Em “Last Seen”, acompanhamos a vida de Ian Ridley (interpretado por Brammall), detetive policial que teve o rumo de sua vida alterado quando sua filha, Maggie, desapareceu sem deixar vestígios. Agora trabalhando como operador de chamadas da polícia, ele segue em busca de reunir a família a todo custo após receber um pedido de socorro de uma jovem que ele acredita ser justamente sua filha.
Confira o trailer:
Há também uma versão dublada em português do Brasil:
Já estão disponíveis os dois primeiros episódios da série. Os demais serão lançados semanalmente, sempre às quartas-feiras, até o dia 7 de outubro.
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Patrick Brammall is heading into a much darker week on television. Following the Last Seen screening in Sydney, the Colin from Accounts star arrives on Apple TV as a father whose missing daughter has left his life suspended for more than a decade. The Australian thriller premieres September 9, bringing a very different kind of emotional discomfort from the romantic comedy that introduced him to many American viewers.
In Colin from Accounts, embarrassment can become an opening for affection. Last Seen gives Brammall a character with far less room to recover from a bad decision. Ian Ridley is a former detective, now working as a police dispatcher, who receives a call he believes could finally lead him back to his daughter.
The casting offers an immediate reason to be curious. Audiences familiar with Brammall’s comic timing will be watching him carry a story built around loss, uncertainty, and a hope that could become dangerous.
Patrick Brammall Finds a Personal Connection to Ian Ridley
Brammall has described drawing on fatherhood to understand the role. In an interview with Radio Times, he explained that being the father of two young daughters gave him access to an emotional vulnerability he could bring into the performance.
He did not need to imagine the story happening to his own children. Becoming a parent had already changed how available those feelings were to him.
“Ian is like a raw nerve,” he said.
That description gives a more precise sense of the character than the familiar image of a troubled detective. Ian’s professional experience may help him interpret a crisis, but his connection to this particular call makes distance almost impossible.
The challenge for a performance like this lies in keeping both sides believable. An audience needs to understand why Ian recognizes a possibility others might dismiss, while remaining alert to how much he wants that possibility to be true.
Brammall also credited his classical theater training and casting director Kirsty McGregor with helping him move between genres. The dramatic assignment draws on an established acting background, even if it surprises viewers who associate him most closely with comedy.
Image Credit: Apple Inc.
One Phone Call Reopens an Eleven-Year Absence
Maggie disappeared 11 years before the events of Last Seen. Ian has never accepted that she might be gone forever. When a teenage girl calls for help, he becomes convinced that he recognizes his daughter and begins pursuing the possibility of bringing her home.
The premise places an ordinary professional responsibility under extraordinary personal pressure. A dispatcher must listen carefully, gather information, and help someone through an emergency. Ian suddenly has to do that while confronting the possibility that the voice belongs to the person he has spent years hoping to find.
There is tension in the simple absence of a face. A voice offers clues without providing the certainty of seeing someone. Memory, fear, and recognition can arrive together, leaving very little time to sort one from another.
The emotional question extends beyond whether the caller is Maggie. Eleven years have passed for everyone involved. Even a reunion could not return the family to the day before she disappeared.
That gives the story room to explore the difference between finding someone and recovering the life that existed before their loss. It also gives Brammall something more complicated to play than determination alone: a man whose idea of rescue may be tied to a past that cannot be restored.
These are the tensions established by the premise. How the series resolves them remains part of the mystery awaiting viewers.
An Australian Production With a Substantial Supporting Cast
Last Seen adapts Ryan David Jahn’s novel The Dispatcher, with Kris Mrksa serving as writer and executive producer. The series is produced by 60Forty Films and was entirely set and filmed in Victoria, Australia.
The official cast and crew credits name Christian Schwochow as director and executive producer. Brammall is joined by Maxine Peake, Brendan Cowell, Daniel Henshall, Jessica Wren, Zahra Newman, Chloe Jean Lourdes, and Tobias Muhafidin. Executive producers also include Hakan Kousetta, Jamie Laurenson, and Joanna Werner.
For American audiences, the Australian setting gives the show an identity outside the familiar geography of U.S. police dramas. Victoria is the location of the story itself, allowing the adaptation to establish its own surroundings rather than asking local scenery to stand in for another country.
The ensemble also creates room for perspectives beyond Ian’s. A missing-person story can become claustrophobic when every event is filtered through a single person’s conviction. The dramatic interest comes partly from encountering people who have their own knowledge, loyalties, and reasons for responding differently.
Brammall carries the central search, but the relationships around him will determine whether that search feels convincing as a family story.
The Action Was a Physical Challenge
Last Seen also demanded action sequences, and Brammall has been candid about finding them harder at 50 than he once imagined.
Discussing the production with Radio Times, he credited a younger scene partner with taking on much of the physical work during an early confrontation. Asked about the possibility of doing more action, he offered a practical condition: “Give me the right stunt double and I’ll do it.”
His account brings a welcome human detail to the promotional image of a desperate father fighting his way toward an answer. Performing that desperation requires choreography, cooperation, and people prepared to absorb the physical demands of a scene.
For the character, physical vulnerability can be useful territory. Ian’s willingness to intervene does not necessarily mean he is equipped to control what follows. The possibility of getting hurt gives an impulsive decision consequences beyond moving the investigation forward.
When Last Seen Arrives in the U.S.
Apple’s official premiere announcement confirms that the first two episodes arrive together on Wednesday, September 9. The remaining four episodes follow weekly, with the sixth scheduled for October 7.
That gives the thriller a five-week release window. Viewers can begin with a substantial introduction to Ian’s situation, then follow the investigation one chapter at a time. Those who prefer watching a complete season can plan around the final episode’s arrival.
