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A U.S. judge has given preliminary approval to Apple’s $250 million settlement of a class action lawsuit over the delayed launch of advanced, personalized Siri features that the company had heavily advertised. Eligible U.S. owners of the iPhone 15 Pro, 15 Pro Max, and all iPhone 16 models purchased between June 10, 2024 and March 29, 2025 may eventually receive $25–$95 per device, though a claims website is not yet live and no action is needed right now.
Joe Rossignol for MacRumors:
In June 2024, Apple previewed new Siri capabilities powered by Apple Intelligence, including understanding of a user’s personal context, on-screen awareness, and deeper per-app controls. For example, Apple showed an iPhone user asking Siri about their mother’s flight and lunch reservation plans based on info from the Mail and Messages apps.
Apple advertised those Siri features in product presentations, on its website, in a TV commercial starring actor Bella Ramsey, and elsewhere.
In March 2025, Apple delayed the launch of the personalized version of Siri, leading to the company being hit with a class action lawsuit alleging false advertising…
It is unlikely that individuals who submit a claim will still need to have physical possession of an eligible iPhone model. However, there is a possibility that proof of purchase or other information will be required, such as the device’s serial number. Exact requirements will be outlined on the settlement website, which is still not live.
MacDailyNews Note: To be eligible to submit a claim, you must reside in the U.S. and have purchased any iPhone 15 Pro or any iPhone 16 model between June 10, 2024 and March 29, 2025.
MacDailyNews Take: Apple got off easy. It ended up being effective advertising, albeit false. $250 million is just part of the marketing budget and, to Apple, it’s pocket change.
As usual, we called it correctly very early on:
When you're caught flat-footed like Tim Cook's Apple, you pop into scramble mode to try to catch up. Early on, you hit it with a big marketing flourish (WWDC24) in order to buy some more time. Then you dribble out features as they get finished & actually exist. Classic vaporware. https://t.co/I1J4y3aDNy pic.twitter.com/fLKvxGj4G3
— MacDailyNews (@MacDailyNews) July 31, 2024
The Apple Intelligence vaporware [is] false advertising, fraud, and lies. Those will be the basis for class action lawsuits from iPhone, iPad, and Mac customers soon enough. And Apple will deserve them all. – MacDailyNews, March 14, 2025
See also: Apple pulls iPhone 16 ad touting nonexistent Apple Intelligence-powered Siri features – March 10, 2025
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Apple is pressing its OLED panel suppliers for a substantial price reduction on displays destined for the upcoming iPhone 18 Pro Max, as soaring memory chip costs force the company to seek savings elsewhere in its bill of materials.
According to a report from Korean outlet The Elec, Apple has proposed paying around $70 per OLED panel for the iPhone 18 Pro Max. Industry estimates indicate the final supply price from Samsung Display and LG Display could settle even lower — at approximately $66.50. That represents a roughly 20% drop compared with the panels used in the iPhone 17 Pro Max.
While Apple has historically negotiated lower OLED prices with each successive iPhone generation, this year’s cut is unusually steep. The reduction comes despite increased manufacturing complexity: the iPhone 18 series is expected to incorporate Samsung Display’s latest M16 OLED material set, which improves luminous efficiency, lifespan, and color performance. Panel makers must refine processes and stabilize yields for the new materials, raising production difficulty even as prices fall.
The aggressive push for lower display costs is driven by “chipflation”—sharp increases in memory semiconductor prices. Smartphone makers across the industry are attempting to offset higher memory expenses by cutting procurement costs for other components, including displays and camera modules.
Samsung Display President Lee Cheong recently highlighted the pressure, stating at K-Display 2026 that “this year is extremely difficult because of chipflation” and that “very strong pressure is coming in to lower component and display prices.” LG Display’s president noted the company is feeling the effects but described them as manageable through ongoing cost innovation.
Market research firm UBI Research projects Samsung Display will supply 46 million OLED panels for Apple’s bar-type iPhone 18 lineup this year (2 million for the standard model, 18 million for the Pro, and 26 million for the Pro Max). LG Display is expected to provide about 41 million panels (roughly 1 million for the standard model, 19 million for the Pro, and 21 million for the Pro Max).
Apple is anticipated to launch the iPhone 18 Pro and Pro Max in September 2026 alongside its first foldable iPhone, with the standard iPhone 18 and iPhone 18e following in spring 2027. Analysts have suggested the Pro models could see starting prices of $1,299 and $1,399 respectively — up $200 from their predecessors — largely due to elevated memory and storage costs.Whether the OLED savings will help limit further price increases for consumers remains to be seen, but the negotiations underscore the intense cost pressures currently facing the smartphone supply chain.
