Nothing Ear (3a): Two-minute review

Sometimes, reviews are written with a heavy heart, and this is exactly that. I've championed Nothing's affordable "(a)" earbuds for well over two years — with the updated pink set for 2026 appearing to be right up my strasse. But all is not as it first appears.

The issues don't concern their cost. Like before, they come in at just under $100 and are therefore a candidate for our best budget earbuds guide.

Bizarrely, for the review star rating, I also have very few bones to pick with audio quality, which is still best pals with LDAC and now with Bluetooth 6.0 for a stronger connection. I recommend you tweak the sound profile from the box, mind — it's overly bassy by default — but that's hardly unheard of for earbuds at this level, and it can be rectified with a little effort.

It would have been lovely if Nothing had allowed its special sonic tests (for personalised EQ profile curation done by Nothing's software, rather than you tweaking sliders or blobs yourself) to be made available here, but the company has clearly decided that its three-minute hearing test is flagship only — although there is a new "Advanced" 8-band EQ tab with "Q factor" (more on this later).

What of the comfort levels and overall build quality? Here you get everything you'd expect of Nothing: rock-solid, colorful, and with just a couple of new flourishes to enjoy. Battery life has taken a knock, but that might possibly be down to having to work a bigger driver.

So what's the main problem? Actually there are two: Call Recording and Audio Snapshot (sometimes referred to as Audio Capture in Nothing's extensive marketing). Nobody asked for these features and, honestly, they're not the USP I wanted — even as a journalist who interviews people regularly.

None of the best noise-cancelling earbuds we recommend come with these features, but that's hardly a problem in itself. Such tech exists in the world, obviously; I point you to the Viaim RecDot, for example. But the Viaim's buds publicise their raison d'etre; there's a visible "record" button on the case, a light for in-person meetings, and a business-class $249.99 / £185 price tag. That's not the case with Nothing's version, where a surreptitious squeeze of the stem kicks off audio capture of your current call (or whatsapp voice note) in a set of buds that otherwise seem to scream "I'm a bit of fun!"

As with the RecDot, Nothing offers tech to transcribe your recordings (and not just on its own phones, either) — to a point. You get three months of its Pro Transcription service for free, with 120 minutes to use each month. And after the trial? Nothing tells me official pricing hasn't yet been finalised, but will be decided in August. If it was hard to recommend such a package before, it's even harder now when one doesn't know how much it will cost.

I can't help but feel that Nothing has taken a wrong turn here. I'd much rather have seen fan-favorite features such as personalised sound profiles and/or wireless charging rather than in-call recording. Some TechRadar team members have suggested I make like Elsa and just Let It Go, but in a year when consumer tech already feels uncomfortably intrusive (Meta, I'm looking at you with those smart glasses), adding call and voice note recording feels like a step too far. It's important to question where these features are taking us.

At $99 / £99, the price is definitely right. I'm just not sure the feature set is…

Nothing Ear (3a) review: Price & release date

• Released on July 7, 2026
• Priced $99 / £99 / around AU$192, same as the 2024 Ear (a)

The Nothing Ear (3a) cost the same as their predecessor, priced at $99 / £99.

Although the name might suggest otherwise, these are the direct successors to the excellent, five-star Nothing Ear (a) from 2024 – there was never a Nothing Ear (1a) or Nothing Ear (2a). They also slot nicely alongside the still-current but more expensive Nothing Ear (3), with the shared 3 denoting that they're part of the same generation.

The Ear (a) are some of the best budget earbuds I've ever had the pleasure of testing, and I'd looked forward to their update ever since word was out that it was coming.

Key rivals to the Nothing Ear (3a) include the Apple AirPods 4, which offer gesture control alongside a few other iPhone-exclusive features, or, for a little less, the five-star Cambridge Audio Melomania A100. If you're tempted by open earbuds instead, the Huawei FreeArc or even clip-style SoundPEATS Clip1 can both be picked up for less than the Nothing Ear (3a) right now, making them excellent-value alternatives.

Nothing Ear (3a) review: Specs

Nothing Ear (3a) review: Features

• Bluetooth 6.0 (15m range) with LDAC support
• Improved ANC (cancellation up to 45 dB, effective to 5 kHz)
• Pinch stems for Call Recording/Audio Snapshot, no Nothing phone required

It would be easy to say, "Look, you don't like the cutesy branding of Nothing's new 'Audio Snapshot' offering? Don't use it — there's still plenty to like for $99!" but let's dig in to see why the take is not so simple.

