Avatar: Fire and Ash was a box office smash hit when it dropped in December 2025, and it's easy to see why. Compelling characters, breathtaking action, beautiful environments, and an array of wondrous alien creatures.

We've explored the strange creatures of the Avatar universe before, but now that the third movie has finally hit Disney+, we're taking another look at three more awe-inspiring alien creatures from these movies, including some new stunners introduced in Fire & Ash.

If you’re more of an RDA fan (or at least admire the humans’ technology), we also took a good look at Avatar’s most iconic spaceships and vehicles. James Cameron rarely misses when it comes to gorgeous sci-fi designs — man-made or natural — and eagle-eyed veterans might even spot an explicit reference (which we won’t spoil here) to Aliens in Fire and Ash.

It might be a while before we get more updates on Avatar 4 and 5’s status, so if you're itching to explore Pandora more after watching Fire and Ash on Disney+, then you should also check out the video game, Avatar: Frontiers of Pandora. Ubisoft’s open-world game is a memorable – and surprisingly brutal at times – experience, but it also lets fans explore the world, see the creatures, and dive deeper into the lore.

Now, let's mask up and prepare to drop into the wilderness of Pandora as we look at three of the Avatar series’ coolest (and weirdest) alien creatures.

Akula

First seen in Avatar: The Way of Water, the akula is a carnivorous fish that essentially acts as the great white shark of Pandora’s oceans, though it’ll remind paleofanatics of Earth’s armored Dunkleosteus. Its most shocking feature — and one perfectly showcased when it tries to eat Lo’ak in the second movie — is a three-part jaw that opens up in a big triangular shape.

Like most creatures in the Pandoran seas, the akula is important to the Metkayina’s culture. Those Na’vi choose to model their traditional knives after the teeth of the fearsome creature, and some members of the tribe even wear the akula’s actual teeth with necklaces. It’s terrifying to them, too, and thus deserves respect.

The lead creature designer on the Avatar sequels, Zachary Berger, revealed the process behind the akula’s creation, stating the basis for the final design was born from a sketch Wētā Workshop had done a long time ago. Unsurprisingly, it seems the mouth “reveal” was the final touch the otherwise familiar design needed to fully come together.

Nightwraith (ska’avum)

Another scary aerial predator introduced in the sequels is the nightwraith, which the Na’vi call ska’avum.

First seen in Fire and Ash as the ride of choice of villain Varang, it’s a four-winged monster with folding vanes that give it a distinct shape against the sky. It’s also slightly larger in size than the more common ikran, as seen during Varang and Neytiri’s ferocious clashes. Moreover, its “bony crests” give it an additional edge when it comes to attack and defense.

As far as we know, Varang is the only Na’vi to ride a nightwraith. This is a good fit considering the character’s fiery nature, but it wasn’t always the plan, as her aerial partner wasn’t defined in the script and was developed into an all-new creature after shooting had wrapped. Word is that Varang was originally meant to ride an armored ikran instead.

Southern squidray (tsyong)

Fire and Ash also added Pandora’s own giant squids to the already crowded bestiary, and those things are gnarly... even outside the water. When Eywa goes to war (again) during that third act, things get scary very fast if you’re on the human invaders’ side. Enter the four-eyed southern squidray, called tsyong by the Na’vi.

With razor-toothed tentacles and an oversized beak that opens up horizontally and can bite through most natural materials, these deep-sea hunters can feed on almost any other animal in the sea due to their impressive speed and strength in numbers.

Even the agile ilu have a hard time escaping them, so you can quickly understand why the Na’vi treat them as “dark spirits” sent by Eywa to judge. By the end of the third Avatar movie, the RDA is the one being judged (harshly) by the nightmare-inducing cephalopods.

• The Blair Witch Project reboot will be released on September 24, 2027
• YouTube creator Dylan Clark will direct the project
• Clark has already directed a number of horror shorts which are available for free on YouTube

The Blair Witch Project is getting a reboot, which will arrive in theaters worldwide on September 24, 2027. But of all the horror titles to reboot, I'm concerned this was a poor choice.

