Ancient Irish cave art may reveal a lost Ice Age route from Wales.Prehistoric art hidden in caves throughout southwestern Ireland for thousands of years could push back the timeline on the earliest human presence on the Emerald Isle by as much as 5,000 years, archaeologists say.
The remarkable discoveries may reveal a previously unknown chapter in the ancient history of human migrations across the British Isles during the Ice Age, and how they once traversed a portion of the landscape that is now sunken beneath the Irish Sea.
Reported by a team of researchers with the international Lost Land Bridge Project, the discoveries involve prehistoric markings located in eight caves in Ireland that could potentially date as far back as 15,000 years ago.
Some are engravings into the cave’s stone walls, while others are markings made with ochre and charcoal, and include lines traced along cave surfaces that appear to depict ancient animals that include deer, and extinct species such as mammoths.
If confirmed, Ireland’s long-hidden ancient artwork could dramatically shift past thinking about the earliest evidence of human arrivals on the island, which was previously believed to have occurred around 10,500 years ago.
If humans arrived in Ireland this early, it also raises an intriguing possibility: that they might have done so by traversing terrain that would only have been exposed amid the lower sea levels that prevailed toward the end of the last Ice Age.
This effect was due to the amount of water that was held within the vast glaciers near Earth’s poles, which, in addition to lowering sea levels, helped to reshape the geography of northwestern Europe during the Pleistocene.
Because of this, certain portions of the ancient landscape that are now submerged beneath ocean waters would have been exposed. Among these, one that stretched from modern Pembrokeshire in Wales and southeastern Ireland near Rosslare might have been used by ancient travelers who could have made their way to Ireland, leaving a record of their Ice Age journey on the walls of caves they used as shelter, according to Dr. George Nash of the University of Liverpool, who coordinated the project.
Nash believes this ancient crossing could have comprised a 46-mile-long area, where ancient nomadic people following natural subsistence patterns would have encountered vast expanses of grassland and vegetation, along with ample resources that included horses, bison, reindeer, mammoths, and other animals that these ancient hunter-gatherers were skilled at hunting.
Evidence from throughout Europe and other parts of the ancient world already shows that ancient hunter-gatherers were well-accustomed to following migrating animals and seasonal resources, and that the landscape could have provided a natural route westward.
Nash recently said that until now, archaeologists had relied mainly on accidental discoveries that suggested a human presence in Ireland by around 10,500 years ago. However, a growing number of archaeologists had begun to doubt that this was the period when humans initially arrived.
“We just weren’t looking hard enough, and not in the right places,” Nash said.
To determine locations where reliable evidence of an earlier human presence might be found, the researchers examined several features associated with prehistoric caves in southern Wales, where documented discoveries linked them to an early human presence.
Based on these characteristics, the team then relied on computer modeling to help them identify Irish locations that had similar features.
The team was assisted by Shane Diffily, an expert in caving, and digital mapping consultant Darren Lee, which allowed them to quickly narrow their search to just under 30 potentially promising caves throughout southwestern Ireland, according to Heritage Daily.
Of those locations, eight were found to contain what appeared to be various kinds of prehistoric rock art. The exact locations of those caves have not been released by the team, to protect the sites from vandalism, or potential looting—a major issue that has long complicated archaeological investigations.
Along with direct engravings into limestone surfaces and markings made with ochre and charcoal, researchers also discovered a few instances of what appear to be “finger flutings,” where soft surfaces such as clay or sediment were marked by ancient artists who dragged their fingers along such surfaces.
One of the most significant discoveries uncovered by Nash and the team appears to be a portion of a deer, and an image within one of the caves that appears to represent a mammoth. Examples like these could potentially help provide connections to similar examples known from prehistoric rock art that has been documented in Wales.
From those sites, some of the same prehistoric artists may have made their way across the ancient land bridge that was once available, leaving their markings at similar sites that once offered shelter as they arrived in Ireland.
The initial discoveries at the newly identified eight cave locations may represent only a small portion of the long-overlooked archaeological evidence throughout Ireland, which may document its earliest arrivals. Future investigations will likely focus on sites located near Wexford, Waterford, Cork, and other areas along routes that people may have followed as they made their way to southwestern Ireland.
As investigations continue, Nash and the research team say that reliable dating of the art will be an important next step toward determining how early these prehistoric artists might have arrived.