Firstly, we should get granular on what Audio Snapshot and Call Recording do, and what they cannot do. I mentioned above that as a journalist, I regularly record interviews, often over Zoom, Google Meet or even Microsoft Teams. When set up as an interview, my subjects usually take it as a given that I will be recording — and where I reside in the UK, it is legal to record calls, even without consent from the other party. I still always ask.

In the US, however, the laws on recording phone calls are different, varying from state to state. For calls crossing state lines, the stricter 'two party consent' law (as per the Federal Wiretap Act) applies, where both parties on a call must consent to a recording.

So what is Nothing doing about it? In its reviewers' guide, the company says it "aligns with internationally recognised privacy standards ISO 27001, ISO 27701 and EN 18031". To this end, during setup, the Nothing X app also displays a short tutorial reminding users to obtain permission before recording calls — as shown below.

Interestingly, on a traditional phone call made in the UK, the "prompt" Nothing promises will be played to everyone on the call is a simple beep. On Google Meet, a female voice announces "This call will be recorded in 3, 2, 1", presumably so anyone not OK with that can scream "Oh no you don't!". From smartphone to smartphone, there's no vocal.

Thanks to the Nothing Ear (3a)'s 32MB of onboard storage, you can start recording with just a pinch of the stems, storing up to two hours of audio on the earbuds themselves. You can also record and transcribe voice notes from apps such as Instagram or WhatsApp — and from August, Nothing says it will add summaries of call recordings, speaker identification and the ability to create calendar reminders based on what was discussed.

What these earbuds can't do is record conversations that take place around you, or indeed your own voice. So, thankfully, there's no scope for eavesdropping around the water cooler.

However, my thoughts on this are clear— I'm not wholly OK with it. It puts the onus on buyers to adhere to laws, and opens the door for flouting rules of consent. I tried muting my mics to see whether the beep could be silenced, but it still plays for the person on the other end of the call to signal that recording has begun. Nevertheless, I think I've made my concerns around this feature clear.

Elsewhere, you get Bluetooth v6.0 and LDAC support for hi-res audio (the Sony-developed codec that lets you stream high-resolution audio up to 32-bit/96kHz over Bluetooth at up to 990kbps, if your device supports it and the file is up to scratch). While the predecessor did also include the latter, it remains a valuable inclusion here.

There's also onboard spatial audio, albeit of the "static" variety rather than head-tracked spatial audio that keeps the sound anchored to your source device as you move your head. It adds a little extra depth and height to the presentation, but for me, the effect is decidedly light-touch compared to what you get from pricier earbuds.

Note that you don't get the Ear (3)'s splendid personalized hearing tests, or the useful "walkie-talkie" Super Mic. That said, there's in-ear detection (to pause music when you remove the buds and resume it when they're in), a low-lag toggle for gaming, seamless pairing, multipoint to two devices, an ear-tip fit test and a Find My Earbuds feature, which emits a rattlesnake-style sound from whichever bud you're trying to locate, to help you find it.

Nothing's Transparency mode is decent. It's a little warm, but it still delivers a more three-dimensional presentation than many buds at this level. I could hear the placement of the TV, voices in my home and a dog outside, rather than all of these sounds appearing tinny, omnipresent and seemingly on top of one another.

When deploying ANC (rather than "Transparency" or "Off"), you can once again select from High, Mid, Low, and Adaptive noise-nixing profiles. High is decent: Nothing tells me performance is up to 45dB (effective to 5 kHz), which equates to a 17.1% improvement compared to the Ear (a), thanks to a software upgrade and improved architecture regarding where the mic sits.

The issue in 2026 is the existence of the AirPods Pro 3 and Bose QuietComfort Ultra Earbuds (Gen 2). Although it would be unfair to compare like for like, owing to the chasm in pricing, you can get better if you're willing to pay for it. That said, the ANC here is no slouch, giving a fairly clean, largely uninterrupted and issue-free neutral background for my music.

If you have a Nothing Phone, the Nothing X app and the ChatGPT app, then you can once again you can also access ChatGPT access via the Ear (3a)'s stem; simply squeeze and talk.

The new EQ tab is now an eight-band offering (up from three in the older buds), as well as the more basic audio splodge Nothing made its own — and which I rather like since it reminds me of Nura True Pro's visual depictions, rather than a mixing desk. You also get five presets in the Advanced tab, and four in the Simple tab — but you can create your custom EQ using whichever system you prefer.

