• Canon announced its 3D image generation 'Dual Pixel 3D' tech
• It uses depth data from a single shot via Dual Pixel CMOS AF, through a free Windows-only app coming in October
• The EOS R10 and most models up to the EOS R5 series are compatible

Canon introduced a new Dual Pixel CMOS-type sensor and autofocus system in the EOS R5 back in 2020, and a string of cameras have since inherited this tech, most recently the EOS R8 Mark II announced today. And it's these cameras that just got a free upgrade that can add another dimension to photos: Dual Pixel 3D.

The new software leverages "depth and phase-detection data captured in a single shot via Dual Pixel CMOS AF", says Canon, using "an exclusive algorithm to convert your photos into highly realistic 3D imagery", plus 3D models in OBJ or GLB formats, or as an MP4 video, "complete with rich photographic textures."

This depth-adding tech will come in the (free) Dual Pixel 3D Converter software, which will be available for Windows only (Windows 11 64-bit 24H2 or later), from October 3.

So what exactly can users expect from the software, and which cameras are compatible? Let's take a look.

An extra dimension

Billed as 'simple 3D image generation technology', Dual Pixel 3D enables users to create immersive three-dimensional images and models from a single RAW photo, without needing specialized equipment or viewing devices. Canon also says the technology works with JPEGs captured by the new EOS R8 Mark II.

These files contain depth information from slightly different views, captured by each pixel's two photodiodes, which are then converted into 3D shape data.

Users will be able to fine-tune the degree of depth in the new software, for a more pronounced 3D effect or a subtler appearance. The depth information in Dual Pixel CMOS-captured photos also simplifies background removal, should users want to output a subject onto a plain background as a 3D model, or as a stereographic photo.

Can has shared tips for how to take photos designed to be converted for 3D on its YouTube channel (see below).

Photographers working in product and still life photography stand to benefit from the creative possibilities in particular. We'll be sure to try out the new software when it's released on October 3, and share our experience of making 3D imagery with it.

Compatible Canon cameras and lenses

Here's every Canon mirrorless camera that features Dual Pixel CMOS AF and can, therefore, enjoy the new Dual Pixel 3D feature, provided images are captured with a compatible lens:

• EOS R5 Mark II
• EOS R5
• EOS R6 Mark III
• EOS R6 Mark II
• EOS R7
• EOS R8 Mark II
• EOS R8
• EOS R10

And you'll need to be using one of these lenses;

RF24-70mm F2.8 L IS USM

RF24-50mm F4.5-6.3 IS STM

RF24-105mm F4 L IS USM

RF24-105mm F4-7.1 IS STM

RF35mm F1.8 MACRO IS STM

RF50mm F1.8 STM

RF70-200mm F2.8 L IS USM

RF70-200mm F4 L IS USM

RF85mm F2 MACRO IS STM

RF100mm F2.8 L MACRO IS USM

RF-S18-45mm F4.5-6.3 IS STM

RF-S18-150mm F3.5-6.3 IS STM

Canon's EOS R8 Mark II is here, with a fresh new look that's inspired by the world's leading camera manufacturer's heritage, and finished off with a "modern twist". The resemblance to Canon's analog SLRs such as the T80 or AE-1 is faint, but in any case the new model is certainly a decent upgrade of the EOS R8, adding image stabilization, a multi-controller, and various performance and design improvements.

When I pored over the specs and pricing of the EOS R8 Mark II during my hands-on, however, a surprising reality came into sharp focus: Nikon's year-and-a-bit-old Z5 II remains highly competitive and it costs less than Canon's latest entry-level full-frame mirrorless model.

If you're considering your first full-frame camera and are not tied to Canon or another system, you should totally read on to find out more about the new EOS R8 Mark II, and how it fares against our Camera of the Year 2025 winner, the Nikon Z5 II.

