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MacVoices #26229: Macstock – Using Blockchain to Protect and Preserve Creator Content with Alessandra White

At Macstock, Alessandra White explains how blockchain can give creators greater control and permanence over their digital content. She discusses Hive, decentralized publishing, digital sovereignty, and ways creators can preserve posts and videos beyond centralized platforms. The conversation also examines blockchain’s permanence, including the trade-off that published material cannot simply be deleted…ever.  http://traffic.libsyn.com/maclevelten/MV26229.mp3 This MacVoices […]

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MacVoices #26221: Max Mellman Introduces ‘I Love A Piano’

At Macstock 2026, Max Mellman showed off his his iPhone app, I Love a Piano. Max explains how the app stands out through realistic haptic feedback, intuitive navigation, portrait and landscape support, and a design that encourages exploration instead of intimidation. Chuck and Max also discuss his inspiration, teaching carrer, future iPad support, and broader […]

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MacVoices #26219: Toby Schmitz, The Youngest Macstock Attendee, On Creativity and Entrepreneurship

Toby Schmitz was the youngest attendee at Macstock X, so his perspective on how the conference and the accompanying Ecamm Creator Camp gave him the confidence and practical guidance to begin his own YouTube channel, podcast, and livestream. He reflects on learning from a wide variety of sessions, the influence of his family of creators, […]

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MacVoices #26215: Catching Up with Adam Christianson at Macstock 2026

In a conversation at Macstock 2026, Adam Christianson reflects on retiring the MacCast, joining Mac Geek Gab, and starting the Debut Film Podcast with his daughter. He also explains how his views on AI have evolved, how ChatGPT and Claude support his programming work, why human oversight remains essential, and what AI may mean for […]

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MacVoices #26160: Jeff Gadway of Clicks On Their Power Keyboard and Clicks Communicator

In a catch-up interview after a lost CES interview, Jeff Gadway, SVP for Clicks discusses the Power Keyboard, a universal MagSafe-style Bluetooth keyboard and power bank for iPhone, Android, tablets, TVs, and more. He also details the Clicks Communicator, a smartphone built around physical keys, purposeful communication, productivity, security, and the idea of a task-focused […]

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MacVoices #26150: Setapp by MacPaw Enhances Options for Both Developers and Customers

MacPaw's Maria Polishchuk, Head of Business Development and  and Product Manager Pavlo Haidamak, discuss Setapp's new expansion beyond its traditional subscription model. They explain new individual app purchases, developer subscription options, AI Gateway integration, app review standards, and support for indie and vibe-coded apps. The discussion covers developer challenges such as discovery, monetization, security, and how Setapp aims to help with those factors as well as giving customers more software choices. 

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Musician and entrepreneur Tom Vek is building a digital music player, but don’t call it retro

Musician Tom Vek taking a selfie with his Sleevenote music player.
Tom, we can’t see your face. | Image: Tom Vek

Tom Vek burst onto the scene in 2005 with his album We Have Sound, which garnered a solid 7.6 from the tastemakers of the day over at Pitchfork. His undeniably catchy brand of dancy indietronica landed him an appearance on The OC and placement on the Grand Theft Auto IV soundtrack. His follow-up, Leisure Seizure, had a lengthy gestation period, but arrived in 2011 to similar success, reaching No. 79 on the UK charts.

Vek has continued to release music at regular intervals over the last 15 years, dropping Newer Symbols in 2022. But in 2020 he started toying with this idea he had for a music player called Sleevenote. Inspired by viny …

Read the full story at The Verge.

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Le point de bascule approche : et si la première intelligence à découvrir une vie extraterrestre n'était pas humaine ?

Vingt ans. C'est l'horizon à partir duquel le Dr. Paul Sanjoy cesse de parler d'outils et commence à parler d'acteurs. Des intelligences capables de définir leurs propres objectifs scientifiques, de diriger des essaims de robots, de maintenir des habitats en vie, de naviguer seules vers d'autres...

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Une nouvelle ère commence : comment l'IA s'apprête à rendre la vie possible sur la Lune et Mars

Et si l'IA ne se contentait plus d'assister l'exploration spatiale, mais en devenait l'architecture fondamentale ? Maintenance prédictive, autosuffisance sur Mars ou sur la Lune, défense orbitale, médecine autonome à des millions de kilomètres de tout secours : ce que prépare la prochaine...

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Angela Nissel faces down grief with a laugh

Angela Nissel
Angela Nissel smiles through the pain. | Image: Angela Nissel

Angela Nissel's latest book, Good Grief, Pass the Bread, Mom Is Dead, is my kind of memoir. Sure, it's a deeply emotional tale about caring for a terminally ill parent. But it's delivered with the sort of gallows humor that I often turn to to get me through tough times.