And I think you'll need to get familiar with these, as I'm about to explain…

• Features score: 4 / 5

Nothing Ear (3a) review: Sound quality

• LDAC support represents value
• Fun, V-shaped sound — if a little quiet
• A little bass-heavy from the box, but you can fix it

As was the case with their siblings, it would be wrong of me to knock Nothing Ear (3a) in the sonic department for this money. The sound quality is easily worthy of the outlay.

That said, there are a few points to bring to your attention.

Those with a Sony or Samsung smartphone (I used a Sony Xperia) will find much to celebrate in LDAC music streaming. In My Chemical Romance's The Ghost of You, guitars snake from my left to right ear in a cohesive mix — with Gerard Way's vocal central, petulant and every bit as emotive as I remember it in the mid-noughties.

Even when I stream Apple Music songs from my iPhone, the Nothing Ear (3a) offer ample width as my playlist continues to Thank You For the Venom and the intro guitars find a spacious home in my left ear. There's room around every stem in the mix to shine, but they're all held properly in check, even in this fast-paced and challenging song.

It's a little bass-heavy at times, though. Fleetwood Mac's The Chain is a good test of a regimented low-end, and alongside the kick-drums, I did lose just a little of Stevie Nicks, Christine McVie, and Lindsey Buckingham in that glorious upper harmony through the chorus. It seems to be Nothing's modus operandi to offer a bassy listen generally, and while I did find that the new Advanced EQ tab helped, I think the enhanced low-end went a little far here.

Nothing offers a "Q Factor" in addition to what you've just tweaked in the 8-band tab, to control the width or sharpness of your adjustment. So, imagine it as a "quality factor" (because that is what it stands for), where the number you select between 0.1 and 10 determines how wide or narrow of a frequency range is boosted or cut — all of this specific to your chosen frequency. Selecting a low Q Factor will generate a wider, more gentle curve to your adjustment, where a high Q Factor will make the change narrower, steeper and more effective around that specific frequency augmentation (or reduction).

I eased off the bass and selected a Q Factor of 3.2, but you must of course play with these things yourself — and sadly, Nothing hasn't included its hearing tests here, to check how perceptive your ears are within this particular tuning.

For dynamics and nuance, the Nothing Ear (3a) are perhaps a shade less engaging and arresting than I'm used to, owing to their volume. Once criticism often levelled at Nothing's budget earbuds is they don't go especially loud, and I frequently found myself listening above 50% volume. Also, since battery life is measured at that volume, it did mean the quoted "4.5-hour battery life with ANC deployed" claims although bang on, were still disappointing.

• Sound quality score: 4 / 5

Nothing Ear (3a) review: Design

• Curvier case
• That 1mm bigger driver is sucks up power
• And the battery life isn't great

Hold the Nothing Ear (3a) earpieces and case next to their older Nothing Ear (a) and you'll certainly struggle in a game of spot the difference. There's the color, obviously — also available in black, white and a slightly different yellow to the hue I love in this older set — and the 50% curvier case. There's also a trio of LEDs on the case that deliver a total of six status indications for battery status, pairing status, charging levels and so on.

For further tweaks, we have to look deeper.

The driver is now 12mm rather than 11mm and features an "aerospace-grade diaphragm". You also get an extra set of ear-tips in the box, four in total, and although the XS will appeal to owners of small ears, the actual earpieces here aren't tiny, despite being lighter in weight than Ear (a), at 4.53g versus 4.8g. The actual design of the tips has been finessed, too: they're a little thicker and more flared across the outer wall. I found the buds very secure, if a little big to accommodate comfortably over my small-ish ears over the course of long listening sessions.

I've said it before now and I'll say it again: I think we've reached a point of diminishing — perhaps even negative — returns when it comes to ever-larger earbud drivers. Every new release seems to tout a bigger driver without adding weight, as if bigger automatically means better. But where does it end? 13mm drivers? 15mm drivers? To my ears, the Ear (3a)'s 1mm larger driver hasn't negatively impacted the sound, but I don wonder if it's contributed to sthe shorter battery life. In my briefing, I was told the buds themselves would last 10 hours — but that turned out not to be the case.

While the battery in each earpiece — along with the larger driver and onboard 16MB flash drive — works hard to power the buds, it's only good for up to 6 hours without ANC, or 4.5 hours with ANC turned on. And remember, I had to pump the volume up higher than 50%, which the level at which those measurements are typically taken. With the case, you'll get up to 25 hours with ANC off, or up to 18 hours with it on.