YouTube creator Dylan Clark has been announced as the director of the rebooted found footage horror movie, and there's no denying he's talented. His YouTube channel features a number of effective short films you can watch for free.

News of The Blair Witch Project's reboot was confirmed by Lionsgate on social media, where they shared the release date announcement.

Is a Blair Witch Project reboot really necessary?

That's the big question among horror fans right now, and I'm sure people have plenty of strong opinions about it.

I'm certainly excited for Dylan Clark to be working with Lionsgate, but in a world where YouTubers Kane Parsons' Backrooms and Curry Barker's Obsession are dominating the box office with their original stories, I'm unsure we should rely on a YouTuber to reboot an iconic movie like The Blair Witch Project instead of creating something new.

Indeed, recent box office figures have shown that there's an appetite for original storytelling, with both Parsons and Barker receiving widespread acclaim for their horror movies.

Backrooms made $277.4 million from its $10 million budget, and Obsession made $334.4 million from a budget of just $750,000 - incredibly impressive results which have no doubt caught the attention of Hollywood.

It's clear that horror fans want something new, and I'm among them. The only way I can see The Blair Witch Project working is if it is completely stripped back and told from a new angle.

But even so, perhaps a completely new found footage horror would have turned out better? When the original movie came out in 1999, it was exciting because it was an entirely fresh concept.

Curry Barker is currently working on a Texas Chainsaw Massacre reboot, which I was initially apprehensive about too, but he confirmed that he would be focusing on lesser-explored characters. I truly hope that Dylan Clark takes a similar angle and offers something new when it comes to The Blair Witch Project.

Right now I'm not filled with much confidence, but as always I am open to being proved wrong.

Lego is amazing, and Lego Star Wars in particular. The fact that you can spend $1000 on a gigantic Death Star set is a clear sign it's not just for kids.

But there's a catch; Lego retires sets, meaning that, unless you're willing to pay silly prices on eBay, they're forever out of your reach. Oh, sure, Lego might need space for new sets, and stores likewise, but that's no excuse to rob builders of the best Lego Star Wars sets, especially with Star Wars' 50th anniversary next year.

I've rounded up the best deals on retired or retiring Lego sets. Some of these sets have been this price before Prime Day but don't count on them sticking around much longer.

• Check out our Prime Day hub, where we bring you the best deals of Prime Day 2026, including early Prime Day deals.
• We've also got you covered with reviews and rankings of the best telescopes, binoculars, star projectors, cameras, drones, Lego, streaming and more.

Star Wars' Clone Wars-era Republic Gunship may not be a miracle of practicaliy but I think it's cool as heck and that alone is reason enough to pick up this Lego Star Wars Coruscant Guard Gunship, $42 off for Amazon Prime Day.

Save $42 on this Lego Star Wars Coruscant Gunship set

The other reason? This set has already been retired by Lego meaning that not only are you saving big, this could be your last chance to buy the Lego Star Wars Coruscant Guard Gunship, before scalpers start selling it for silly money on eBay.

On top of looking seriously imposing, this Lego set has major play potential. You can swoosh it round the living room, loaded it up with the five included mini figures and accidentally drop Chancellor Palpatine because there's something off about that guy.

If this set isn't to your taste (maybe you're one of those evil Separatists), we've rounded up the Best Lego Star Wars sets. And don't forget to check out our other Prime Day deals.

• Check out our Prime Day hub, where we bring you the best deals of Prime Day 2026, including early Prime Day deals.
• We've also got you covered with reviews and rankings of the best telescopes, binoculars, star projectors, cameras, drones, Lego, streaming and more.

This is a real Prime Day deal double-whammy. Not only is this Lego Star Wars Coruscant Guard Gunship $42 off, the cheapest it has ever been, but as a retired set this could be your last chance to own it. Without paying silly money to eBay scalpers, that is; it's already sold out on Lego's website.

