact that this setting lives in the user profiles for both Peacock and Disney Plus mean that you’ll have adjust playback controls for each profile in your account? Indeed, it does!
Amazon Prime Video
Near as I can tell, Amazon Prime Video is the rare streaming app that doesn’t autoplay previews as you’re rummaging through its library of shows and movies. At the very least, nothing autoplays when I’m in the app, and whether that’s because of the overall Apple TV settings I’ve adjusted or something with Amazon itself, I’m satisfied with the result.
It’s July, and Apple TV and Apple Arcade have an interesting lineup, including four games that debuted last week, the return of Silo, one of my favorite Apple TV series, Lucky, a limited series starring Anya Taylor-Joy, and The Dink, a pickleball movie that looks like a lot of fun.
The game I’m most curious about this month is Stray Fawn Studio’s Dungeon Clawler+, which Apple says “combines the strategic depth of a roguelike deckbuilder with the unpredictability of an arcade claw machine.” The hook is that instead of drawing cards, you use a claw to grab weapons, shields, and other items that affect your next move.
Creatures of the Deep+ is a single-player fishing adventure that pairs fishing with exploration and mystery. Your job is to embark on the open seas, catch fish, and learn the secrets that lie beneath the waves.
If you’ve ever played a classic Sim City game, you’ll have a feel for Pocket City 2+. You play as the city’s mayor and are charged with building and maintaining your city, which you can explore on foot as you build.
Draw It+ challenges players to draw things based on prompts under time pressure. It’s a single-player family-friendly game that can be passed around at a party or played solo, while honing your doodling skills.
I only just started Silo, season 2, prompted in part by the release of season 3 last Friday. It’s a fantastic dystopian mystery starring and executive produced by Rebecca Ferguson and created by Graham Yost. If you like a good post-apocalyptic brain teaser, be sure to check the new season.
This week the acclaimed British comedy Trying returns for a fifth season. Starring and executive produced by Esther Smith and Rafe Spall, the series is a lighthearted look at the ups and downs of family life.
Lucky is a limited series starring Anya Taylor-Joy based on the bestselling novel of the same name by Marissa Stapley. Taylor-Joy plays a young woman whose former life of crime comes back to haunt her, just as she thinks she’s escaped her past.
The Dink is a comedy about a former tennis star played by Jake Johnson who has been reduced to coaching kids at a suburban country club. Johnson, who stars with an ensemble cast that includes Ed Harris, Ben Stiller, and Mary Steenburgen, discovers that he loves pickleball, which just may save the ailing country club.
That’s it for July. I’m personally looking forward to moving on to season three of Silo once I finish season two and watching Lucky.
If you’re a Club MacStories Plus or Premier member, drop by the TV and Movies channel in Discord to chat about what you’re looking forward to from Apple TV this month, and be sure to listen to MacStories Unwind where we will undoubtedly cover these shows in the coming weeks.
Apple raised the prices of Macs and other products across the board today. For entry-level Macs, the increases are mostly $100–$200. However, if you want a MacBook Pro or Mac Studio with lots of memory and storage, it’s going to cost you dearly. Prices were also raised on the iPad, Vision Pro, Apple TV, HomePods, and many items sold through Apple’s refurbished store.
This should come as no surprise to anyone, but it’s painful just the same. Last week, Tim Cook told The Wall Street Journal that price increases were coming without getting into specifics. Apple was able to hold the line on prices for several months, even while smaller gadget and computer makers raised their prices or canceled products altogether.
What’s happening is simple macroeconomics. Demand for memory and storage is vastly outstripping supply, largely due to the insatiable appetite of data centers that power AI services. That demand shows no signs of waning, and supply isn’t as simple as turning a knob to 11. There just aren’t that many makers of memory chips and SSDs, and bringing new plants online to manufacture takes years and billions of dollars.
For now, the price of iPhones has been left alone. Some may see that as a silver lining, but I suspect all it means is that Apple has enough prebuilt inventory to get to September, when new iPhones are announced. Apple Watch and AirPods prices remain the same, too.
