Avatar: Fire and Ash was a box office smash hit when it dropped in December 2025, and it's easy to see why. Compelling characters, breathtaking action, beautiful environments, and an array of wondrous alien creatures.

We've explored the strange creatures of the Avatar universe before, but now that the third movie has finally hit Disney+, we're taking another look at three more awe-inspiring alien creatures from these movies, including some new stunners introduced in Fire & Ash.

If you’re more of an RDA fan (or at least admire the humans’ technology), we also took a good look at Avatar’s most iconic spaceships and vehicles. James Cameron rarely misses when it comes to gorgeous sci-fi designs — man-made or natural — and eagle-eyed veterans might even spot an explicit reference (which we won’t spoil here) to Aliens in Fire and Ash.

It might be a while before we get more updates on Avatar 4 and 5’s status, so if you're itching to explore Pandora more after watching Fire and Ash on Disney+, then you should also check out the video game, Avatar: Frontiers of Pandora. Ubisoft’s open-world game is a memorable – and surprisingly brutal at times – experience, but it also lets fans explore the world, see the creatures, and dive deeper into the lore.

Now, let's mask up and prepare to drop into the wilderness of Pandora as we look at three of the Avatar series’ coolest (and weirdest) alien creatures.

Akula

First seen in Avatar: The Way of Water, the akula is a carnivorous fish that essentially acts as the great white shark of Pandora’s oceans, though it’ll remind paleofanatics of Earth’s armored Dunkleosteus. Its most shocking feature — and one perfectly showcased when it tries to eat Lo’ak in the second movie — is a three-part jaw that opens up in a big triangular shape.

Like most creatures in the Pandoran seas, the akula is important to the Metkayina’s culture. Those Na’vi choose to model their traditional knives after the teeth of the fearsome creature, and some members of the tribe even wear the akula’s actual teeth with necklaces. It’s terrifying to them, too, and thus deserves respect.

The lead creature designer on the Avatar sequels, Zachary Berger, revealed the process behind the akula’s creation, stating the basis for the final design was born from a sketch Wētā Workshop had done a long time ago. Unsurprisingly, it seems the mouth “reveal” was the final touch the otherwise familiar design needed to fully come together.

Nightwraith (ska’avum)

Another scary aerial predator introduced in the sequels is the nightwraith, which the Na’vi call ska’avum.

First seen in Fire and Ash as the ride of choice of villain Varang, it’s a four-winged monster with folding vanes that give it a distinct shape against the sky. It’s also slightly larger in size than the more common ikran, as seen during Varang and Neytiri’s ferocious clashes. Moreover, its “bony crests” give it an additional edge when it comes to attack and defense.

As far as we know, Varang is the only Na’vi to ride a nightwraith. This is a good fit considering the character’s fiery nature, but it wasn’t always the plan, as her aerial partner wasn’t defined in the script and was developed into an all-new creature after shooting had wrapped. Word is that Varang was originally meant to ride an armored ikran instead.

Southern squidray (tsyong)

Fire and Ash also added Pandora’s own giant squids to the already crowded bestiary, and those things are gnarly... even outside the water. When Eywa goes to war (again) during that third act, things get scary very fast if you’re on the human invaders’ side. Enter the four-eyed southern squidray, called tsyong by the Na’vi.

With razor-toothed tentacles and an oversized beak that opens up horizontally and can bite through most natural materials, these deep-sea hunters can feed on almost any other animal in the sea due to their impressive speed and strength in numbers.

Even the agile ilu have a hard time escaping them, so you can quickly understand why the Na’vi treat them as “dark spirits” sent by Eywa to judge. By the end of the third Avatar movie, the RDA is the one being judged (harshly) by the nightmare-inducing cephalopods.

Adult Swim's smash animated series "Rick and Morty" recently unleashed its ninth season, and it's already shaping up to be one of the best seasons so far, with plenty of interdimensional shenanigans, existential excursions, evolutionary entanglements, hostile living room furniture, a potential trip to Boob World, and Pool Time!

We chatted to the creators Dan Harmon and Scott Marder earlier this month, but now we're catching up with the main cast to hear from Ian Cardoni (Rick), Sarah Chalke (Beth), Harry Belden (Morty), and Spencer Grammer (Summer) on the rigors of voice acting, playing in the multiverse, and watching all your plosives.

"We've got what we would consider classic adventures, balanced by a lot of fresh and new directions for these characters and for these stories," Cardoni tells Space.

"I can honestly say that some of my favorite moments of episodes of the whole series run are coming in season 9, and I'm excited for fans to see that. Sci-fi in its best form is human stories. It may be our future, and I think we get glimpses of that by tapping into the human elements. With all the wacky hijinks that take place, we're in for a really amazing season and some real good science fiction."

Those hijinks call for some suitably animated vocal performances from the vast though. "These are voices that take a toll, even when it’s not a session, when it requires the intense gravel or yelling of Rick," explains Cardoni.

