Superstar astrophysicist, bestselling author, podcaster and ravenous consumer of pop culture Neil deGrasse Tyson has never been shy when it comes to sharing his candid thoughts, esoteric humor and vast depth of knowledge with the entire world.

His latest book, "Lost in Space: 5,000 Facts For Navigating The Universe," is a spectacular 400-page whirlwind odyssey around the heavens that's wonderfully composed using hundreds of bold illustrations, charts, maps, galactic images, planetary profiles, astronomical wonders and historical photos that will keep curious readers engaged for a millennium or more.

Released on Sept. 15, 2026 from National Geographic and written by Tyson and StarTalk colleague Lindsey Nyx Walker, "Lost in Space" is an encyclopedic space glossary and guidebook that includes information on everything from telescopes to UFOs to exoplanets. Think of it as a colorful, eye-catching candy store of cosmic proportions.

"First you’ll notice how beautiful it is," Tyson told Space.com. "That’s National Geographic, and this is the fourth collaboration between them and our podcast. They made it into a beautiful object that, even if you didn't read it, you just want to look at it. From the cover to the layout and the pages and images, it's sheer beauty. It's a coffee table book, but it's also a really fun read. The idea was that there's so much interesting information in the universe that it's not just metrically interesting, it's analogically interesting.

"Like in our podcast, where we merge science, pop culture and humor when you can. The facts of this book were constructed to rise up above the base value of a fact and turn it into something that’s memorable to you as a reader — which means you can open to any page and pick out any fact and find something you might have never thought about. The entire universe. It's got each planet, the night sky, moons, and a section on the Periodic Table of Elements. I’m proud of it."

Longtime producer and science journalist Lindsey Nyx Walker, the book's co-author and Tyson's StarTalk co-host, helped him come up with the lion’s share of the fascinating facts and factoids, with a small writing team flushing out the last 2,000 or so details.

"It's all in the spirit of, 'Is it an interesting or tasty fact, and does it make you smile?'" Tyson said. "Because then you'll come back for more. And ideally, does it tap into something that you cared about walking into the room? So there's a lot of referencing to movies. What would happen if The Hulk went from human size to The Hulk size? If you didn’t add matter to him, he’d have the density of a beach ball and a gust of wind would bounce him down the street. He must somehow gain mass, and they don’t really address that. When we're talking about mass and density, there are ways you can reach pop culture and have that highlight other ways you might be thinking about that very same subject. I was a geeky kid, and if I saw this book on a table I'd never put it down."

"Lost In Space" is coming out just two weeks after a big astronomy event — the launch of NASA's Nancy Grace Roman Space Telescope on Aug. 30, 2026. Tyson offered up his thoughts and enthusiasms on this remarkable investigatory tool.

"I'm privileged to be a participant in a field where the simple launch of a telescope makes headlines," he said. "We’re not making science for another six months. What a joy it is to have the public celebrate our technological steps along with us. And I just think that’s a beautiful fact. It’s the next step in trying to understand dark matter, dark energy, and exoplanets — very different things from each other. But the telescope has different detectors that can rotate in and out of the focal plane so it can serve multiple sub-communities within the world’s astrophysicists. We’re all looking forward to this."

"Lost in Space: 5,000 Facts For Navigating The Universe" is available now.

We all love Steven Spielberg and his innumerable contributions to the art of cinema over the decades. His latest entry into the genre, "Disclosure Day", wasn't quite as warmly received by audiences, but it's nevertheless an entertaining sci-fi flick that's worth checking out. And good news on that front, because "Disclosure Day" will be streaming on Peacock from Oct. 9, 2026.

Produced by Universal Pictures and Amblin Entertainment for a cost of roughly $200 million (including marketing), "Disclosure Day" first touched down in cinemas on June 12, 2026. It had some of that old Spielberg magic, but ultimately felt a decade late to the UAP party; a story linked to another era where folks got all their news from local television stations.

Critics were tepid toward the alien conspiracy movie, with our own "Disclosure Day" review calling it a "close encounter with Spielberg's brilliance that doesn't quite make contact". Despite it not living up to the highs of "Close Encounters" or "E.T.", it's still a compelling thriller.

Word of mouth wasn't exactly overly enthusiastic either, and it ended its theatrical run collecting $241 million worldwide. By Hollywood's math, a movie needs to return 2.5 times its initial budget to break even, which means that "Disclosure Day" wasn't really the lucrative summer firecracker that the studio had hoped for.

"Disclosure Day" stars Emily Blunt, Josh O'Connor, Colin Firth, Eve Hewson and Colman Domingo in an often engaging but sometimes confusing cover-up plot about a Kansas City meteorologist and a tech whistleblower chased by a sinister group trying to sequester evidence that alien beings have been living amongst us on Earth.

Directed by Steven Spielberg from a screenplay by longtime collaborator David Koepp ("Jurassic Park," "The Lost World: Jurassic Park"), "Disclosure Day" will begin streaming exclusively on Peacock starting Oct. 9, 2026.

40 years ago on Sept. 12, 1986, musical icon Michael Jackson debuted in "Captain EO," a 17-minute long 3D sci-fi fantasy film. The catch? You could only see it at Walt Disney World's EPCOT Center in Florida, or — six days later — at Disneyland’s Magic Eye Theater over in Tomorrowland.

Jackson had already been anointed the King of Pop in the ‘80s with the stellar multi-platinum album "Thriller" when the creative cosmic tumblers aligned, joining the immense talents of Jackson, George Lucas, Francis Ford Coppola and the wizards of Disney's Imagineering to create one of the most unique sci-fi entertainment offerings ever conceived.

With impressive special effects, catchy songs, dynamic dance numbers and co-starring Academy Award-winning actress Anjelica Huston as the witch queen known as the Supreme Leader, "Captain EO" was a huge attraction seen by millions of Disney guests.

It told the story of a rag-tag crew of space misfits led by Jackson's charismatic Captain EO (in a sweet white leather uniform) on a mission to a sinister industrial planet to deliver a mysterious gift to its despotic ruler. Plenty of hijinks ensue with EO's oddball companions: Major Domo, Hooter, Idy & Ody, and a winged kitten creature named Fuzzball.

After crash landing on the dark world directly onto the homing beacon, EO and his crazy crew are apprehended by a gang of warrior henchmen and hauled into the throne room to face the wicked alien ruler who is imprisoned in anger and hate.

Huston is electrifying in her Giger-esque makeup, supported by a tangle of banded black cables and sporting long fingernails that were deliciously thrust into audiences’ eyes using the magic of 3D and the special red-and-blue-lensed glasses handed out when arriving for each screening.

When EO's crew manifests into a musical band to offer a song to the Supreme Leader, Hooter trips over the power cord to ruin the performance. The commotion tries the queen’s patience and she dispatches her cruel Whip Warriors to capture EO and send him to her deepest, darkest dungeon.

But EO fights back with an illuminating t-shirt (hey, it was the '80s!), some fancy dance moves and a surge of musical energy to unlock her beauty. This transforms Huston into a colorful enchantress with her grim lair now becoming a lush Greek-like temple. Darkness turns to light and everyone leaves as peaceful galactic friends.

It's an honest plot with heart and humor filled with cool tunes and a sprinkling of in-your-face 3D moments for the whole family, and really, what else would you expect from a Jackson/Disney collaboration in the decade of excess?

The two prominent songs — the original "We Are Here to the Change the World," and "Another Part of Me" — are used to great effect throughout the simple narrative. I can fondly remember leaving the Magic Eye Theater the first time I saw it in the 1990s with an uplifted attitude and the renewed vigor needed to brave the epic summertime Disneyland crowds. Over the years I’d revisited the film a dozen times and it's remained a fun time capsule of unbridled spirit perfect for its age and even more relevant today.

Production began on "Captain EO" in the summer of 1985 with "Star Wars"' creator George Lucas serving as producer and legendary Francis Ford Coppola of The Godfather fame in the director's chair. James Horner, who’d later go on to compose the music for "Titanic," was enlisted to pen the original score. Essentially an expanded music video similar in format to 1983’s horror short, "Thriller," "Captain EO" was filmed entirely in Los Angeles with Lucas's ILM unit called in for a VFX polish.

Costing nearly $30 million to produce, "Captain EO" was, at the time, the most expensive short ever filmed on a per-minute basis. It was also a pioneering attraction that used in-theater 4D techniques that delivered floodlights, fog, smoke, starfields, meteors and LED laser effects out into the audience in conjunction with the added visual component of its 70MM 3D filming process.

"For all those who share Walt Disney's dream and delight in the promise of the future, we cut this ribbon signifying the opening of the 3-D musical motion picture space adventure, 'Captain EO!,'" proclaimed Coppola at its 1986 Disneyland premiere.