The U.S. Last Seen page provides access to the series through Apple TV. No familiarity with the source novel or Brammall’s previous work is needed to begin.
American viewers will have an unusually sharp contrast available the following day. Paramount+ has confirmed that the third and final season of Colin from Accounts arrives September 10, with all episodes released at once.
Brammall returns there alongside Harriet Dyer, his wife and fellow creator, writer, and star. Their comedy began with a car accident, an injured dog, and two strangers drawn into each other’s lives. Its farewell season places another set of complicated relationships on his schedule, with considerably more space for laughter between the difficult moments.
Kris Mrksa, Joanna Werner, Brendan Cowell, Chloe Jean Lourdes, Patrick Brammall and Hakan Kousetta attend the special screening of the upcoming Apple Original series “Last Seen” on September 2, 2026 in Sydney, Australia. “Last Seen” premieres globally on Apple TV on September 9, 2026.
On Wednesday, September 2, Apple TV celebrated its highly anticipated Australian thriller series “Last Seen” with a special screening event in Sydney, Australia, attended by stars Patrick Brammall, Brendan Cowell, Daniel Henshall, and Chloe Jean Lourdes, alongside executive producers Hakan Kousetta, Kris Mrksa, and Joanna Werner.
Entirely set and filmed in Victoria, Australia, “Last Seen” is a gripping six-episode drama starring Gotham Award winner Patrick Brammall. Produced by 60Forty Films, the series is adapted by acclaimed writer and executive producer Kris Mrksa from CWA John Creasey Dagger Award-winning author Ryan David Jahn’s book “The Dispatcher.” Emmy Award-nominated filmmaker Christian Schwochow directs and executive produces the series. “Last Seen” will make its global debut on Apple TV on Wednesday, September 9, with two episodes, followed by a new episode every Wednesday through October 7.
Police detective Ian Ridley’s (Brammall) life fell apart 11 years ago when his young daughter, Maggie, disappeared without a trace. Now working as a police dispatcher, the only thing that has kept him going is his implacable refusal to accept that she might be gone forever. When he receives a distress call from a teenage girl he is certain is Maggie, he will stop at nothing to find her and reunite his broken family, whatever the cost.
In addition to Brammall (“Colin from Accounts,” “The Devil Wears Prada 2,” “Evil”), the series also stars Maxine Peake (“Say Nothing,” “Black Mirror”), Brendan Cowell (“Dune: Prophecy,” “Plum”), Daniel Henshall (“Mickey 17,” “How to Make Gravy”), Zahra Newman (“Thirteen Lives,” “Addition”), Jessica Wren (“Mr. Inbetween,” “Devil’s Playground”), Tobias Muhafidin (“Bali 2002”) and introduces Chloe Jean Lourdes.
The series is executive produced by Jamie Laurenson and Hakan Kousetta at 60Forty Films (“Hijack,” “Slow Horses,” “Down Cemetery Road”), with executive producers Schwochow (“The Crown,” “Bad Banks,” “Munich: The Edge of War”), Mrksa (“Requiem,” “No Escape,” “The Murders at White House Farm”) and Joanna Werner (“The Newsreader,” “Riot,” “Clickbait”).
Apple TV offers premium, compelling drama and comedy series, feature films, groundbreaking documentaries, and kids and family entertainment, and is available to watch across all of a user’s favorite screens. After its launch on November 1, 2019, Apple TV became the first all-original streaming service to launch around the world, and has premiered more original hits and received more award recognitions faster than any other streaming service in its debut. To date, Apple Original films, documentaries and series have been honored with 878 wins and 3,819 award nominations and counting, including multi-Emmy Award-winning and history-making comedies “The Studio” and “Ted Lasso,” global cultural phenomenon “Severance,” Apple’s most-viewed drama “Pluribus,” Academy Award Best Picture winner “CODA” and Academy Award winner “F1,” the highest-grossing sports feature of all time.
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“Last Seen” acompanha a vida de Ian Ridley (interpretado por Brammall), detetive policial que teve o rumo de sua vida alterado quando sua filha, Maggie, desapareceu sem vestígios. Agora ocupando o cargo de despachante policial, ele segue em uma busca para reunir a família a todo custo após receber um pedido de socorro de uma jovem que ele tem a certeza de ser Maggie.
Quando o despachante de emergência, lan Ridley, recebe uma ligação de uma adolescente exasperada que ele acredita ser sua filha desaparecida, nada pode impedi-lo de encontrá-la.
Confira o trailer:
A missing daughter. An alarming distress call. A father who refuses to give up.#LastSeen premieres September 9 on Apple TV. pic.twitter.com/nb1a33KMm8
No dia da estreia, como de tradição no Apple TV, chegarão ao catálogo do serviço apenas os dois primeiros episódios. Os demais serão lançados semanalmente, sempre às quartas-feiras, até o dia 7 de outubro.
O Apple TV está disponível no aplicativo Apple TV em mais de 100 países e regiões, seja em iPhones, iPads, Apple TVs, Macs, dispositivos Android, smart TVs ou online — além de também estar em aparelhos como Roku, Amazon Fire TV, Chromecast com Google TV, consoles PlayStation e Xbox. O serviço custa R$29,90 por mês, com um período de teste gratuito de 7 dias. Por tempo limitado, quem comprar e ativar um novo iPhone, iPad, Apple TV ou Mac ganha 3 meses do Apple TV. Ele também faz parte do pacote de assinaturas da empresa, o Apple One.
NOTA DE TRANSPARÊNCIA: O MacMagazine recebe uma pequena comissão sobre vendas concluídas por meio de links deste post, mas você, como consumidor, não paga nada mais pelos produtos/serviços usando os nossos links de afiliado.
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