Reach, which also owns Express, makes decision because of ‘mammoth shift’ in how audiences seek out content
The publisher of the Mirror and Express newspapers is to cut a further 220 editorial jobs as it adapts to a dramatic fall in online traffic while readers increasingly turn to summaries generated by artificial intelligence.
Reach, which also owns scores of online brands and regional titles including the Manchester Evening News, the Birmingham Mail and the Liverpool Echo, said the latest cuts were necessary to cope with a “mammoth shift” in how audiences seek out content.
L’Instax Pal avait surpris par son format pour le moins inhabituel. Pour sa deuxième génération, Fujifilm change de formule et mise cette fois sur un design plus proche des appareils photo traditionnels, tout en conservant un format compact.
The bloc wants to curb Big Tech’s grip on children with its new EU Kids Act, but age checks, parental oversight, and privacy concerns could make its plan difficult to implement.
The bloc wants to curb Big Tech’s grip on children with its new EU KIDS ACTS, but age checks, parental oversight, and privacy concerns could make its plan difficult to implement.
She found a future in the internet’s past with a Tumblr blog of animated texts, a revolt against the clean minimalism of contemporary design aesthetics.
A nova câmara full frame da Canon aposta na portabilidade sem abrir mão da velocidade e estabilização avançada. Com sensor de 24,2MP e disparo a 40fps, a EOS R8 Mark II chega ainda como a primeira câmara a suportar nativamente a nova tecnologia Dual Pixel 3D da marca.
On social media, Meta’s chief executive appeared to jab at Anthropic by saying that leading A.I. labs should be focused on safety rather than improving their own technology.
Two years ago, social psychologist Jonathan Haidt released his New York Times bestseller The Anxious Generation. The book posits that the rise of social media and smartphone use is largely to blame for the prominent decline in teen mental health since 2010. It quickly became a central rallying cry of the social media backlash. Haidt has been credited with helping inspire Australia's nationwide teen social media ban. He has joined forces with bereaved parents who are fighting tech companies in court. His name comes up unprompted in conversations with people in power who say his book opened their eyes to an online crisis.
Apple TV hat am Montagabend weitere Preise abgeräumt: Die ungewöhnliche Horrorkomödie „Widow’s Bay“ erreichte damit insgesamt 14 Emmy-Auszeichnungen in diesem Jahr. Das ist ein neuer Rekord: Den bisherigen hatte im Jahr zuvor erst die Apple-TV-Serie “The Studio” mit 13 Preisen aufgestellt.
Auch „Pluribus“ und „Slow Horses“ (sechste Staffel ab morgen) konnten in dieser Woche Auszeichnungen verbuchen und trugen damit zu den Emmy-Erfolgen weiterer Apple-TV-Produktionen wie „Mr. Scorsese“, „Palm Royale“ und „Only Margo“ bei, die bereits zu Beginn des Monats ausgezeichnet worden waren.
Die Emmys sind in mehrere Preisverleihungen unterteilt. Der erste Teil der Preisverleihungen 2026, „Creative Arts“, fand am 5. und 6. September statt. „Widow’s Bay“ war mit acht Auszeichnungen (bei zwölf Nominierungen) die erfolgreichste Serie über beide Abende hinweg und konnte bei den großen Primetime-Verleihungen dieser Woche sechs weitere Auszeichnungen (bei sieben Nominierungen) einheimsen, womit sie erneut zum erfolgreichsten Beitrag avancierte. Hier sind die 14 Auszeichnungen der Serie:
„Creative Arts“-Auszeichnungen
Herausragende Gastdarstellerin in einer Comedy-Serie (Betty Gilpin als Sarah Westcott Warren)
Herausragendes Produktionsdesign für eine narrative Sendung
Herausragendes Casting für eine Comedy-Serie
Herausragende Kameraarbeit für eine Serie
Herausragende Musikkomposition für eine Serie
Herausragende Musikaufsicht
Hervorragende Tonschnittarbeit für eine Comedy- oder Dramaserie sowie für Animationsfilme
Herausragende Tonmischung für eine Comedy- oder Dramaserie sowie für Animationsfilme
Primetime- (oder Haupt-)Auszeichnungen
Herausragende Comedy-Serie
Hervorragender Hauptdarsteller in einer Comedy-Serie (Matthew Rhys als Tom Loftis)
Herausragender Nebendarsteller in einer Comedy-Serie (Stephen Root als Wyck Crawford)
Herausragende Nebendarstellerin in einer Comedy-Serie (Kate O’Flynn als Patricia Moyer)
Herausragende Regie in einer Comedy-Serie
Herausragendes Drehbuch für eine Comedy-Serie
Alle anderen wurden von den 14 Auszeichnungen für „Widow’s Bay“ weit hinter sich gelassen. Die engsten Konkurrenten waren (die hervorragende) Serie „DTF St. Louis“, „The Traitors“ und die Halbzeitshow des Super Bowl, die jeweils sieben Auszeichnungen erhielten; doch keine dieser Produktionen konnte mehr als einen einzigen Hauptpreis verbuchen. Im Gegensatz zu Apples Serie, die sechs dieser prestigeträchtigsten Auszeichnungen einheimste.