"It requires your full instrument. I like to prep with a full cardio workout because oxygen support is what you need. Then I go on vocal rest before and after sessions. I have all kinds of warm, hot, viscous liquids to soothe. I use a vocal steamer. Harry [Belden] is really religious about his regimen, but I’ve got my own way to get myself into the voice, but not burn out. Voice acting is acting. And the show doesn’t pull any punches emotionally."

Chalke relishes her time playing Beth and Space Beth and adamantly declares season 9 as her favorite season they’ve ever done.

"There's a couple of specific episodes, 'Salute Your Morts' and 'Jer Bud' where you really get to go deeper into the relationships," she notes. "The fun part of 'Rick and Morty' as an actor is all the unique challenges because there's no limits and because it's a multiverse and because the show can go anywhere, you’re always doing things with your voice you've never done before.

"None of us have to do the voice intensity Ian does with Rick. You're working those vocal chords so hard with the burping and all of that," Chalke remarks to Cardoni. "For me, Space Beth is more in that direction than Beth. So I always record all of that first and Space Beth second because she has more of a gravelly, raspy quality to it. It's whatever you need to do to make it grounded and as real as you can."

For Belden, it was gratifying for Morty to experience a great deal of personal growth this season.

"There are a lot of intense situations that he finds himself in, and I’m excited for fans to see him go through that and come out the other side," he adds. "For me, my favorite episode is going to be the finale ["Field of Dreams"] for sure, and the journey that Morty goes on. There's so much good stuff in there."

Regarding his own regimen of keeping his vocal health tip-top, Belden explains:

"I like to run a couple of miles before I start, stretch out the entire body, do the actual vocal warmups. Morty being such a particular voice, I need a lot of breath support, so I have a wide stance and create a powerful base. I’m expanding my ribcage to support myself. And that’s not without even getting into tongue placement, spreading your lips wide to get the sound out, watching your plosives on the letter 'p.' It's all this stuff you would never ever think about."

Grammer is thrilled to see some fan favorite characters make return cameos in season 9, as we get to watch Summer and Morty just being terrible teenagers, and loves the fact that the Smith family gets a swimming pool.

"I kind of learned on the job about 14 years ago," she reveals. "I was trained as an actor though, so I have a pretty good vocal ability. But it's very demanding, especially as you get older. There’s these tiny muscles and tiny folds. The last few years, I’ve really devoted to vocal health and got to a place where I can comfortably do the Summer role really well."

Grammer has really embraced the role of Summer, but it's also led to some major lifestyle changes for her. "You have to choose where you want to live. I don’t see a lot of people now. I just work a lot", explains Grammer.

"I can’t go to a party that’s going to be loud and talk to people. And that's fine. Alcohol is really bad for hydration, so I don’t really drink anymore. I’m constantly drinking water or something really slimy all the time. I have a whole kit of just things for your voice that I always take with me."

Executive produced by Dan Harmon and showrunner Scott Marder, "Rick and Morty season 9" airs Sundays at 11 p.m. on Cartoon Network's Adult Swim, and will also begin streaming weekly on Hulu and HBO Max starting June 15, 2026.

'Project Hail Mary' has finally landed on a streaming service, though maybe not the one you were expecting.

Amazon MGM Studios' "Project Hail Mary" recently launched (June 18) first on the MGM+ streaming platform, which is a sister site to Prime Video, after its 90-day theatrical window was up. As a bonus, there is a summer deal that lets you snag the Amazon Prime Video MGM+ channel for $0.99/month for 2 months. Be quick, though; this offer ends June 26.

"Project Hail Mary" sees reluctant astronaut Ryland Grace embarking on a cosmic rescue mission to save Earth, aided by a stone-skinned alien named Rocky. Fans looking for the Ryan Gosling space epic to show up on Prime Video out of the gate might be a little surprised, but as they say, That’s Hollywood, Baby.

Why MGM+ and not Amazon Prime Video?

Since Amazon MGM Studios is both a theatrical and streaming studio, deals are often shifted depending on the different monetization models involved.

In "Project Hail Mary's" case, MGM+ becomes the initial outlet for streaming and PVOD, with Prime Video as the secondary streaming destination. Movies making their first streaming stop on Prime Video, like "Red One," are handled differently within the corporation, especially if their costs were paid by Prime Video.

Directed by Phil Lord and Chris Miller, "Project Hail Mary" was a certified crowd-pleaser after a juggernaut marketing campaign that saw waves of teasers, trailers, clips, and interview videos anywhere and everywhere, which helped to catapult the popular sci-fi film adapted from Andy Weir's bestselling novel to a decent $678 million global haul.

Amazon, the behemoth parent company of both Prime Video and MGM+, possibly also made a decision to deliver the spring blockbuster initially to MGM+ as an enticement to lure prospective customers to the much smaller platform as a way to drive up subscription numbers. Prime Video's sweet MGM+ deal is further evidence of this plan's logic.

For now, "Project Hail Mary"'s interstellar odyssey is available exclusively on MGM+, but we’ll keep you updated when its official Prime Video date arrives.