San Diego Comic-Con has kicked off strong, and we've got a couple of new trailers to show for it: the final trailer for Coyote vs. Acme, and the full trailer for director Zach Cregger's fresh take on Resident Evil. Some lucky folks were also treated to a screening of Resident Evil's first 18 minutes.

Coyote vs. Acme

We were thrilled when the first trailer for Coyote vs. Acme dropped in April. The film had been shelved for years and is finally getting the broad theatrical release it deserves thanks to Ketchup Entertainment, which acquired it from Warner Bros. The concept alone is sheer brilliance: Wile E. Coyote, after decades of ACME equipment failing him in his efforts to catch that darned Road Runner, decides to sue the corporation. It’s based on a well-known satirical piece by Ian Frazier (also titled “Coyote vs. Acme”) published in The New Yorker in 1990.

Per the official premise:

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Last month, we reported on a troubling incident at the annual meeting of the American Diabetes Association (ADA) in New Orleans. On June 5, five leading scientists were ousted for handing out copies of an editorial, published in the journal Diabetes Care (an ADA journal) in April, sharply criticizing the Trump administration’s ongoing attacks on scientific research. There was a public outcry and (eventually) a personal apology from the ADA's CEO for the heavy-handed response, but it seems the organization has not yet learned its lesson.

The deputy editors of Diabetes Care have posted an editorial and seven accompanying opinion articles to a preprint server—handily contained in a single PDF file—that they say the ADA has refused to publish. Several troubling new details are included in the articles, including an accusation that ADA leadership knew in advance that members would be handing out copies of the editorial and deliberately set up an ambush by venue security and local police. That decision, in turn, might be due to simmering tensions connected to a session organized the year before.

ADA leadership was provided with the articles in advance of publication with an invitation to simultaneously publish their response.

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New Zealand actor Sam Neill, who starred as Dr. Alan Grant in the 1993 blockbuster Jurassic Park and its 2022 sequel, Jurassic World Dominion, died on Monday in Sydney, Australia. He was 78.

While American audiences likely know Neill best for Jurassic Park, he had a long and varied career in film and television. His sheer versatility won him fans around the world. He played the grown Damien in Omen III: The Final Conflict; a Russian officer in The Hunt for Red October; and even made brief cameos (as an actor playing Odin in a theatrical troupe) in Thor: Ragnarok and Thor: Love and Thunder. (The less said about 1997's space horror travesty, Event Horizon, the better, although it has its fans, and Neill made the most of his role.) Yet some of his best performances were in smaller, critically acclaimed independent films such as 1993's Oscar-winning The Piano.

On television, Neill earned his first Golden Globe nomination for the lead role in Reilly, Ace of Spies in the 1980s. He was nominated for both an Emmy and a second Golden Globe for playing the titular Arthurian wizard in the 1998 miniseries Merlin. He played Cardinal Wolsley in The Tudors, and was part of the ensemble cast in the (excellent) 2015 adaptation of Agatha Christie's And Then There Were None. Neill was magnetic as the ruthless CI Major Chester Campbell in Peaky Blinders—an antagonist and romantic rival of Cillian Murphy's Tommy Shelby.

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Scientists at Pennsylvania State University have developed a novel conductive ink that can be painted directly onto the skin in colorful custom designs, turning into a functional electrode for biomonitoring after drying. They described their work in a new paper published in the Proceedings of the National Academy of Sciences (PNAS).

As previously reported, epidermal electronics attached to the skin via temporary tattoos (e-tattoos) have been around for more than a decade. So-called e-tattoos connect to skin without adhesives, are practically unnoticeable, and are typically attached via temporary tattoo, allowing electrical measurements (and other measurements, such as temperature and strain) using ultra-thin polymers with embedded circuit elements.

However, these e-tattoos have their limitations, most notably that they don’t function well on curved and/or hairy surfaces, as well as requiring personalized electrode placement design to cover larger areas, since biosignals are spatially distributed. So scientists have been getting creative. For instance, in 2024, researchers developed special polymer-based conductive inks that can be printed onto a person’s scalp to measure brain waves, even if they have hair. This could one day enable mobile EEG monitoring outside a clinical setting, among other potential applications.

