Given how much I enjoyed the Project Hail Mary movie, I was beyond hyped to get my hands on the Lego Project Hail Mary set. And now that I've built it, I'm thrilled to say it does not disappoint. You could even say that it's amaze, amaze, amaze!

The titular Hail Mary is the spaceship from "Project Hail Mary", the Andy Weir novel-turned-Hollywood blockbuster that carries Ryland Grace (Ryan Gosling) across the stars to save humanity. While the design of the ship is certainly described in the book, this is definitely a Lego rendition of the movie version. So, if you're an Andy Weir fan who imagined it looking a little different, you can blame the studio.

Coming in at $99.99 with just under 900 pieces, it's a lot smaller than we expected (and hoped for). If you're after something comparable to the hefty NASA Artemis Space Launch System or gargantuan Venator-Class Republic Attack Cruiser sets, then you'll be disappointed. However, the Lego Project Hail Mary has a heck of a party trick to make up for its diminutive size: A spinning mechanism that simulates the centrifugal gravity system of the ship.

Lego Project Hail Mary review: Build

The Lego Project Hail Mary is constructed from 830 pieces, split across six numbered paper bags, with a few large pieces in a separate plastic bag. I built the kit over the course of two nights, but you could easily smash it out in a single evening if you wanted to.

The build starts with a little diorama, showcasing the Ryland and Rocky minifigures on either side of a window (the barrier that separates them when they first meet and learn to communicate in the movie). It's a cool little display that can work well on its own or can be attached to the stand of the ship itself.

From there on, four out of the six bags are almost entirely dedicated to the display stand and the incorporated spinning mechanism, with the final section of bag four attaching the ship’s crew module to the spinning mechanism. Thanks to the intricate mechanism inside it, the stand not only spins, but also retracts and extends the crew section of the ship, simulating the centrifugal gravity system from the movie. While it's a complicated mechanism that means a lot of Technic pieces, but the build itself is straightforward thanks to the clear instructions.

At last, the final two bags will see you constructing the ship itself. This consists of the main body where the thruster is housed, the three fuselage sections, and the solar panel array that provides power to the ship. Some builders might be disappointed that the actual spacecraft is a remarkably small part of the build process, but I think the spinning display stand is cool enough to offset that. Also, there are no stickers, which is always a huge win for me.

Lego Project Hail Mary review: Design

As I mentioned earlier, the display stand is surprisingly hefty and draws the eye away from the beautiful ship – a bit more than you might want from a display piece. That's the downside, but the upside is that it's an awesome party piece. Turning the handle on the front of the stand in either direction rotates the entire ship, simulating its spin in the movie. If you turn the handle clockwise, the crew module extends outward, while turning it counterclockwise retracts it.

The ship itself is a great recreation of Grace's eponymous craft, the Hail Mary. It's quite small, as Lego spaceships go, so there are no interior details or easter eggs hiding within the construction. Despite that, it captures the distinctive silhouette of the craft well, and includes all the major details, like the astrophage-powered engines that make the whole mission possible. From the three main pillars of the ship, which are the fuel tanks that store the astrophage, to the solar panel arrays that stick out from the main body, it all looks great.

I really love the little mini-diorama scene that you can create between Grace and Rocky, recreating their tentative first contact. It's a clever bit of design too, as you can attach their individual plinths to the main display and tuck the glass divider away in the stand. The minifigures themselves are great too. Grace has a custom red NASA flight suit, while Rocky is barely a minifigure — he's an eccentric collection of pieces mashed together, but I can't deny the end result is unmistakable Rocky.

Should you buy the Lego Project Hail Mary?

Overall, the Lego Project Hail Mary is a wonderful set that should thrill fans of the movie (more so than fans of the book, although I’m sure they’ll enjoy it too). The ship looks fantastic, and the spinning mechanism is wonderful to see in motion. There are actually some enterprising companies out there selling motorized mod kits for it, which is something I'm seriously considering checking out myself.

With that said, the prominent nature of the stand and somewhat gimmicky spinning feature does limit its appeal as a display model. Plus, those who aren’t big into technic-like builds may want to pass on this one and just admire it from afar.

Finally, while the build itself is only suitable for older teens and adults due to the complex nature of the internal workings, the finished model will definitely delight younger kids thanks to the interactivity it offers.

I’ve always been a fan of premium formats at the cinema, and thanks to the combination of a large screen, rich visuals, and sound that really packs a punch, Dolby Cinema has long been my go-to choice — even over IMAX.

This week, I ventured to a local AMC in New Jersey for Spider-Man: Brand New Day in Dolby Cinema. The theater featured stadium-style seating and was practically sold out, with only a handful of seats remaining in the front row. Considering the film has grossed more than a billion dollars globally, including over half a billion dollars in the US alone, it’s no surprise that tickets for Dolby Cinema and theaters in general have been hard to come by.