1. Sensor

• Both feature a 24MP full-frame sensor
• Both sensors are equipped with image stabilization, rated up to 7.5EV

This section is going to be straightforward: both cameras have a full-frame 24MP sensor that's equipped with image stabilization (IBIS) rated up to 7.5EV.

Besides nuances in how each camera handles color and noise, and personal preferences, the image quality will be pretty similar. Having said that, I've historically found Canon's image stabilization to perform better than Nikon's.

• Sensor winner: Tie

2. Video

• Both shoot 4K video up to 60fps, but the Z5 II has a 1.5x crop
• Both shoot 4K 30fps with 10-bit color depth from the sensor's full width, the Z5 II shoots 12-bit RAW
• 1080p slow motion recording up to 180fps (EOS R8 Mark II) and 120fps (Nikon Z5 II)
• Color profiles for video; new 'filmtones' for EOS R8 II, well-regarded RED profiles for Z5 II

There's much more to unpack and compare regarding each camera's video features. Both can shoot 4K video at 30fps with 4:2:2 10-bit color depth from the full width of the sensor, and up to 60fps at this resolution, although at this frame rate there's a 1.5x crop in the Z5 II.

The Nikon camera, however, is the only one that can shoot 12-bit internal RAW video, which certainly gives it the quality edge for users who want greater tonal depth and editing latitude, and who don't mind the larger file sizes.

Slow motion recording is also possible in 1080p, but again the EOS R8 Mark II has the frame rates edge — it can shoot 6x slow motion (180fps) to the Z5 II's 4x slow motion (120fps).

There's no shortage of color profiles for each camera, either. There's each company's version of a gradable, flat Log profile (C Log and N-Log) and Rec 709, while Canon has introduced two new 'filmtones' looks and the Nikon Z5 II features a RED RAW profile. Each can link with a companion app to import custom profiles, too. Users with either camera should have no issues getting a style they like.

Both camera's video recording is supported by powerful autofocus and image stabilization, making smooth and sharp run-and-gun filming a distinct possibility. The EOS R8 Mark II features a tally lamp to indicate when recording is active, but the Z5 II offers dual SD card slots for overflow / backup storage, whereas the Canon camera just has the one slot.

There are distinct advantages for each camera — and more besides that I haven't got into here — and as such it's tricky to call an outright winner in this category.

• Video winner: Tie

3. Design

• Canon EOS R8 Mark II: 546g body (with battery and card), not weather resistant, single card slot
• Nikon Z5 II: 700g body (with battery and card), weather resistant mag alloy, dual card slot

The EOS R8 Mark II is the guinea pig for Canon's new design. It forgoes the sweeping curves we've come to associate with Canon camera, in favor of straight, angular lines and a pronounced viewfinder bump that are "inspired by Canon's heritage". In this sense, it actually has more in common with the Nikon camera than previous Canon models.

Beyond the looks, the cameras are roughly the same size, but the EOS R8 Mark II is notably lighter at 546g. The quality of its buttons, controls and body have a much more entry-level feel to them, whereas the Z5 II feels more like a level up. The Z5 II feels like the more robust of the two, plus it's officially noted as weather resistant whereas the EOS R8 Mark II is not. The gulf in quality is compounded by the displays...

• Design winner: Nikon Z5 II

4. Displays

• Canon EOS R8 Mark: 3.0-inch 1.62m-dot vari-angle LCD and 0.39-inch 2.36m-dot EVF
• Nikon Z5 II: 3.2-inch 2.1m-dot vari-angle LCD and 0.5-inch 3.69m-dot EVF

Put simply, the Nikon Z5 II's LCD screen and EVF displays are higher-specced than the EOS R8 Mark II's, despite the camera arriving almost 18 months earlier.

Both screens are vari-angle, so they can be pulled out to the side of the camera and tilted for low-level shooting / rotated for selfies. The Z5 II's display is slightly larger at 3.2-inches to the Canon's 3.0-inches, and it has a higher resolution, although the pixel density is roughly the same.

