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Mummy mask with wig: A 1,000-year-old 'false head' found in Peru that was crafted with real human hair and toxic red cinnabar

QUICK FACTS

Name: Mummy mask with wig

What it is: A carved wooden mask

Where it is from: Peru

When it was made: Circa 1000 to 1450

This wooden mask, which is decorated with human hair and a textile headband, adorned an Andean mummy up to a millennium ago. Made by an artist of the Chancay people, the mask was also painted red with the mercury-containing pigment cinnabar.

The Chancay were a pre-Inca people who lived along the central coast of Peru in the Late Intermediate Period (1000 to 1450). A common tradition among the Chancay was the funerary bundle β€” the end result of wrapping their dead in layers of textiles, vegetal material and animal skin. The bundle was then buried in a pit along with grave goods such as tools, food and figurines. Because the bodies were usually wrapped in a fetal position, however, it was not always clear exactly where the head was located once the bundle was complete.

According to The Walters Art Museum in Baltimore, which has this mask in its collection, "false heads" made from textiles or wood were sometimes tied onto the Chancay funerary bundles to act as a focal point for venerating the ancestor.

The mask is roughly life-size, measuring 12 by 8 inches (30.5 by 20.3 centimeters). Chancay funeral masks were not meant to be realistic. Instead, they had simplified features, such as the diamond-shaped eyes; triangular nose; and tiny, U-shaped smile on this mask. The wig was almost certainly made from human hair, according to a microscopic analysis The Walters Art Museum undertook in 2017.

The Chancay artist who made the mask painted it red using cinnabar, a toxic substance that is the brick-red form of mercury sulfide. Cinnabar was frequently used in Andean funerary rituals, and the color was associated with purification and commemoration rituals. But the mask was likely not placed on the outside of the bundle burial, as a patterned impression has been left on the cinnabar of this mask, probably from being wrapped in even more textiles, according to The Walters Art Museum.

Although the Chancay culture is not as well known as the Inca, recent research into the ceramics the Chancay left behind and the tattoos on their mummified ancestors has revealed that they were a complex society with a high degree of artistic talent.

For more stunning archaeological discoveries, check out our Astonishing Artifacts archives.

Can you put together last week's Astonishing Artifact?

β€˜We won’t give up, we’ll keep fighting’: activists in Colombia vow to resist far-right push for fossil fuels

As the newly elected president, Abelardo de la Espriella, pledges to exploit oil reserves, environmentalists prepare to defend climate progress

It is hard for Yuvelis Morales Blanco to pinpoint when her activism started. Now 25, she recalls getting involved in land rights and environmental issues in Santander, northern Colombia, from a young age. Living near water, she says, has always shaped her connection to nature. β€œMy parents are fishers on the Magdalena, Colombia’s most important river,” says Morales. β€œFor us, the river isn’t just food – it embodies life, identity and culture.”

In April, she received the Goldman environmental prize for her leadership in Puerto Wilches, where she succeeded in halting oil extraction and fracking. Yet, it seems her struggle is only just beginning.

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© Photograph: Iván Valencia/AP

© Photograph: Iván Valencia/AP

© Photograph: Iván Valencia/AP

New pipeline in Canada to proceed after C$150bn pledged to ease BC and First Nations concerns

Port expansion and protections for whales part of BC and Alberta plan to expand country’s presence overseas

The governments of Canada and the province of Alberta will move forward on a major new oil pipeline after the pair announced a plan to ease concerns of British Columbia and First Nations on the Pacific coast.

Canada’s prime minister, Mark Carney, shuttled between British Columbia and Alberta on Thursday to announce more than C$150bn in new investments in both provinces, part of a broader project of reducing trade with the United States and expanding his country’s presence in overseas markets.

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Β© Photograph: Canadian Press/Shutterstock

Β© Photograph: Canadian Press/Shutterstock

Β© Photograph: Canadian Press/Shutterstock

'One of the oldest gravestones of a free Black person in America' discovered in Boston

A team of conservationists has discovered and restored the tombstone of Sebastian, a formerly enslaved man who died free in 1729.

"That discovery is likely one of the oldest gravestones of a free Black person in America," Michelle Wu, the mayor of Boston, said in a July 4 speech. "It's been there all along. We just had to go look and share the story."

The stone marker is inscribed with Sebastian's chosen name, Boston, and features an image common in 17th- and early 18th-century tombstones in New England: the death's head. The symbol includes a stylized skull flanked by wings, which were possibly intended to symbolize spiritual resurrection.

On the tombstone, a simple, five-line inscription reads:

Original Inscription

HERE LYES Ye

BODY OF BOSTON

AGED 70 YEARS

DECD FEBY Ye 28

1728

Modern English

HERE LIES THE
BODY OF BOSTON
AGED 70 YEARS
DECEASED FEBRUARY THE 28
1728

In 18th-century American writing, the word "the" was often abbreviated with a Y-shaped letter form called a "thorn" representing the "th" sound. Tombstones also frequently abbreviated "deceased" and the month. Somewhat confusingly, before 1752, the American colonies regularly used the Julian calendar, as did Britain, in which the new year started on March 25. Boston's year of death is listed on the tombstone as 1728, but his February 28 death was actually in 1729 in our modern Gregorian calendar.