So, while my screening came a few days after opening, it was well worth the wait and ended up being one of my favorite Dolby Cinema experiences in a while.

For starters, the dual 4K laser projectors that power Dolby Cinema did a fantastic job with Spider-Man: Brand New Day. Colors were rich and vibrant, while the finer details in darker scenes remained visible without losing that cinematic contrast. Yes, a Dolby Cinema screen is typically smaller than a true IMAX screen, but that didn’t bother me here. Between the picture quality and the audio, I still felt completely immersed in the world of Spider-Man: Brand New Day.

I was pulled into the action almost immediately, and the combination of the screen, seating, and sound made the theater itself almost disappear.

You could, of course, opt for ScreenX, which wraps the image around you across the side walls, or catch Brand New Day on select IMAX screens in the US for a limited time. Just remember that those screenings aren’t necessarily the same as seeing a film presented in true 70mm IMAX — an important distinction when talking about premium cinema formats.

But for me, the real highlight was the Dolby Atmos sound.

Dolby Cinema’s audio setup is an expansive, full-range system designed to deliver sound throughout the theater, and Brand New Day makes particularly good use of it. It can pack a serious punch when the action kicks in, but what impressed me most was the low end. The bass wasn’t simply loud; it had weight and presence, adding another physical dimension to explosions, movement, and the film’s bigger action sequences.

Spoilers lie ahead

Spoilers for Spider-Man: Brand New Day ahead

As noted above, the real highlight for me was the sound. While the entire mix was well done and made excellent use of Dolby Cinema’s audio capabilities, there is one scene in particular that stands out — hence the spoiler warning, as it revolves around a pretty major plot point.

As Peter Parker begins to deal with the rise of arachnid traits in his genes — see a taste in the image above — he starts experiencing heightened senses. When he heads onto a rooftop, the sequence becomes a fantastic showcase for what a well-designed cinema sound system can actually do.

You hear the rush and bustle of New York City around Peter. Footsteps take on a heightened presence. An empty bag of chips scraping and tumbling along the ground suddenly becomes an important part of the soundscape. Instead of simply hearing these sounds as background noise, you’re placed inside Peter’s heightened perception of them.

And this is where Dolby Atmos really shines, especially when it all rushes together.

From a spatial perspective, the mix does a tremendous job of pinpointing where sounds are coming from and matching them to what’s happening on screen. Sounds move around the theater in a way that feels deliberate rather than gimmicky, helping put you directly into Peter’s headspace. The result is a sequence that feels less like you’re watching someone experience heightened senses and more like you’re experiencing them alongside him.

It’s a real tour de force for the sound team — and arguably one of the better demonstrations I’ve experienced of what premium cinema audio can add to a movie beyond simply making things louder.

When I head in for my second viewing of Spider-Man: Brand New Day, it’ll most certainly be in Dolby Cinema again. The picture is excellent, the seating and presentation are fantastic, and the overall experience is incredibly immersive.

But ultimately, it’ll be for the sound.

Spider-Man: Brand New Day reminded me that when Dolby Cinema is firing on all cylinders, the audio can be just as important to the cinematic experience as what’s happening on the screen.

Fans who'd grown up on the original "Star Wars" trilogy were adults when they went through the ordeal of Han, Luke and Leia dying on screen. If tears were shed then, however, spare a thought for the kids who'd queued to watch "Transformers: The Movie" back in 1986, only to see many of their heroes expiring in the cartoon spin-off's opening act.

If you can have a bloodbath of sentient machines, this was it, as robots in disguise met their maker at an alarming rate. Ironhide? Dead. Ratchet? No more. Starscream? Pushing up mechanical daisies. Not even the iconic Optimus Prime was spared, as the noble leader of the Autobots met a brutal end at the hands of his nemesis, Decepticon leader Megatron.

This may seem like a recipe for traumatizing the film's target audience — and for many of "Transformers: The Movie"'s young viewers, it was a genuinely disturbing experience. But toy manufacturer Hasbro had ulterior motives for killing their darlings.

Like "Masters of the Universe" (and many other '80s cartoons before and after), the popular "Transformers" TV show was a thinly veiled commercial for one of the hottest toylines on the planet. But, the theory went, the kids who'd been watching since the series debuted in 1984 would now be familiar/bored with the original line-up, and already have the relevant robots in disguise in their toyboxes. By instigating an on-screen cull, Hasbro believed they'd be able to make way for new characters, and keep their young fans coming back for more.

"They created the story using characters that could best be merchandised for the movie," director Nelson Shin (who, in a previous life, had helped to animate the lightsabers in the original "Star Wars") told SFX magazine in 2011. "Only with that consideration could I have freedom to change the storyline. What I tried to focus on was animation-izing the story. For example, when Optimus Prime died, I changed his color from red and blue into gray in order to show that the spirit was gone from his body."