Could Apple have avoided this? I doubt it. The magnitude and speed of the price increases and the projected duration are beyond what any reasonable company could or would plan for.
That said, I do think the situation will get better with time, again because of macroeconomics. The increases may preserve Apple’s margins, but it’s going to reduce the number of customers who can afford its products. Margins only equate to profits if you have customers willing to pay for your product. So with time, if the data center demand slackens or new chip capacity comes online, prices will improve. Just don’t expect that anytime before 2027 or 2028 if current projections are to be believed.
What’s new on Apple TV? What are the best shows and movies? How do you sign up and what does it cost? This article will answer all of that, and you’ll also get a list of all the currently-available Apple TV content.
There’s also a ton of new content in the works for Apple’s service, too. If you want to know what’s on the way, check out our list of upcoming Apple TV shows and movies.
Updated July 17, 2026: The new series Lucky premieres this week.
You can subscribe to Apple TV on Apple’s website here, or via the Apple TV app on your device. It costs $12.99/£9.99 a month, which you can cancel at any time (Read: How to cancel an Apple subscription). You can also opt for a one-year subscription for $99/£89, which essentially gives you two months free each year.
Apple also offers various trials so that you can try out Apple TV before you subscribe. Take a look at our article explaining all the ways you can watch Apple TV for free, and the best Apple TV deals you can get.
There’s far too much content on Apple TV to sift through it all yourself. If you’re looking for something to watch and don’t know where to start, here are a few of the Macworld staff’s favorite shows, series, and movies.
Synopsis: A dark comedy about a group of Irish sisters who find themselves at the center of a life insurance investigation after John Paul–the abusive husband to one of the sisters–dies unexpectedly.
Synopsis: A gripping miniseries about a convicted con artist who works for the FBI to try to get a serial killer’s confession before he is released from prison. Based on the true story of James Keene and Larry Hall.
Synopsis: A mysterious virus-like pathogen turns the entire human race into a peaceful hive-mind, except for a handful of individuals. Created by Vince Gilligan, of Breaking Bad and Better Call Saul fame.
Synopsis: A combination of dystopian sci-fi drama and workplace comedy about a company where employees are “severed”–when at work, they can’t remember their outside lives, and vice-versa.
Synopsis: Apple’s fish-out-of-water comedy/drama about a midwestern college football coach who heads to England to coach Premier League soccer is a breakout hit for good reason.
Synopsis: Big star power and a fantastic performance by Jenniffer Aniston highlight this fast-paced drama that goes behind the scenes of a fictional morning news program.
Number of seasons: 4
Release date: November 1, 2019
Full list of Apple TV shows and series
These are all the episodic series you can currently watch on Apple TV, including both recurring and limited series. This list is in alphabetical order.
Title
Premiere
Seasons / Episodes
1971: The Year That Music Changed Everything
May 21, 2021
8 episodes
Acapulco
October 8, 2021
4 seasons, 40 episodes
Amazing Stories
March 6, 2020
1 season, 5 episodes
Amber Brown
July 29, 2022
1 season, 10 episodes
Bad Monkey
August 14, 2024
1 season, 10 episodes
Bad Sisters
August 19, 2022
2 seasons, 20 episodes
BE@RBRICK
March 21, 2025
1 season, 13 episodes
Becoming You
November 13, 2020
1 season, 6 episodes
Before
October 25, 2024
10 episodes
Best Foot Forward
July 22, 2022
1 season, 10 episodes
Big Beasts
April 21, 2023
1 season, 10 episodes
Black Bird
July 8, 2022
6 episodes
Boom! Boom! The World vs Boris Becker
April 7, 2023
2 episodes
Born to be Wild
December 19, 2025
6 episodes
Calls
March 19, 2021
1 season, 9 episodes
Camp Snoopy
June 14, 2024
2 seasons, 26 episodes
Cape Fear
June 5, 2026
10 episodes
Carême
April 30, 2025
1 season, 8 episodes
Carpool Karaoke
August 8, 2017
5 seasons, 75 episodes
Central Park
May 29, 2020
3 seasons, 39 episodes
Chief of War
August 1, 2025
9 episodes
Circuit Breakers
November 11, 2022
1 season, 7 episodes
City on Fire
May 12, 2023
1 season, 8 episodes
Constellation
February 21, 2024
1 season, 8 episodes
Cowboy Cartel
August 2, 2024
4 episodes
Criminal Record
January 10, 2024
2 seasons, 16 episodes
Curses!
