James Cameron's Avatar is no longer the highest-grossing movie in box office history. That honor now goes to the Disney/Marvel Studios film Avengers: Endgame. Variety explains:
"Avatar" spent a decade as the biggest release ever until "Avengers: Endgame" overtook the record in 2019 during its initial run on the big screen. "Endgame" dropped to No. 2 on all-time charts in 2021 when "Avatar" returned to theaters in advance of 2021's "Avatar: The Way of Water." Five years later, and Earth's Mightiest Heroes have triumphed over the Na'vi again.
Disney is popping Champagne no matter which big-screen behemoth claims the No. 1 spot. "Avatar" was released by 20th Century Fox, which Disney now owns after the companies merged in 2019... [Last week's] re-release of "Endgame" has generated more than $126 million worldwide.
Together the 38 Marvel Studios movies "have generated more than $35 billion worldwide," notes an announcement on Disney's web site, "making the Marvel Cinematic Universe the most successful film franchise in history."
Their announcement adds that Disney "is responsible for seven of the 10 highest-grossing films of all time." That list also includes James Cameron's Titantic and his first two Avatar movies, but also this summer's Spider-Man: Brand New Dayand the earlier film Spider-Man: No Way Home, plus Marvel's 2018 film Avengers: Infinity War. Also among the top-10-of-all-time are Star Wars: The Force Awakens (2015) at #7 and last year's Zootopia 2.
Meanwhile Coyote vs. Acme was released for rent or purchase on streaming platforms Tuesday, and became the No. 1 most-watched movie in the Apple TV store for America and Canada, according to CBR. (Citing a report from FlixPatrol ) "On Rotten Tomatoes, Coyote vs. Acme has a near-perfect 96% Certified Fresh Tomatometer score based on critics' reviews, and a similar 94% Verified Hot Popcornmeter score based on audience reviews... Frank Scheck from The Hollywood Reporter called it "one of the best live-action/animation films ever."
Preorders have just opened for its DVD and 4K disks, and Coyote vs. Acme is also coming to Blu-ray writes IGN, "along with some hilarious outtakes that he described as 'not PG-rated.'"
Celebrating the film's $100 million box office take last week, the movie's distributors posted a very Coyote-like koan on social media. "It's only over when you stop trying."
Tenzing shifts one of mountaineering’s most famous stories toward the Himalayan climber whose name has long shared a place in history with Edmund Hillary. Apple Original Films has released the trailer for the upcoming adventure drama, with Genden Phuntsok playing Tenzing Norgay and Tom Hiddleston portraying Hillary during the 1953 expedition that reached the summit of Mount Everest.
Directed by Jennifer Peedom, the film reaches select theaters on October 9 before streaming globally on Apple TV on October 16. The cast also includes Willem Dafoe, Caitríona Balfe, Thinley Lhamo, and Tenzin Dalha.
Rather than presenting the expedition simply as a survival story about reaching the world’s highest point, the film approaches the ascent through Tenzing’s position within the British-led team, his relationship with the mountain, and the social divisions surrounding the expedition.
That perspective gives the familiar Everest story a different dramatic center.
Tenzing puts the Himalayan climber at the front of the story
Tenzing Norgay and Edmund Hillary reached the summit of Everest on May 29, 1953, during an expedition led by Colonel John Hunt. Their ascent became one of the defining achievements in mountaineering history, but the new film is explicitly structured around Tenzing rather than treating the two climbers as interchangeable figures.
Phuntsok plays Tenzing as an experienced Himalayan climber who has already spent years pursuing the possibility of reaching the summit. The story follows his attempt to secure a meaningful place on the climbing team instead of being viewed primarily as someone there to support Western expedition members.
Hiddleston’s Hillary enters that story as another outsider within the expedition hierarchy. Apple describes the relationship between the two men as one built gradually through mutual respect and trust as the dangers and pressures of the ascent increase.
Dafoe plays Hunt, the expedition leader, while Balfe portrays expedition secretary Jill Henderson, who becomes an ally to Tenzing. Thinley Lhamo plays Dawa, Tenzing’s wife, whose support forms another part of the film’s emotional foundation.
