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What is the release date for Lioness season 3 episode 7 on Paramount+?

God, the search for Joe (Zoe Saldaña) is taking its sweet time, isn't it? At this rate, things still won't be resolved by next week's Lioness season 3 finale.

The CIA has narrowed its rescue search to the Houston area, but fallout from dismantled Russian networks in Washington has led to some tense confrontations and a pretty disastrous decision for one of our leading senators.

But surely this week has to bring better things... right? And when does Lioness season 3 episode 7 arrive on Paramount+?

What time can I watch Lioness season 3 episode 7 on Paramount+?

Lioness season 3 episode 7 will drop on one of the world's best streaming services in the US and Canada on Sunday, September 13 at 12am PT / 3am ET.

Here's when it will be released in other nations globally:

  • US – 12am PT / 3am ET
  • Canada – 12am PT / 3am ET
  • UK – 8am BST
  • India – 12:30pm IST
  • Singapore – 3pm SGT
  • Australia – 5pm AEST
  • New Zealand – 7pm NZST

When do new episodes of Lioness season 3 come out?

Byron and Kaitlyn look across a desk

(Image credit: Paramount+)

Lioness season 3 will have a total of eight episodes, with new entries airing weekly. That gives us the following schedule:

  • Episode 1: out now
  • Episode 2: out now
  • Episode 3: out now
  • Episode 4: out now
  • Episode 5: out now
  • Episode 6: out now
  • Episode 7: September 13
  • Episode 8: September 20

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The universal language of space is... Star Trek? Mais oui.

Sixty years after television audiences first tuned in to see the voyages of the Starship Enterprise, an astronaut on board the International Space Station has paid tribute to Star Trek by flying the badge of the franchise's latest fictional captain.

Expedition 75 flight engineer Sophie Adenot with European Space Agency (ESA) donned the Delta badge originally worn by actor Anson Mount for a video recorded from aboard the space station. Mount portrays Christoper Pike in the Paramount+ streaming series Star Trek: Strange New Worlds. Paramount and ESA both released the clip on their Instagram feeds.

"For 60 years, Star Trek has brought us stories of friendship and exploration. I'm wearing Captain Pike's badge aboard the ISS in celebration of continuing the real world work of science and exploration," said Adenot. "For me, exploration and science are about curiosity and cooperation daring to go a little farther together, learning from what we discover and build, and turning that knowledge into a better future for everyone."

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© ESA

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The universal language of space is... Star Trek? Mais oui.

Sixty years after television audiences first tuned in to see the voyages of the Starship Enterprise, an astronaut on board the International Space Station has paid tribute to Star Trek by flying the badge of the franchise's latest fictional captain.

Expedition 75 flight engineer Sophie Adenot with European Space Agency (ESA) donned the Delta badge originally worn by actor Anson Mount for a video recorded from aboard the space station. Mount portrays Christoper Pike in the Paramount+ streaming series Star Trek: Strange New Worlds. Paramount and ESA both released the clip on their Instagram feeds.

"For 60 years, Star Trek has brought us stories of friendship and exploration. I'm wearing Captain Pike's badge aboard the ISS in celebration of continuing the real world work of science and exploration," said Adenot. "For me, exploration and science are about curiosity and cooperation daring to go a little farther together, learning from what we discover and build, and turning that knowledge into a better future for everyone."

Read full article

Comments

© ESA

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The Crow Girl season 2 is the 'unhinged, wild and deadly' crime drama you need to stream on Paramount+ and Channel 5 this weekend — I still can't wrap my head around its shocking finale

Spoilers for The Crow Girl seasons 1 and 2 ahead.

It's no secret that we're beyond spoiled for choice when it comes to crime dramas, and that's just considering what's available to us on mainstream streaming services. But getting one that truly shakes us to the core is a lot rarer.

So when I stumbled across The Crow Girl season 1 on Paramount+, my mind was melted to mush by the time I got to the finale. In short, DCI Jeanette Kilburn (Eve Myles) and eminent psychotherapist Dr Sophia Craven (Katherine Kelly) join forces to hunt the killer of young men, but there's a lot more going on than meets the eye.

By the end of season 1, it was revealed that Victoria Burkeman, a prime suspect in the case, was actually Craven herself. She killed her father after he killed their daughter — meaning Victoria was sexually assaulted by her dad while her mum knew and did nothing to stop it.

It's heavy stuff, but I cannot stress enough how unexpectedly the reveal was, and how cleverly the clues were woven through the storyline.

18 months later and I'm pleased to say that The Crow Girl season 2, now on the streamer and Channel 5, doesn't disappoint... and that means a whole new level of shocking reveals.

