At last, Joe (Zoe Saldaña) has been rescued in Lioness season 3. Frankly, that's an episode earlier than expected.
Still, it seems as though there's more to be solved. The timing of her rescue suggests there's more to the CIA's strategy than we've been able to give proper attention to (at least, I really hope that's the case), with Joe saying she can potentially "never" return home.
But does anybody really know what they're talking about? And when does Lioness season 3 episode 8 arrive on Paramount+?
What time can I watch Lioness season 3 episode 8 on Paramount+?
Lioness season 3episode 8 will drop on one of the world's best streaming services in the US and Canada on Sunday, September 20 at 12am PT / 3am ET.
Here's when it will be released in other nations:
US – 12am PT / 3am ET
Canada – 12am PT / 3am ET
UK – 8am BST
India – 12:30pm IST
Singapore – 3pm SGT
Australia – 5pm AEST
New Zealand – 7pm NZST
When do new episodes of Lioness season 3 come out?
(Image credit: Paramount+)
Lioness season 3 will have a total of eight episodes, with new entries airing weekly. That gives us the following schedule:
We're living in a drought of bold and brave storytelling. By that, I mean that almost everything we consume on our favorite streaming services plays it safe, looks the same, or lacks so much substance that you can't really say anything about it other than "it's fine".
MobLand, however, has been bucking that trend, and season 2 continues to build on an authenticity that's light years ahead of anything else. Why? At large, it's because MobLand trusts its audience to be able to think critically.
You've probably read reports of streamers modifying their scripts and plots to accommodate 'second screen' viewers — subscribers who've put something on in the background while doing something else. Without naming any names, this is starting to result in bland, unambitious storytelling that spoon-feeds you information unnecessarily.
But MobLand season 2 shows us just how fulfilling the results can be when creators and distributors alike are prepared to disrupt popular industry trends. The rich, complex layers to the central storyline feel never-ending, forcing you to play close attention to every second of dialogue and action.
The Harrigan family, as always, are unhinged. Conrad's (Pierce Brosnan) feud with Kevin (Paddy Considine) ramps up a notch, embroiling new 'fixer' Frankie (Johnny Flynn) in their mess as family arch-rival Kat (Janet McTeer) tries to take control of London from a distance.
This leaves Harry (Tom Hardy) having to clean up even more mess than before, particularly considering his and Jan's (Joanne Froggatt) impending divorce. On top of that, daughter Gina (Teddie Allen) has gone missing.
If you think you understand, you don't — between the Harrigans and us, it's the blind leading the blind. But that makes tuning into Paramount+ this week all the more enriching... because everyone is prepared to take a risk.
MobLand season 2 is a masterclass in how 2020s TV should be constructed
There's something so wonderfully hypnotic about watching a Dame and a former James Bond shower us with See You Next Tuesdays like it's no big deal (I counted, and Conrad says this four times within the first six minutes of episode 1). But such gimmicks aren't what makes MobLand season 2 so entertaining.
As I've touched on above, it all comes down to the construction. Having a whip-smart script, edgy editing and a soundtrack so defiant that Spotify would ask a listener with the same taste if they were okay, doesn't automatically give you a good show — all elements of production need to be working in complete synergy.
There will be no spoilers in this review, so I need you to trust me when I say that some scenes had all of their creative elements working in such beautiful harmony that I spiritually ascended. Never before have I wanted to be involved in organized crime, but throw me into an action sequence with dynamically rhythmic edits and Firestarter by The Prodigy as the soundtrack and I'd seriously consider it.
If I had to described MobLand season 2 in one word, it would be relentless. From the onslaught of family issues to the duplicity and deceit within them, nothing ever lets up. It's a mental scramble to keep up with everything that happens in a single episode (let alone the entire season); Guy Ritchie has created the most violent workout for the mind possible.
Throw yourself into it at full-throttle and you'll never want the grip of MobLand to let you go. It's not worth having any favorites — they'll either die or deceive you — but that in itself is a fitting lesson in trust. You stick out the ride and try to survive, and become pleasantly addicted to the process.
I've never loved a 'prick on a scooter' more
(Image credit: Paramount+)
It goes without saying that our ensemble cast is, as always, on top form. If there was any truth to the alleged behind-the-scenes drama involving Tom Hardy, all it's done is fuel the fire of some exceptional television. Harry's constant need to live on his wit's end is often amusing, while Conrad's slowly declining grip on reality never loses its gravitas.
Maeve (Helen Mirren) needed no improvement, really, but I've particularly enjoyed her power-dressing wardrobe this time around. In direct contrast is Bella (Lara Pulvey), who is the most fretful and unguarded we've ever seen her. Seraphina (Mandeep Dhillon) is on the way up the food chain, but her own worst enemy.