Not only does this set look good on a shelf, but it has got real potential, with opening and closing doors, firing missiles and a special handle to swoosh it around your living room!

It also boasts five minifigures: Three Clone Troopers, Chancellor Palpatine and Senator Padme Amidala. Go on, Padme, give Palpatine a push. It'll save you a lot of trouble in the long run.

If you love the Clone Wars era of Star Wars, this is a superb offer but you'll have to move fast.

Key features: 1083 pieces, builder's age 9+, 27.5 × 5.5 × 14.5 × 16 in. / 15 × 37 × 41 cm size

Product launched: September 2023

Price history: We've seen the price drop a little, but this is the lowest it's ever been and likely your last chance to buy it.

Price comparison: Amazon: $98

Reviews consensus: We loved the UCS Lego Star Wars Republic gunship, and this smaller model is also extremely cool, albeit with just five figures. Its Amazon reviews are near unanimous; few complain about the price tag and this price cut addresses that.

✅ Buy it if: You want a brilliant, play-friendly set to go with your other Clone Wars Lego sets.

❌ Don't buy it if: You're not a fan of the Clone Wars era. Instead, consider something like this Lego Star Destroyer, also reduced for Prime Day.

Check out our other guides to the best telescopes, binoculars, cameras, star projectors, drones, lego and much more.

Adult Swim's smash animated series "Rick and Morty" recently unleashed its ninth season, and it's already shaping up to be one of the best seasons so far, with plenty of interdimensional shenanigans, existential excursions, evolutionary entanglements, hostile living room furniture, a potential trip to Boob World, and Pool Time!

We chatted to the creators Dan Harmon and Scott Marder earlier this month, but now we're catching up with the main cast to hear from Ian Cardoni (Rick), Sarah Chalke (Beth), Harry Belden (Morty), and Spencer Grammer (Summer) on the rigors of voice acting, playing in the multiverse, and watching all your plosives.

"We've got what we would consider classic adventures, balanced by a lot of fresh and new directions for these characters and for these stories," Cardoni tells Space.

"I can honestly say that some of my favorite moments of episodes of the whole series run are coming in season 9, and I'm excited for fans to see that. Sci-fi in its best form is human stories. It may be our future, and I think we get glimpses of that by tapping into the human elements. With all the wacky hijinks that take place, we're in for a really amazing season and some real good science fiction."

Those hijinks call for some suitably animated vocal performances from the vast though. "These are voices that take a toll, even when it’s not a session, when it requires the intense gravel or yelling of Rick," explains Cardoni.

"It requires your full instrument. I like to prep with a full cardio workout because oxygen support is what you need. Then I go on vocal rest before and after sessions. I have all kinds of warm, hot, viscous liquids to soothe. I use a vocal steamer. Harry [Belden] is really religious about his regimen, but I’ve got my own way to get myself into the voice, but not burn out. Voice acting is acting. And the show doesn’t pull any punches emotionally."

Chalke relishes her time playing Beth and Space Beth and adamantly declares season 9 as her favorite season they’ve ever done.

"There's a couple of specific episodes, 'Salute Your Morts' and 'Jer Bud' where you really get to go deeper into the relationships," she notes. "The fun part of 'Rick and Morty' as an actor is all the unique challenges because there's no limits and because it's a multiverse and because the show can go anywhere, you’re always doing things with your voice you've never done before.

"None of us have to do the voice intensity Ian does with Rick. You're working those vocal chords so hard with the burping and all of that," Chalke remarks to Cardoni. "For me, Space Beth is more in that direction than Beth. So I always record all of that first and Space Beth second because she has more of a gravelly, raspy quality to it. It's whatever you need to do to make it grounded and as real as you can."

For Belden, it was gratifying for Morty to experience a great deal of personal growth this season.

"There are a lot of intense situations that he finds himself in, and I’m excited for fans to see him go through that and come out the other side," he adds. "For me, my favorite episode is going to be the finale ["Field of Dreams"] for sure, and the journey that Morty goes on. There's so much good stuff in there."