Once that testing is completed, it will help determine whether the timescales on the arrival of Ireland’s earliest human inhabitants will indeed be pushed back by thousands of years. If so, the newly uncovered cave art could offer an unprecedented look at the lives of those ancient hunter-gatherers who once traversed a landscape before it sank beneath rising ocean waters as Ice Age glaciers retreated.
Micah Hanks is the Editor-in-Chief and Co-Founder of The Debrief. A longtime reporter on science, defense, and technology with a focus on space and astronomy, he can be reached at micah@thedebrief.org. Follow him on X @MicahHanks, and at micahhanks.com.
The ancient Austronesian maritime civilization may have carried painted art on its journeys before developing its first Neolithic pottery, according to new study findings.
The Austronesian culture traveled from Easter Island to Madagascar and Taiwan to New Zealand, demonstrating their skill as advanced seafarers of the ancient world. In a recent paper published in the Proceedings of the National Academy of Sciences, researchers from The Australian National University (ANU) and Indonesia’s National Research and Innovation Agency (BRIN) describe a 4,000-year-old artifact displaying the Austronesian Painting Tradition (APT).
The find was made on Indonesia’s Wetar Island, at the Huknaur rockshelter, a site known for its prehistoric art, including cave art that has defied conclusive dating attempts.
Roughly 4,200 years ago, the Austronesian people began their journeys across the sea, exploring large portions of their region. Technologically, they developed impressive boats with a focus on stability engineering to master harsh seas and highly efficient sails to travel great distances. Their success in venturing into these regions left them with a reputation as some of history’s greatest seafarers.
The defining feature of these peoples was the shared Austronesian language group, still spoken by some 386 million people across more than 1,200 languages today.
One of the primary methods archaeologists have used to trace how ancient Austronesian culture spread through the region is through traces of pottery. Surprisingly, a painted plaque was found on a preceramic layer, suggesting this intriguing artifact could predate the arrival of ceramic technology in the area, and potentially dates some of the earliest sea voyages to sometime between the Paleolithic and Neolithic eras.
Elements common to the APT art style include geometric designs, small human figures, and the boats for which they are best known. The latest example of this art appears on a stone plaque, covered in a common APT motif: a red concentric circle with radiating sun rays. Archaeologists have found similar pieces in the West Pacific, but this one’s mobility makes it extraordinary.
“This is the first portable example of Austronesian painted art ever found archaeologically,” said lead author Professor Sue O’Connor of ANU. “Portable symbols could travel with people and may have helped communicate shared identities, affiliations and beliefs between island communities. Similar sun-like designs were historically painted on boats and other objects, where they could function as symbols of protection and group identity.”
“This discovery shows that the characteristic sun-ray motif was already part of the APT during the earliest Austronesian expansion into southern Wallacea,” explained co-author Dr Simona Kealy, of the ANU. “These people were extraordinary seafarers, rapidly dispersing across thousands of kilometres of ocean. The Wetar plaque shows that art and shared symbolic traditions were part of this great maritime dispersal from its earliest phases.”
Typically, APT work is discovered on rock shelters and cave walls. While interesting, archaeologists are often confounded by the difficulty in properly dating cave wall art. Typically, such paintings are created with inorganic mineral pigments, which cannot be carbon-dated.
Now, with the first portable object ever discovered bearing the APT style, the researchers can date such a piece for the first time. Their precise results place the object during the Austronesian spread throughout maritime Southeast Asia, sometime between 4,090 and 4,900 years ago.
“This discovery shows that Austronesian pioneers arrived with a compelling ideology represented by the APT paintings, prior to more extended contacts bringing pottery,” said co-author Dr Ceri Shipton of ANU. “People didn’t just carry technologies and possessions when they voyaged to new islands. They carried ideas, identities, and new ways of understanding the world.”
The paper, “4000-Year-Old Painted Plaque from Southeast Indonesia Reveals Austronesian Painting Tradition Preceded Neolithic Pottery,” appeared in Proceedings of the National Academy of Sciences on August 17, 2026.
Ryan Whalen covers science and technology for The Debrief. He holds an MA in History and a Master of Library and Information Science with a certificate in Data Science. He can be contacted at ryan@thedebrief.org.
New radiocarbon dates from Sala Keimada, a hard-to-reach chamber of Cueva Palomera in the province of Burgos, northern Spain, suggest that generations of people returned to the sacred space from the end of the Ice Age through the Iron Age, leaving behind art, structures and offerings.
The post Spanish Cave Sanctuary Reveals More Than 11,500 Years of Activity appeared first on Sci.News: Breaking Science News.
A century after they were discovered, they're finally getting some appreciation.
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