The attraction ran continuously at Disney World’s EPCOT Center until 1994 and lasted three years longer at Disneyland's Magic Kingdom before it was closed in 1997.

Upon Jackson’s untimely death in 2009 it returned for an encore tribute run between 2010 and 2015, including re-releases at Tokyo Disneyland and Disneyland Paris before vanishing completely to be locked up forever in the Disney Vault. It was also broadcast once though on MTV for a 1995 Michael Jackson tribute.

While an official Disney streaming option is nowhere to be found, there are YouTube channels that have uploaded enhanced and/or upscaled copies of "Captain EO" if you've got a hankering for some heart-warming sci-fi.

With so many dire warnings, dystopian fare and AI doomsdays prophesied everywhere you turn, maybe we all need a little bit of Captain EO's hopeful “The planets are linin' up, we're bringin' brighter days” message.

Unless you’ve been living in a galaxy far, far away, you probably already know that 2027 marks the 50th anniversary of "Star Wars", as George Lucas’s sprawling space opera first struck theaters back on May 25, 1977.

To celebrate this milestone occasion, Disney and Lucasfilm are bringing the original Star Wars theatrical release to IMAX screens for the first time.

Depending on the IMAX setups available, audiences can see the legendary space opera at official IMAX locations in either digital or physical film for its triumphant re-release on Feb. 19, 2027.

This newly restored "Star Wars" print — apparently being shown without its “A New Hope” subtitle, Special Edition clutter, or CGI enhancements — will also screen at a limited number of IMAX 70mm sites.

You know what that means, right? Han will once again fire his blaster at Greedo first!

"Star Wars: Starfighter" — the upcoming Star Wars movie starring Ryan Gosling — will also be getting an IMAX release around the same time, as it launches on May 28, 2027.

As a stellar follow-up, "Star Wars: Starfighter" will blast off over the 50th anniversary weekend on May 28, 2027. It’s a standalone sci-fi adventure from director and producer Shawn Levy ("Real Steel," "Deadpool & Wolverine," "Stranger Things") headlined by Ryan Gosling ("Drive," "Blade Runner 2049," "Project Hail Mary").

Here, the omnipresent superstar portrays Kade Auberon, a cynical rogue confronted by his mysterious past. The eclectic cast also includes Matt Smith, Mia Goth, Aaron Pierre, Jamael Westman, Daniel Ings, Flynn Gray, and Amy Adams.

"Star Wars: Starfighter" was filmed for IMAX and shot with certified IMAX-approved digital cameras framed for IMAX screen ratios before being converted to IMAX 70mm film prints for screening in an exclusive number of IMAX venues in the U.S.

IMAX spots for "Star Wars" and "Star Wars: Starfighter" can be found online HERE.

The "Star Wars" IMAX re-release is coming Feb. 19, 2027. "Star Wars: Starfighter" hits theaters on May 28, 2027.

Unless you’re a naked mole rat or a worm-lizard, you were never meant to live your life out underground like the poor doomsday denizens of Apple TV's "Silo."

Season 3 has revealed how a trillionaire industrialist named Per Stenson (Colin Hanks) funded the insane project to build 50 subterranean bunkers in Georgia, housing 10,000 people each, as a bold failsafe effort against humanity’s inevitable extinction in the face of global nanotech warfare.

Hollywood has mined the sci-fi subgenre of underground exploratory movies for decades, and it’s amusing to see how real science has been either faithfully depicted or completely ignored over the years.

Regardless of geological accuracy, venturing into unnatural environments unfit for sun-seeking individuals makes for fantastic drama, from titles like "Journey to the Center of the Earth" and "The Core" to "The Mole People" and "City of Ember."

Let’s burrow into this list of subterranean sci-fi flicks to see which ones rise to the top!

10. "The Mole People"

Release date: December 1, 1956 | Director: Virgil W. Vogel

We sure love a campy black-and-white creature feature, and this 1950s favorite ticks all the boxes.

Descend thousands of feet into the center of the Earth and meet this unknown Egyptian-like empire of darkness where vicious mole monsters exist in subterranean lairs. Archaeologists and scientists join a globe-trotting expedition to find a tunnel leading to this lost civilization of pale-skinned Sumerians who enslave these hideous mole mutants to harvest their mushroom crops.

Human sacrifices, a corny romance, and truly frightening makeup effects make this cult B-movie well worth a watch. And who knew a flashlight could become such a potent weapon!

9. "10 Cloverfield Lane"

Release date: March 11, 2016 | Director: Dan Trachtenberg

John Goodman (Howard) stars in this slightly deranged sequel to 2008’s "Cloverfield" that’s considered part of the whole interconnected Cloverfield Universe that also includes the 2018 space-based thriller, "The Cloverfield Paradox."

Most of the film takes place in an underground survival bunker after a girl named Michelle (Mary Elizabeth Winstead) is rescued from a car crash by Howard and taken inside the shelter where Emmett (John Gallagher Jr.), the bunker’s designer, also exists.

Howard and Emmett try to convince Michelle that the outside world has been poisoned by an alien invasion, but she’s not buying it. With threats above ground trying to get inside, intense paranoia and jealousy growing within, this smart little gem becomes an interesting successor to producer J.J. Abrams and director Matt Reeves’ "Cloverfield" that delivers the big scares.

8. "The Core"

Release date: March 28, 2003 | Director: Jon Amiel

Toss most scientific logic out the window and just strap in for a super silly but entertaining romp into the bowels of the Earth.

Loosely based on Jules Verne’s Journey to the Center of the Earth" and packing an ensemble cast that includes Aaron Eckhart, Hilary Swank, Delroy Lindo, Stanley Tucci, Bruce Greenwood, Alfre Woodard, and Richard Jenkins, "The Core" is no cerebral affair, to be certain, but it packs ambitious set pieces and great visual effects... for the time.

The Earth’s inner core has stopped spinning, and a group of scientists must go down deep inside a special drilling vessel and restart the core with atom bombs before the world tears itself apart from magnetic anomalies.

All ends well, making this kooky B-movie a guilty pleasure.

7. "Journey to the Center of the Earth"

Release date: July 11, 2008 | Director: Eric Brevig

"We’re still falling!" This 3D remake of the 1959 classic stars Brendan Fraser as an acclaimed scientist on the hunt for a missing brother, accompanied by his young nephew (Josh Hutcherson) and a mountaineer (Anita Briem).

The VFX are updated from the '50s version, but it lacks the earnestness and charm that the original adaptation carries. Perhaps we're all just too jaded and have lost our sense of wonder in these complex modern times. This 2008 project definitely elicits more of a YA-type entertainment but sticks pretty close to the source material, with special effects that have no right to look this good after 18 years.

CGI has definitely taken a turn for the worse in the last decade, and this beautiful film helps prove that point. It's packed with rampaging dinosaurs, glowing lava, rickety raft rides, Avatar-like flora, and toothy sea monsters.

Don’t think too hard, and let the sci-fi fantasy adventure unfold.

6. "At The Earth's Core"

Release date: July 15, 1976 | Director: Kevin Connor

England's Amicus Productions takes a stab at the classic 1914 book from fantasy master Edgar Rice Burroughs, which postulates the existence of a hollow Earth containing an entire prehistoric civilization.

This cult movie is pure Saturday afternoon popcorn entertainment, with Peter Cushing as a Victorian scientist who’s invented a behemoth drill and his strapping American partner, played by Doug McClure, as they plunge 4,000 miles into the planet's interior on an exploratory mission.

It’s stuffed with silly rubber-suited monsters and light-hearted dialogue that make you completely overlook the campy winged beasts nourished by the blood of sacrificial maidens!

5. "The Descent"

Release date: July 8, 2005 | Director: Neil Marshall

Spelunking, or cave exploring, is an unnerving hobby for anyone with even a mild case of claustrophobia, so if you have a fear of tight spaces — especially those inhabited by marauding cannibal humanoids — then this might be one to avoid.

Marshall’s movie takes place in a network of unexplored caverns where six adventurous women encounter a race of flesh-eating feral beings. Discovered in an unmapped region of North Carolina’s Appalachian Mountains, these nimble creatures have existed down in the Earth's depths for thousands of years.

It's a bloody good horror romp with excellent Crawler effects but can be disturbing for those of a more delicate constitution. It did make enough box office bucks to spawn a solid 2009 sequel!

