From a cappy-cafe owner in Japan to an escaped capybara in the UK, this homespun film takes the temperature of an international obsession
One of Midlands-based film-maker Sharon Walia’s previous works was The Keepers of the Pigs, proudly described on her production company’s website as “the first ever documentary about guinea pigs”. So it makes zoological sense that her latest film takes on capybaras, guinea pigs’ ridiculously cute semi-aquatic cousins that are indigenous to Latin America, and relatively recently became ubiquitous on social media in memes and short films alike. As glimpsed here, there was even a capybara in the recent Academy Award-winning animated feature Flow, some pro-cappy boosterism that captured the creatures’ chill vibe and snuffly sweetness.
Walia’s celebration of the species stays on script, rejoicing in the animals’ natural geniality, friendliness to other species in their natural habitat, and their compelling, remunerative charm that seems to have bolstered the fortunes of several animal attractions around the world.
Digital-age Australian psychodrama tracks the shut-in mania of dangerously disaffected male fan, but doesn’t get inside his mind
If the parasocial phenomenon is a kind of hell, then Max Wren, protagonist of this Australian digital-age psychodrama, resides in the ninth circle. Self-barricading in a basement room surrounded by screens, working on a documentary about the object of his disaffection (an enigmatic influencer called Lenore), this obsessive shut-in makes Eminem’s Stan look like the Dalai Lama. Touching on subjects including the attention economy, the male gaze, and incel isolation and misogyny, director David Ward feels both Max and Lenore’s pain. But his ungainly debut film doesn’t fully transcend its stage origins to capture the splintered headspace of the terminally online.
Like films about fictional pop stars that feature unconvincing music, it doesn’t help that the quickfire résumé of Lenore’s career only half-conveys her magnetism. A one-time beauty influencer called Veronica Brand, she later graduates to more extreme performance art-type stunts, such as livestreaming her miscarriage; a move that, spliced without her knowledge into a children’s TV broadcast, forced her into hiding. But this performative vulnerability, including hints of her abusive dad, apparently won her legions of OnlyFans-style acolytes. Not just Max, but also his colleague Sam (Sam Macdonald), a brash interloper outraged to find he was nothing special to Lenore and who turns up at Max’s door offering exclusive footage of her.
Apple Original Films’ “The Last First: Winter K2” follows a harrowing 2021 expedition to summit K2 in winter. The documentary film premieres on October 2, 2026, on Apple TV.
Apple Original Films on Thursday unveiled the trailer for the upcoming documentary film “The Last First: Winter K2.” In “The Last First: Winter K2,” Amir Bar-Lev tells a complex, harrowing, and moving story that takes an unflinching look at the industry of extreme mountain climbing and its changing culture. Focusing on a 2021 expedition, this documentary follows Icelander John Snorri Sigurjónsson and the Pakistani father-son team of Ali and Sajid Sadpara, a party of mountaineers who set out to be the first to summit K2 in the winter, when the mountain’s conditions are the cruelest. The men soon find themselves sharing the treacherous ascent with influencer climbers and their film crews, commercial expedition clients and a Nepalese team no longer content to help Westerners achieve mountaineering glory. “The Last First: Winter K2” takes us to the icy heights and unpredictable weather of K2 and reveals a surprising and layered story — one of strategy and determination, class and caste, money and power — all under life-and-death circumstances.
“The Last First: Winter K2” is directed by Bar-Lev. The film is produced by Howard T. Owens and Ben Silverman through Propagate Content; Sean Richard produces for Object Studios; and Sarah Thomson and John Battsek serve as producers for Ventureland. The film is executive produced by James Packer, Will Kane, Drew Buckley, Taylor Levin, Isabel San Vargas, Bar-Lev, Kerstin Emhoff and Ali Brown.
Apple TV offers premium, compelling drama and comedy series, feature films, groundbreaking documentaries, and kids and family entertainment, and is available to watch across all of a user’s favorite screens. After its launch on November 1, 2019, Apple TV became the first all-original streaming service to launch around the world, and has premiered more original hits and received more award recognitions faster than any other streaming service in its debut. To date, Apple Original films, documentaries and series have been honored with 906 wins and 3,827 award nominations and counting including multi-Emmy Award-winning and history-making comedies “The Studio” and “Ted Lasso,” global cultural phenomenon “Severance,” Apple’s most-viewed drama “Pluribus,” Academy Award Best Picture winner “CODA” and Academy Award winner “F1,” the highest-grossing sports feature of all time.
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