MacDailyNews Take: In the high-stakes world of smartphone component supply, the message from Cupertino is clear and uncompromising: If you want to keep Apple’s gargantuan business, you will help them preserve their margins.
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Intel forecast stronger-than-expected third-quarter revenue and profit on Thursday, fueled by surging demand for its data-center CPUs amid the agentic AI boom. Shares jumped more than 5% after hours as the company also raised its 2026 capital-spending plans, while lingering hopes of a high-profile manufacturing partnership with Apple continue to intrigue investors.
Reuters:
Intel expects third-quarter revenue between $15.8 billion and $16.8 billion, compared with analysts’ average estimate of $15.1 billion, according to data compiled by LSEG. Adjusted profit is expected to be 38 cents per share, compared with analyst estimates of 27 cents.
On a conference call with analysts, [CEO Lip-Bu] Tan said second-quarter developments prompted Intel to become “fully committed” to high-volume production of chips made with its forthcoming 14A manufacturing technology in 2028. Last year, Intel had warned it might be forced to abandon 14A if it could not find a major customer, which would have effectively put the U.S. out of the race to make the world’s fastest chips.
“I’m pleased to see the increasing momentum on customer engagements for Intel 14A, and I’m increasingly confident that the 14A will be a highly competitive process,” Tan said.
For the second quarter ended June 27, Intel said sales rose 25.4% to $16.13 billion and adjusted profit was 42 cents per share, compared with estimates of $14.42 billion and 21 cents per share. Adjusted gross margin came in at 41.8%, versus estimates of 38.8%…
Intel’s foundry business had $5.77 billion in second-quarter sales, compared with analyst estimates of $5.55 billion.
The unit secured Elon Musk’s Tesla as a customer for its next-generation 14A process for the “Terafab” AI chip project. Expectations of another high-profile win rose in April after President Donald Trump announced that Apple AAPL.O had agreed to make processors with Intel. Neither company has confirmed the deal.
MacDailyNews Take: Reported possibilities for Intel’s 14A node in regard to Apple Silicon (based on preliminary agreements and analyst/rumor commentary, none of which have been officially confirmed by Apple or Intel) include:
• Future iPhone A-series SoCs (e.g., successors around the A21/A22 generation) on 14A, potentially entering production toward the end of 2028.
• Certain M-series chips for Macs and iPads, though some reports lean toward earlier nodes like 18A-P for nearer-term Mac chips (around 2027) and 14A for later or higher-end parts.
The 14A node’s density and efficiency gains would suit Apple’s priorities: packing more transistors for stronger CPU/GPU/Neural Engine performance while keeping power consumption low enough for battery-powered devices. Mobile SoCs (especially iPhone chips) are often mentioned among analysts as a strong fit for new advanced nodes because of their volume and efficiency focus.
Important caveats: No official confirmation exists of which specific Apple Silicon products (if any) would use 14A, the exact mix of chips, or volume. Production is still years out, dependent on Intel successfully ramping the process and meeting Apple’s stringent yield, quality, and capacity requirements. Diversifying away from TSMC is the main strategic motive for Apple reigniting business with Intel.
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Today – and, admittedly, always – we refer fondly to John C. Dvorak as a “bloated gasbag” on the occasion of his passing at the age of 80.
John wrote and said things, seemingly at random, basically in order to get a rise out of people, not so much because he deeply believed them. Long before the rise of social media, Dvorak was an exemplary engagement farmer, a master of outrage bait, a troll king.
He certainly prompted us to spill reams of digital ink all over our pages for many years and we’ll miss him.
Here are just a few examples:
Here are some of the bloated gasbag’s greatest emissions:
• The Macintosh uses an experimental pointing device called a “mouse.” There is no evidence that people want to use these things. — John C. Dvorak, 1984
• Apple should pull the plug on the iPhone… What Apple risks here is its reputation as a hot company that can do no wrong. If it’s smart it will call the iPhone a ‘reference design’ and pass it to some suckers to build with someone else’s marketing budget. Then it can wash its hands of any marketplace failures… Otherwise I’d advise people to cover their eyes. You are not going to like what you’ll see. — John C. Dvorak, 2007
• iPhone which doesn’t look, I mean to me, I’m looking at this thing and I think it’s kind of trending against, you know, what’s really going, what people are really liking on, in these phones nowadays, which are those little keypads. I mean, the Blackjack from Samsung, the Blackberry, obviously, you know kind of pushes this thing, the Palm, all these… And I guess some of these stocks went down on the Apple announcement, thinking that Apple could do no wrong, but I think Apple can do wrong and I think this is it. — John C. Dvorak, 2007
• The Apple iPad is not going to be the company’s next runaway best seller. — John C. Dvorak, 2010
• Within the decade, Microsoft should have a minimum of 300 stores. They should do as well as the Apple Stores. — John C. Dvorak, 2012
MacDailyNews Take: John, you bloated gasbag, you will be missed! R.I.P.