Regarding his own regimen of keeping his vocal health tip-top, Belden explains:

"I like to run a couple of miles before I start, stretch out the entire body, do the actual vocal warmups. Morty being such a particular voice, I need a lot of breath support, so I have a wide stance and create a powerful base. I’m expanding my ribcage to support myself. And that’s not without even getting into tongue placement, spreading your lips wide to get the sound out, watching your plosives on the letter 'p.' It's all this stuff you would never ever think about."

Grammer is thrilled to see some fan favorite characters make return cameos in season 9, as we get to watch Summer and Morty just being terrible teenagers, and loves the fact that the Smith family gets a swimming pool.

"I kind of learned on the job about 14 years ago," she reveals. "I was trained as an actor though, so I have a pretty good vocal ability. But it's very demanding, especially as you get older. There’s these tiny muscles and tiny folds. The last few years, I’ve really devoted to vocal health and got to a place where I can comfortably do the Summer role really well."

Grammer has really embraced the role of Summer, but it's also led to some major lifestyle changes for her. "You have to choose where you want to live. I don’t see a lot of people now. I just work a lot", explains Grammer.

"I can’t go to a party that’s going to be loud and talk to people. And that's fine. Alcohol is really bad for hydration, so I don’t really drink anymore. I’m constantly drinking water or something really slimy all the time. I have a whole kit of just things for your voice that I always take with me."

Executive produced by Dan Harmon and showrunner Scott Marder, "Rick and Morty season 9" airs Sundays at 11 p.m. on Cartoon Network's Adult Swim, and will also begin streaming weekly on Hulu and HBO Max starting June 15, 2026.

Are you scratching your head, wondering what to buy for a child? Our expert Tantse recommends this Astronaut Galaxy Projector and right now, during Prime Day, it's just $25.

Enjoy stunning, starry displays with this Astronaut Galaxy Projector, now $25 at Amazon

Faced with buying a present for her nephews, and having been suitably impressed when she reviewed this Astronaut Galaxy Projector, Tantse (our long-time star projector reviewer), settled on this gift and she's had no complaints!

We rank it one of the best star projectors and best star projectors for kids because, despite its budget price tag, it creates some amazing, room-filling displays that'll leave children wide-eyed. Adults are just as likely to be delighted, too!

Looking for more savings? Check out our other Prime Day deals.

• Check out our Prime Day hub, where we bring you the best deals of Prime Day 2026, including early Prime Day deals.
• We've also got you covered with reviews and rankings of the best telescopes, binoculars, star projectors, cameras, drones, Lego, streaming and more.

As challenges go, one of the biggest trials in life is buying a gift for someone else's child. Assuming you like their respective adults, a drum set or a Nerf gun is right out. Fortunately, our expert Tantse Walter has the answer, with this impressive but pocket-friendly Astronaut Galaxy Projector.

Despite the name, this cool projector, which Tantse gifted to her nephews, projects both stars and galaxies. It's not scientifically accurate, but it punches well above its price tag.

In Tantse's review of the Astronaut Galaxy Projector called it "a well-made novelty star projector that every kid, or space fan, will love to have in their bedroom," and even if the kids in question aren't skywatchers, it could well kindle their interest in the cosmos.

With its remote control, customizable displays and 45-90 minutes sleep timer, adults will find it a handy meditation tool or relaxation tool too. At $25, this Astronaut Galaxy star projector is a superb gift that can transform any room.

Key features: Remote control, projects light shows, sleep timer, compact

Price history: This model tends to retail for between $29.99 and $34.99. We've sometimes seen it dip cheaper, though there are also several versions of this projector.

Price comparison: Amazon: $25

Reviews consensus: In our review of the Astronaut Star Projector, expert Tantse awarded it four stars out of five and Amazon purchasers rank it even higher.

Space: ★★★★

Featured in guides: Best star projectors, best star projectors for kids

✅ Buy it if: You want a star projector that, despite its novelty appearance, offers excellent performance and won't cost you a fortune.