The Apple TV listing also identifies Johnny Flynn as George Mallory and Tenzin Dalha as a younger Tenzing.
The 125-minute film therefore has room to explore more than the final climb itself. Its central conflict begins before Tenzing and Hillary ever approach the summit.
Image Credit: Apple Inc.
The Everest story looks beyond conquest
One of the distinctions emphasized in Apple’s description of Tenzing is the different meaning the mountain holds for its characters.
The film contrasts the Western climbers’ view of Everest as something to be conquered with Tenzing’s reverence for Chomolungma as the sacred mother goddess.
That contrast gives director Jennifer Peedom a way to examine the expedition through competing cultural perspectives rather than framing the mountain solely as an obstacle.
The trailer also points toward tensions involving class, hierarchy, nationality, and the legacy of empire. Tenzing must establish that he belongs among the expedition’s climbers instead of accepting a supporting position defined by others.
Historical accounts from the Royal Geographical Society record that Hillary and Tenzing left their final camp on the morning of May 29, 1953, using supplemental oxygen. They reached the summit at approximately 11:30 a.m. after negotiating the steep section of rock and ice that became known as the Hillary Step.
The achievement has been recounted in books, documentaries, photographs, and films for decades. Tenzing approaches the material by asking how the same expedition looks when the Himalayan climber occupies the center of the frame.
Peedom shares story credit with Luke Davies, who wrote the screenplay.
The project is a natural fit for Peedom, whose filmmaking career has repeatedly engaged with mountains, extreme environments, and the people drawn to them. Here, however, the physical scale of Everest serves a character story built as much around identity and recognition as technical climbing.
Genden Phuntsok leads an established ensemble
Casting Tenzing Norgay was particularly consequential because the film surrounds its lead with several internationally recognizable performers.
Hiddleston arrives as Hillary with a career spanning major franchise work and dramatic television. Dafoe brings a more imposing presence to Hunt, while Balfe plays Henderson as one of the figures willing to challenge the assumptions surrounding Tenzing’s role.
Phuntsok nevertheless remains the narrative anchor.
Apple’s synopsis describes the climber’s journey as both a lifelong ambition and a spiritual calling. That gives the performance two demands: convincing audiences of Tenzing’s physical capability at extreme altitude while conveying why reaching Chomolungma carries meaning beyond becoming part of the first confirmed ascent of Everest.
Lhamo’s Dawa is also positioned as more than background to the expedition. Apple specifically identifies her encouragement as part of what drives Tenzing toward the opportunity, adding a personal relationship to a story otherwise dominated by expedition politics and physical risk.
Behind the camera, Davies joins Peedom as a producer. Desray Armstrong also produces, alongside Liz Watts, Iain Canning, and Emile Sherman of See-Saw Films.
See-Saw has an established relationship with Davies, whose previous screenwriting credits for the company include Lion. Norbu Tenzing, Simon Gillis, and David Michôd serve as executive producers.
Image Credit: Apple Inc.
Tenzing gets a theatrical window before Apple TV
Apple is giving Tenzing a short theatrical run before bringing the film to its streaming service.
Select theaters will begin showing the movie on October 9, with the global Apple TV premiere following one week later on October 16. The Apple TV listing categorizes the film as a drama and adventure title and gives it a PG rating in the U.S. for thematic elements, language, smoking, and some peril.
The release continues Apple Original Films’ practice of using theatrical distribution selectively before making features available to subscribers.
For Tenzing, the cinema component has an obvious creative advantage. A film built around Everest, dangerous climbing conditions, and the physical scale of the Himalayas has material suited to a large screen, even as its narrative emphasis remains on the people inside that landscape.
The trailer arrives with less than a month remaining before the theatrical debut, giving Apple a relatively concentrated promotional window.
It also introduces Phuntsok to a much wider international audience alongside performers including Hiddleston, Dafoe, and Balfe without letting the better-known names displace the person identified in the title.
Tenzing will begin its theatrical run on October 9, followed by its Apple TV release on October 16. Its 1953 destination is already known; the new question is how the film reconstructs the journey by placing Tenzing Norgay’s perspective, relationships, and understanding of Chomolungma at the center of the ascent.
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