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Review: Carrie is a triumphant remix with one major flaw

21 October 2026 at 12:19

Carrie White, the telekinetic prom queen from hell, is one of the most beloved horror icons in popular culture. First introduced in Stephen King's 1974 novel, Carrie, the character was immortalized in director Brian De Palma's 1976 adaptation, widely regarded as one of the best horror films of all time. It's certainly one of the best King adaptations. So Mike Flanagan faced a massive challenge when he signed on to create an eight-episode miniseries for Prime Video based on the book, released just in time to mark the 50th anniversary of de Palma's film.

I was among the skeptics who questioned why a Carrie miniseries was even necessary, although as a diehard Flanagan fan ("Flana-fan"?), I was willing to give him the benefit of the doubt. If anyone has an affinity for smartly adapting horror in general, and King's work in particular, it's Flanagan. And you know what? With one (very big) exception, Flanagan pulls it off, giving us a richly textured version of the story that is as much about kindness and lost innocence as bloody, vengeful rageβ€”although we get plenty of the latter, too.

(Many spoilers below for the novel and the 1976 film, but there are no major reveals for the new series until after the second gallery. We'll give you a heads-up when we get there.)

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Β© Prime VIdeo

On its 40th anniversary, we reassess 1986's SpaceCamp

Forty years ago, the future seemed just around the cornerβ€”and the vehicle that was going to take us there was NASA's Space Shuttle. Originally envisioned as part of a larger integrated space transportation system, the shuttle was billed as a fully reusable vehicle, totally unlike the one-and-done capsules of the fading Apollo era, capable of making monthly (and perhaps even weekly) ferry flights to low Earth orbit.

The shuttle, it was hoped, would transform human space flight from extraordinary to mundane. Brands like Coke and Pepsi were quick to hop aboard and expand the Cola Wars into space, and there were even plans to blast Sesame Street's Big Bird into orbit.

The loss of Challenger in January 1986β€”carrying educator Christa McAuliffe, who would have been the first private citizen in spaceβ€”put the kibosh on all of that. The shuttle, while fantastically advanced, would never be the vehicle to help humankind slip all of our surly bonds, so to speak. Even operating at its most frantic peak in 1985 just before Challenger's loss, the shuttle hardware managed a maximum of nine flights in one calendar year; for most of the 1990s, it performed at five or six flights per year. Civilians in spaceβ€”to say nothing of Big Birdβ€”would have to wait.

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Β© 20th Century Fox

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