I've used both cameras separately, but can attest to the superior quality of the Z5 II's EVF – it's physically bigger, has more pixels, higher magnification, and is brighter — in short, a more immersive display. This category is an easy win for the Z5 II.

• Displays winner: Nikon Z5 II

5. Performance

• Canon EOS R8 Mark: 220-shot (VF) / 340-shot (LCD) battery life, Dual Pixel CMOS AF II, 40fps with pre-capture
• Nikon Z5 II: 340-shot (VF) / 350-shot (LCD) battery life, Hybrid phase detection AF, 30fps with pre-capture

If you prefer using a viewfinder, then the battery life of the Z5 II is much better than the EOS R8 Mark II, although the playing field is somewhat levelled when using the LCD. Neither camera has a particularly impressive battery life, but both can be recharged on the go, via USB-C.

Both also have excellent autofocus performance, with subject tracking and detection for humans, animals and vehicles. I haven't directly compared the performance of each camera, but they do inherit autofocus systems from pricier models that I have tested at length. Canon's 'Register People' mode is super handy for prioritizing specific people in crowded scenes — and you can store up to 10 faces at any one time.

Canon improved autofocus sensitivity in low light down to -7.5EV in its second-gen EOS R8, but the Nikon camera was already more sensitive, being rated to -10EV.

For outright burst shooting speeds, Canon has the edge — it's capable of up to 40fps, compared to 30fps for the Nikon. However, neither are true sports cameras in the sense that once the buffer is full, they will slow up quicker than high-end models. The Z5 II has both a mechanical and electronic shutter, while the Canon model only has the latter.

• Performance winner: Tie

6. Price and availability

• Canon EOS R8 Mark II announced on Sep 16, 2026, for $1,899 / £1,729 / AU$2,529
• Nikon Z5 II was released on April 3, 2025 for $1,699 / £1,599 / AU$2,699, but the price has since dropped

Canon's EOS R8 Mark II has only just been announced at the time of writing, and its sales start date is October 20. It will cost $1,899 / £1,729 / AU$2,529 body only, or £2,119.99 / AU$2,859 with the budget 24-105mm F4-7.1 kit lens / $2099 with the 24-50mm f/4.5-6.3 IS STM lens in the US. Naturally, there are no price cuts yet.

Nikon's Z5 II, meanwhile, was released almost 18 months ago, and at list price was approximately 10% cheaper in the US and UK, but a little more in Australia — so no huge difference. However, it has since come down in price, and that margin has increased. Like the Canon model, it's available in a kit with a 24-105mm F4-7.1 lens, but there are other good-value kits on sale, including with the 24-200mm travel zoom.

• Price winner: Nikon Z5 II

Canon EOS R8 Mark II vs Nikon Z5 II: early verdict

As entry-level full-frame cameras, the Canon EOS R8 Mark II and Nikon Z5 II share many key features, including things like a 24MP full-frame sensor with image stabilization, 4K video recording and powerful autofocus.

There are specific features unique to each model that stand out, but not enough to swing the balance either way. However, where the gulf becomes clear is in each camera's overall handling and quality — the Nikon Z5 II's superior displays, control layout, body quality, extra card slot and better battery life deliver a better all-round shooting experience.

The Canon feels every much the entry-level camera with powerful features, whereas the Nikon camera redefines entry-level quality. And when you think that the Z5 II has pricier components but costs less, it feels like a solid win for the Canon rival.

Canon EOS R8 Mark II: Two-minute review

It might look like a Sony or Nikon, but I can assure you that the EOS R8 Mark II is a Canon camera. It's the realization of a long-rumored model that was expected to be a digital remake of the AE-1 analog SLR camera to mark that camera's its 50th anniversary, only those rumors proved unfounded, with Canon working in a "modern twist".

I can see the faint resemblance between the two cameras, and I like the EOS R8 Mark II's angular look, but I also think Canon has missed a trick by not going all-out retro here, in the way Nikon did with its Zf.