4. "First Men in the Moon"

Release date: August 6, 1964 | Director: Nathan Juran

Five years before the Apollo 11 mission that sent Neil Armstrong and Buzz Aldrin to the moon in July of 1969, came "First Men in the Moon", which took its cast deep beneath the lunar surface. This rousing sci-fi flick is adapted from the 1901 novel of the same name by H.G. Wells.

The storyline tracks an international moon expedition that discovers evidence of a secret British mission some six decades earlier. It also showcases legendary stop-motion pioneer Ray Harryhausen’s Dynamation techniques in depicting the underground dwelling insectoid Selenite beings and caterpillar-ish Moon Cattle.

The movie's dual timelines, flashing back from the present to that 19th-century mission, provide an interesting framing device hinting at the notion that the Selenites were doomed by a common cold à la Wells's "The War of the Worlds."

3. "City of Ember"

Release date: October 10, 2008 | Director: Gil Kenan

Just like the post-apocalyptic bunkers in "Silo," this movie also deals with a massive underground city meant to serve as humanity's last hope for 200 years in case of a nuclear war or other extinction-level calamities.

The plot follows two teens named Lina (Saoirse Ronan) and Doon (Harry Treadaway) who discover clues to an escape route left behind by the original architects of the vast subterranean shelter. It's based on the 2003 sci-fi novel, "The City of Ember," by American author Jeanne DuPrau and offers some impressive production design and engaging characters.

There are a lot of coincidental similarities here shared with "Silo," including a seriously shady Mayor (Bill Murray) hiding the truth from survivors, droning machinery, food and supplies running low, causing civil unrest, and even an appearance by Tim Robbins, who plays the duplicitous Bernard Holland in Apple TV’s hit dystopian series.

2. "Hidden"

Release date: September 15, 2015 | Director: The Duffer Brothers

Hidden is a highly underrated gem that has sadly been forgotten by audiences over the last decade.

Written and directed by The Duffer Brothers, who brought us five incredible seasons of Netflix’s sci-fi horror series Stranger Things, "Hidden" tells the story of a family who stumbles across a fallout shelter after military bombing drives them underground. Following on from some sort of viral outbreak, humanoid creatures now try to hunt them down as they fight for survival.

This was The Duffers’ first feature film and stars Alexander Skarsgård, Andrea Riseborough, and Emily Alyn Lind in a low-budget thriller released by Warner Bros.

"Hidden" was barely noticed on release, and we think that's a real shame. It’s got A Quiet Place vibes, and we totally recommend searching for it on major streaming platforms.

1. "Journey To The Center of the Earth"

Release date: December 16, 1959 | Director: Henry Levin

Here's an earnest attempt to adapt one of the true classics of science fiction literature, Jules Verne's "Journey to the Center of the Earth," which was first published back in 1864.

This lavish production begins at the mouth of an Icelandic volcano where a rift in the Earth has provided a possible passageway into the planet’s interior. Along for the ambitious trek are a famed geologist (James Mason), his loyal assistant (Pat Boone), a widow (Arlene Dahl), and a burly Icelander (Peter Rowan) as they discover hidden marvels while trying to evade a rival scientist (Thayer David).

It’s a breathtaking movie filmed in vivid De Luxe color to highlight all the wondrous inner-Earth rock formations, sparkling quartz grottoes, luminous inner oceans, and the fabled Lost City of Atlantis.

I'm a pretty thrifty guy; no one will ever accuse me of being a hoarder or a bulk shopper. You won’t ever see me at a Costco lugging around 48-count packs of toilet paper, hernia-inducing apple bags, or ginormous 5-pound boxes of Goldfish Crackers.

But after tinkering around with "The Last Starship" for a while, I think I could be converted into a doomsday prepper; someone who loads up on necessary supplies and has a keen sense of the proper protocol for acquiring stockpiles of food, water, ammo, and —if I were stuck out in deep space — oxygen.

After being available in early access for nearly three years, "The Last Starship" 1.0 was finally released on Feb. 6, 2026, for PC from Introversion Software, the same inventive creators of "Prison Architect". It's hardly a new release at this point, but I've been absorbed by it for the last few months, and it's definitely one that space game fans should check out.

This engaging indie sci-fi video game teaches single-player gamers how to strategically operate an interstellar shipping and trading conglomerate. It does this by repeatedly driving home the importance of planning ahead while operating in the cold vacuum of outer space and fortifying your sturdy spaceship.

Oh, and watch out for space pirates!

Introversion's "The Last Starship" is officially classified as a 2D space construction and simulation game, where you design, build, and upgrade your very own working starship. Once it’s in operational order, you strike out into the starfields to investigate colorful solar systems, discover rare resources, and even stumble upon arcane secrets.

There's a dreamy, meditative element to "The Last Starship" that can’t be denied, even in this middle-aged gamer’s attitude of flying by the seat of my pants and holding an advanced degree in procrastination from Cambridge University.

You get a sense of genuine pride in accomplishing goals, fine-tuning your interstellar trading operations, and seeing them flourish before you.

Just as in real life, your specific choices will dictate your personal odyssey, whether you’re a brave soul itching to become a pirate hunter, a working joe looking to get into salvaging, mining, or transport delivery, or a visionary scientist like the Stargate engineer.

First, choose an appropriate spaceship hull, then boost its propulsion system with engines, add critical life support systems, external sensors, thrusters. Then, supply your crew with tasty chow, and some bristling lasers and autocannons to test your might on the battlefield against space buccaneers. Rescue crews and civilians in peril, or go into business for yourself organizing an asteroid mining camp for profit. The choice is yours.

And for my fellow right-brained individuals who can barely fathom how a basic kitchen toaster works, this indie gem is a real eye-opener to the planning and engineering know-how that goes into such fantastic machines.

Once you’re up and running and your dutiful crew is bustling about carrying out various operational tasks, you're free to explore the galaxy in your new cosmic ride as its proud captain, picking up missions.

Gliding around the cosmos as the master of your own epic domain with your starship humming happily beneath you provides a supreme sense of satisfaction. Mostly you’ll be hopping around the open-world environment, building and customizing your vessel, and grabbing contracts for a variety of legitimate and illegitimate enterprises to fatten your alien-skin wallet.

Feeling ambitious? Become a hustler as a commercial spacebus driver or strike out excavating and smelting minerals for profit to sell and bolster your bank account to purchase even larger starships or equipment upgrades. Feeling lazy? Just play around and create cool ships while traversing the universe!

For intrepid commanders, the game’s procedurally generated map delivers missions and meteor storms featuring a multitude of characters inhabiting their own storylines waiting to be uncovered.

Managing your resources will be of the utmost importance, but organizational aptitude and drone deployment will exponentially increase your survivability in the final frontier. Intense space combat sessions do remind me of some of the cooler "close quarters battle" scenes in "The Expanse."

On the slight downside, "The Last Starship" might be a bit rudimentary for gamers seeking more challenging logistical endeavors, as I've found it's pretty easy to build up your spaceship. Obstacles are usually solved easily by slapping on another module or installing more reactors and managing your oxygen and CO2.

Despite that, it’s a thoroughly enjoyable initial iteration that’s constantly receiving attentive updates and patches, so hang with it, ye gallant captains.

"The Last Starship" is an excellent 2D open-world, spaceship-building game that offers tons of strategy fun in a nostalgic visual package. If you’re an "F.T.L." fanatic, you’ll absolutely dig it!

"The Last Starship" is available for purchase on Steam, Humble Store, and GOG for Windows and macOS. Oh, and there's a free demo you can check out if you're on the fence.

Creator Gene Roddenberry's "Wagon Train To The Stars," has certainly lived long and prospered since "Star Trek" first launched on the NBC Television Network on Sept. 8, 1966 with the hour-long debut episode titled "The Man Trap."

Since then, this hopeful space fantasy franchise flourished and grew to encompass a total of 9 live-action series, 3 animated series, and 14 feature films across six decades, inspiring multiple generations with its adventurous spirit, enduring optimism, and thoughtful humanism.

Now, as its 60th anniversary approaches, Paramount and its crew of worldwide partners are celebrating the milestone occasion with global fan events, theatrical screenings, special TV programming, and even a voyage into orbit.

Here’s a short list of some of the more notable "Star Trek" festivities planned for Earth:

Firstly, limited-release restored 4K screenings of the initial four "Star Trek" feature films will blaze across the big screen at 750 AMC, Cinemark Alamo Drafthouse, and Regal Cinemas across the country from Sept. 4-8, perfectly paired with the "Star Trek: The Original Series" episodes they were inspired by.

Each of these monumental showings will offer limited-edition "Star Trek" Enterprise popcorn buckets and cool multi-colored anniversary drink cups at most participating theaters... until they're all gobbled up!