None of these stats is much to write home about. Take Nothing's own Ear (a), which offered up to 9.5 hours of playback on a single charge with ANC off, and about 5.5 hours with ANC on. Now, consider the very inexpensive Cambridge Melomania A100, which offer 11 hours per charge or up to 39 hours with the case, along with aptX Lossless. I know which I'd rather take on long road-trips…

Again, Nothing's pinch-to-control stems return here, and while volume controls aren't enabled by default, you can assign them in the Nothing X app — provided you're happy to sacrifice another shortcut in the process.

While I'm here, a quick note on call-handling. It's absolutely clear and clean as a whistle, thanks to the 3 MEMS mics per bud.

• Design score: 4 / 5

Nothing Ear (3a) review: Value

• Still very good-looking earbuds
• Decent ANC; not so great for stamina
• LDAC adds value, but call-recording (for me, at least) is a no

Before now, I've always championed Nothing's "(a)" buds — and while the basics in the (3a) are fine, there are a few issues that are hard to ignore.

The Call Recording feature is top of the list here. More than any technical limitation, it's the privacy implications that concern me. Much as seeing someone wearing smart glasses now makes me wonder whether I'm being recorded, these earbuds leave me asking why someone might want to capture our conversations. I appreciate that some readers may see this as an overreaction, but it's a genuine concern for me, informed by my own experiences as a woman and former dancer who had to deal with overly familiar fans.

I think the audio quality here is perfectly acceptable for $99 / £99, but the stamina and feature set can be bettered. Even in the open earbuds market, I'd happily direct you to the cheaper Huawei FreeArc or SoundPEATS Clip1 over these earbuds.

• Value score: 4 / 5

Should I buy the Nothing Ear (3a)?

Nothing Ear (3a) scores

Solid generally, but with battery concerns and a potentially problematic call recording 'feature'

Features

4

Sound Quality

4

Design

4

Battery Life

2.5

Noise Cancellation

4.5

Value

4

Overall

4

012345

Group 1 Data

Product	Features ()	Sound Quality ()	Design ()	Battery Life ()	Noise Cancellation ()	Value ()	Overall ()
Nothing Ear (3a)	4	4	4	2.5	4.5	4	4

Buy them if...

Don't buy them if...

Nothing Ear (3a) review: Also consider

How I tested the Nothing Ear (3a)

• Tested for two weeks, listened against the Ear (a), Bose QuietComfort Ultra Earbuds (Gen 2), Technics EAH-AZ100 and AirPods 4
• Listened in the office, walking along a beach, on a train into London, into Central London and at home
• Listened to Tidal Masters, Apple Music Lossless tracks and Spotify on an iPhone 15 Pro, MacBook Pro and Sony Xperia smartphone

The Nothing Ear (3a) became my primary musical companions for well over two weeks — after a 48-hour run-in period.

They accompanied me to work (walking brusquely to our Paddington office and on the London Underground to various press events) and even walking on a beach at sunset.

To assess comfort levels, ANC and battery life claims, I followed TechRadar's meticulous methodology testing and found much of note — including slightly disappointing stamina.

To check the audio quality across the frequencies, I listened for several hours to my own reference playlists on Apple Music and Tidal, alongside TechRadar's reference tracks, plus podcasts and movies. Additionally, I wore them to watch YouTube tutorials from my MacBook Pro.

I’ve been testing audio products for well over seven years, full-time. As a dancer, aerialist and musical theater performer in another life, sound quality, fit, and user experience have always been a priority for me, but having heard how wonderful ANC can be when done well, I know what I'm listening to here, too.

Read more about how we test earbuds at TechRadar

• First reviewed: July 2026

• Audio engineer Cameron Oatley is better-known as 'GoldenSound'
• He's teamed up with Status to add a special tuning profile to its Pro X buds
• The result is Pro X GoldenSound; the fruit of impressively extensive labor

Sometimes in this job (as TechRadar's Audio Editor), I just get sent a set of earbuds and a press release. Sometimes, I'm invited to an online briefing so that a marketing rep can explain key terminology before I start my review process.

Rarely am I invited to a lovely pub in London, lulled into a false sense of security with a drink and a comfy chair and then taken through a brief but intense Doctorate in audio engineering.

I jest, of course. But if you've ever come into contact with either Status Audio (see the Status Audio Between 3ANC or Status Audio Pro X for previous examples of greatness) or Cameron Oatley, aka GoldenSound, you'll know that things are about to get decidedly audiophile. And given that this is a collab between the two, it's doubly so.

