Looking for the perfect compact everyday shooter for travel or street photography? The brand-new OM System PEN could be a fantastic option for you. Preorders are now open for this affordable new rangefinder-style camera ahead of an October 1st release date, and several retailers have already updated their sites with listings.

Probably the best option for preorder today is over at Adorama, where you can get yourself a free wrist strap alongside both the body-only and kit-lens options. The strap in question is a black Clever Supply Skinny Wrist Strap worth $54, so it's definitely a nice little freebie that should complement your new camera nicely.

If you're in the UK (or USA but would prefer to order a camera elsewhere), I've attached a roundup of other options below. Major retailers like B&H Photo, Wex Video Photo, and Park Cameras are all stocking the camera today, so there should (hopefully) be plenty of stock available for early adopters.

Note that the OM System Pen starts at $999.99 / £849 for the body, with additional kit lens options. The lens kit, meanwhile, with the new M.Zuiko 14-42mm f/3.5-5.6 III, is just an additional $100 / £100, which could be a better value option if you're new to the system, and looks like a particularly good option for travel photography. Not only is this kit a bargain, but the lens is also weather-sealed (unlike previous iterations).

Where to buy the OM System PEN

What's new with the PEN?

• 2.36-million-dot OLED EVF
• IPX1-rated dust-and-splash resistance
• BLS-7 battery with USB-C charging

Much of the PEN's spec sheet will seem familiar to fans of the brand. As with most releases from OM System, the PEN is essentially re-using a lot of pre-existing tech in a new body at a lower price. However, its combination of a retro compact body, built-in viewfinder, image stabilization, weather resistance and accessible price makes it an attractive entry-level mirrorless camera, particularly for smartphone users.

Unlike the previous Olympus EP-7, the PEN now features a 2.36-million-dot OLED electronic viewfinder as well as IPX1-rated dust-and-splash resistance. Internally, you're still getting the familiar 20.4MP Micro Four Thirds sensor with 5-axis image stabilisation rated to 5.5EV, but the 121-point phase-detection autofocus with subject detection is a key upgrade.

Other upgrades include OM System's latest computational photography features, namely Live ND, new color profiles, and two Cinema picture modes aimed at 4K video. Like the higher-end OM-3, the PEN is designed from the ground up for JPEG customization thanks to a new color/monochrome switch which provides quick access to film-inspired looks.

Finally, it's worth mentioning that the PEN debuts a new BLS-7 battery, rated for an impressive 410 shots per charge, as well as support for USB-C charging - another massive boon for travel photography.

Is the PEN worth preordering?

We haven't fully reviewed the OM System PEN yet, but my initial impression of the camera is positive. It's 'nothing new', so to speak, but the rock-bottom price that the brand is aiming for has the potential to make this one a crowd favorite.

For one, I don't think any other brand is offering a package quite like this for $1,000. With inflation and various tariffs, we've become accustomed to spiralling costs, so it's refreshing to see a brand-new camera with a viewfinder, weather sealing, and a stylish design for this price.

Perhaps the closest competitor to the OM System PEN is the Fujifilm X-M5 - one of our favorite entry-level cameras here at TechRadar. Both cameras share a stunning rangefinder-style design and enticing price point, but the PEN looks like the better choice for photographers, in my opinion. The X-M5 has far superior video specs, but it lacks image stabilization, a viewfinder, and weather sealing.

With such features, the PEN looks like a very, very compelling budget option compared to the likes of the Fujifilm X-E5. That's another one of our favorite rangefinder-style bodies, but it comes in at an eye-watering $1,799 / £1,399 for the body-only. In comparison, the PEN is a more entry-level body, but it's definitely a good option if you're happy with 20MP.

This article was originally published in April 2024, following the total solar eclipse in the US. The experience in advice is relevant for those thinking about attempting to photograph the 2026 eclipse — which will be total in parts of Iceland, Spain and Portugal, and there will be major partial eclipse in the UK and other European countries — so we're sharing it again.

If you’ve never seen a total eclipse in person, whatever you’ve seen and what you imagine don’t come close. The best photos, the most stunning video, they won’t match the silent, dazzling fury of the real thing. Your phone or monitor won’t capture the infinite diamond brilliance of the Sun’s corona twinkling around the black Moon.

I set out to shoot the total eclipse with my three best camera phones and my Nikon DSLR, but I am thankful that I decided to enjoy the eclipse in the scant three minutes I was under its totality.

Before I talk tech, I’ll do my best to describe the total solar eclipse if you’ve never seen one in person. April 8, 2024 was my first total eclipse, and before that day I thought it would be my last.