Although screenwriter Ron Friedman was sceptical — "I told Hasbro and their lieutenants they would have to bring him back, but they said no and had 'great things planned'," he recalled to Todd Matthy.com — many of the production team had little idea of the emotional carnage they were about to unleash.

"We didn't know that [Optimus Prime] was an icon," story consultant Flint Dille admitted in an interview on the "Transformers: The Movie" DVD. "It was a toy show. We just thought we were killing off the old product line to replace it with new products.

"Kids were crying in the theaters," he continued. "We heard about people leaving the movie. We were getting a lot of nasty notes about it. There was some kid who locked himself in his bedroom for two weeks."

Forty years on from its original release, a movie with such a high death count looks like a misguided brand extension for a popular Saturday morning cartoon — especially as the TV incarnation hadn't killed anyone across its two seasons to date. But for all its flaws, "Transformers: The Movie"'s storytelling was arguably bolder than any other Hollywood animation of the era.

It was also an impressive technical feat. Although the visuals are a visible step-up from the TV version, Shin (who'd been supervising producer on the cartoon from day one) and his team had to work to extremely tight deadlines to meet the film's release date:

"Time constraints and the sheer amount of work needed were the two biggest challenges, since everything had to be hand-drawn by people!"

The film is set in 2005, some 20 years on from the original series. The Decepticons have taken control of the Transformer homeworld of Cybertron, while human Autobot chum Spike Witwicky (a kid in the TV show) is now grown up with a son of his own. When the villains attack the Autobots' base on Earth, Optimus Prime is fatally wounded, with Megatron also at death's door.

A moment where he pleads, "Don't leave me, Soundwave!" to his loyal cassette player lieutenant is unintentionally hilarious, though still can't compete with a later sequence in which the surviving Autobots dance for joy with some new allies — tonally this movie is all over the place.

Having been cast adrift by the duplicitous Starscream, Megatron runs into a planet-sized robot in disguise named Unicron, who has a similar world-chomping MO as Marvel's Galactus. He wants to get his hands on the Autobots' Matrix of Leadership (the only thing in the universe that can kill him), so he transforms a reluctant Megatron into the souped-up Galvatron, and sends him out to hunt for the McGuffin.

It makes for a madcap 85 minutes as two factions of mostly unfamiliar faces vie to come out on top. The story is mostly told via the medium of fast-paced laser battles, alongside encounters with the surprising number of robotic lifeforms who populate the galaxy. Among them are a five-faced being with a penchant for feeding its fellow machines to mechanical sharks, and some scrapyard dwellers whose conversation is based on snippets from TV ads.

The "Junkions"' leader, Wreck-Gar, is voiced by Monty Python's Eric Idle, just one of the numerous star names whose presence would have meant little, if anything, to the film's young audience back in 1986. Megatron's Galvatron upgrade brought with it the dulcet tones of "Star Trek"'s Leonard Nimoy, reckless Autobot up-and-comer Hot Rod was voiced by "The Breakfast Club"'s Judd Nelson, and Robert Stack (whom readers of a certain vintage will recognize from "Airplane!") was Optimus Prime's ultra-serious number two, Ultra Magnus.

The biggest name of all was a bona fide Hollywood legend, as Orson Welles delivered his final performance as Unicron. Of the "Citizen Kane" auteur, Shin said, "He was co-operative and professional, and I liked working with him," though Welles was apparently a little less convinced.

"You know what I did this morning?" he reportedly complained to a friend. "I played the voice of a toy… I menace somebody called something-or-other. Then I'm destroyed. My plan to destroy whoever-it-is is thwarted, and I tear myself apart on the screen."

The filmmakers also spent more of their reported $6 million budget than they probably should have on a soundtrack powered by '80s hair metal and power ballads — Stan Bush's "The Touch", originally written for Sylvester Stallone vehicle "Cobra", went on to have a second life when the fictional Dirk Diggler "covered" the song in Paul Thomas Anderson's "Boogie Nights".

In hindsight, few of the creative decisions above were conducive to winning over a fanbase who'd have been happy with an extended episode of the TV show. "Transformers: The Movie" subsequently struggled to make back its budget at the box office, an also-ran in a packed summer that also included "Aliens", "Flight of the Navigator" and "Short Circuit".

It's since gone on to pick up a cult following, but still feels like one for completists — ask a casual fan to name a Transformer, and they're going to say Optimus Prime, Bumblebee or Megatron ahead of movie debutants Kup, Arcee (belatedly the first female Autobot) or Rodimus Prime.

Perhaps inevitably, Optimus Prime didn't stay dead for long, and made his inevitable comeback in the next season of the TV show. The good/bad thing about living in a modern pop culture universe is that death doesn't have to be the end.

"Transformers: The Movie" returns to theaters with a 40th anniversary re-release on September 17. It's also available to buy or rent on Amazon Prime Video.