On Sept. 7, "Entertainment Tonight" is broadcasting an "ET Vault Unlocked" episode showcasing archival interviews with Gene Roddenberry and cast luminaries from the franchise.

If you’re into game shows, both "The Price Is Right" and "Let’s Make a Deal" will air special "Star Trek" themed episodes Sept. 8 on CBS and Paramount+, including guest appearances by "Strange New Worlds"' Rebecca Romijn and Ethan Peck.

Not to be left out of the party, Nick at Nite delivers a marathon of "The Big Bang Theory's" most geeky “Star Trek” episodes that same day.

For fans across the pond, Trekkies can participate in a free live world record attempt on Sept. 8 at the Science Museum in London when loyal fans try to break the Guinness World Record for the most humans flashing the "Star Trek" Vulcan Salute at once!

In Tinsel Town, Gene Roddenberry’s Hollywood Walk of Fame star will receive a polished-up restored plaque on Hollywood Boulevard for the "Star Trek" creator courtesy of the Roddenberry family, the Hollywood Historic Trust and the Hollywood Chamber of Commerce.

Finally, and most appropriately, the European Space Agency will bring "Star Trek" up into the final frontier with ESA astronaut Sophie Adenot adorning her uniform with the Captain’s Delta badge from "Star Trek: Strange New Worlds" while aboard the International Space Station on Sept. 8, accompanied by commemorative content.

You know you want one of those $80 USS Enterprise popcorn vessels! Resistance is futile! However you celebrate "Star Trek's" anniversary, here's to another 60 years of "Star Trek"... or perhaps we should say, may it live long and prosper!

It's always the way, you wait 40,000 years for a Warhammer series from Amazon Prime Video, and then two come along at once.

Spinning off of Prime Video's animated video game-based anthology, "Secret Level," a new "Warhammer 40,000" animated series is marching down the creative pipeline. This spin-off series is spawned from "Secret Level's" "Warhammer 40,000" episode titled "And They Shall Know No Fear," which debuted in December of 2024.

The show doesn't have a name yet, but we know it's coming courtesy of Amazon MGM Studios, Blur Studios, and the miniature wargame's British parent company, Games Workshop.

Hollywood megastar and king of the nerds, Henry Cavill ("The Witcher"), has signed on to executive produce, alongside his role on the previously announced live-action "Warhammer 40,000" series in development at Amazon MGM Studios, which is coming from prolific writer/producer Mike Flanagan ("Midnight Mass," "Carrie").

We don't know much about the plot at this time, other than that it will focus on the Deathwatch, who are a group of intimidating cybernetically enhanced Space Marines who are particularly adept at slaying nasty extraterrestrial xenos.

Dave Wilson directed the original short, and he's signed on again here as co-creator and director, with John Orloff ("Masters of the Air," "Band of Brothers") aiding in the development process.

"Secret Level" creator Tim Miller ("Love, Death + Robots") serves as executive producer with Dave Wilson for Blur Studios, alongside Cavill and Natalie Viscuso. Joining them are Roy Lee of Vertigo Entertainment and Games Workshop's Andy Smillie.

"'Secret Level' wasn’t conceived simply as an anthology. It was designed as a launchpad for larger stories," said Wilson in a statement. "The response to the 'Warhammer' episode was extraordinary, particularly from fans who understood how much care went into getting the world right. This series gives us the opportunity to build on that foundation and tell a much larger story. I've wanted to tell a long-form story set in 'Warhammer 40,000' for more than twenty years, and I'm incredibly grateful to Games Workshop and Amazon MGM Studios for the opportunity to do it."

Prime Video is knee-deep in gaming adaptations with its acclaimed "Fallout" series and a "Tomb Raider" show starring "Game of Thrones"' Sophie Turner on the roster. Amazon MGM Studios is also hard at work on an epic "God of War" project, with "Guardians of the Galaxy's" Dave Bautista currently topping the list to portray Kratos after Ryan Hurst left the production due to an injury.

No specific release date was unveiled for "Warhammer 40,000's" animated event series, but we’ll keep you briefed on any major details in the coming months!

You might think you're done with the multiverse, but the multiverse is not done with you, as Apple TV preps the next season of its mind-bending sci-fi series, "Dark Matter."

Adapted from New York Times bestselling novelist Blake Crouch's 2016 novel of the same name, "Dark Matter" is another stellar series from the streaming platform that's become the go-to destination for premium science fiction content with hit shows "Foundation," "Silo," "For All Mankind," "Star City," "Invasion," "Pluribus," "Severance," and "Murderbot."

The debut season in 2024 took audiences into a reality-warping nightmare, and season 2 kicks things into a darker dimension when it rolls out on Aug. 28, 2026.

Season 1 found Joel Edgerton ("Star Wars: Revenge of the Sith," "Zero Dark 30," "Train Dreams") portraying Jason Dessen, a quantum physicist who gets sucked into an alternate reality and must struggle to prevent his second self from hijacking his life and family. Season 2 sees the Dessen family jolted out of their safe, quiet life once again when an unimaginable threat forces them to run once again.

"As Jason's obsession with the Box deepens, Daniela's growing paranoia pushes her to the brink, threatening to tear their fragile stability apart," reveals the synopsis. "Elsewhere, Amanda and Ryan join forces in a desperate attempt to find their way home. With Blair determined to stop him, while Leighton relentlessly chases his grand vision of creating a perfect world."

Oscar-winner Jennifer Connelly ("The Rocketeer," "A Beautiful Mind") plays his prime world wife, Daniela, and Alice Braga takes on the role of Amanda Lucas, Dessen’s girlfriend in the shifted universe. Crouch ("Wayward Pines," "Recursion," "Upgrade") again serves as "Dark Matter's" showrunner and executive producer, where he steers the first-class production with a steady, capable hand beyond the book's storyline for its sophomore season. He'll share executive producing duties alongside Joel Edgerton, Jakob Verbruggen, Don Kurt, David Manpearl, and Matt Tolmach.

"Dark Matter's first season was an engaging and underappreciated sci-fi series that should satiate fans of sci-fi shows like "Fringe," "The Man in the High Castle," "Black Mirror," and even "Rick and Morty." We can't wait for season 2.

Speaking of which, starring Jimmi Simpson, Dayo Okeniyi, Oakes Fegley and Amanda Brugel, "Dark Matter" season 2 appears on Apple TV for a fresh 10-episode outing on Aug. 28, 2026.

As evidenced by Paramount's live-action "Transformers" movies and the recent "Masters of the Universe" film released by Amazon MGM Studios, nostalgic toy lines can serve as fertile grounds for a variety of engaging Hollywood projects leaning into vintage intellectual properties.

With Mattel ramping up their own film production efforts and toy-to-screen endeavors after enormous success with "The Barbie Movie" and hi-octane plans for Hot Wheels movies rolling into theaters, the toys-to-silver screen craze shows no sign of slowing down. What could be next? We think there's a perfect choice hiding in the Mattel goldmine that might just become the next big thing.

We're of course talking about Major Matt Mason, that Plastisol astronaut action figure and kids' playset product line from the 1960s, which is celebrating its 60th anniversary this year.

Born in the 1960s, during the heat of America's space race with NASA's Apollo program aiming for the lunar landing by the end of the decade, Mattel's design mastermind's found inspiration in visionary space concept artists' wild dreams of futuristic moon bases, lunar buggies, and space vehicles.

Major Matt Mason was one of the first serious space toys to exist in the marketplace, first hitting the shelves of toy shops and department stores across the country in 1966.

Capitalizing on the daily news stories of Gemini missions and Apollo moon-walking dreams, this spacefaring fellow and his astronaut pals let kids everywhere imagine colorful cosmic adventures.

Back in 2019, Variety reported that Tom Hanks was attached to star in a Major Matt Mason live-action film being set up at Paramount Pictures with Akiva Goldsman ("A Beautiful Mind," "The Da Vinci Code") hired to write the screenplay.

Hanks is an enthusiastic advocate of NASA history after starring in Apollo 13 and co-executive producing the Emmy Award-winning HBO docuseries "From The Earth To The Moon" alongside "Band of Brothers" super producer Graham Yost. Despite the heavy hitters attached, momentum has since stalled on the sci-fi project and it's sadly been shelved for the immediate future.

Matt Mason's line-up of bendy 6-inch astronaut action figures was developed as a competitor to Hasbro's 12-inch G.I. Joe toys that ruled the marketplace in the mid-60s.

Along with Matt's fellow rubberized space buddies — available in a variety of color-accented spacesuits — Mattel also offered a complete universe to create your own space outpost and ramped lunar headquarters, alongside accessory vehicles, moon gear, expansive playsets, and Matt's "allies from the stars": A purple-and-pink creature called Scorpio, and a green-skinned friendly Jovian alien called Callisto.