Design should have been the major selling point here, but instead we have a camera that blends in, and that's not a compliment. This makes it harder to forgive the dated elements of the camera that have been carried over from the original EOS R8.

That's not to say the EOS R8 Mark II isn't a decent upgrade from the EOS R8 — it adds in-body image stabilization that's rated up to 7.5EV to the 24MP full-frame sensor, plus an AF joystick (Canon calls it a multi-controller) which makes autofocus selection simpler.

Video specs are also improved, autofocus performance enhanced, and pre-capture appears for the first time in a Canon camera at this price point.

The EOS R8 Mark II is a better camera than the EOS R8, but it also carries the same LCD and EVF displays, and the same tiny battery and entry-level build quality. These dated elements only highlight how much better a camera the Nikon Z5 II is — and that camera from 2025 costs less.

Still, if you're a Canon fan and committed to its system, the EOS R8 Mark II is a solid upgrade of the EOS R8, and a sensible alternative to the pricier EOS R6 Mark III for users who don't need the premium design, superior battery life and various high-end features.

Canon EOS R8 Mark II: Price and release date

• Announced on September 16, 2026, priced from $1,899 / £1,729 / AU$2,529
• Available in 24-105mm F4-7.1 IS STM kit for £2,119 / AU$2,859 (or with the 24-50mm f/4.5-6.3 IS STM lens for $2,099) in the US
• Dedicated Extension Grip (EC-G2) costs $99 / £89 / AU$169
• Goes on sale from October 20

Canon is expected to sell the EOS R8 Mark II from October 20, with a body-only price of $1,899 / £1,729 / AU$2,529, which rises to £2,119 / AU$2,859 for the 24-105mm F4-7.1 IS STM kit (not to be confused with the pricier 24-105mm F4 L IS USM), while in the US there's a 24-50mm f/4.5-6.3 IS STM kit for $2,099. Other bundles will be available, including one with an additional battery.

Canon also launched a grip for the EOS R8 Mark II, which costs $99 / £89 / AU$169. It's a grip only, and doesn't feature a battery, but it does feature a hinge allowing direct access to the camera's battery door.

Canon EOS R8 Mark II specs

Canon EOS R8 Mark II: Design

• Major new look for an interchangeable-lens Canon camera
• Multi-controller and tally lamp added
• Single SD card slot relocated to a dedicated side access door
• Same LCD and EVF displays as the EOS R8
• Body not weather resistant

I've already covered the new look of the EOS R8 Mark II. Whether that fresh design is going to be worked into other Canon cameras or remain exclusive to the R8 series, or if an unadulterated retro mirrorless body is on the way, we'll have to wait and see. I asked a Canon spokesperson about the prospect of an all-out retro body, and they didn't rule it out.

I've included a side-by-side photo of the EOS R8 and and EOS R8 Mark II, below, and you can see the sharper lines, and the deeper and textured grip of the new model, which for me evoke the look of Sony bodies more than Canon heritage.

One welcome addition is Canon's multi-controller button, which can be used to select the autofocus point among other things, and is a much loved feature by users who like to control to how their camera autofocuses, included point selection.

I really appreciated the placement of the multi-controller alongside the AF-ON (autofocus) button, which are both within a slight move of your thumb where it naturally rests in the grip. As such, it was entirely possible to hold the camera and make autofocus point selection one-handed.

A tally lamp has been added to indicate when video recording is active, while the single SD card slot has been relocated to a dedicated door on the grip-side of the camera, whereas in the EOS R8 it was found behind the same door as the battery on the underside.

Sadly, Canon hasn't used the space saved in the battery compartment (and deeper handgrip) to fit in a larger-capacity battery. The EOS R8 Mark II uses the same battery as its predecessor — shot life was already a major weak point — and has an even lower battery life when the power-hungry image stabilization feature is active, being rated at 220 shots when using the viewfinder (or 340 shots with the LCD).