❌ Don't buy it if: You want scientific accuracy because, as impressive as they are, this projector's displays don't match the night sky. Instead, consider the Sega Toys Homestar Flux.

Check out our other guides to the best telescopes, binoculars, cameras, star projectors, drones, lego and much more.

'Project Hail Mary' has finally landed on a streaming service, though maybe not the one you were expecting.

Amazon MGM Studios' "Project Hail Mary" recently launched (June 18) first on the MGM+ streaming platform, which is a sister site to Prime Video, after its 90-day theatrical window was up. As a bonus, there is a summer deal that lets you snag the Amazon Prime Video MGM+ channel for $0.99/month for 2 months. Be quick, though; this offer ends June 26.

"Project Hail Mary" sees reluctant astronaut Ryland Grace embarking on a cosmic rescue mission to save Earth, aided by a stone-skinned alien named Rocky. Fans looking for the Ryan Gosling space epic to show up on Prime Video out of the gate might be a little surprised, but as they say, That’s Hollywood, Baby.

Why MGM+ and not Amazon Prime Video?

Since Amazon MGM Studios is both a theatrical and streaming studio, deals are often shifted depending on the different monetization models involved.

In "Project Hail Mary's" case, MGM+ becomes the initial outlet for streaming and PVOD, with Prime Video as the secondary streaming destination. Movies making their first streaming stop on Prime Video, like "Red One," are handled differently within the corporation, especially if their costs were paid by Prime Video.

Directed by Phil Lord and Chris Miller, "Project Hail Mary" was a certified crowd-pleaser after a juggernaut marketing campaign that saw waves of teasers, trailers, clips, and interview videos anywhere and everywhere, which helped to catapult the popular sci-fi film adapted from Andy Weir's bestselling novel to a decent $678 million global haul.

Amazon, the behemoth parent company of both Prime Video and MGM+, possibly also made a decision to deliver the spring blockbuster initially to MGM+ as an enticement to lure prospective customers to the much smaller platform as a way to drive up subscription numbers. Prime Video's sweet MGM+ deal is further evidence of this plan's logic.

For now, "Project Hail Mary"'s interstellar odyssey is available exclusively on MGM+, but we’ll keep you updated when its official Prime Video date arrives.

You certainly can't accuse Remedy Entertainment of playing it safe and sticking to what they know.

2019's Control was a third-person shooter, last year's multiplayer spin-off, FBC: Firebreak, was a first-person shooter, and now this year's direct follow-up, Control Resonant, is a melee-focused action game. Despite the genre flip, though, it's undeniably Control — a freaky sci-fi horror mash-up that's dripping with atmosphere.

We played 40 minutes of Control Resonant at Summer Games Fest, and spoke with lead level designer Anne-Marie Grönroos about the new enemy designs, architecture, and sci-fi influences. Here's what we learned about one of this year's most anticipated upcoming sci-fi games.

"Control Resonant" has a new protagonist, but we're keeping things in the family as we take the reins of Dylan Faden, troubled brother of "Control" protagonist Jesse. Dylan Faden wakes up inside the Oldest House — a paranormal, space-defying skyscraper in the center of New York that acts as the headquarters for the Federal Bureau of Control (FBC).

Jesse promptly stabs Dylan, who wakes up surrounded by blood, death, and the massacred bodies of his FBC jailers. With no idea what's going on, Dylan flees the FBC to find that the Hiss — otherworldly crimson monsters from another dimension — have overrun Manhattan.

To fight these monsters, Dylan wields a unique weapon called the Aberrant (which just so happens to be the bar that Jesse stabbed him with). Much like Jesse's Service Weapon in the original, Aberrant can morph into multiple kinds of weapons, such as dual swords, an axe, and a scythe.

As a third-person action game (or spectacle fighter), Control Resonant feels like a toned-down version of Devil May Cry. It's just a bit slower and a bit more reserved, but it's still exhilarating to pull off combos and beat the snot out of the Hiss.

Combat is usually locked into arenas, locking you into an encounter until you've killed the Hiss. Larger enemies need to be prioritised, as the smaller Hiss will keep respawning until they're destroyed.