With the Vietnam War raging in Southeast Asia and televised on the nightly news, Major Matt Mason blasted into Sears and JCPenney catalogs when soldier action figures were losing their appeal.

He wasn't a gun-toting commando but a heroic explorer "ready and able to cope with any space task or fierce danger." In addition to the action figures and peripheral playsets, Matt Mason became a pop culture phenomenon with his own board game, coloring books, lunch boxes, and puzzles.

Named after Mattel's co-founder Harold "Matt" Matson, the Matt Mason line carried a certain air of authenticity as many of its designers happened to be former aerospace engineers. Some of the toys' far-out designs were taken straight out of NASA conceptual art and prototypes seen in the pages of Popular Mechanics, Life, and National Geographic magazines.

But, the general public is difficult to please for any extended period of time and following the Apollo 11 moon landing in July of 1969, space toys faded in interest. Just one year later, Major Matt Mason was no more, destined only to be coveted decades later as collectors items .

As NASA ramps up their Artemis program with 2027's Artemis 3 mission, before an Artemis 4 moon landing set for 2028, and the space agency doubling down on plans for a recently announced permanent lunar base, can there be any better time for Hollywood moguls to resurrect this cool project for a fantastic, retro-styled Major Matt Mason movie or TV series?

It's certainly a better idea than a Matchbox movie.

The summer is slowly waning as we soon turn the calendar page to August and back to school supplies are already cluttering store shelves, but Hollywood still has a pocketful of of possible surprises hitting the silver screen. My prediction for "Masters of the Universe" as a summertime sleeper hit did not come to pass, though it was a totally enjoyable nostalgic romp, if not about 20 minutes or so too long.

Recent teasers and trailers starring Ewan McGregor and Anne Hathaway and their suburban family have them sprinting for their lives after a strange cosmic event whisks their placid American neighborhood seemingly back to prehistoric times when dinosaurs roamed the Earth. Think "The Twilight Zone" meets "Jurassic Park" with a dash of "A Quiet Place" and you’ll be pretty close to the wild narrative that will unfold when the "running and screaming" begins.

This all seems like the perfect recipe for a fun cocktail of primeval creatures rampaging across driveways and lawns while residents fight back with guns and garden tools. "I think our house, our neighborhood, our whole street, has moved," Hathaway's Denise Platt explains to her children in the first teaser that dropped in March and racked up a hefty 30 million views.

While "Spider-Man: Brand New Day" is surely destined to become a global sensation, we’d like you to redirect your cinematic radar to "The End of Oak Street," a cool little sci-fi fantasy film brought to life by executive producer J.J. Abrams and Bad Robot ("Lost," "Cloverfield," "Star Trek," "Star Wars: The Force Awakens").

Stomping into theaters on Aug. 14, 2026, it's written, produced, and directed by David Robert Mitchell ("It Follows") who brings his twisted sensibilities to the surreal survival material.

Fans of "The Outer Limits" might recall a similar theme, minus the feathered dinos of course, playing out in the 1964 episode, "A Feasibility Study," where aliens abduct a 6-block suburban neighborhood to their planet Luminos to study them as candidates for enslavement. Whether or not aliens are involved in this plot is unclear and Warner Bros. is now keeping that tightly under wraps.

Also starring Maisy Stella and Christian Convery and produced by Hannah Minghella, Jon Cohen, Matt Jackson and Tommy Harper, "The End of Oak Street" thunders into multiplexes on Aug. 14, 2026 and is our best bet for a late summer smash before the kiddies return to school!

We've seen things you people wouldn't believe!

The script is flipped in Prime Video's upcoming "Blade Runner 2099" series where replicants have rebelled and seized power from human beings in a massive uprising. An arresting new trailer was unleashed during the annual San Diego Comic-Con pop culture pageant and it's an atmospheric return to the futuristic realm of Ridley Scott's "Blade Runner" universe 80 years later.

"The old world forever fights to come back," Olwen tells Cora in this interesting first peek at the limited series that arrives Nov. 25, 2026. "Humans want what was taken from them. But it's our time now."

"Blade Runner 2099" stars Academy Award winner Michelle Yeoh ("Everything Everywhere All At Once") as an aging replicant Blade Runner named Olwen and Hunter Schafer ("Euphoria") playing Cora, a fugitive human trying to escape pursuing Blade Runners. It's more or less a tangential sequel to director Denis Villeneuve’s "Blade Runner 2049" set in the same neon-drenched dystopian world with a team-up element between natural and artificial beings, we're also going into outer space!

We first heard word of series executive producer Ridley Scott developing a "Blade Runner" TV show back in early 2022 and we're finally on the threshold of its 8-episode release this fall, which is helmed by showrunner and executive producer Silka Louisa ("Shining Girls").

"Fifty years after the events of 'Blade Runner 2049,' Los Angeles has been reborn, just not by humanity," states the official synopsis. "Cora, a fugitive in a final bid to stop running, takes on one last identity: a Blade Runner. Forced to partner with Olwen, a Replicant days from dying, she hunts down a runaway hiding a truth that could collapse their fragile city."

Yeoh and Schafer share cyberpunk cityscapes with Dimitri Abold ("The Hunger Games: The Ballad of Songbirds & Snakes") and Lewis Gribben ("Somewhere Boy"). Guest stars include Katelyn Rose Downey ("The Nun II"), Daniel Rigby ('Renegade Nell"), Johnny Harris ("A Gentleman In Moscow"), Amy Lennox ("Only Child"), Sheila Atim ("The Woman King") and Matthew Needham ("House of the Dragon").

"I am so excited for people to see it," Louisa told EW last week. "There is so much legacy with 'Blade Runner.' Every person who touched the show in any way is a huge fan. Everyone was very well aware of the weight of what we were doing, and we did it with great care. And when you're taking on something like this, you're very thoughtful and deliberate about each step. That is why it has taken so long, because we wanted to make sure we got it right.

"We stayed very true to the noir principles of 'Blade Runner.' And there's a mystery at the heart of the show that looks both forwards and backwards in terms of mythology that fans are gonna be very excited about."

Also executive produced in collaboration with David W. Zucker and Clayton Krueger of Scott Free Productions. "Blade Runner 2099" will appear on Prime Video Nov. 25, 2026.

Trailers and teasers for HBO’s upcoming "Lanterns" series have been suspiciously devoid of much outer space footage for the intergalactic cops known as the Green Lanterns, but that's all history now with this exhilarating new preview.

Beware the power of this illuminating peek that not only delivers generous doses of Hal Jordan (Kyle Chandler) mentoring his young apprentice, John Stewart (Aaron Pierre), but also tosses in cool shots above an alien planet, a prison world, and what could be barren Mars.

And there's green galore via electrifying emerald constructs (including a beer opener) emanating from the cosmic peacekeepers' trusty power rings. Plus we're treated to a severe warning by the normally-wisecracking Guy Gardner (Nathan Fillion) as a serious but satisfying bonus.

"Lanterns" is an 8-episode limited series arriving Aug. 16, 2026 courtesy of DC Studios and heralding from executive producers Chris Mundy, Damon Lindelof, and Tom King.

From this latest trailer it's apparent that weird shape-shifting Manhunters will be primary antagonists alongside the crimson-skinned criminal Sinestro (Ulrich Thomsen) and that has piqued our interest. It delivers a well-rounded depiction of the series' story arc and motivational beats that follow an older generation of Lanterns giving way to a younger law enforcement recruit.

"Manhunters are the most dangerous beings to ever exist in the galaxy," Paul Ben-Victor's extraterrestrial truth-seeker, Antaan, explains. "And it can take the form of any species."

This grounded, mystery-driven miniseries showcases one of DC Comics' most honored creations, the Green Lantern Corps, and their oath-reciting, ring-bearing brethren across the cosmos, here investigating odd murders in rural Nebraska.

Landing from DC Studios, Warner Bros. Television, and HBO, "Lanterns" debuts Sunday, Aug. 16 at 9:00 p.m. ET/PT on HBO and later streaming on HBO Max.

Nostalgia is a powerful elixir as demonstrated by Paramount's moving "Star Trek" tribute video created for the franchise's big 60th anniversary this year and revealed last weekend at San Diego Comic-Con during a Star Trek Universe presentation at Hall H.

It's a sentimental journey into the final frontier that chronicles the popular space opera property from its infancy as "Star Trek: The Original Series" in 1966, through 14 Hollywood feature films and numerous small screen iterations like "The Next Generation," "Deep Space Nine," "Voyager," "Enterprise," "Discovery," "Picard," "Strange New Worlds," "Below Decks," "Prodigy," and even "Starfleet Academy."

