When Colin Farrell was doing press for the first season of the detective series Sugar, he had to be very careful with how he spoke. Sugar is a story about a quirky private detective, but it's also secretly a work of science fiction, something that doesn't become clear until halfway through the season. "I knew that I could get the show in deep shit if I revealed certain things," he tells me. Now as Sugar heads into its next season, which starts streaming on Apple TV on June 19th, Farrell says he feels "unburdened" by the previous veil of secrecy. "There are certain things I wouldn't mention here about season 2," he says, "but nothing as big a …

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Horror is having a moment. In 2026, the genre is especially well-represented: new blood is dominating the box office through films like Backrooms and Obsession, established names like Sam Raimi and Damian McCarthy are at the top of their game, and long-running franchises like 28 Years Later and Resident Evil continue to stay relevant. But the most impressive piece of horror this year might just be found in the world of TV comedy: Widow's Bay, a series that manages the delicate balance of mixing scares with laughs, while also doubling as a loving tribute to the genre. It's the kind of combination that often doesn't work, which is part of what …

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In 2026, Marvel and Mattel are both releasing projects designed to capitalize on people's love for iconic animated heroes from their childhoods. Masters of the Universe has put a live-action He-Man on the big screen, and the second season of X-Men '97 is about to fling some of Charles Xavier's mutants into an apocalyptic future. Both projects were clearly made by people who love the source material, and they are similarly filled with nerdy Easter eggs meant to get hardcore fans hyped up. X-Men '97 and Masters of the Universe are both nostalgia plays, but the biggest difference between the two - and arguably the reason one of them hasn't been …

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