Diese 14 Auszeichnungen übertrafen zudem alle bisherigen Apple-TV-Teilnehmer; „The Studio“ hielt zuvor mit 13 Auszeichnungen im Jahr 2025 den Rekord. Und mit insgesamt 29 Emmy-Auszeichnungen (wenn man den Preis für den „Outstanding Commercial“ des Unternehmens mitzählt, der nicht dem Streaming-Bereich zugerechnet wird) verzeichnete Apple insgesamt sein bislang erfolgreichstes Jahr und übertraf damit die 22 Auszeichnungen des Vorjahres dank des Erfolgs von „The Studio“ und „Severance“. Zuvor hatte das Unternehmen in einem einzigen Jahr nie mehr als zehn Auszeichnungen errungen.
"Musk", de Alex Gibney, estreou no Festival de Veneza com quase quatro horas de duração e críticas muito positivas. Elon Musk não partilha a mesma opinião. Depois de reagir com fúria nas redes sociais, o magnata ameaçou o realizador com uma ação judicial.
Apple TV continued its triumphant awards season on Monday night, with the offbeat comedy-horror Widow’s Bay reaching a total of 14 Emmy wins for the year. Pluribus and Slow Horses also scored wins this week, adding to Emmy successes for other Apple TV properties such as Mr. Scorsese, Palm Royale, and Margo’s Got Money Troubles earlier in the month.
The Emmys are split into multiple ceremonies. The first section of the 2026 awards, Creative Arts, took place on September 5-6. Widow’s Bay was the most successful show across the two nights with eight wins (from 12 nominations) and added six more (from seven nominations) during the major Primetime awards this week, again making it the most successful entrant. Here are the show’s 14 wins:
Creative Arts awards
Outstanding Guest Actress in a Comedy Series (Betty Gilpin as Sarah Westcott Warren)
Outstanding Production Design for a Narrative Program
Outstanding Casting for a Comedy Series
Outstanding Cinematography for a Series
Outstanding Music Composition for a Series
Outstanding Music Supervision
Outstanding Sound Editing for a Comedy or Drama Series and Animation
Outstanding Sound Mixing for a Comedy or Drama Series and Animation
Primetime (or major) awards
Outstanding Comedy Series
Outstanding Lead Actor in a Comedy Series (Matthew Rhys as Tom Loftis)
Outstanding Supporting Actor in a Comedy Series (Stephen Root as Wyck Crawford)
Outstanding Supporting Actress in a Comedy Series (Kate O’Flynn as Patricia Moyer)
Outstanding Directing for a Comedy Series
Outstanding Writing for a Comedy Series
Everybody else was left in the dirt by Widow’s Bay‘s 14 wins. Its closest rivals were (the superb) DTF St. Louis, The Traitors, and the Super Bowl halftime show, which each scored seven; but none of these managed more than a single major award. Unlike Apple’s show, which collected six of these most prestigious wins.
Those 14 wins also beat any previous Apple TV entrant; The Studio previously held Cupertino’s record with 13 in 2025. And with a total of 29 Emmy wins altogether (if you include the company’s Outstanding Commercial award, which isn’t credited to its streaming arm), Apple as a whole had its most successful year to date, surpassing the 22 it managed last year thanks to the success of The Studio and Severance. Before then, the company never managed more than 10 wins in a single year.
Imagina cavar en tu jardín y descubrir el mayor tesoro vikingo de plata del país. Así es el depósito de Rebild, 18,5 kg y cientos de piezas del siglo X.
It was the fastest-growing emoji in 2025 – but if you’re older than 16, it has probably passed you by. Now, just as twentysomethings are catching up, it’s over
In the 2025 hit Netflix show Adolescence, DI Luke Bascombe’s 13-year-old son, Adam, has to explain to his father the way his generation use heart emojis. “Red means love, purple: horny, yellow: ‘I’m interested, are you interested?’, pink: ‘I’m interested but not in sex,’ orange: ‘You’re going to be fine,’” he explains. “It all has a meaning. Everything has a meaning.”
And those meanings are constantly evolving. Take the skull (), for example, which has come to be used as a reaction for finding something funny – a visual shorthand for the slang phrase: “I’m dead.” Or the wilting rose () which was, according to Google data analysed by the New York Times, the fastest-growing emoji in terms of popularity in 2025 – and was the 93rd most used. That the previously obscure wilting rose is now in the top 100 emojis is thanks to generation Alpha (those born between 2010 and 2024), who use it in place of the broken heart emoji () to signify sadness, or ironically, to suggest mock-heartbreak.
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