After seeing the total solar eclipse live, I felt like I can’t live the rest of my life without seeing one again. I’ve never seen a photo that was equally compelling. Seeing the real eclipse in person, it was so gloriously beautiful that I was immediately sad that it was so fleeting.

Here's what a total solar eclipse really looks like

There is a bright flash in the instant before the Sun goes dark. The world gets colder suddenly, but the landscape is not pitch dark. Watching the eclipse from the shore of Lake Champlain in Burlington, Vermont, the view of Mount Marcy and the Adirondacks presented a panoramic sunset, with waning light surrounding me at the horizon on all sides, and the black eclipse at the center.

The Sun’s corona dazzles and flares with wisps of magic. You’ve never seen any light move in such a way. The contrast between the shockingly dark moon and the incredibly bright corona makes the halo seem brilliant and crisply present, as though the Sun is just beyond your grasp, and not seven light-minutes away.

The corona is bright, but not as bright as the face of the Sun. It reaches the limit of what my eyes could tolerate without causing pain. To see something so shockingly intense, after avoiding the painfully bright Sun for the previous hour, is a revelation. It feels like a gift being unwrapped in the sky above. It is a surprise and a joy, and I was not shocked to hear the crowd around me erupt into spontaneous applause.

I was awestruck. I forgot everything I was supposed to do at that moment. I’m now grateful that I decided at the last minute to drive all the way up to Burlington, where the clouds were wispy and few and the totality lasted more than three whole minutes. A good friend traveled farther to experience just over thirty seconds of totality in the Ozarks. Neither of us regrets taking our trip.

Ruining a solar eclipse with too much tech

Back to the tech. My plan was … too much. I brought a telescope, and a DSLR, and three phones, and even smart glasses on my face. I don’t know what I was thinking. The eclipse lasted three minutes. I barely had time to focus one camera, let alone try to shoot with five. My plans fell to pieces, and I gave up quickly. I got a few good shots, then I turned my attention to the sky and just allowed myself to soak it in.

Seeing the eclipse was more rewarding than the best photo I’ve seen of the eclipse.

Here’s the gear I brought to shoot the solar eclipse. I borrowed a Vaonis Hestia telescope, which uses your phone as the viewfinder. I used an iPhone 15 Pro Max to take photos and view the eclipse through that telescope, with a solar filter provided by Vaonis. Those photos turned out pretty good, but it isn’t the most powerful telescope. Plus, an eclipse is a very complicated scene for lighting, especially for a phone camera.

I also had a Google Pixel 8 Pro and a Samsung Galaxy S24 Ultra. I already decided I was not going to try to take telephoto zoom shots of the eclipse with these phones. The 5X range is simply not enough to capture any detail, and the sensor for the longest lens is also the smallest, lowest-quality sensor on the phone. Better to take wide-angle photos.

I set up the Galaxy S24 Ultra to shoot a time-lapse (Samsung calls it Hyperlapse) video of the entire event. I was pretty disappointed with the results. The sun was too high in the sky for even the widest lens to capture the scene around me as well as the eclipse in progress. The camera had trouble balancing the incredibly bright partial eclipse with the surroundings, so it just looks like a sunny day until totality occurs. When the eclipse happens, the camera balances the light in a way that doesn’t present the sunset colors and the changing light in the way I remember it.

I attached a solar filter to the Google Pixel 8 Pro, hoping I would be able to see more of the partial eclipse as it happened. Nope, the filter cut out too much light for the phone to handle. I was barely able to see the Sun through the filter, let alone capture great shots.

At the last minute, I decided to also bring my Nikon D750 camera with a Nikon 80-400mm lens. I don’t have a solar filter for that huge lens, so I planned on shooting only the totality of the eclipse, when it is safe to look at the sun without glasses. I got some pretty good shots, but I was rushing around too much, juggling too many chores. I should have reduced the exposure levels, or used a manual mode to dial back the shutter speed. The photos were blurry and blown out, not very good.

In the end, I got a couple of good shots from the iPhone on the telescope. They were better than the shots my friends took with their phones, and they impressed the people I shared them with. From my own perfectionist standards, I was disappointed with my pics, but I wasn’t disappointed at all with the experience.

In fact, I’m happy that I didn’t try much harder to take great photos, because at the last minute I chose to sacrifice the pics and enjoy the eclipse. It was amazing. It was the greatest natural phenomena I’ve ever seen. For the next eclipse, I’ll bring only one camera, and only one easy plan, and if I screw it up then I won’t even care. The best photo I could get would pale in comparison to the totality of the real thing.

You might also like...