Nor has the quality of the body been improved — Canon notes that the EOS R8 Mark II's body materials are part aluminum alloy, part polycarbonate, and it's not weather resistant. The controls, and the build quality, really do feel entry-level.

The 3.0-inch 1.62m-dot vari-angle LCD and 0.39-inch 2.36m-dot EVF displays are unchanged from the EOS R8, and look fairly dated when you compare them to the Nikon Z5 II's displays.

Canon EOS R8 Mark II: Performance

• 24.2MP full-frame sensor now equipped with 7.5EV image stabilization
• Digic X processor unique to the camera, 40fps burst shooting
• 4K video up to 60fps, oversampled from 6K, plus 1080p up to 180fps

The addition of in-body image stabilization (IBIS) is the major upgrade offered by the EOS R8 Mark II, and its effectiveness is rated up to 7.5EV. This feature makes life simpler shooting handheld in many scenarios — whether that's for sharp images in low light or with telephoto lenses, creative long-exposure shots, or run-and-gun video.

The sensor that incorporates the IBIS is otherwise the same as the one in the EOS R8 — a full-frame 24.2MP CMOS unit which is a decent all-purpose sensor. Nothing too exciting in 2026, but dependable.

Maximum burst-shooting speeds are once again up to 40fps, using the electronic shutter. Not that there's a choice — if you didn't already know it, the EOS R8 Mark II, like its predecessor, doesn't have a mechanical shutter.

Canon has added Pre-Continuous Shooting (more widely known as pre-capture) to the EOS R8 Mark II. In short, the camera is able to continually buffer up to 0.5 seconds while the shutter is half pressed, before the user fully presses the button to take photos. In this case, you get up to 20 photos spanning the half-second before you start photos — it's a really useful feature for wildlife and action photography, for when your reactions aren't otherwise up to speed. The feature was introduced in the EOS R5 Mark II, and the EOS R8 Mark II is the first Canon at this price point to get it.

Video recording has been improved in several ways. First of all, 4K footage is oversampled from 6K, so it should look sharper. Secondly, 4K frame rates have been upped to 60fps, while 1080p goes up to 180fps — that's 6x slow motion. Thirdly, there's the aforementioned IBIS, which makes smooth handheld shooting all the more possible. And then there are additional color profiles to choose from, including 'filmtone' looks and other picture styles which can be added using the Canon EOS Utility app.

Canon has also added a new 'defocus' feature, which can add a creative blur effect (not aperture dependent), and alter the speed of focus transitions. I haven't had the time yet to test any of the EOS R8 Mark II's video features, but I will do for my upcoming in-depth review.

Dual Pixel CMOS AF II powers the camera's autofocus, which like before includes subject detection of people, animals and vehicles, but which Canon says offers an improved performance. For example, the camera's focus sensitivity in low light has been improved, being rated to -7.5EV.

‘Register People Priority’ is a neat addition — users can select specific people’s faces, storing up to 10 people for the camera to prioritize. It's a handy feature for scenarios like a wedding, where you might want to keep the bride and groom in sharp focus among a sea of faces.

Canon EOS R8 Mark II: also consider

How I tested the Canon EOS R8 Mark II

• I had a two hour hands-on session with the camera and kit lens
• I spent the time getting a feel for the camera, and took some sample photos
• Canon provided the EOS R8 and EOS R6 Mark III for comparisons

I've only used the EOS R8 Mark II for a couple of hours at Canon Europe's offices in London. During this time, I got a proper feel for the camera, and paired it with the 24-105mm F4-7.1 IS STM lens that the camera is available with in a kit.

Canon supplied me with the original EOS R8 and EOS R6 Mark III, so I was able to make direct comparisons between the three cameras, though only how they handle — I didn't have time to take like-for-like pictures.

I took a stroll in the outside space, and took various photos of birdlife, foliage and buildings. Look out for our in-depth review of the EOS R8 Mark II, coming soon.