October 27, 2023
2 seasons, 20 episodes
Dark Matter
May 8, 2024
1 season, 9 episodes
Dear Edward
February 3, 2023
1 season, 10 episodes
Dear…
June 5, 2020
2 seasons, 20 episodes
Defending Jacob
April 24, 2020
8 episodes
Dickinson
November 1, 2019
3 seasons, 30 episodes
Disclaimer
October 11, 2024
7 episodes
Dope Thief
March 14, 2025
8 episodes
Doug Unplugs
November 13, 2020
2 seasons, 26 episodes
Down Cemetery Road
October 29, 2025
1 season, 8 episodes
Dr. Brain
November 3, 2021
1 season, 6 episodes
Drops of God
April 21, 2023
2 seasons, 16 episodes
Duck & Goose
July 8, 2022
2 seasons, 17 episodes
Earth at Night in Color
December 4, 2020
2 seasons, 12 episodes
Earthsounds
February 23, 2024
1 season, 12 episodes
Echo 3
November 23, 2022
1 season, 10 episodes
El Deafo
January 7, 2022
3 episodes
Eva the Owlet
March 31, 2023
2 seasons, 17 episodes
Extrapolations
March 17, 2023
1 season, 8 episodes
Five Days at Memorial
August 12, 2022
8 episodes
For All Mankind
November 1, 2019
5 seasons, 50 episodes
Foundation
September 24, 2021
3 seasons, 30 episodes
Fraggle Rock: Back to the Rock
January 21, 2022
2 seasons, 27 episodes
Fraggle Rock: Rock On!
April 21, 2020
1 season, 6 episodes
Frog and Toad
April 28, 2023
2 seasons, 18 episodes
Get Rolling with Otis
October 8, 2021
2 seasons, 18 episodes
Ghostwriter
November 1, 2019
3 seasons, 39 episodes
Government Cheese
April 16, 2025
1 season, 10 episodes
Greatness Code
July 10, 2020
2 seasons, 13 episodes
Gutsy
September 9, 2022
1 season, 8 episodes
Harriet the Spy
November 19, 2021
2 seasons, 20 episodes
Hello Tomorrow!
February 17, 2023
1 season, 10 episodes
Hello, Jack! The Kindness Show
November 5, 2021
2 seasons, 16 episodes
Helpsters
November 1, 2019
3 seasons, 40 episodes
Helpsters Help You
April 24, 2020
6 episodes
High Desert
May 17, 2023
1 season, 8 episodes
Hijack
June 28, 2023
2 seasons, 15 episodes
Hollywood Con Queen
May 8, 2024
3 episodes
Home
April 17, 2020
2 seasons, 19 episodes
Home Before Dark
April 3, 2020
2 seasons, 20 episodes
Imperfect Women
March 18, 2026
8 episodes
Interrupting Chicken
November 18, 2022
2 seasons, 17 episodes
Invasion
October 22, 2021
3 seasons, 30 episodes
Jane
April 14, 2023
3 seasons, 20 episodes
John Lennon: Murder Without A Trial
December 6, 2023
3 episodes
Knife Edge: Chasing Michelin Stars
October 10, 2025
8 episodes
K-Pop Idols
August 30, 2024
6 episodes
KPopped
August 29, 2025
1 season, 8 episodes
La Maison
September 20, 2024
1 season, 10 episodes
Lady in the Lake
July 19, 2024
7 episodes
Land of Women
June 26, 2024
1 season, 6 episodes
Lessons in Chemistry
