Researchers from the Université Polytechnique Hauts-de-France have revealed a technique that successfully analyzed several Vincent van Gogh artworks at a microscopic level to correctly identify well-known, previously identified forgeries from recently authenticated ones

The research team behind the pioneering, non-invasive art authentication process said their approach could provide museums, collectors, and art auction houses with a previously unavailable tool with a proven, scientifically based track record for identifying fake or counterfeit art.

Using Microscopic-Level Surface Scans to Foil Art Forgery

According to a press release announcing the successful counterfeit identification tests, art forgery is an increasingly complex problem. However, the traditional approach of expert opinion combined with historical research and invasive pigment analysis has not always proven successful, with the study authors noting that such methods are “often inconclusive,” leaving museums and collectors to shoulder most of the risk for difficult-to-authenticate works.

More recently, collectors and auctioneers have turned to science for answers, including a report showing that AI may have identified as many as 40 counterfeit artworks sold on online marketplaces. Although no counterfeit versions of Van Gogh’s works were found, that same effort identified potentially fake versions of paintings by Monet and Renoir that were indistinguishable from authentic ones.

In 2023, researchers at the University of Sydney announced the development of a cutting-edge microscope capable of surpassing the diffraction limit. In that story, study co-author Professor Boris Kuhlmey noted that the method, which is ideal for identifying microchip irregularities, “could even be used to reveal hidden layers in artwork, perhaps proving useful in uncovering art forgery or hidden works.”

Last month, The Debrief reported the discovery of a mathematical pattern in many famous expressionist artworks, noting that many abstract artists may naturally arrange shapes and patterns in similar ways, even without knowing the mathematics behind them. If correct, this concept could use science and mathematics to separate fake Impressionist works.

Now, the Université Polytechnique Hauts-de-France team says their new approach takes modern technology a step further, resulting in an unprecedented level of accuracy.

“Fractal Analysis Gives Us a Measurable Fingerprint of an Artist’s Brushwork” 

Unlike the above techniques, the new approach analyzes the texture of a painting’s surface at the microscopic level by converting high-resolution images into three-dimensional surface ‘maps’ of the painting’s upper layers. According to the study authors, the extracted “texture” of a painting allows them to measure an image’s roughness and detail using fractal math. For example, the team said that the subtle patterns of an artist’s brush stroke are so consistent “that they act like a morphological signature unique to that artist.” 

“Fractal analysis gives us a measurable fingerprint of an artist’s brushwork without needing to sample or disturb the painting,” explained Francois Berkmans, the study’s lead researcher.

To test their approach, the researchers scanned several artworks attributed to Renaissance artist Vincent van Gogh. The researchers also used their technique to study the mathematical texture of an artwork called The Plowmen, which the team noted is a “well-documented fake.” Last, they used their method to analyze another Vincent van Gogh work, Sunset at Montmajur, which was authenticated in 2013.

After running their microscopic surface analysis, the team’s new system identified The Plowmen as a “strong outlier” compared to the artist’s other works. Conversely, the new method determined that the two newly authenticated paintings “aligned closely with Van Gogh’s known works.”

New Method “Strengthens” Traditional Analysis as a Complimentary Tool

When discussing the study’s results, Berkmans said their technique “can clearly point out genuine artists and reliably detect known forgeries.” Along with identifying fakes and authentic works, the team said that the new approach successfully separated Van Gogh’s stylistic signatures from those of 17th‑century painter David Klöcker Ehrenstrahl, an achievement they heralded as demonstrating the technology’s “wider potential.” 

Although the new approach had successes, the team said it is not designed to replace current approaches, including complementary analyses such as the chemical examination of materials. Instead, they said their surface-texture approach should be used as a complementary tool to strengthen authentication, resulting in a multifaceted approach that can reduce risk for collectors, museums, and auction houses alike.

“This approach won’t replace traditional expertise, but it significantly strengthens it.”

The study “Preserving Van Gogh’s Painterly Heritage: Topographical and Fractal Insights in Authentication” was published in Surface Topography Metrology and Properties.

Christopher Plain is a Science Fiction and Fantasy novelist and Head Science Writer at The Debrief. Follow and connect with him on X, learn about his books at plainfiction.com, or email him directly at christopher@thedebrief.org.

Archaeologists working with the Israeli Antiquities Authority have announced the discovery and excavation of a cave located just outside the town of Fureidis, which has revealed signs of early human presence dating back to between 250,000 and 400,000 years ago.