It's a social study in how complicated humans are while intent on making their own problems infinitely worse, then. But a particular shoutout must go to our most important newcomer, "prick on a scooter" Frankie Cooper.
Without giving too much away, he's brought into's Harry's orbit to act on behalf of the terrifyingly aloof Kat, all while dressed like the third Gallagher brother if he used the Lime app. With a chillingly monotone voice, and eyes that seem like they're constant dissociated from the world around him, he's the first genuinely troubling threat to Harry since the show began.
Frankie's relationship to everyone around him is just another fascinating dimension to behold, revealing a collective fear and vulnerability among the rest of the characters that we've not yet seen. From beginning to end, Ritchie's thought process is truly masterful.
Thank God MobLand season 3 is already a done deal. Thank God we get to experience more of this addictive high. If you thought The Gentlemen season 2 was good, you ain't seen nothing yet.
God, the search for Joe (Zoe Saldaña) is taking its sweet time, isn't it? At this rate, things still won't be resolved by next week's Lioness season 3 finale.
The CIA has narrowed its rescue search to the Houston area, but fallout from dismantled Russian networks in Washington has led to some tense confrontations and a pretty disastrous decision for one of our leading senators.
But surely this week has to bring better things... right? And when does Lioness season 3 episode 7 arrive on Paramount+?
What time can I watch Lioness season 3 episode 7 on Paramount+?
Lioness season 3episode 7 will drop on one of the world's best streaming services in the US and Canada on Sunday, September 13 at 12am PT / 3am ET.
Here's when it will be released in other nations globally:
US – 12am PT / 3am ET
Canada – 12am PT / 3am ET
UK – 8am BST
India – 12:30pm IST
Singapore – 3pm SGT
Australia – 5pm AEST
New Zealand – 7pm NZST
When do new episodes of Lioness season 3 come out?
(Image credit: Paramount+)
Lioness season 3 will have a total of eight episodes, with new entries airing weekly. That gives us the following schedule:
Sixty years after television audiences first tuned in to see the voyages of the Starship Enterprise, an astronaut on board the International Space Station has paid tribute to Star Trek by flying the badge of the franchise's latest fictional captain.
Expedition 75 flight engineer Sophie Adenot with European Space Agency (ESA) donned the Delta badge originally worn by actor Anson Mount for a video recorded from aboard the space station. Mount portrays Christoper Pike in the Paramount+ streaming series Star Trek: Strange New Worlds. Paramount and ESA both released the clip on their Instagram feeds.
"For 60 years, Star Trek has brought us stories of friendship and exploration. I'm wearing Captain Pike's badge aboard the ISS in celebration of continuing the real world work of science and exploration," said Adenot. "For me, exploration and science are about curiosity and cooperation daring to go a little farther together, learning from what we discover and build, and turning that knowledge into a better future for everyone."
Sixty years after television audiences first tuned in to see the voyages of the Starship Enterprise, an astronaut on board the International Space Station has paid tribute to Star Trek by flying the badge of the franchise's latest fictional captain.
Expedition 75 flight engineer Sophie Adenot with European Space Agency (ESA) donned the Delta badge originally worn by actor Anson Mount for a video recorded from aboard the space station. Mount portrays Christoper Pike in the Paramount+ streaming series Star Trek: Strange New Worlds. Paramount and ESA both released the clip on their Instagram feeds.
"For 60 years, Star Trek has brought us stories of friendship and exploration. I'm wearing Captain Pike's badge aboard the ISS in celebration of continuing the real world work of science and exploration," said Adenot. "For me, exploration and science are about curiosity and cooperation daring to go a little farther together, learning from what we discover and build, and turning that knowledge into a better future for everyone."
It's no secret that we're beyond spoiled for choice when it comes to crime dramas, and that's just considering what's available to us on mainstream streaming services. But getting one that truly shakes us to the core is a lot rarer.
So when I stumbled across The Crow Girl season 1 on Paramount+, my mind was melted to mush by the time I got to the finale. In short, DCI Jeanette Kilburn (Eve Myles) and eminent psychotherapist Dr Sophia Craven (Katherine Kelly) join forces to hunt the killer of young men, but there's a lot more going on than meets the eye.
By the end of season 1, it was revealed that Victoria Burkeman, a prime suspect in the case, was actually Craven herself. She killed her father after he killed their daughter — meaning Victoria was sexually assaulted by her dad while her mum knew and did nothing to stop it.