October 13, 2023
8 episodes
Liaison
February 24, 2023
1 season, 6 episodes
Life by Ella
September 2, 2022
1 season, 10 episodes
Lincoln’s Dilemma
February 18, 2022
4 episodes
Lisey’s Story
June 4, 2021
8 episodes
Little America
January 17, 2020
2 seasons, 16 episodes
Little Voice
July 10, 2020
1 season, 9 episodes
Long Way Up
September 18, 2020
11 episodes
Long Way Home
May 9, 2025
10 episodes
Loot
June 24, 2022
3 seasons, 30 episodes
Losing Alice
January 22, 2021
1 season, 8 episodes
Love You to Death
February 7, 2025
1 season, 7 episodes
Lovely Little Farm
June 10, 2022
2 seasons, 14 episodes
Lucky
July 15, 2026
7 episodes
Make or Break
April 29, 2022
2 seasons, 15 episodes
Manhunt
March 15, 2024
7 episodes
Margo’s Got Money Troubles
April 15, 2026
1 season, 8 episodes
Masters of the Air
January 26, 2024
9 episodes
Maximum Pleasure Guaranteed
May 20, 2026
1 season, 10 episodes
Me
July 12, 2024
1 seasons, 10 episodes
Messi Meets America
October 11, 2023
6 episodes
Messi’s World Cup: Rise of a Legend
February 21, 2024
4 episodes
Midnight Family
September 25, 2024
1 season, 10 episodes
Monarch: Legacy of Monsters
November 17, 2023
2 season, 20 episodes
Monster Factory
March 17, 2023
6 episodes
Mr. Corman
August 6, 2021
1 season, 10 episodes
Mr. Scorsese
October 17, 2025
5 episodes
Murderbot
May 16, 2025
1 season, 10 episodes
My Brother the Minotaur
April 24, 2026
1 season, 10 episodes
My Kind of Country
March 24, 2023
1 season, 8 episodes
Mythic Quest
February 7, 2020
4 seasons, 40 episodes
Not a Box
June 13, 2025
1 season, 8 episodes
Now and Then
May 20, 2022
1 season, 8 episodes
Omnivore
July 19, 2024
1 season, 8 episodes
One-of-a-Kind Marcie
August 18, 2023
39 min.
Onside: Major League Soccer
February 21, 2025
8 episodes
Oprah Talks COVID-19
March 21, 2020
1 season, 13 episodes
Oprah’s Book Club
November 1, 2019
1 season, 14 episodes
Pachinko
March 25, 2022
2 seasons, 16 episodes
Palm Royale
March 20, 2024
2 seasons, 20 episodes
Physical
June 18, 2021
3 seasons, 30 episodes
Pinecone & Pony
April 8, 2022
2 seasons, 16 episodes
Platonic
May 24, 2023
2 seasons, 20 episodes
Pluribus
November 7, 2025
1 season, 9 episodes
Prehistoric Planet
May 23, 2022
3 seasons, 15 episodes
Presumed Innocent
June 12, 2024
8 episodes
Pretzel and the Puppies
February 11, 2022
2 seasons, 18 episodes
Prime Target
January 22, 2025
8 episodes
Puppy Place
October 15, 2021
2 seasons, 16 episodes
Real Madrid: Until the End
March 10, 2023
3 episodes
Roar
April 15, 2022
1 season, 8 episodes
Sago Mini Friends
September 16, 2022
3 seasons, 24 episodes
Schmigadoon!