Of course, that sort of dark humor should come as no surprise from Nissel. She first made a splash with The Broke Diaries, which grew out of a blog she kept in college detailing her daily struggles and, at times, embarrassment at being a broke student. Eventually she went on to produce and write for hit shows including Scrubs and The Boondocks.

One of her most lasting cont …

Read the full story at The Verge.

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Synth historian Oli Freke will spend big on a good bicycle

Oli Freke is a musician and journalist whose works have appeared in Sound on Sound, The Quietus, and Mixmag. This has included using math to explore the melodic potential of the Western 12-tone scale and deep dives on effects plug-ins. He's even written a book tracing the evolution of the synthesizer from 1963 through 1995, charting the change from analog to digital and back.

His new project is Beat Gems, a coffee-table visual history of drum machines from publisher Bjooks. Like other Bjooks titles, Beat Gems is loaded with gorgeous photos, fascinating historical tidbits, and practical advice for making the most of your gear, whether it's …

Read the full story at The Verge.

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« Une mosaïque de mosaïques de mosaïques » : les coulisses de cette photo de la Voie lactée avec 60 millions d’étoiles !

Jean-Charles Cuillandre, astronome au CEA et membre de la mission Euclid, nous explique les secrets derrière la photo spectaculaire du centre de la Voie lactée acquise par le télescope spatial Euclid de 1,2 mètre de diamètre. Décryptage d'un processus invisible aux yeux du public, mais qui rend...

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Robbin Tian : « SAMDUO veut devenir la référence mondiale en matière d'intelligence énergétique domestique »

Nouveau acteur sur le marché du solaire, SAMDUO affiche de grandes ambitions. Le fabricant chinois a mis au point la batterie domestique la plus fine au monde, et entend devenir un acteur incontournable de la transition énergétique en Europe.

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The Guardian’s Carter Sherman fondly remembers being terrified by Ocarina of Time

Carter Sherman sitting on a the floor in front of a couch, instead of just on it for some reason.
Carter, there’s a couch RIGHT THERE. | Image:

Carter Sherman has been covering sex, gender, and the complex personal and national politics that accompany them for years. She was a senior reporter for Vice and has written for Elle, Ms. magazine, and Los Angeles magazine as well. Along the way, she's garnered a Scripps Howard Award, a National Press Club Journalism Award, and four Emmy nominations.

She's also the author of The Second Coming: Sex and the Next Generation's Fight Over Its Future. That book looks at how the internet and our polarized political landscape have changed sex and relationships, from school board battles over sex ed to abortion access. These days she finds herself …

Read the full story at The Verge.

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« La Lune, avant de la conquérir, il faut la comprendre » : l’ESA défend une exploration spatiale plus utile

La Lune s'impose aujourd'hui comme l'enjeu central d'une nouvelle compétition spatiale mondiale. Mais derrière les annonces enthousiastes et les promesses d'une installation durable, quelle est la réalité ? James David Carpenter, responsable du Bureau des sciences lunaires à l'Agence spatiale...

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Musician and YouTuber Hainbach on ‘Breath of the Wild’ and Swiss Army Knives

A black and white photo of Hainbach at a table with two pieces of scientific equipment that he uses to make music.
Indulging in the “Dark Souls of synthesis.” | Image: Aleksander Stojanov / Hainbach

Stefan Paul Goetsch, better known as Hainbach, is a German experimental composer, artist, and YouTuber who is perhaps most famous for making music with laboratory equipment and scientific instruments. He describes it as being like the "Dark Souls of synthesis." Despite using "hard mode" production techniques that often rely on telephone line testing equipment and gear salvaged from nuclear testing facilities, Hainbach is also incredibly prolific, releasing six albums in 2025 alone, along with a handful of singles and EPs. His latest, Gentle Hum, is a collaboration with Ah! Kosmos (Turkish composer, Başak Günak). The album is a melancholic co …

Read the full story at The Verge.

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In season 2 of Sugar, Colin Farrell’s quirky detective becomes much more human

A still photo from the Apple TV series Sugar.

When Colin Farrell was doing press for the first season of the detective series Sugar, he had to be very careful with how he spoke. Sugar is a story about a quirky private detective, but it's also secretly a work of science fiction, something that doesn't become clear until halfway through the season. "I knew that I could get the show in deep shit if I revealed certain things," he tells me. Now as Sugar heads into its next season, which starts streaming on Apple TV on June 19th, Farrell says he feels "unburdened" by the previous veil of secrecy. "There are certain things I wouldn't mention here about season 2," he says, "but nothing as big a …

Read the full story at The Verge.

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Gilles Babinet : « Il faut réfléchir à ce qui nous différencie des algorithmes, et réinventer notre singularité »

Alors que l'IA connaît une phase d'expansion extrêmement rapide, cette technologie est désormais capable de traiter tout type de tâches aussi efficacement, et même plus efficacement, que les humains. Dès lors, comment nous positionner face aux machines ? 

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