Kelly Thomas, the director of the Historic Burying Grounds Initiative for the Boston Parks and Recreation Department, told WBZ News Radio that she identified the gravestone during a restoration project at the Granary Burying Ground, the city's third-oldest cemetery. Established in 1660, the cemetery includes over 5,000 graves, including the final resting places of Declaration of Independence signers Samuel Adams and John Hancock; the U.S. Revolutionary War officer Paul Revere; and Crispus Attucks, a sailor of mixed African and Indigenous ancestry who is thought to be the first American killed in the Boston Massacre.

"I was reviewing the photos of headstones, and then I noticed that the stone only had one name," rather than a first and last name, Thomas told WBZ News Radio, suggesting that Boston was either enslaved or free when he died. Based on a search of historical records, Thomas determined that Boston's enslaved name was Sebastian and that he also went by Bastian.

A surprising amount of information was recorded about Boston and his wife, Jane Lake. In 1701, they had their daughter, also named Jane, baptized at First Church in Boston, where they regularly attended worship services. But while the two were married with children, they were also both enslaved and lived in different households, historian Gloria Whiting wrote in a 2016 study.

Boston was likely freed in the early 18th century, some time after the 1702 death of John Waite, who had held him in slavery. By 1708, a list of free Black people included the name Boston, and he had gained a reputation in the city as a hardworking handyman, according to Whiting's study. He had been freed for roughly 30 years when he died in 1729 and was well-known enough to have an obituary published for him in the New-England Weekly Journal, a rare occurrence for enslaved or freed Black people in colonial America.

Wu also said that, in recent weeks, archaeologists in Boston had discovered musket balls and gun flints from the infamous Battle of Bunker Hill that took place on June 17, 1775. The battle was fought by British Crown forces and New England troops in the first stage of the American Revolutionary War.

See if you know what these mysterious artifacts are with our archaeological fragments quiz!

'It's a huge deal': Archaeologists discover second cannonball from the Battle of the Alamo, and it was likely fired by Texans

Archaeologists have discovered an iron cannonball fired by Texans at the Battle of the Alamo in 1836. This is the second intact cannonball they have discovered from the famous conflict. The first one, a bronze cannonball, was found earlier this year and was likely fired by the Mexican army.

"It's a huge deal," Tiffany Lindley, director of archaeology at the Alamo, said in a video statement from Alamo Trust. "We all thought, 'There's no way we can top it,'" she said, referring to the bronze cannonball discovered March 5, just a day before the 190th anniversary of the conflict that killed Davy Crockett, "and then we found another one."

Both cannonballs were recovered from the northeast corner of the church at the Alamo, which was originally built in 1718 as a Spanish mission and fortress in what is now San Antonio. But the Alamo is better known as the location of an 1836 battle during the Texas Revolution, in which Anglo-American settlers and Hispanic Texans known as Tejanos seceded from the Republic of Mexico.

In a 13-day siege culminating in a deadly assault on March 6, 1836, Mexican troops, commanded by Gen. Antonio LΓ³pez de Santa Anna, surrounded the Alamo and killed the 180 Texan rebels defending the structure, including Davy Crockett. The cry "Remember the Alamo!" was used in later skirmishes in the Texas Revolution as soldiers fought Mexican troops for independence.

The newly excavated iron cannonball was found June 2, according to a statement from Alamo Trust.

Of the two cannonballs, "the newest one is slightly larger" and was likely fired from a cannon that shot 6-pound [2.7 kilogram] cannonballs, Kolby Lanham, a senior researcher and historian at the Alamo, said in the statement. "The likelihood is that the bronze one belonged to the Mexican Army and the iron one belonged to the Texans."

Over the years, archaeologists have found numerous pieces of ammunition and shrapnel at the Alamo, Lindley said, but these cannonballs are the first examples of solid shots β€” spherical projectiles fired from a gun or cannon β€” they have ever found.

"It's just a huge kind of once-in-a-lifetime deal," Lanham said. "But obviously, it's happened twice."

a light-skinned man measures a metal cannonball with calipers in a lab setting

The size and weight of the cannonball suggests it was fired by a cannon that shot 6-pound cannonballs. (Image credit: Alamo Trust)

The Mexican and Texan cannonballs were found near each other, so they are likely the historic remains of the two sides shooting at each other in the fateful siege nearly two centuries ago.

"Whenever they were dropped the very first time β€” possibly in 1836, probably β€” they haven't been touched since, and that's what makes them extra special," Lindley said. "I don't think you can undersell it."

The Alamo remains an active archaeological site, where experts have discovered artifacts that span its centuries of history, from Indigenous stone tools that predate the Spanish mission through the late 19th century, when the structure was converted into a general store and warehouse.

Can you identify these historical objects of war? Test your smarts with our weapons of the world quiz!

The race for oil: will Jamaica be the next country to drill and what does that mean for its green pledges?

28 May 2026 at 13:00

With early tests suggesting the presence of crude oil, the Caribbean island has begun to debate whether it could justify becoming a producer

Jamaica is closer than ever to drilling for oil. Tests on samples from the seabed off the Caribbean island’s south coast earlier this year identified hydrocarbons, which suggest the presence of crude oil below ground.

Jamaica imports all its fuel, which costs about $1.5-2bn (Β£1.1bn-1.5bn) annually, depending on global oil prices. It is a persistent drag on an economy that generated $4.3bn from tourism, its biggest earner, in 2024.

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Β© Illustration: Eleanor Shakespeare

Β© Illustration: Eleanor Shakespeare

Β© Illustration: Eleanor Shakespeare

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