What you're looking at is the Status Pro X GoldenSound Edition. Yes, it's gold-tone on the top of the case and on the accents of the stems — but that's not all. Inbuilt here (and definitely not available in the non-GoldenSound variant) is a special new piece of software that Oatley thinks is the "most accurate tuning that a TWS product has ever had" and a "faithful recreation of real-world sound".

And this version will be $279 when it hits shelves in August (so $30 more than the current price of the Pro X, at $249) or around £209 / AU$400, give or take.

Status Audio Pro X GoldenSound: are listeners up for a Harmon Curve rewrite?

In terms of hardware, you're looking at everything built into the Status Audio Pro X, so two balanced armatures and a dynamic driver — something Status has been working with for some time and with no dearth of success.

But this time around, Oatley describes his granular approach to tuning thus: "What you measure is the IEM plus the impact of the rig" ie. your inner ear — albeit a metal tube to represent it with a mic at the end, for the purposes of his testing.

Oatley explains that the Harman Curve is often implemented incorrectly by audio engineers, because when it was developed in 2012 (and subsequently published in 2013, quickly becoming a trusted reference), true wireless earbuds hadn't yet been invented.

Because of this, the Harman Curve uses the pinna, or outer ear, as the reference point — ie. part of the "rig". But when developing in-ear products, from a purely sonic perspective (not including the creation of ANC antiphases) you can ignore the outer ear because the product starts within your ear canal. I know! Contrary to what we were taught as kids, the answer to 'My, what big ears you have!' isn't actually 'All the better to hear you with'…

How does all of this stack up against AirPods Pro 3?

I ask Oatley what he's most proud of with this project and he's surprisingly open: "Look, for ANC I think AirPods will always be tough to beat. But a lot of work has been done to make these sound better. These are for the user who wants the best possible sound in a true wireless design. I hope I've achieved that".

He then points me to a graph that's like the Harman Curve, but different. It's what he was able to achieve with the GoldenSound Edition. He's particularly proud of the graceful line between 80Hz and 100Hz, juicy bass frequencies he feels are more accurately relayed in the Pro X GoldenSound Edition. And I have to agree: in this area, these earbuds glitter like gold.

Let's get to the meat of the thing: listening. Both Status and GoldenSound actively encourage me to do this, and even set me up with a Qobuz screen, an LDAC source device and some AirPods Pro 3 for comparison. Oatley adds, "something tuned perfectly on a low codec is still better than something tuned badly on a higher codec", and while we all know you won't get LDAC out of AirPods, it's a very valid point.

Billie Eilish's Bad Guy is expansive and clean, with a snappy, impactful low end. Dire Straits' Money for Nothing is as brooding, snaking and exciting at the outset as you'd ever want it to be. ACDC's Back in Black? A head-nodding and beautifully regimented, cohesive mix.

What's gone are the… I hesitate to call them 'parlor tricks', but that typical V-shaped augmented treble one so often hears in designs of this type feels eased. And know this: the sound is altogether more open as a result.

It's not all glowing praise: during my limited time for an initial listen, you understand, I found Apple AirPods Pro 3's audio just marginally more woolly overall in direct comparison. That said, AirPods Pro 3 do have a slightly more soaring treble from the box. As such, some tracks sound more fun, forthright and zealous using the Apple product. It's the age old debate, isn't it: integrated hi-fi sound or fun, V-shaped in-ear mix?

I know my ear is keenly tuned to treble sounds (I've done the tests) but some listeners will love what's been achieved here. I spy an industry disruptor and no mistake. It's nothing if not interesting — and I'd say the industry standard was due a shake up.

I often find listeners might think they enjoy a certain tuning (typically, wearers might augment bass frequencies straight away) when in fact, if we play with their EQ settings, they actually prefer something quite different.

Here, Oatley hasn't given users the option to tweak his proprietary GoldenSound profile within the EQ settings, although you can select from 'Status Signature', 'Status Audiophile', 'Knowles Preferred' or 'Vocal Enhance' presets, or create your own using an 8-band tab set at neutral from the Status Hub app. Sadly, there's no similar visual for the presets so you really need to trust GoldenSound has done it right here. And given the extensive amount of work that's gone into them, I think your trust is well-placed.

This is not to be considered a full review, you understand. For that, I need more time. But what I can tell you right now is that the process won't be a hardship.

How many more times (and in how many more ways) can I say this? Nothing's most recent batch of colorful, joyful and hang it all refreshingly different listening gear is nothing short of excellent for the money.

And the thing is, those already-excellent asking fees have just been further reduced, in some cases by up to 49% off for Prime Day.