It's heavy stuff, but I cannot stress enough how unexpectedly the reveal was, and how cleverly the clues were woven through the storyline.
18 months later and I'm pleased to say that The Crow Girl season 2, now on the streamer and Channel 5, doesn't disappoint... and that means a whole new level of shocking reveals.
The Crow Girl season 2 ending leaves Kilburn for dead, but Craven — now her lover — isn't responsible
It's important to remember that when we find out that Craven is actually Victoria, Kilburn is none the wiser. With the two women drawn to each other, a romantic connection sparks... secretly, seeing as Kilburn is technically cheating on her husband in the process.
Drama! Things get even worse in the finale, when the entire police station, which includes Kilburn's boss, finds out that she's been accidentally sleeping with the prime suspect in their murder case (the case itself hasn't changed since season 1).
Here's where the story gets more complicated. While we've known that Craven and Victoria are one, Craven apparently doesn't know herself. Kilburn explains that she's got DID (Dissociative Identity Disorder), meaning that Victoria is likely responsible for every murder they've investigated so far, including her own dad.
At this point, Kilburn is forced out of the station and threatened with questioning the next morning, but Craven is back at the manor she used to be abused in, unwilling for the party being thrown there to do any further damage to young girls.
Craven entices Kilburn there, and by the time she arrives, all of the guests are dead with the girls safely hidden. But as Victoria takes over Craven's mind, a surviving abuser shows up and shoots at the pair, hitting Kilburn in the leg. Don't panic though... after some further antagonizing, Craven pops one in his head. But will Kilburn pull through?
I genuinely don't see how The Crow Girl season 2 could be any more unhinged. If we're lucky, season 3 will be renewed, with the original book series telling us that Craven will learn how to "blend" her identities.
Sign me up, once I've got my head around what's just happened.
Apple TV has achieved a notable milestone in the fiercely competitive U.S. streaming market, rising to become the fourth-largest subscription video-on-demand (SVOD) platform according to the latest JustWatch Q2 2026 Market Shares report.
The data, based on more than 45 million streaming interactions tracked via the JustWatch app and website across more than 320 SVOD services, measures shifts in user interest and engagement (including searches, clicks, and watchlist additions) over the past three months.
Apple TV gained 1 percentage point in the quarter and an impressive 5 percentage points year-over-year — the strongest annual growth among major platforms. This surge allowed it to overtake Hulu and Max and secure sole possession of fourth place.
Netflix continues to lead, but saw some quarterly softening in prior periods before rebounding slightly. Prime Video remains a strong second despite flatter annual performance. Disney+ holds steady in third.
Subscriber Context and Apple’s Strategy
Apple does not publicly disclose exact subscriber numbers for Apple TV. Industry estimates place global paid subscribers around 45 million as of late 2025/early 2026 vs. Netflix (300M+ paid), Amazon Prime Video (200M+ global users), and Disney+ (131.6 million paid).
However, Apple TV punches above its weight in the U.S. thanks to deep integration with Apple’s hardware ecosystem. Promotional offers (such as three free months with new iPhone, iPad, Mac, or Apple TV purchases) and bundling through Apple One help drive adoption. The service maintains a premium, ad-free positioning while competitors have widely adopted ad-supported tiers.
High-quality originals continue to fuel momentum. Acclaimed titles like Severance, Shrinking, and others have driven record viewership in recent periods. Looking ahead, Apple’s multi-year exclusive U.S. rights to Formula 1 (starting in 2026) represent a significant expansion into live sports, potentially broadening its appeal.
Broader Streaming Landscape
The U.S. SVOD market remains dynamic. While scale leaders Netflix and Prime Video dominate overall, mid-tier services are closing gaps through content quality, user experience, and bundling. Many households now subscribe to multiple services (often 4–6 on average), increasing competition for attention and wallet share.
Apple TV’s strong engagement growth signals that a focused, high-production-value approach can resonate even without the massive libraries of its larger rivals.
MacDailyNews Take: Apple TV’s momentum is accelerating in a competitive market thanks to its focus on premium content; quality over quantity (even as the quantity continues to grow)!
Note on methodology: JustWatch’s figures reflect engagement and interest on its platform rather than total subscribers, paid viewing hours, or revenue. This can differ from other rankings (e.g., those from Parks Associates or analyst estimates focused on subscriber counts).
Please help support MacDailyNews — and enjoy subscriber-only articles, comments, chat, and more — by subscribing to our Substack: macdailynews.substack.com. Thank you!
Dutton Ranch only has three episodes left before season 1 draws to a close — and according to one star, wild "hidden secrets" are about to be revealed.
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