July 16, 2021
2 seasons, 12 episodes
See
November 1, 2019
3 seasons, 24 episodes
Servant
November 28, 2019
4 seasons, 40 episodes
Severance
February 18, 2022
2 seasons, 19 episodes
Shantaram
October 14, 2022
1 season, 12 episodes
Shape Island
January 20, 2023
2 seasons, 16 episodes
Shining Girls
April 29, 2022
1 season, 8 episodes
Shrinking
January 27, 2023
3 seasons, 33 episodes
Side Quest
March 26, 2025
4 epsiodes
Silo
May 5, 2023
3 seasons, 30 episodes
Slow Horses
April 1, 2022
5 seasons, 30 episodes
Slumberkins
November 4, 2022
1 season, 8 episodes
Smoke
June 27, 2025
9 episodes
Snoopy in Space
November 1, 2019
2 seasons, 24 episodes
Star City
May 29, 2026
1 season, 8 episodes
Stick
June 4, 2025
1 season, 10 episodes
Still Up
September 22, 2023
1 season, 8 episodes
Stillwater
December 4, 2020
4 seasons, 40 episodes
Strange Planet
August 9, 2023
1 season, 10 episodes
STEVE! (martin): A documentary in two pieces
March 29, 2024
2 episodes
Sugar
April 5, 2024
2 seasons, 16 episodes
Sunny
July 10, 2024
1 season, 10 episodes
Super League: The War for Football
January 13, 2023
4 episodes
Surface
July 29, 2022
2 seasons, 16 episodes
Surfside Girls
August 19, 2022
1 season, 10 episodes
Suspicion
February 4, 2022
1 season, 8 episodes
Swagger
October 29, 2021
2 season2, 18 episodes
Ted Lasso
August 14, 2020
3 seasons, 34 episodes
Tehran
September 25, 2020
3 seasons, 24 episodes
The Afterparty
January 28, 2022
2 seasons, 16 episodes
The Big Cigar
May 17, 2024
6 episodes
The Big Conn
May 6, 2022
4 episodes
The Big Door Prize
March 29, 2023
2 seasons, 20 episodes
The Buccaneers
November 8, 2023
2 seasons, 16 episodes
The Changeling
September 8, 2023
1 season, 8 episodes
The Completely Made-Up Adventures of Dick Turpin
March 1, 2024
1 season, 6 episodes
The Crowded Room
June 9, 2023
1 season, 10 episodes
The Dynasty
February 16 2024
10 episodes
The Enfield Poltergeist
October 27, 2023
4 episodes
The Essex Serpent
May 13, 2022
6 episodes
The Hunt
March 4, 2026
6 episodes
The Last Days of Ptolemy Grey
March 11, 2022
6 episodes
The Last Frontier
October 10, 2025
1 season, 10 episodes
The Last Thing He Told Me
April 14, 2023
2 seasons, 15 episodes
The Line
November 19, 2021
4 episodes[a]
The Long Game: Bigger Than Basketball
April 22, 2022
1 season, 5 episodes
The Me You Can’t See
May 21, 2021
1 season, 6 episodes
The Morning Show
November 1, 2019
3 seasons, 30 episodes
The Mosquito Coast
April 30, 2021
2 seasons, 17 episodes
The New Look
February 14, 2024
1 season, 10 episodes
The Oprah Conversation
July 30, 2020
1 season, 15 episodes
The Problem with Jon Stewart
September 30, 2021
2 seasons, 20 episodes
The Reluctant Traveler
February 24, 2023
2 seasons, 13 episodes
The Sisters Grimm
October 3, 2025
1 season, 6 episodes
The Shrink Next Door
November 12, 2021
8 episodes
The Snoopy Show
February 5, 2021
2 seasons, 26 episodes
The Studio
March 26, 2025
1 season, 10 episodes
The Super Models
September 20, 2023
4 episodes
The Wild Ones
July 11, 2025
1 season, 6 episodes
They Call Me Magic
April 22, 2022
1 season, 4 episodes
Time Bandits
July 24, 2024
1 season, 10 episodes
Tiny World
October 2, 2020
2 seasons, 12 episodes
Truth Be Told
December 6, 2019
3 seasons, 28 episodes
Trying
May 1, 2020
5 seasons, 40 episodes
Twisted Yoga
March 13, 2026
3 episodes
Unconditional
May 8, 2026
8 episodes
Visible: Out on Television
February 14, 2020
5 episodes
Wanted: The Escape of Carlos Ghosn
August 25, 2023
4 episodes
Watch the Sound with Mark Ronson
July 30, 2021
1 season, 6 episodes
WeCrashed
March 18, 2022
8 episodes
Where’s Wanda?