• I shot the eclipse with an iPhone 15 Pro Max, Google Pixel 8 Pro and a Samsung Galaxy S23 Ultra – here's which one did best
• You took amazing smartphone eclipse photos, but reminded me why I didn't use Samsung Galaxy S23 Ultra's 100x Space Zoom
• How to photograph the total solar eclipse with your camera or smartphone

• The FCC wants to take 'military-grade' DJI drones off sale
• Numerous DJI models would be affected
• You can comment on the proposals until September 2

There's been a ban on new DJI drones and cameras in the US since last December, but now the Federal Communications Commission (FCC) is making moves to retroactively take some models off shelves that were approved before the ban came into effect.

Specifically, the FCC wants to pull "military-grade" drones from stores (via PCMag), which apparently includes every model with LiDAR obstacle avoidance or thermal cameras. That would affect drones such as the DJI Air 3S, the DJI Avata 360, the DJI Mini 5 Pro, and the DJI Mavic 3T, for example.

Drones that weigh over 55 pounds (nearly 25 kilograms) will be included in the retroactive ban, as well models that use docking stations. The criteria laid out by the FCC is broad enough to cover a substantial number of drones in DJI's current range.

Now, if you've already bought one of these drones in the US, the FCC isn't going to come and take it off you. However, unless the regulator changes course, these models won't be available to buy in the US from September 2.

You can take action

DJI has already complained long and hard about the original ban, pointing out that its drones were blacklisted for security reasons without any actual security audit taking place. It's also taking a very dim view of the new proposals by the FCC.

"People could continue using DJI products they already own, but the same models in use today might no longer be available to purchase in the future," says DJI in a blog post. "This is a total reversal from the FCC's previous position, and it is U.S. operators that would bear the cost."

DJI argues that safety agencies, small businesses, and farmers in the US who rely on DJI equipment will be faced with more expensive and difficult upgrades in the future, and it's asking for the public's support while the FCC proposal is considered.

You can have your say during the public comment period up until September 2: head to the Drone Advocacy Alliance website to make your feelings known, and to explain to the FCC how you use drones and their capabilities for non-military purposes.

• Canon registered three cameras with the wireless certification agency, indicating three more cameras will come soon
• Rumors suggest we’ll see an EOS R7 Mark II, an EOS R10 Mark II and an EOS R8 Mark II
• The EOS R8 Mark II may well be a retro-styled tribute to the analog AE-1, which turns 50 this year

The first half of 2026 was pretty dry for camera releases, but as we enter the second half of the year, manufacturers have been making up for lost time. Canon in particular looks like it’s going to have a busy back half of the year, with not one, not two, but three new EOS R mirrorless cameras setting the rumor mill alight.

It should be stressed that currently this is all unconfirmed — we don’t know that Canon is going to release anything. But Canon has registered three new cameras with the wireless certification agency, which is generally the point that you know that something is coming very soon. And reporting by the oft reliable Canon Rumors indicates that Canon is updating three of its most popular EOS R cameras, and one in particular looks like a very exciting prospect indeed.

And if that weren’t enough, we’re also potentially due a new PowerShot compact, with Canon looking to capitalize on the success of its phenomenally popular PowerShot G7 X Mark III compact. But we’ve more details on the mirrorless side of things, so let’s take a closer look at what could be coming…

Canon EOS R8 II — could it be the digital AE-1 we’re all hoping for?

Rumors indicate that Canon’s lightweight full-frame EOS R8 is likely to get a successor in mid-September. As that camera is now more than three years old, this is about the time we might expect an update to come along. However, the really exciting news is that the new version may be an entirely new prospect — a retro-styled Canon AE-1 throwback that fans have been begging the company to make for years.

There have been rumors for quite some time that Canon is working on a retro-styled digital camera, just like Nikon did with its Zf, and given that this year marks the 50th anniversary of the AE-1, a legendary film SLR beloved by amateur photographers for its streamlined controls and ease of use, it makes sense that this could be the year.

The rumored specs for the EOS R8 II are that it’ll use a 32.5MP full-frame sensor, 40fps burst shooting via the electronic shutter, in-body image stabilization, oversampled 4K video and two UHS-II SD card slots. Pretty much what you’d expect for a mid-range full-frame camera.

I’ll be interested to see if the retro styling is purely cosmetic — it might even be the case that Canon releases a ‘standard’ EOS R8 Mark II version as well as the retro-tinged variant — or if it has any bearing on how the camera operates. There’s nothing in the rumor mill to suggest this, but personally, I think it would be smart for Canon to dip its toe into film-style looks for images, similar to Fujifilm’s Film Simulations or Panasonic’s in-camera Real Time LUTs.