"We are all explorers, driven to know what's over the horizon," declares Scott Bakula's Captain Archer from Enterprise in this misty celebratory mission down memory lane.

San Diego Comic-Con fans attending the annual pop culture extravaganza were also treated to a packed panel featuring "Star Trek: Strange New Worlds" Season 4 stars Anson Mount, Rebecca Romijn, Ethan Peck, Christina Chong, Celia Rose Gooding, Melissa Navia, and Paul Wesley, in addition to executive producers Akiva Goldsman, Henry Alonso Myers, and Alex Kurtzman. The cast and creators offered up an extended peek at the new season and teased the fifth and final season being released in 2027.

An impressive roster of "Star Trek" luminaries made appearances to discuss Gene Roddenberry's hopeful vision of the future and the franchise's enduring legacy, including Eugene "Rod" Roddenberry, Michael Dorn, Robert Picardo, Connor Trinneer, Cirroc Lofton, Doug Jones, Michelle Hurd, Jerry O'Connell, Christina Chong, Karim Diané, and George Takei.

"For 60 years, 'Star Trek' has carried us beyond galaxies out of reach, to the very core of what it means to be human," "Discovery's" Sonequa Martin-Green states in the tribute's narration. "It began with a bold idea that the future could be united."

Stay tuned for more "Star Trek" 60th anniversary news and events this September!

SYFY’s optimistic space opera series, "The Ark," embarks upon its third thrilling season today, occupying a unique entertainment spot as the only weekly scripted sci-fi series currently on regular broadcast television.

With an impressive creative resume featuring executive producers Dean Devlin ("Stargate," "Independence Day") and Jonathan Glassner ("Stargate SG-1") and a hopeful premise about humanity’s search for a new home amid the stars, it’s a refreshing show perfect for a laidback, summertime watch.

Season 3 delivers more dangerous exoplanets inhabited by ravenous toothy monsters, the mystery of an alien stone tablet, and Captain Sharon Garnet’s Ark One searching for long-lost colonists. We caught up with Devlin to find out more about this third outing.

"We got so lucky with this cast," Devlin tells Space. "Some were cast from Canada, some from Spain, from England, and a lot of them were from Serbia. You never know if they’re going to gel, if they’re going to get along, if there's going to be any egos. It's truly an amazing group of individuals."

Talking more on the unique shooting location, Devlin notes, "I do also believe that because we shoot this show in Serbia, it kind of forces them to live together in a way. They work together, they go out to dinners together. They really spend all their time together, and I think it's created a bond off-screen that you can really see on screen."

Season 3 accelerates all the careful plot mechanisms set up in the previous outings, and the result is a colorful blend of space fantasy action and interpersonal melodrama that makes for good old-fashioned fun.

"Season one had been this crazy hit, and it did so much better than anyone thought," he explains. "While we were making season two, we had discussions about maybe splitting the show into two shows. And that one show takes place on the new colony, and the other show takes place rescuing people. When the season was over, we thought maybe we’d just stick with one show. Then suddenly I had two shows I had to cram into one show. It became twice as big with more locations, more cast, and more adventures.

"We went nuts. We went wildly over budget and just made the biggest, craziest season we could possibly imagine. Our industry has moved so far into streaming, which is great in so many ways. But the weekly viewing on cable is still something that I really treasure and really am grateful that I have a chance to do that. We have two shows doing that this summer [with TNT's "The Librarians: The Next Chapter"] and in both situations we're the only scripted show on each network."

Devlin hints that viewers are going to be shocked at some of the unexpected surprises this season and where it goes on a character level.

"That's always been the strength of this show," he adds. "These characters and bringing out new information about them and seeing how that causes conflicts amongst our group and how they overcome those conflicts. 'The Ark' always has had a mystery element, but this year the mystery box is enormous.”

One thing that’s immediately noticeable is the impressive range of visual effects on 'The Ark' this year, and Devlin admits that this is where a good chunk of the budget-busting occurred.

"The main VFX team is in Serbia, a company called Fried, and they’ve been with us this whole time. I put another team together in Los Angeles that used to be part of our Electric Entertainment effects company. So we basically had two houses because we wanted to step it up; we had a lot more shots to do, and we split the work between us. I’m really proud of the collaboration. In season one, I promised everybody that there were no aliens on 'The Ark,' but maybe down the line. Well, I guess we’re down the line.

"This is a season where if you've never seen the show before, you can jump right in. But if you have been with us for the whole journey, you're going to get some extra love by the time we get to the end of the season. This may be the most emotional ending of a season we've ever done, and I'm anxious to watch people go on that ride with us.”

Starring Christie Burke, Reece Ritchie, Richard Fleeshman, Pavle Jerinic, Stacey Read, Samantha Glassner and Ryan Adams, SYFY's "The Ark" Season 3 launches weekly starting Wednesday, July 29, 2026.

In Apple TV’s "Silo" season 3, we lunge back 352 years to the Before Times to see how the greatest engineering project in the history of the world began… and would end.

Center stage in this dark sci-fi drama are ambitious Congressman Daniel Keene (Ashley Zukerman) and journalist Helen Drew (Jessica Henwick), the pre-apocalypse duo we were first introduced to in Season 2's final episode.

In that scene, the handsome couple met on a first date in a Washington, D.C. restaurant in the aftermath of a dirty bomb that had irradiated the city.

Daniel and Helen play pivotal roles in "Silo's" elaborate conspiracy to save humanity, helping to orchestrate a colossal project in Georgia to build a controlled network of survival bunkers that will last centuries until the Earth somehow becomes habitable again after a mysterious calamity. Wait, that sounds familiar...

Zukerman and Henwick create a completely believable relationship as they’re reluctantly drawn into this mind-boggling plot to save the human race. We connected with them to learn details about cultivating their chemistry and intimacy on the show.

"It's nothing we worked to generate; it was really just there from the beginning," Zukerman tells Space. "We hung out, and we certainly didn’t hang out for the purpose of building that chemistry. I think we got very lucky to find a teammate to be able to do that with."

"We share the same taste and work ethic," elaborates Zuckerman. "When you go on a journey that’s this big with someone, and we shot every day for four months together, we just always had each other’s backs, and there was an immense amount of unconditional respect and excitement. I’m not the kind of actor that could fake it."

Henwick discussed the complexities of her resourceful character and her expanded role in season 3 by exploring what she drew from to compose a layered Helen.

"It was my memory of working on the school newspaper when I was 14," she explains. "And also my natural inclination to ‘Spanish Inquisition’ everyone. I do feel quite an affinity to journalists. I always love to ask questions, and I want to know why and want to understand things. I’m really curious about the world. I didn’t feel like I had to generate much for Helen. I actually felt like she was very close to me."

"Silo"'s impressive set design certainly helped the cast immerse themselves in the doomsday world of author Hugh Howey's dystopian novels and in this lavish Apple TV adaptation.

"I'm sort of a terrible guest to sets, especially if I'm a part of the production," Zukerman adds. "I have to remember to sit in wonder for a second at the scale of the operation. Usually I just try to live as the characters live. Then I'm so thankful that you actually get to live in a real space, especially in a sci-fi, which is not our real world.

"Where the drawers open and when you're looking at something, you're not looking at a blue screen or a green screen, you're actually able to experience life as close as you can within this alternate reality."

Likewise, Henwick absorbed "Silo's" immense scope and scale right from the start.

"I've done a lot of fantasy and sci-fi where I’m stuck in front of a green screen, or there's a tennis ball on a stick, and you have to follow it, and that's the spaceship," she shares. "It was nice to be on a show where so much of it was done practically. I remember the first day going to visit the stairs, and that blew my mind. It is a massive set, one of the biggest sets I've been on."

Executive produced by Graham Yost, “Silo” Season 3 is now streaming on Apple TV.

All systems are go! PBS just launched the second episode of its "Once Upon a Time in Space" miniseries on Tuesday, titled "The Russian Thing," and we’ve got an exclusive clip from the harrowing chapter that focuses on near disasters aboard the Space Station Mir in 1997.

In addition to the video, we’re also proud to share an exclusive interview with NASA's celebrated British-American astronaut Michael Foale, who is featured prominently in the new segment regarding the infamous cargo pod collision on Mir, which caused a decompression incident that became a life-threatening crisis.

Hailing from British filmmaker James Bluemel and his crew that delivered the award-winning "Once Upon a Time in Northern Ireland," "Once Upon a Time in Space" is a 4-part exploration of human spaceflight. Its weekly episodes trace pivotal events in spacefaring history via the personal experiences of astronauts, cosmonauts, and loved ones left on Earth from the birth of the Space Shuttle program to the blossoming of today’s commercial spaceflight industry.

