For all the hysteria over “woke” casting and ahistorical choices, Christopher Nolan’s epic is on track to make $200 million globally during its opening weekend.
For all the hysteria over “woke” casting and ahistorical choices, Christopher Nolan’s epic is on track to make $200 million globally during its opening weekend.
Evil Empire creatives explain how it is playing to today’s ‘metroidvanias’ and honouring the original’s legacy with much fresh slaying to be done
Since the last Castlevania game hit the shelves (2014’s Castlevania: Lords of Shadow 2), Konami’s dormant series has unexpectedly spawned a hit genre. With an entire generation raised on “metroidvanias” – a portmanteau of Metroid and Castlevania – millions of players have only ever seen the games inspired by Konami’s seminal games. Now with Belmont’s Curse, launching in October, Castlevania is finally dashing back to console, where Konami hopes to reclaim its side-scroller throne.
Set 23 years after the events of 1989’s Castlevania 3 – the same setting as the hit Netflix show – Belmont’s Curse shakes off the series’ 3D ambitions and takes the Belmonts back to basics. Dispatching players to the demon-infested streets of 1499 Paris, you’re placed in the tattered boots of Trevor Belmont’s daughter, Rose. As a bishop pleads with the Belmonts to rid Paris of the ancient evil besetting the city, Rose heads into the sewers, longsword in hand, and her demon-slaying adventure begins.
BBC Philharmonic/Havlat/Kaziboni/Piatti Quartet (NMC) Einstein’s field equations, Newton’s universal law and artificial intelligence are among the subjects of Laidlow’s ambitious orchestral works
Robert Laidlow is as at home in the realms of science and technology as he is in the world of classical music. As this NMC debut album demonstrates, his intricate, wildly imaginative work is eminently approachable, even if the core concepts are highly complex.
Warp, a terse, 12-minute piano concerto, proposes a musical solution to Einstein’s field equations as the intrepid Joseph Havlat boldly goes where no pianist has gone before amid the distorting fabric of orchestral space-time. Strident orchestral lines spiral ever upwards, stretching instruments to their limits, while the piano maintains its course towards a serene conclusion. Handsomely recorded, the BBC Philharmonic and Vimbayi Kaziboni offer vibrantly detailed support.
The defense secretary’s idea of administering testosterone therapy to members of the US Armed Forces reveals little understanding of the complexity of hormones.
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