• First reviewed: September 2026
• Read more about how we test

• Canon EOS R8 Mark II upgrades the original R8 with image stabilization
• It also features a new design 'inspired by Canon's heritage'
• Prices start at $1,899 / £1,729 / AU$2,529, on-sale date mid-October

The Canon EOS R8 Mark II is here, and it isn’t the digital remake of the 50-year-old AE-1 analog SLR camera that rumors had been suggesting — but it is a new design direction for the world’s leading camera manufacturer nonetheless.

Canon has historically stuck with a consistent design approach for its DSLR and mirrorless cameras, with sweeping curves and familiar controls. The EOS R8 Mark II, however, is "inspired by Canon’s heritage" with a "modern twist", so a Canon spokesperson told me, and it's unlike any other model before it — check out my first impressions.

I like the new angular look, but I think the company has unintentionally made a camera that looks just like those from its chief rivals Sony and Nikon, and I don't think we can call it retro.

Canon fans hoping for an old school EOS R mount model to rival the Nikon Zf will surely be disappointed. Could Canon's design department have pushed the boat out more? Perhaps, but there’s nothing to say it won’t go full retro-style in the future with another model.

Design is the major talking point, but there are plenty of other features worth highlighting in what is a solid upgrade of the original EOS R8.

Beyond the looks

Like the EOS R8 — which Canon told me will remain on the market — we also get a 24.2MP full-frame sensor, but this time it features in-body image stabilization that’s rated up to 7.5EV.

Continuous shooting is again up to 40fps using the electronic shutter — in fact, like the EOS R8 there’s no mechanical shutter at all — but pre-capture has been added for up to half a second before you fully press the shutter, which is handy for when your reactions aren’t up to speed, and a first for a Canon camera at this price point.

And — praise be — an AF joystick has been added (Canon calls it a multi-controller), and it's positioned next to an autofocus button, both of which are conveniently placed right next to where your thumb rests. I was easily able to use the camera and its autofocus one-handed with a 24-105mm F4-7.1 IS STM kit lens attached.

Canon’s Dual Pixel CMOS AF II features, as does subject detection of people, animals and vehicles, plus Canon’s ‘Register People’ mode with the option to store up to 10 people for the camera to prioritize — handy for weddings, sporting events, and so on.

Video is still 4K, but now up to 60fps and oversampled from 6K, plus there's 180fps slow-motion recording in 1080p. There's a tally light to indicate when the camera is recording, while the SD memory card slot is now accessed through a side door, rather than underneath in the battery compartment.

Those are some of the major upgrades, but there's also plenty that's familiar. For example, the 3-inch 1.62m-dot vari-angle touchscreen and 2.36m-dot EVF are unchanged, and there’s the same battery too. In fact, with the power-hungry image stabilization feature in play, shot life is actually slightly lower than before — battery life is a major weak point of the EOS R8 Mark II.

The camera weighs 19.3oz / 546g with card and battery included, and the quality of the plastic body is decidedly entry-level once more — this isn’t a weather-sealed camera you’d thrash around like the tougher EOS R6 Mark III is, which is the near-perfect Canon camera that the EOS R8 Mark II sits below.

Overall, I think Canon has addressed the key areas for improvement from the EOS R8, adding in-body image stabilization into a body that feels better in the hand, even if the build quality and battery life position it well below the EOS R6 Mark III.

I must also mention the Nikon Z5 II from 2025, which is the obvious entry-level full-frame rival to the EOS R8 Mark II, and which is available for a slightly lower price. Nikon's camera has many similarities, but with a magnesium alloy chassis and weather-resistance it's clearly the tougher camera of the two, plus it has a superior LCD and EVF. If you're not already committed to Canon, the Z5 II looks to be the better of the two cameras.

The EOS R8 Mark II costs from $1,899 / £1,729 / AU$2,529 for the body only, or £2,119.99 / AU$2,859 with the 24-105mm F4-7.1 IS STM (don't confuse this lens with the pricier 24-105mm F4 L), or $2099 with the 24-50mm f/4.5-6.3 IS STM lens in the US, and it feels like the sweet spot for users who want powerful features but are less concerned about build quality and shot life.