"James Bluemel is a very perceptive director, and he was different from others that have interviewed me," Foale tells Space.

"What I loved about his method was he would dig up clips from our training or at different points when I was a brand new astronaut, looking really young and had a surfer boy haircut. I love windsurfing. He would dig up clips I don't know where from. And then he'd show it to you, and then he'd say, 'What do you think?'"

Foale — a distinguished veteran of six space missions who retired in 2013 — takes us back to that day of May 25, 1997, when a manual docking maneuver caused an unmanned Progress cargo ship to collide with Mir, ripping a large hole in the Russian space station’s Spektr module.

The crew’s valiant attempt to halt the pressure leak and save the station is like something straight out of a Hollywood thriller. With only 23 minutes of oxygen left, Foale and cosmonauts Vasily Tsibliev and Alexander ‘Sasha’ Lazutkin were able to repair the damage and stop the tumbling spacecraft from spinning wildly out of control.

"The root cause of the accident was trying to save money," he explains. "And the root cause was an attempt to do a manual docking from a large distance longer than any cosmonaut or astronaut does a manual docking from and doing it without the radar. The radar was built in Ukraine and cost $2 million in that timeframe. And the Russian managers did not want to pay Ukraine $2 million.

"So someone in the Energia corporation — they're the guilty company — decided they would try and get this crew at the last minute to try and do a manual rendezvous and docking without the radar from about a six-kilometer starting point. And that test was with a Progress we'd already filled up with trash and was meant to be de-orbited into the Pacific Ocean. Before it was going to be de-orbited finally, it was going to do this test."

Unfortunately, that test went horribly wrong due to Vasily Tsibliev not being able, based on measurements he could make in real time, to determine the exact closing velocity of the Progress.

"He couldn't ascertain distance very well, but you need the distance first, and then you need to divide by time to get the velocity,” notes Foale. “That was not possible in that situation and never attempted again. It caused a much higher velocity than Vasily could extinguish using the one thruster set that were turned on the Progress.

"So it bounced off, literally bounced off after crumpling part of the Spektr module and bending one of the solar arrays. The joint cracked at the base of the solar array into the module, and that's where the unseen hole is or was. And that's where the air was leaving from. It was a multiple hit that caused it to float away. And we were told as a crew about three days later, because we asked what had happened to it. They said, 'Well, engine was capable of being fired. It was capable of reorienting itself, and it de-orbited into the Pacific.'"

In the aftermath of the collision, an adapter was sent up to try and connect power back from the Spektr module into the Mir system.

"Vasily and Sasha were planned to do an internal spacewalk into the Spektr module to get to those cables that Sasha and I had had to disconnect to save the station," Foale adds. "They were going to go back in during an internal EVA. Vasily, because of the stress of the event, didn't pass the medical test done before the spacewalk, and they wire you up for a heart monitor.

"So then a day later, a call came up from the head of the program, Valery Ryumin, saying, 'Oh, Michael, you're on the radio. I'm going to ask you, would you be willing to go in and do the spacewalk inside the Spektr module instead of Vasily?'", remembers Foale. "I just knew that that was going to create a huge issue with me and Vasily because it was so humiliating for him. And he took all the blame of the collision on his shoulders, which was unfair."

Foale retired from NASA and space travel after a brilliant 30-year career with the agency and six space shuttle missions, but the lifestyle adjustment was a bit troubling at first.

“That was a depressing moment when I was being told, 'Oh, you're done,'" he shares. "I knew I couldn't survive the envy of my astronaut colleagues who are younger than me and haven't flown but once or twice. So I knew I was kind of done in space, at least with NASA. I was dreaming of being an astronaut guide like Peggy Whitson or Michael Lopez-Alegria on an Axiom mission. Those were my daydreams initially. I miss space, but I’ve found other things to replace that fun.

“I've always been turned on emotionally and romantically by soaring and flying. So living in Texas amongst the mountains with fantastic stars every night and soaring here, it's not space. It's not in a spacesuit outside the Mir looking at it, but it's pretty cool. I do go back to a much more comfortable situation in the evening, and I do ride my bike.

"As a 69-year-old now, I have a pretty good late-life pastime. But you have to make do. And hey, you have to keep telling yourself you're one of the luckiest guys around. I would say I was naively optimistic about the international collaboration in space. The show that James Bluemel has put together, "Once Upon a Time in Space," in some ways it looks like a fairytale to me when I look back on it."

"Once Upon a Time in Space's" "The Russian Thing" episode aired on July 21, 2026, at 9:00 p.m. ET on PBS, PBS.org, and the PBS app, with the final two chapters coming on July 28 and Aug. 4.

Henry Alonso Myers and Akiva Goldsman are the primary ringleaders behind "Star Trek: Strange New Worlds", and they're about to unleash the next cluster of 10 Season 4 episodes for their spirited space show.

With an abundance of genre-crossing indulgences that are scary, surreal, and sometimes silly, the Paramount+ hit is operating at full warp speed in this penultimate outing, the debut episode of which just premiered on July 23, 2026.

We hitched a ride with the acclaimed executive producers to learn all about their vision for "Strange New Worlds'" fourth season and why they believe it will prove to be the finest one yet, taking cues from ‘90s-style time-travel odysseys, haunted starships, noir crime thrillers, puppet mishaps, and utopian fantasies.

"It’s hard to come up through the ‘90s and not feel affected by a lot of the films that came out in that era, some of which my partner is directly responsible for," Myers tells Space regarding the solid one-two punch of the first two episodes.

"I think part of the goal is to come out swinging when you do a premiere. It needs its own premise that stands on its own, and then you need to figure out how to set up everything else for the season through that.

"How do you tell an emotional story that expresses where the season is going to go? And also, we want something that we think is cool. The minute we started talking about doing dinosaurs [In "Valles Marineris"], we were like, 'Yeah, let’s figure out a way to do that.' Then it became a question of how do we fit all of this into the same box."

For the unsettling (and pretty gruesome) horror episode titled "The Griffin Incident," Myers admits that Goldsman is his true north for all the horror elements because the Oscar-winning screenwriter loves it so deeply.

"I always look to see his reaction if whether or not we feel like we've hit it. And every season we’ve tried to do one, and we’ve done some decent ones. But we haven’t quite done something like a ghost story. His reaction to that made it all worth doing."

Goldsman finds it interesting that he understands the rules of the horror genre, yet he actually doesn't watch that much horror anymore, short of the horror projects that he's somehow been involved with creatively.

"The older I get, the harder it is for me to watch," he reveals. "This particular convergence of the open-hearted optimism of 'Star Trek' and the kind of haunted nature of the world behind the world. There's a cadence to this, an almost Lovecraftian sense of there’s something out there that’s more than we know and maybe not so pleasant. I just think that is really interesting in 'Star Trek.' So we built it and shot it like a horror movie, and for me it worked. It’s nice and scary.”

In choosing some of their favorite moments of Season 4, Myers and Goldsman share observations on a few key crew members as they embark on their own inner voyages.

"There is stuff that Uhura goes through this season that really gets me," notes Myers. "She was the new recruit at the beginning of the show, and this is the part where she's suddenly a bit more in charge. She also manages to risk her life and save people in ways we haven't seen on screen. And it builds to something I love, which is she looks at who she's going to be, and looks back at who she was, and has some really great emotional stories around that. I love seeing her on that journey."

Picking his pair of intrepid Starfleet officers, Goldsman looks toward Sickbay.

"I think there's a set of relationship beats between M’Benga and Chapel in the back half of the season that really deepens both those characters and helps us understand where everybody's going that I think Jess and Babs did beautifully," he adds. "So I’m really looking forward to that."

"Star Trek: Strange New Worlds" Season 4 is now streaming on Paramount+.

2026 is the 60th anniversary of "Star Trek". To help celebrate the show that creator Gene Roddenberry described as "Wagon Train to the Stars,""Star Trek: Strange New Worlds" returns to Paramount+ for its penultimate season.

From teasers and trailers that first dropped last summer and fall, we’re anticipating a rollicking batch of dynamic episodes that draw on diverse subgenres, with everything from classic film noir crime stories and time travel to spooky ghost stories and sword-clashing swashbucklers.

But the end is nigh for this colorful modern interpretation of "Trek". Next year's truncated fifth season will be the crew's final mission, so let's revel in the time we have left and beam onto the Enterprise bridge for a promising round of missions. Here's our guide to everything you need to know about "Strange New Worlds" Season 4. Hit it!