The Hiss are even more grotesque than I remembered from the first game; an observation that Grönroos was happy to confirm. "The enemies are a lot more mutated than they were in the first game," he notes. “They aren't just dudes shooting guns at you. A lot less human and more monstrous."

While Jesse was confined to the Oldest House, Dylan now has the freedom to roam Manhattan to find his sister. The first game's aesthetic was defined by the Brutalist architecture of FBC's surreal headquarters, and while you’ll certainly see that style here in place, Resonant pulls from a much wider pool.

"The further away you get from either the Oldest house or the Field Office, the less and less of that you'll see," explains Grönroos. "But when you see Brutalist architecture, that's also a sign that the FBC has a pretty strong presence here."

Manhattan has been well explored in video games — from Insomniac's Spider-Man and Tom Clancy's The Division through to "inspired by" titles like GTA IV — but Control Resonant's version of New York is a much more self-contained, streamlined version of the city that never sleeps.

Instead of an open world, we get a more linear platforming experience as Dylan navigates the rooftops like platforms, climbing, dashing, and double-jumping his way through the twisted landscape. This, combined with the psychedelic colors and trippy atmosphere, creates a uniquely surreal vibe that we really dig.

The Control universe is rife with sci-fi influences, with the fictional SCP Foundation sitting at the heart. The FBC investigates Altered World Events, where supernatural forces descend into reality and warp it. These lead directly to the creation of Altered Items, which are just objects infused with paranormal powers. It's all dressed up in a sort of 60s and 70s retrofuturism aesthetic, reflecting the space age and rise of media like Star Wars.

Beyond those obvious touchstones, though, there are surprising influences for this latest game. During our interview, Director Mikael Kasurinen mentioned Neon Genesis Evangelion as an influence for Control Resonant, with Grönroos adding that it heavily impacted the geometrical patterning in the game. "We also always have Inception as a reference. When you look at the city environments, this is the most Inception that we can get."

My demo ended with me facing off in a boss fight against a giant floating head with its jaw missing. Throughout the fight, it kept trying to sling rocks at me while keeping its distance, but I was able to keep up with its pace. Eventually, I managed to take it down, and then was taken to The Gap, a mysterious hub area where Dylan could upgrade his abilities.

He has plenty of upgrades to choose from, such as being able to telekinetically throw rocks, use them to form a shield, or conjure up this Aberrant into other weapons like a whip and hammer. I took a quick peek at each of the weapons and skill trees, and it seems like the combo system will definitely get more intricate later on.

There's a huge amount of variety in how to mix and match different weapons to dictate the pace and flow of battle. You can start your combo with a flurry of quick attacks from dual swords, and then come crashing down with a slow but mighty hammer at the end.

The action feels so different from the gunplay of the first game, and yet eerily familiar. Control Resonant also takes a page from Kingdom Hearts' playbook with flashy finishers. Dylan has access to a variety of them, our favorite being using the giant hammer to smash the Hiss into pieces.

Grönroos said that the biggest lesson that Remedy learned throughout developing its recent games, from Control, Alan Wake 2, FBC: Firebreak, and now Control, is giving players more freedom and agency. "Before Control, we used to just make these linear games," she explained. "Control was actually our first game where you could even backtrack, and Alan Wake 2 took that a little bit further, and now Control Resonant as well."

One of the highlights of the first Control game was the Ashtray Maze, a level where players had to fight against waves of enemies as they ran through a kaleidoscope of constantly shifting rooms and layouts. It was an adrenaline-fueled combat gauntlet that was equally exciting as it was fantastical. Grönroos was one of the minds behind designing it.

Can we expect something similar in Control Resonant? "There are definitely surprises," teases Grönroos. "Of course, I can't say what they are, but I think what made the Ashtray Maze really work was how unexpected it was. So I think there's stuff like in Control Resonant that's like that for sure."

Control Resonant launches on September 24 for PC, PS5, and Xbox Series X|S.