What do you make of the new EOS R8 Mark II, especially its new design? You can vote in the poll above, and leave your comments below.

Looking for the perfect compact everyday shooter for travel or street photography? The brand-new OM System PEN could be a fantastic option for you. Preorders are now open for this affordable new rangefinder-style camera ahead of an October 1st release date, and several retailers have already updated their sites with listings.

Probably the best option for preorder today is over at Adorama, where you can get yourself a free wrist strap alongside both the body-only and kit-lens options. The strap in question is a black Clever Supply Skinny Wrist Strap worth $54, so it's definitely a nice little freebie that should complement your new camera nicely.

If you're in the UK (or USA but would prefer to order a camera elsewhere), I've attached a roundup of other options below. Major retailers like B&H Photo, Wex Video Photo, and Park Cameras are all stocking the camera today, so there should (hopefully) be plenty of stock available for early adopters.

Note that the OM System Pen starts at $999.99 / £849 for the body, with additional kit lens options. The lens kit, meanwhile, with the new M.Zuiko 14-42mm f/3.5-5.6 III, is just an additional $100 / £100, which could be a better value option if you're new to the system, and looks like a particularly good option for travel photography. Not only is this kit a bargain, but the lens is also weather-sealed (unlike previous iterations).

Where to buy the OM System PEN

What's new with the PEN?

• 2.36-million-dot OLED EVF
• IPX1-rated dust-and-splash resistance
• BLS-7 battery with USB-C charging

Much of the PEN's spec sheet will seem familiar to fans of the brand. As with most releases from OM System, the PEN is essentially re-using a lot of pre-existing tech in a new body at a lower price. However, its combination of a retro compact body, built-in viewfinder, image stabilization, weather resistance and accessible price makes it an attractive entry-level mirrorless camera, particularly for smartphone users.

Unlike the previous Olympus EP-7, the PEN now features a 2.36-million-dot OLED electronic viewfinder as well as IPX1-rated dust-and-splash resistance. Internally, you're still getting the familiar 20.4MP Micro Four Thirds sensor with 5-axis image stabilisation rated to 5.5EV, but the 121-point phase-detection autofocus with subject detection is a key upgrade.

Other upgrades include OM System's latest computational photography features, namely Live ND, new color profiles, and two Cinema picture modes aimed at 4K video. Like the higher-end OM-3, the PEN is designed from the ground up for JPEG customization thanks to a new color/monochrome switch which provides quick access to film-inspired looks.

Finally, it's worth mentioning that the PEN debuts a new BLS-7 battery, rated for an impressive 410 shots per charge, as well as support for USB-C charging - another massive boon for travel photography.

Is the PEN worth preordering?

We haven't fully reviewed the OM System PEN yet, but my initial impression of the camera is positive. It's 'nothing new', so to speak, but the rock-bottom price that the brand is aiming for has the potential to make this one a crowd favorite.

For one, I don't think any other brand is offering a package quite like this for $1,000. With inflation and various tariffs, we've become accustomed to spiralling costs, so it's refreshing to see a brand-new camera with a viewfinder, weather sealing, and a stylish design for this price.

Perhaps the closest competitor to the OM System PEN is the Fujifilm X-M5 - one of our favorite entry-level cameras here at TechRadar. Both cameras share a stunning rangefinder-style design and enticing price point, but the PEN looks like the better choice for photographers, in my opinion. The X-M5 has far superior video specs, but it lacks image stabilization, a viewfinder, and weather sealing.

With such features, the PEN looks like a very, very compelling budget option compared to the likes of the Fujifilm X-E5. That's another one of our favorite rangefinder-style bodies, but it comes in at an eye-watering $1,799 / £1,399 for the body-only. In comparison, the PEN is a more entry-level body, but it's definitely a good option if you're happy with 20MP.