When is the "Star Trek: Strange New Worlds" Season 4 release date?

"Strange New Worlds" season 4 premieres Thursday, July 23, 2026, exclusively on Paramount+ in the US, Canada, and the UK with the first of 10 weekly episodes.

Fans can catch up and binge on all three previous seasons on the streaming platform. There are 30 previous sci-fi excursions into the known and unknown corners of the vast universe.

Forthcoming episodes of "Strange New Worlds" will land each Thursday after that, with the season finale warping into your living rooms on Sept. 24, 2026. Not signed up yet? We’ve got you covered with links to help get you up and running!

How to watch "Strange New Worlds" Season 4

"Strange New Worlds" season 4 streams on Paramount+ in the US, UK, Canada, Latin America, Australia, Italy, France, Germany, Switzerland, Austria, and Japan.

The engaging sci-fi series will also be available on SkyShowtime in the Nordics, the Netherlands, Spain, Portugal, and Central and Eastern Europe, starting July 24, 2026.

If you want to check out "Star Trek: Strange New Worlds" or any of the other great shows on Paramount+ while you're abroad, you can also use a VPN to access your subscription from anywhere in the world. It doesn’t work so well in neighboring solar systems or in the proximity of supermassive black holes!

What is the plot of "Strange New Worlds" Season 4?

After the bittersweet season 3 goodbye to Captain Marie Batel, Captain Pike’s longstanding love interest, it's back to bold business seeking out new life and new civilizations in the galaxy.

"The crew of the U.S.S. Enterprise, led by Captain Christopher Pike, embarks on a series of thrilling and emotional adventures across the stars," states the official synopsis. "On their journey, they will battle inner demons and external threats, encounter colorful new characters, reunite with familiar faces, and confront terrifying aliens. Through it all, they strive to embrace a bright, hopeful future."

Check out the individual episode titles and their scheduled air dates:

• Episode 401: "Valles Marineris" — Jul. 23
• Episode 402: "The Griffin Incident" — Jul. 30
• Episode 403: "Human Best Friend" — Aug. 6
• Episode 404: "A Case of Chiaroscuro" — Aug. 13
• Episode 405: "Level Five Transporter Accident" — Aug. 20
• Episode 406: "Off-Hour" — Aug. 27
• Episode 407: "Like Chronitons Through the Hourglass" — Sept. 3
• Episode 408: "Orders of Magnitude" — Sept. 10
• Episode 409: "Once La'An a Time" — Sept. 17
• Episode 410: "Tomorrow's Enterprise" — Sept. 24

Are There Teasers and Trailers for "Star Trek: Strange New Worlds" season 4?

You bet your coveted dilithium crystals there are!

Paramount+ delivered the main full trailer for season 4 on June 15, 2026, and it’s packed with dinosaurs, cowboys, horses, space storms, dreams, nightmares, fire-breathing dragons, haunted spaceships, and hallucinatory pleasure planets. Strap in for another genre-hopping season that could be the series’ best yet as we honor the franchise's big 60th birthday!

On July 18, Paramount+ also offered up a fun 20-minute video presenting some of the most memorable moments of Season 3 and it’s definitely worth a watch… or two!

But the funniest surprise came last summer on July 25, 2025 during San Diego Comic-Con, with the hilarious teaser that featured Captain Pike in the center seat as a Muppet! Yep, a Muppet! And we guarantee that episode is destined for immortality.

Who Are The "Strange New Worlds" Season 4 Cast And Creators?

It’s going to be all hands on deck for this fourth and penultimate season of "Strange New Worlds," with the U.S.S. Enterprise exploring the final frontier with a full cast complement and its tireless executive producers and co-showrunners Akiva Goldsman and Henry Alonso Myers at the creative helm.

Returning to Paramount+'s adventurous space fantasy show are Anson Mount (Capt. Christopher Pike), Rebecca Romijn (Number One), Ethan Peck (Spock), Jess Bush (Christine Chapel), Christina Chong (La’An Noonien-Singh), Celia Rose Gooding (Nyota Uhura), Melissa Navia (Erica Ortegas), Babs Olusanmokun (Dr. Joseph M’Benga), and Martin Quinn (Montgomery Scott), and Adrian Holmes (Admiral April).

Recurring guest stars for "Strange New Worlds" season 4 include Carol Kane as the quirky long-lived Lanthanite engineer Commander Pelia and a charismatic Paul Wesley as a younger James T. Kirk.

Will there be a "Strange New Worlds" season 5?

Yes indeed, we will be getting one final season next year, shortened to just six episodes.

The series' swan song will introduce Thomas Jane portraying Leonard "Bones" McCoy and Kai Murakami playing Hikaru Sulu. The original gang's almost all here. Will we get an Original Series reboot/reimagining after this? Our money's on yes.

The latest "Dune: Part 3" trailer arrived back on July 8, and it was a sumptuous banquet of startling set pieces, intergalactic political unrest, close-quarter combat, and a whole lot of sand and ash. A fine follow-up to the initial March teaser, to be sure.

After letting it marinate in our minds for a while, let’s break down five items of particular interest in this newest preview of the Denis Villeneuve-directed conclusion to his trilogy of far-future sci-fi epics adapted from author Frank Herbert’s novels, "Dune" and "Dune: Messiah."

Set 17 years after Paul Atreides (Timothée Chalamet) has ascended to the Emperor’s throne, "Dune: Part 3" explores the corrupting side of political power as his holy war against the Imperium’s Great Houses advances towards a destructive destiny.

Right out of the gate, Chani (Zendaya) is certainly not shy about displaying her displeasure with his ultimate betrayal, which was first fleshed out at the end of 2024’s Dune: Part 2. It’s also pretty cool to see Duncan Idaho (Jason Momoa) back as a cloned “ghola” and Paul’s powerful sister, Alia, portrayed by Anya Taylor-Joy.

So behold, our five takeaways from this brand new look at Villeneuve’s "Dune: Part 3".

1. The chilling gaze of Scytale

We already knew that a platinum-haired Robert Pattinson plays Scytale, one of the film’s main villains.

Some might have scoffed at the concept of Pattinson as an intimidating foe, but from these extra snippets in the new trailer, his shapeshifting Tleilaxu Face Dancer seems up to the task of carrying out a careful plan to remove the ruthless Paul Atreides from the throne.

Pattinson has the acting chops to pull off an intimidated foe, so he might just steal the show. And come on, folks, Pattinson was The Dark Knight!! Have a little faith.

2. Alia’s bloody scream

Alia Atreides, played by Anya Taylor-Joy, is Paul’s sister. The Bene Gesserit Revered Mother Mohiam called her an "abomination" due to the Water of Life that Lady Jessica drank while she was in the womb.

A blood-covered Alia is perhaps unleashing her god-like power on a captive Mohiam in response to a conversation we’re not privy to here, which could be not exactly a scream of peril, but a stern command.

She’s definitely not someone to cross thanks to her otherworldly paranormal skills.

3. Where did Paul’s eyes go?

Towards the end of the 3-minute trailer, we catch a shot of Paul in the aftermath of a nasty Stone Burner radiation bomb detonated by conspirators in the Arrakis capital, Arrakeen, as Paul and his personal Fedaykin guard accompany him outside the palace.

We can see his eyes are severely damaged after the intense detonation flash strikes him square in the face, causing blindness and eventual exile into the deep desert per the Fremen way.

This will open up his prescient sight abilities in new and extraordinary ways as we’ll soon see for ourselves in this third "Dune" installment.

4. Attack of the Clone

Jason Momoa’s master swordsman Duncan Idaho returns here with more sneak peek screen time.

He's shown resplendent in his crisp white uniform, heavily criticizing Paul for the thousands of worlds he’s destroyed during the terror campaign inflicted by his brutal Jihad.

But, as fans of the books will know, this is not technically the same person as his former mentor. He has been resurrected as a Ghola clone named Hayt as a ‘gift’ from the Bene Tleilaxu, and unbeknownst to Paul, he plans to assassinate the crazed ruler who is deemed beyond redemption.

5. Flight of the Navigator

One of the major grumbles coming from fans, myself included, is the lack of the Spacing Guild and its bizarre Guild Navigators in Villeneuve’s "Dune" films, but all that’s seemingly about to change.

In this trailer, we see a hovering coffin tank that no doubt contains one of the mutated human creatures warped by the spice Melange, enabling them to fold space. This former Spacing Guild member is named Edric and is a pivotal player in the plot to overthrow Paul and House Atreides.

Also seen is Edric’s sinister pod sliding silently into one of the gigantic Guild Heighliner starships.

Warner Bros.' "Dune: Part 3" lands on Dec. 18, 2026.