October 2, 2024
1 season, 8 episodes
Widow’s Bay
April 29, 2026
1 season, 10 episodes
Wolfboy and the Everything Factory
September 24, 2021
2 seasons, 20 episodes
Women in Blue
July 31, 2024
1 season, 10 episodes
WondLa
June 28, 2024
3 seasons, 20 episodes
Wonder Pets: In the City
December 13, 2024
2 seasons, 26 episodes
Yo Gabba Gabbaland
August 9, 2024
1 season, 20 episodes
You Would Do It Too
October 30, 2024
1 season, 8 episodes
Your Friends and Neighbors
April 11, 2025
2 seasons, 19 episodes
Full list of Apple TV movies and short films
Apple TV is home to a fair number of original movies, too. Some of the movies saw a limited theatrical release, all are listed here in alphabetical order.
Title
Release Date
9/11: Inside the President’s War Room
September 1, 2021
Argylle
April 12, 2024
All of You
September 26, 2025
Beastie Boys Story
April 24, 2020
Billie Eilish: The World’s a Little Blurry
February 26, 2021
Blitz
November 22, 2024
Blush
October 1, 2021
Bono: Stories of Surrender
May 30, 2025
Boys State
August 14, 2020
Bread and Roses
November 22, 2024
Bruce Springsteen’s Letter to You
October 23, 2020
Causeway
November 4, 2022
Cha Cha Real Smooth
June 17, 2022
Cherry
March 12, 2021
CODA
August 13, 2021
Come from Away
September 10, 2021
Come See Me in the Good Light
November 14, 2021
Dads
June 19, 2020
Deaf President Now!
May 16, 2025
Echo Valley
June 13, 2025
Emancipation
December 9, 2022
Eternity
February 13, 2026
F1: The Movie
December 12, 2025
Fancy Dance
June 28, 2024
Fathom
June 25, 2021
Finch
November 5, 2021
Fingernails
November 3, 2023
Fireball: Visitors from Darker Worlds
November 13, 2020
Flora and Son
September 29, 2023
Fly Me to the Moon
December 6, 2024
Fountain of Youth
May 23, 2025
Ghosted
April 21, 2023
Girls State
April 5, 2024
Greyhound
July 10, 2020
Hala
December 6, 2019
Hannah Waddingham: Home for Christmas
November 22, 2023
Here We Are: Notes for Living on Planet Earth
April 17, 2020
Highest 2 Lowest
September 5, 2025
Killers of the Flower Moon
January 12, 2024
Louis Armstrong’s Black & Blues
October 28, 2022
Luck
August 5, 2022
Lulu is a Rhinoceros
May 30, 2025
Mariah Carey’s Magical Christmas Special
December 4, 2020
Mariah’s Christmas: The Magic Continues
December 3, 2021
Napoleon
March 1, 2024
Napoleon: Director’s Cut
August 29, 2024
Number One on the Call Sheet
March 28, 2025
On the Rocks
October 23, 2020
Outcome
April 10, 2026
Palmer
January 29, 2021
Propeller One-Way Night Coach
May 29, 2026
Raymond & Ray
October 21, 2022
Selena Gomez: My Mind & Me
November 4, 2022
Sharper
February 17, 2023
Sidney
September 23, 2022
Snoopy Presents: A Summer Musical
August 15, 2025
Snoopy Presents: For Auld Lang Syne
December 10, 2021
Snoopy Presents: It’s The Small Things, Charlie Brown
The FCC plans to vote on repealing local TV ownership limits, including the 39% national audience cap that currently restricts how much of the U.S. market a single broadcast group can reach. Engadget reports: On August 6, commissioners will hold a ballot to repeal Section 303 of the Communications Act, and with it the 39 percent rule. In essence, the rule limits the reach of a local TV network to no more than 39 percent of the U.S.' total audience market. In its place, the FCC would move to a system whereby it would personally approve or reject TV ownership deals on a case-by-case basis.