The team of researchers behind the ongoing excavation said the fortuitous discovery could represent a “time capsule” that has remained sealed for hundreds of thousands of years, offering researchers an unprecedented glimpse into a critical period in human evolution.

Ancient Cave Contains Evidence of Critical Period in Human Evolution

According to a statement emailed to The Debrief, the ancient cave, which lies south of Haifa, near the Zikhron Ya’akov interchange, likely dates back to sometime between 400,000 and 250,000 years before present. The team notes that the range would mean it was sealed since the time of the Acheulo-Yabrudian culture, a period when ancient human ancestors began to display several complex tool-making skills, including various stone blade designs which were in use by hominins until around 300,000 years ago, marking the end of the Lower Paleolithic period.

“The culture we are investigating here was characterized by a variety of advanced methods for producing flint tools, including small sharp handaxes, scrapers, and blades,” explained Dr. Kobi Vardi, head of the Prehistory Branch at the Israel Antiquities Authority and the study’s co-director.

Most archaeologists put the African departure date of the last common ancestor of humans and Neanderthals between 700,000 and 500,000 years ago, and the first genetic interbreeding between the two species around 130,000-1,000,000 years ago. Therefore, finding a sealed cave containing relics from the period between these two critical evolutionary junctures offers the research team an unprecedented opportunity.

“We have been fortunate to excavate a unique site of global importance that has been protected from the ravages of time thanks to the exceptional conditions that existed here,” said team member Professor Ron Shimelmitz of the Zinman Institute of Archaeology and the School of Archaeology and Maritime Cultures at the University of Haifa.

Dr. Vardi agreed, noting that “It is very rare to find a site in such a state of preservation.”

“Every prehistorian who visits the site is absolutely thrilled,” he added.

“The Seeds That Led to the Development of Our Complex Culture”

In that same statement, Prof. Shimelmitz noted that the end of the Lower Paleolithic was a “unique time period” before Neanderthals and modern humans became the dominant hominids of the era and spread across “many regions.”

“Only a handful of sites from this important phase have been uncovered in Israel, and the wider Levant, and most of them are inaccessible for research,” the professor explained, adding that marked changes in human physiology, technology, and social organization “foreshadowed the traits and complex behavioral patterns that developed later and characterize both Neanderthals and modern humans.”

One component that helped facilitate the development of complex culture, highlighted by Prof. Shimelmitz, is the transition from ancient humans living in larger groups. He also emphasized the advent of human ancestors “spending longer periods at the same sites.”

Early excavations have already uncovered evidence of what the researcher termed “intensive use of fire.” These early forays have also found signs of prolonged human activity. Prof Shimelmitz said these signs suggest a “complex and rich camp life.”

Dr Vardi said that the ongoing excavation is uncovering animal bones, including ancient specimens of fallow deer, gazelle, and an ancient variety of horse.

Dr. Vardi also noted that these finds were discovered “alongside evidence of the presence of water,” which he suggests may have made the ancient cave an attractive location for hunter-gatherer groups inhabiting the region at the time.

High Resolution Studies of How Ancient Humans Lived

When discussing the implications of their findings, Prof. Shimelmitz first expressed the team’s appreciation for the financial support and enthusiasm shown by the project’s sponsor, the Ayalon Highways Company, “in enabling us to undertake the excavation.”

As for the scientific value of their initial discoveries and the potential for further insights into this period in human history, the professor noted that findings to date are typically associated with “the development of social cooperation and the transmission of knowledge, as part of the processes of human evolution.”

Dr. Vardi echoed those sentiments, while also noting that the ancient cave’s archaeological value “is no less important” than that of the well-known Nahal Me’arot site from the same evolutionarily critical period.

“(This site) will allow us to study in high resolution how humans lived at that time,” the researcher added.

Given the importance the research team put on the site, which included co-leader Amit Gabbay, the Israel Antiquities Authority and the University of Haifa are already putting forth what they describe as a “large-scale research program that seeks to reconstruct how humans lived, adapted to their environment, and developed new lifestyles and technologies over the course of human evolution.”

Along with heralding the site’s scientific value, the researchers highlighted its cultural importance by declaring their goal to make the site “open and accessible to all: to the residents of Fureidis, students at the nearby school, and anyone interested in the prehistory of the region,” once the formal excavations are completed.

Christopher Plain is a Science Fiction and Fantasy novelist and Head Science Writer at The Debrief. Follow and connect with him on X, learn about his books at plainfiction.com, or email him directly at christopher@thedebrief.org.