• View the full Amazon Prime Day sale

My pick of the over-ear headphones bunch would be the excellent noise-cancelling CMF Headphone Pro, which have absolutely no business looking this good, or indeed sounding so fabulously fun, for just $65 — a massive 34% off an original launch fee that's barely eight months old.

And if you're after earbuds, it'd be easy to just opt for the cheapest of the cheap, and let me be clear, 49% off the CMF Buds 2a, making them just $19.99 rather than $39 is incredibly low, however you try to slice it. But for me, the Nothing Ear (a) still win out, with a new lowest-seen price of just $53.20 (was $99 at launch, although $79 is their most-recent discounted price) .

And I'm not even done! I also love the firm's second stab at flagship headphones, the Nothing Headphone (a), not to be confused with the inaugural Heaphone (1) which do not feature in this list (yes, I know Nothing's naming strategy can be confusing. That's why you stick with me). No, this newer, far better set of over-ears retains the unusual aesthetic of the original effort but adds much better, fuller, more expansive audio and offers excellent on-ear controls to further enhance it all, plus a battery life that's, well, nothing short of excellent.

Not after headphones or earbuds? It's OK, you can see the best of the new deals, as they drop, in our Amazon Prime Day live blog.

Nothing's insane Prime Day savings – quick links

• CMF by Nothing Headphone Pro: was $99, now just $61.75
• Nothing Headphone (a): was $199, now just $151.05
• CMF by Nothing Buds 2(a): was $39, now just $19.99

Nothing's huge Prime Day sale — the cans and earbuds to snap up

If I had to pick, I'm still going for the delightfully fresh, luxuriously padded teal CMF Headphone Pro, which I regularly reach for (and I test headphones for a living, remember) owing to the easy-breezy on-ear controls and fun, zealous sound when I'm out and about.

That said, there's a little more clarity in the Headphone (a) and I do love the cassette-type look of the ear cups. But if you need a bit of wiggle room in your bag for other essentials, earbuds suddenly start looking very good indeed, no?

That said, the Nothing Ear (3) are the best if you regularly record your voice, thanks to their 'Super Mic'. It's the shiny button directly under the snappy case magnet labelled 'TALK' and it's a lot of fun. It's best to think of it as very much like those little clip-on wireless mics content creators hold very close to their mouths on social media — except now, they might hold an earbuds case to their lips to add voiceovers.

Nothing calls Super Mic a "breakthrough dual-microphone system driven by ambient-filtering technology." Essentially, the dual MEMS beamforming mics built into the case focus on your voice, cutting through surrounding noise (up to 95dB is the claim) for clearer calls and voice notes. And no other product in this little roundup has it. Food for thought, then…

More Amazon Prime Day deals

• Amazon Prime: sign up for a 30-day free trial
• Amazon Devices: Fire TV, Ring & Blink from £21.99
• Apple: AirPods Pro 3 for a record-low price
• Appliances: up to 45% off Ninja, Tefal & Sage
• Essentials: household goods from under £10
• Laptops: from £149.99
• Tablets: Samsung & Lenovo from £125
• TVs: from £129.99

Here at TechRadar, we test dozens of pairs of headphones every year. And while we've been won over by many an ultra-pricey set of cans, we also love a cheap pair of headphones that punches above its price tag. This article is dedicated to showcasing these wallet-friendly wonders. I asked TechRadar's audio specialists which headphones they'd recommend to buyers on a budget, and you'll find their suggestions below.

If it's true wireless in-ears you're after, you'd struggle to do better than the Nothing Ear (a) buds, which Audio Editor Becky Scarrott awarded a perfect five stars, calling them "a resounding home run" for the British startup and praising the noise cancellation, sound quality and battery life in particular. In the current Amazon Prime Day deals, they're unbeatable value at under $55 / £50.

In the over-ear arena, standouts are the CMF Pro and the 1More Sonoflow Pro HQ51, both of which earned 4.5 stars in our tests. The former were put through their paces by Becky, who was impressed with the "superb" sound quality in general, and was pleasantly surprised to discover "the sort of... personal sound profile curation [we're] more used to seeing in headphones much higher up the food chain". The latter were reviewed by our review's team's resident headphone specialist Harry Padoan, who praised the "adept audio, noise-crushing ANC and eye-catching design". Both are even better value than usual right now, too, thanks to those Prime (and rival-Prime) deals.

Read on for more budget-maximizing buys — and hit the 'View details' button for a summary of what we thought of them in our tests, plus links to the full reviews.

Top cheap earbuds and headphones