Yes, Canon has its ‘Picture Styles’, but let’s be honest: nobody uses them, and they don’t have the cool factor of Fujifilm’s Film Simulations. I’d love to see Canon throw its weight into some really crisp, dynamic, analog-style looks for shooters who want great-looking JPEGs straight out of camera. And come on — there will never be a better opportunity to debut them than in a digital AE-1!

Canon EOS R7 II — let’s see a stacked APS-C sensor!

Also on the rumored docket is an update to the Canon EOS R7, a mid-range APS-C mirrorless camera that arrived in 2022. The original EOS R7 was something of a speedster, with burst speeds of 15fps with the mechanical shutter and up to 30fps with the electronic. And if rumors are correct, Canon might be doubling down on this by giving the EOS R7 II a stacked sensor design.

This would be the first stacked APS-C sensor for Canon’s lineup — indeed, currently the only APS-C camera with a stacked sensor is the Fujifilm X-H2S. A stacked sensor design moves the circuitry to the rear for faster readout, enabling higher burst speeds, superior autofocus tracking and blackout-free viewfinder shooting.

Considering that the EOS R7 was already an impressively speedy shooter, a stacked sensor design would push a mark II to pretty impressive heights — we could see autofocus and speed-shooting performance on par with professional or serious enthusiast cameras. Rumors also indicate that the sensor resolution might be upped to 39MP, from 32.5MP on the original EOS R7.

Canon EOS R10 II — the new beginner mirrorless to beat?

Rumors also indicate that we’ll see an update to Canon’s popular beginner model, the EOS R10, in the form of the EOS R10 Mark II. Details are very thin on the ground for this one, beyond the fact that it is on its way and due in the latter half of 2026. This is also likely to be the first of the new models we see.

The Canon EOS R10 has been a huge seller for Canon since its release in 2022 alongside the EOS R7. It’s not the cheapest in the EOS R lineup, with both the EOS R50 and the EOS R100 coming in under its price, but it’s a pretty affordable camera, with a lightweight build, intelligent autofocus and reliably solid image quality.

Personally, I doubt the boat will be rocked much here. Were I a betting person, I’d say that we’d expect to see improvements in the subject-recognition autofocus, more sustained burst speeds with a deeper buffer (the original EOS R10 could shoot at 15fps, but not for very long), and perhaps a nudge-up of resolution from 24.2MP to 32.5MP, so as to better distinguish the EOS R10 from its cheaper siblings.

What do you make of Canon's rumored upcoming models? Have your say in the comments below.

Fancy taking to the skies? DJI is the brand you're probably looking at — it's the name behind almost all the best drones around right now. If you're new to the world of drones, figuring out your options is tricky. This article is here to guide you through your options. I'll run through the main DJI ranges and who they're aimed at, and then once you've narrowed things down you can hop to the relevant section to read our reviews for each model. Let's get started...

Note: You'll only be able to see product cards for the models currently available to buy in your region. Due to FCC issues, not all DJI drones are available in the US. Hit the More details button to read our main takeaways for each model, and for a link to the full review.

DJI range guide

DJI Mini
DJI's flagship compact drones, and the best-selling range for beginner pilots. These are all sub-250g models, which means they come with little-to-no flight restrictions, depending on where you fly.
• Check out the Mini lineup

DJI Air
A step up from the Mini series, aimed at enthusiasts. These drones fall into the next weight category up, which means they're sturdier and you'll be able to fly for longer, but you'll need your region's equivalent of a certificate of competency before you fly.
• Check out the DJI Air lineup

DJI Mavic
Top-tier consumer drones with industry-leading camera performance. These are another step up from the DJI Air range, and again you'll need a certificate of competency before you fly.
• Check out the DJI Mavic lineup

DJI Neo
The cheapest, smallest, lightest and simplest DJI drone. It comes with single-push take-off from your hand, designed for aerial selfies (this kind of drone is sometimes referred to as a selfie drone).
• Check out the DJI Neo lineup

DJI Avata
FPV (first person view) drones, designed to be used with goggles for immersive high-speed and responsive flight — legally you need a 'spotter' with you when flying drones through goggles.
• Check out the DJI Avata lineup

There are a few standalone options to be aware of. The Lito is a straightforward beginner drone at an extremely wallet-friendly price — it's a step down from the Mini range in both price and capabilities. The DJI Flip is another beginner drone with vlogger-friendly features. At the other end of the scale is the DJI Inspire range, aimed at professionals — the kind of thing that might be hired for productions.

DJI Mini drones

DJI Mavic drones

DJI Air drones

DJI Neo drones

DJI Avata drones

Outliers