The Crow Girl season 2 ending leaves Kilburn for dead, but Craven — now her lover — isn't responsible

It's important to remember that when we find out that Craven is actually Victoria, Kilburn is none the wiser. With the two women drawn to each other, a romantic connection sparks... secretly, seeing as Kilburn is technically cheating on her husband in the process.

Drama! Things get even worse in the finale, when the entire police station, which includes Kilburn's boss, finds out that she's been accidentally sleeping with the prime suspect in their murder case (the case itself hasn't changed since season 1).

Here's where the story gets more complicated. While we've known that Craven and Victoria are one, Craven apparently doesn't know herself. Kilburn explains that she's got DID (Dissociative Identity Disorder), meaning that Victoria is likely responsible for every murder they've investigated so far, including her own dad.

At this point, Kilburn is forced out of the station and threatened with questioning the next morning, but Craven is back at the manor she used to be abused in, unwilling for the party being thrown there to do any further damage to young girls.

Craven entices Kilburn there, and by the time she arrives, all of the guests are dead with the girls safely hidden. But as Victoria takes over Craven's mind, a surviving abuser shows up and shoots at the pair, hitting Kilburn in the leg. Don't panic though... after some further antagonizing, Craven pops one in his head. But will Kilburn pull through?

I genuinely don't see how The Crow Girl season 2 could be any more unhinged. If we're lucky, season 3 will be renewed, with the original book series telling us that Craven will learn how to "blend" her identities.

Sign me up, once I've got my head around what's just happened.

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Apple TV climbs to fourth-largest SVOD platform in the U.S. with strongest annual growth

Apple TV

Apple TV has achieved a notable milestone in the fiercely competitive U.S. streaming market, rising to become the fourth-largest subscription video-on-demand (SVOD) platform according to the latest JustWatch Q2 2026 Market Shares report.

The data, based on more than 45 million streaming interactions tracked via the JustWatch app and website across more than 320 SVOD services, measures shifts in user interest and engagement (including searches, clicks, and watchlist additions) over the past three months.

Q2 2026 U.S. SVOD Market Shares (JustWatch)

• Netflix: 20%
• Amazon Prime Video: 15%
• Disney+: 13%
• Apple TV: 13%
• Hulu: 11%
• Max (formerly HBO Max): 10%
• Peacock Premium: 4%
• Paramount+: 3%
• PBS: 2%
• Starz: 1%
• Other services: 4%

Apple TV gained 1 percentage point in the quarter and an impressive 5 percentage points year-over-year — the strongest annual growth among major platforms. This surge allowed it to overtake Hulu and Max and secure sole possession of fourth place.

Netflix continues to lead, but saw some quarterly softening in prior periods before rebounding slightly. Prime Video remains a strong second despite flatter annual performance. Disney+ holds steady in third.

Subscriber Context and Apple’s Strategy

Apple does not publicly disclose exact subscriber numbers for Apple TV. Industry estimates place global paid subscribers around 45 million as of late 2025/early 2026 vs. Netflix (300M+ paid), Amazon Prime Video (200M+ global users), and Disney+ (131.6 million paid).

However, Apple TV punches above its weight in the U.S. thanks to deep integration with Apple’s hardware ecosystem. Promotional offers (such as three free months with new iPhone, iPad, Mac, or Apple TV purchases) and bundling through Apple One help drive adoption. The service maintains a premium, ad-free positioning while competitors have widely adopted ad-supported tiers.

High-quality originals continue to fuel momentum. Acclaimed titles like Severance, Shrinking, and others have driven record viewership in recent periods. Looking ahead, Apple’s multi-year exclusive U.S. rights to Formula 1 (starting in 2026) represent a significant expansion into live sports, potentially broadening its appeal.

Broader Streaming Landscape

The U.S. SVOD market remains dynamic. While scale leaders Netflix and Prime Video dominate overall, mid-tier services are closing gaps through content quality, user experience, and bundling. Many households now subscribe to multiple services (often 4–6 on average), increasing competition for attention and wallet share.

Apple TV’s strong engagement growth signals that a focused, high-production-value approach can resonate even without the massive libraries of its larger rivals.

MacDailyNews Take: Apple TV’s momentum is accelerating in a competitive market thanks to its focus on premium content; quality over quantity (even as the quantity continues to grow)!

Note on methodology: JustWatch’s figures reflect engagement and interest on its platform rather than total subscribers, paid viewing hours, or revenue. This can differ from other rankings (e.g., those from Parks Associates or analyst estimates focused on subscriber counts).


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The post Apple TV climbs to fourth-largest SVOD platform in the U.S. with strongest annual growth appeared first on MacDailyNews.

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