It's not clear if the FCC even has the authority to reject Section 303 without the explicit consent of the legislature. As Lawrence J. Spiwak wrote in the Yale Journal on Regulation back in January, Section 10 of the Communications Act expressly forbids the FCC from bending the rules around Section 303. "Americans no longer trust the legacy national media to report the news fairly or accurately," wrote FCC Chairman Brendan Carr in an op-ed published on Breitbart. "In fact, only eight percent of Americans have a great deal of trust in mass media. That figure is even lower among Republicans -- sitting at a mere three percent."
"... Many local broadcast TV stations are getting hollowed out as a result and turning into little more than mouthpieces for programming produced in New York and Hollywood," he alleged. "That is not what Congress or the FCC intended."
Les soirées canapé méritent mieux qu’un écran fatigué. Pendant les soldes d’été, Cdiscount fait passer la Smart TV LED Toshiba 43UA2363DG sous la barre des 200 €, avec un prix qui chute de 249,99 € à seulement 199,90 €, soit 20 % de réduction. Une belle occasion de profiter de la 4K, de Google...
Widow's Bay, the delightfully eccentric new comedic horror series from Apple TV, is easily one of the best new series of the year. There's a reason everyone from Guillero del Toro and Ben Stiller to Damon Lindelolf (Lost) is raving about the show. It's an eminently binge-able, addictive series that pays tribute to all the classic horror tropes while reinventing them in surprising ways. Think Stephen King meets Parks and Recreation, with a dash of Twin Peaks—except Widow's Bay is very much its own refreshingly original beast.
(Some spoilers below but no major reveals.)
Tom Loftis (Matthew Rhys) is a widower and mayor of Widow's Bay, a quirky little seaside town that has a colorfully bizarre history marked by periodic tragedies. Tom is eager to elevate the town into a trendy summer tourist destination. But the arrival of New York Times travel writer Arthur Lloyd (Bashir Salahuddin), who has the clout to make Tom's aspirations for Widow's Bay come true, coincides with the onset of a mysterious fog. Local resident Wyck (Stephen Root) warns Tom that the fog is an omen that the island is "waking up," meaning more supernatural occurrences are bound to happen.
Com o recém-lançado P8L, a TCL tenta trazer para um segmento mais acessível características tipicamente presentes nos seus modelos de topo. Tecnologia Mini LED, 144 Hz, Google TV com Gemini e sistema de som 2.1 da ONKYO são só alguns dos argumentos de "peso" deste televisor.
Prezzo più basso di sempre per l'Hisense 55A8DQ, un TV con pannello OLED da 55'' che punta tutto sulla qualità dell'immagine: fluidità (120Hz), nero assoluto, contrasti marcati, gestione cromatica tramite Dolby Vision IQ e HDR10+ Adaptive e Game Mode PRO. A questa scheda tecnica, oggi, si associa un prezzo davvero interessante: 572€ su Amazon, inclusa consegna (per clienti Prime).
L'utilizzo di un pannello OLED fa una differenza che si nota subito, anche senza essere esperti. I neri risultano realmente spenti, non grigi, e questo incide su tutto: film, serie TV, videogiochi e anche semplici contenuti in streaming acquistano profondità. Poi, come detto, c'è il TV Hisense supporta gli standard Dolby Vision IQ e HDR10+ Adaptive, cosa che aggiunge un ulteriore livello di adattamento in base all'ambiente. Ad esempio, se si guarda un film di giorno, con luce naturale che entra dalla finestra, l’immagine viene calibrata per non perdere dettaglio (ma in questo caso interviene anche l'Anti-Reflection PRO, ndr). Di sera, invece, si può spingere di più sul contrasto senza risultare eccessiva.
Si fa apprezzare anche il refresh rate a 120 Hz, che mostra la sua vera utilità soprattutto quando sulla scena c'è movimento. Non solo gaming, ma anche sport e film d'azione beneficiano di una maggiore fluidità. Una partita di calcio, ad esempio, mantiene il pallone più definito durante i passaggi veloci, mentre nei videogiochi il movimento di un personaggio appare molto più pulito. E a proposito di videogiochi, la Game Mode PRO riduce la latenza, mentre le porte HDMI 2.1 permettono di sfruttare al massimo le console di ultima generazione, come PlayStation 5.
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