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One of Taika Waititi's greatest strengths as a director is his unique voice; he's able to bring a light touch to tragedy (Jojo Rabbit) and a gentle sadness to offbeat comedy (Our Flag Means Death). That makes him an excellent choice to direct Klara and the Sun, based on the novel by Kazuo Ishiguro. Sony Pictures just released the first trailer, and it's giving strong Hunt for the Wilderpeople vibes—a good thing, from my perspective, since that's my favorite Waititi film.

Per the official premise:

Based on the bestselling novel from Nobel Prize winner Kazuo Ishiguro and written and directed by Academy Award winner Taika Waititi, Klara and the Sun introduces audiences to Klara (Jenna Ortega), an Artificial Friend who wants nothing more than to find the perfect home. When Klara meets Josie (Mia Tharia), each immediately senses a kindred spirit in the other. Josie has a fraught relationship with her mother (Amy Adams), and they’ve suffered great loss, but Klara’s innocent wonder and unwavering loyalty begin to heal the family and bring light to Josie’s complicated world.

The cast also includes Natasha Lyonne as an artificial friend (AF) store manager; Rachel House as the housekeeper, Melania; Aran Murphy (son of Cillian Murphy) as Josie's best friend, Rick; and Sophia Bryant-Taukiri as Josie's older sister, Sal. Steve Buscemi and Harry Greenwood also appear in as-yet-undisclosed roles.

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Last year, we featured a lengthy interview with tech journalist/science fiction author Cory Doctorow about his book, Enshittification: Why Everything Suddenly Got Worse and What To Do About It. The prolific Doctorow is back with a provocative new book that serves as a follow-up of sorts, focusing on AI and related issues: The Reverse Centaur's Guide to Life After AI.

Doctorow doesn't actually enjoy talking about AI, but he's constantly being asked to comment on it. "I made the tactical error of being sick of talking about AI," Doctorow told Ars. "So I wrote a book about why I think it's a dumb thing to keep asking people to talk about, and now I have to talk about it." Reverse Centaur is Doctorow's attempt to "sort out the bullshit from the material reality."

In automation theory, per Doctorow, a "centaur" describes a human augmented with a technology, like machine learning, or even just driving a car or using autocomplete. A reverse centaur "is a machine head on a human body, a person who is serving as a squishy meat appendage for an uncaring machine," Doctorow said in a speech last December. He gave the example of an Amazon delivery driver, surrounded by AI cameras monitoring their driving, who essentially serves as a peripheral to the delivery van.

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Widow's Bay, the delightfully eccentric new comedic horror series from Apple TV, is easily one of the best new series of the year. There's a reason everyone from Guillero del Toro and Ben Stiller to Damon Lindelolf (Lost) is raving about the show. It's an eminently binge-able, addictive series that pays tribute to all the classic horror tropes while reinventing them in surprising ways. Think Stephen King meets Parks and Recreation, with a dash of Twin Peaks—except Widow's Bay is very much its own refreshingly original beast.

(Some spoilers below but no major reveals.)

Tom Loftis (Matthew Rhys) is a widower and mayor of Widow's Bay, a quirky little seaside town that has a colorfully bizarre history marked by periodic tragedies. Tom is eager to elevate the town into a trendy summer tourist destination. But the arrival of New York Times travel writer Arthur Lloyd (Bashir Salahuddin), who has the clout to make Tom's aspirations for Widow's Bay come true, coincides with the onset of a mysterious fog. Local resident Wyck (Stephen Root) warns Tom that the fog is an omen that the island is "waking up," meaning more supernatural occurrences are bound to happen.

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We're about six weeks out from the debut of Spider-Man: Brand New Day, the follow-up to 2021’s No Way Home. It's been five years since Spidey graced the big screen, so naturally, Sony Pictures has released a new trailer to build audience anticipation.

(Spoilers for No Way Home below.)

No Way Home ended on a pretty bleak note, with Peter Parker (Tom Holland) asking Doctor Strange (Benedict Cumberbatch) to erase him from everyone’s memory to protect the multiverse, including MJ (Zendaya).

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