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Apple TV has confirmed that “The Morning Show” will end after a fifth season in 2027. The series, which premiered in 2019 as one of the flagship original shows for the streaming service, stars and is executive produced by Jennifer Aniston and Reese Witherspoon.
The series is produced by Media Res and executive produced by Echo Films and Hello Sunshine. Charlotte Stoudt serves as showrunner and executive producer, while Mimi Leder directs and executive produces. Michael Ellenberg executive produces for Media Res, with additional executive producers including Lauren Neustadter for Hello Sunshine and Kristin Hahn for Echo Films.
Statements from Key Participants
Jennifer Aniston, star and executive producer, said: “From the beginning, Apple has supported our vision for ‘The Morning Show.’ It’s been a privilege to work with this cast, writers, producers and crew. We’re excited to share this final season and to conclude the series intentionally.”
Reese Witherspoon, star and executive producer, said: “The past nine years producing and acting in ‘The Morning Show’ have been the honor of a lifetime. This was a show about why the newsroom matters, freedom of the press, and the role of journalists. Thank you to Apple, our writers, crew and cast.”
Zack Van Amburg, Apple’s head of worldwide video, said: “Seeing this series through from start to finish has been the joy of a lifetime. ‘The Morning Show’ helped launch Apple TV and delivered five seasons of television. We’re grateful to the entire team and look forward to the final chapter.”
Jamie Erlicht, Apple’s head of worldwide video, added: “Working with Jennifer, Reese, Michael, Mimi and Charlotte has been one of the great privileges of building Apple TV. We’re proud of the series and its impact.”
Michael Ellenberg, CEO and founder of Media Res, described the series as a significant project for the team: “We’ve been fortunate to connect with a global audience. We look forward to fans seeing the fifth and final season.”
Showrunner Charlotte Stoudt said: “For five seasons, these journalists have chased their dreams. Now we’ll see where their endeavors lead them. It’s been a privilege to write for this cast.”
Mimi Leder, executive producer and director, said: “It has been the honor and privilege of my career to bring this series from conception to conclusion. It’s been a meaningful journey.”
Cast and Production
The ensemble cast is led by Jennifer Aniston, Reese Witherspoon, Billy Crudup, Mark Duplass, Nestor Carbonell, Karen Pittman, Nicole Beharie, and Jon Hamm. Season five will include new additions Jeff Daniels, Reneé Rapp, Jesse Williams, Sean Hayes, Lizzy Caplan and others.
“The Morning Show” is showrun and executive produced by Charlotte Stoudt and directed and executive produced by Mimi Leder. It is produced by Media Res, with executive producers including Michael Ellenberg, Stoudt, Leder, Witherspoon and Neustadter for Hello Sunshine, and Aniston and Hahn for Echo Films. Zander Lehmann and Micah Schraft also executive produce.
Season four, currently streaming, is set in spring 2024 following the UBA-NBN merger and explores themes of responsibility, truth, and media in a polarized environment.
Awards and Recognition
The series has received multiple award nominations and wins. Season three earned 16 Emmy nominations, with Billy Crudup winning his second Emmy for Outstanding Supporting Actor in a Drama Series. The show has also received Critics Choice Awards, SAG Awards, and recognition from the American Film Institute.
MacDailyNews Take: For us, “The Morning Show” ended sometime early in season 3. Steve Carell’s Mitch Kessler was the glue that held our eyeballs. Without him, buh-bye.
However, despite losing us, seasons 3 and 4 both performed well enough for renewals. The show has remained culturally visible and continues to generate headlines. There have been no leaks or reports about catastrophic drops in viewership that typically precede abrupt cancellations. So, this reads as a mutual, planned ending rather than a forced cancellation due to bad numbers. Apple and the producers likely decided together that five seasons provided the right arc for the series, especially with expensive talent and a desire to end relatively strongly.
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